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The
Participatory
   House
 Museum?
   Designing for
  Participation in
“Hands-Off” Spaces
The Participatory Museum—guiding
          principles/theories
• The idea of an audience-centered institution that is
  as relevant, useful, and accessible as a shopping mall
  or train station

• The idea that visitors construct their own meaning
  from cultural experiences

• The idea that users’ voices can inform and invigorate
  both project design and public-facing programs
Log Cabin Village

• Fort Worth living history museum dedicated
  to 19th century Texas

• Seven log cabins (including a working
  gristmill), one-room school house, log
  smokehouse, reproduction blacksmith shop

• Third person historical interpreters
Where we were—
        a “pre” participatory model

•   “Chicken wire”—physical/emotional barrier
•   The spiel
•   Little visitor engagement
•   Duplicate experience at each visit…so why
    return?
What does visitor engagement
   look like for your site?

                       The “good
                       ol’ days”
Where we are—
  an “in process” participatory model
• Removal of wire and plex; still barrier, but less
  divisive
• Conversation-based interpretation
• Touch baskets
• Hands-on cabin—experience is entirely visitor-
  directed
• Social media
• Each visit, theoretically, is unique. Come back to
  learn more!
What does visitor engagement
   look like for your site?
What does visitor engagement
   look like for your site?
Challenges

• Budget—we can’t stay open later or hire more
  staff
• Seeking outside input requires TIME and
  money
• Time
• Staff retraining
• Did I mention time?
Rewards

• Staff members become stakeholders—less
  burnout
• Visitors feel emotionally and physically
  engaged and return
• Institution remains relevant in turbulent times
• Community investment
• Greater representation of the community as a
  whole
Resources

• The Participatory Museum PowerPoint—Nina
  Simon: http://tinyurl.com/ninasimon1

• Engaging Museum Audiences PowerPoint—
  Nina Simon: http://bit.ly/engagenz

• The Interpreters Training Manual for
  Museums—Mary Kay Cunningham
Wanna talk?

Rena Lawrence
Educator and Collections Manager
Log Cabin Village
817-392-6769
rena.lawrence@fortworthgov.org
Twitter.com/logcabinvillage
Facebook.com/logcabinvillage

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The participatory house museum -log cabin village

  • 1. The Participatory House Museum? Designing for Participation in “Hands-Off” Spaces
  • 2. The Participatory Museum—guiding principles/theories • The idea of an audience-centered institution that is as relevant, useful, and accessible as a shopping mall or train station • The idea that visitors construct their own meaning from cultural experiences • The idea that users’ voices can inform and invigorate both project design and public-facing programs
  • 3. Log Cabin Village • Fort Worth living history museum dedicated to 19th century Texas • Seven log cabins (including a working gristmill), one-room school house, log smokehouse, reproduction blacksmith shop • Third person historical interpreters
  • 4.
  • 5. Where we were— a “pre” participatory model • “Chicken wire”—physical/emotional barrier • The spiel • Little visitor engagement • Duplicate experience at each visit…so why return?
  • 6. What does visitor engagement look like for your site? The “good ol’ days”
  • 7. Where we are— an “in process” participatory model • Removal of wire and plex; still barrier, but less divisive • Conversation-based interpretation • Touch baskets • Hands-on cabin—experience is entirely visitor- directed • Social media • Each visit, theoretically, is unique. Come back to learn more!
  • 8. What does visitor engagement look like for your site?
  • 9. What does visitor engagement look like for your site?
  • 10. Challenges • Budget—we can’t stay open later or hire more staff • Seeking outside input requires TIME and money • Time • Staff retraining • Did I mention time?
  • 11. Rewards • Staff members become stakeholders—less burnout • Visitors feel emotionally and physically engaged and return • Institution remains relevant in turbulent times • Community investment • Greater representation of the community as a whole
  • 12. Resources • The Participatory Museum PowerPoint—Nina Simon: http://tinyurl.com/ninasimon1 • Engaging Museum Audiences PowerPoint— Nina Simon: http://bit.ly/engagenz • The Interpreters Training Manual for Museums—Mary Kay Cunningham
  • 13. Wanna talk? Rena Lawrence Educator and Collections Manager Log Cabin Village 817-392-6769 rena.lawrence@fortworthgov.org Twitter.com/logcabinvillage Facebook.com/logcabinvillage