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Eigentijds en Participatief Verzamelen

Léontine Meijer-van Mensch
Sensual Turn
Weil 2005, 2006

ends versus means
A museum is a non-profit, permanent
institution in the service of society and
its development, open to the public,
which acquires, conserves, researches,
communicates and exhibits the
tangible and intangible heritage of
humanity and its environment for the
purposes of education, study and
enjoyment.
International Council of Museums
A museum is a non-profit, permanent
institution in the service of society and
its development, open to the public,
which acquires, conserves, researches,
communicates and exhibits the
tangible and intangible heritage of
humanity and its environment for the
purposes of education, study and
enjoyment.

means
A museum is a non-profit, permanent
institution in the service of society and
its development, open to the public,
which acquires, conserves, researches,
communicates and exhibits the
tangible and intangible heritage of
humanity and its environment for the
purposes of education, study and
enjoyment.

ends
social inclusion
• Access
• Representation
• Participation

Richard Sandell
social inclusion
• Inclusive museums
• Museums as agents of social regeneration
• Museums as vehicles of broad social change
• The activist museum
example: AIDS

personal
histories

industry
and politics

David Kolb
Bernice McCarthy

medical
knowledge

social
impact

Rita Mukherjee Hoffstadt
Retrospective collecting
Contemporary collecting
“Incubation Period”
Archives: 50 (20, 30) years
Monuments: 50 years
Louvre – Musée de Luxembourg
Rijksmuseum (Amsterdam) - Museum van
Levende Nederlandsche Meesters (Haarlem,
1828-1885)
Michael Thompson, Rubbish theory (1979)

utilitarian value
trans-historic
cultural value

transient

rubbish

durable

region of fixed
assumptions

region of
indeterminacy

region of fixed
assumptions
utilitarian value

primaire context

transient

rubbish
(after Thompson 1979)
utilitarian value
trans-historic
cultural value

museologische context

transient

rubbish

durable
Michael Thompson, Rubbish theory (1979)
trans-historic
cultural value
utilitarian value

forced musealisation

transient

durable

region of fixed
assumptions

region of fixed
assumptions
• Contemporary collecting
• Documenting the present
• Documenting the present by collecting objects
Documenting the present
•
•
•
•
•

Natural history museums
Art museums
Ethnographical museums
Cultural history museums
Science and technology museums
Documenting the present
•
•
•
•
•

Natural history museums
Art museums
Ethnographical museums
Cultural history museums
Science and technology museums

City museums
Collecting strategies
Retrospective collecting
- Selecting from incomplete cohesive ensembles
(archives, archaeological heritage)
- Assembling decontextualised (and
recontextualised) individual objects
Contemporary collecting
- Selecting from antropological perspective of a
not-involved outsider
- Self-documentation/participatory collecting
Projecten 1
• Bewaarplannen
• Foto-opdrachten (Rijksmuseum)
• War artists
Projecten 2
•
•
•
•

Brieven aan de toekomst (15 mei 1998)
FotoMonument 2000 (7-13 december 2000)
Sound scape 9-9-99
De tien van 2012
www.detienvan2012.nl
1920

1960

1970
Pim Fortuyn (1948-2002)

Theo van Gogh (1957-2004)

6 May 2002

2 November 2004
Nordiska Museet (Stockholm) 1873, 1907
• 1977
• 82 members (museums, archives, academic
institutions)
Samdok
Network, created in 1977
Primary mission: supporting cultural history
museums in collecting contemporary objects
Network to organise collecting and to distribute
responsibilities
Homes pool 1978
Homes pool
Public administration Pool
Service Pool
Communication Pool
Trade Pool
Construction Pool
Textiles Pool
Food Pool
Timber and Paper Pool
Metal Pool
Agricultural and Forestry Pool
Homes Pool
Public administration Pool
Service Pool
Communication Pool
Trade Pool
Construction Pool
Textiles Pool
Food Pool
Timber and Paper Pool
Metal Pool
Agricultural and Forestry Pool
Group for Cultural Encounters 1993
Domestic Life

Local and Regional Spheres
Society and Politics
Leisure
Services
Nature and Natural resources
Manufacture

Saami Life
Group for Cultural Encounters

1997
Selection criteria
•
•
•
•
•
•

Frequency criterion
Step-ladder criterion
Representativity criterion
Appeal criterion
Domain criterion
Form criterion
Documenting the present
• Documenting what disappears
• Documenting continuity/tradition
• Documenting change/the new
http://www.museumvaals.nl/MUSEUM_VAALS_WIL_JEZUS_REDDEN.html
Contemporary, but …..
• presented to the museum at the moment that
the gay community itself was losing interest
Relevant, but …..
• the musealisation process prohibits the active
use as
- personal remembrance of partners/relatives
- educational/activist tool outside the
museum space
Possible solutions …..
• Exploring the potential of intermediate forms
of case (“musealisation light”)
• Exploring the potential of shared ownership
(“dynamic collections”)

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Vt2 eigentijds verzamelen