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from idea to outcome

 some things to think about.
Ideas – where do they come from?
Experience – experiencing things
• Senses

•   Sight
•   Hearing
•   Taste
•   Smell
•   Touch
TO   ROLL         TO   FLOW       TO   ARRANGE      TO   MODULATE
TO   CREASE       TO   SWIRL      TO   REPAIR       TO   DISTRILL
TO   FOLD         TO   ROTATE     TO   DISCARD      OF   WAVES
TO   STORE        TO   SMEAR      TO   PAIR         OF   ELECTROMAGNETIC
TO   BEND         TO   FLOOD      TO   DISTRIBUTE   OF   INERTIA
TO   SHORTEN      TO   FIRE       TO   SURFEIT      OF   IONIZATION
TO   TWIST        TO   IMPRESS    TO   SCATTER      OF   POLARIZATION
TO   TWINE        TO   INLAY      TO   COMPLEMENT   OF   REFRACTION
TO   DAPPLE       TO   LIFT       TO   ENCLOSE      OF   SIMULTANEITY
TO   CRUMPLE      TO   CURVE      TO   SURROUND     OF   TIDES
TO   SHAVE        TO   SUPPORT    TO   ENCIRCLE     OF   REFLECTION
TO   TEAR         TO   HOOK       TO   HIDE         OF   EQUILIBRIUM
TO   CHIP         TO   SUSPEND    TO   COVER        OF   SYMMETRY
TO   SPLIT        TO   SPREAD     TO   WRAP         OF   FRICTION
TO   CUT          TO   HANG       TO   DIG          TO   STRETCH
TO   SEVER        OF   TENSION    TO   TIE          TO   BOUNCE
TO   DROP         OF   GRAVITY    TO   BIND         TO   ERASE
TO   REMOVE       OF   ENTROPY    TO   WEAVE        TO   SPRAY
TO   SIMPLIFY     OF   NATURE     TO   JOIN         TO   SYSTEMATIZE
TO   DIFFER       OF   GROUPING   TO   MATCH        TO   REFER
TO   DISARRANGE   OF   LAYERING   TO   LAMINATE     TO   FORCE
TO   SHAVE        OF   FELTING    TO   BOND         OF   MAPPING
TO   OPEN         TO   COLLECT    TO   HINGE        OF   LOCATION
TO   MIX          TO   GRASP      TO   MARK         OF   CONTEXT
TO   SPLASH       TO   TIGHTEN    TO   EXPAND       OF   TIME
TO   KNOT         TO   BUNDLE     TO   DILUTE       TO   TALK
TO   SPILL        TO   HEAP       TO   LIGHT        OF   PHOTOSYNTHESIS    67-68
TO   DROOP        TO   GATHER     TO   REVISE       OF   CARBONIZATION     TO CONTINUE
your making - contextual framework

 process/materials          political

      personal       critical/ theoretical

      historical         geographical

     institutional           cultural
Getting it out of your head
Verbalising
telling other people – telling yourself
Getting it out of your head
Reflective notes - asking questions
why
what
how
when
Getting it out of your head
• Points that you found specially interesting in
  your reading, and would like to follow up in
  more detail – making connections

• Questions that came up in your mind, because
  of points made in material you read – further
  research - following up questions
Getting it out of your head
• After a session it's a good idea to reinforce your
  learning by trying to remember the main things
  you learned. Think "What were the three main
  points that were new to me, in my actions
  today?“

• Notes from other material you read as a result of
  the course - whether this was publications cited,
  or relevant material that you happened to read
  (such as newspaper articles).
Getting it out of your head
• record everything you read in this subject
  area, while you're doing the research, with a
  sentence or two on the main points an article
  was making and how useful you found it.

• Your reflections on the course, and how well it
  is meeting your needs.
Getting it out of your head
• How your learning in formal taught sessions is
  related to what you're learning in other ways.

• Thoughts that aren't yet fully formed, but that
  you want to refine later. This could include
  your feelings about the course and your
  progress in it, and theories that are
  developing in your mind.
Getting it out of your head
Visualising -

Diagram

Sketch

Model
Diagram
Diagram
Diagram
Diagram
Sketch
Sketch
Sketch
Sketch
Modelling
Modelling
Deciding on what the idea should
               become
• What do you want from the work?
• What do you want an audience to do with the
  work?

• Relate this back to -
  your question
  your intention
Deciding on what the idea should
             become
testing

sampling
Testing
•   Against what?
•   For what?
•   What are you trying to test?
•   What are you looking for?
•   What are you trying to find out?
Sampling
Sampling
Sampling
AVA
Photoshop
Illustrator

              choice
              colourways
              pattern
Prototypes




http://www.xslabs.net/karma-chameleon/site/prototypes.php



use of blog to present/disseminate ideas
Deciding on what the idea should
             become

Looking at what already exists


Looking at the work of others


Reflecting on your initial intention
Deciding on what the idea should
             become

stealing


evolving



developing
Deciding on what the idea should
             become

What is it for ?

Where does it go?

Who is it for?
The final outcome
Analyse and reflect
Analyse and reflect
Analyse and reflect
Analyse and reflect
Analyse and reflect
Analyse and reflect

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Ideas to Outcomes - A Process Guide

  • 1. from idea to outcome some things to think about.
  • 2. Ideas – where do they come from?
  • 3. Experience – experiencing things • Senses • Sight • Hearing • Taste • Smell • Touch
  • 4. TO ROLL TO FLOW TO ARRANGE TO MODULATE TO CREASE TO SWIRL TO REPAIR TO DISTRILL TO FOLD TO ROTATE TO DISCARD OF WAVES TO STORE TO SMEAR TO PAIR OF ELECTROMAGNETIC TO BEND TO FLOOD TO DISTRIBUTE OF INERTIA TO SHORTEN TO FIRE TO SURFEIT OF IONIZATION TO TWIST TO IMPRESS TO SCATTER OF POLARIZATION TO TWINE TO INLAY TO COMPLEMENT OF REFRACTION TO DAPPLE TO LIFT TO ENCLOSE OF SIMULTANEITY TO CRUMPLE TO CURVE TO SURROUND OF TIDES TO SHAVE TO SUPPORT TO ENCIRCLE OF REFLECTION TO TEAR TO HOOK TO HIDE OF EQUILIBRIUM TO CHIP TO SUSPEND TO COVER OF SYMMETRY TO SPLIT TO SPREAD TO WRAP OF FRICTION TO CUT TO HANG TO DIG TO STRETCH TO SEVER OF TENSION TO TIE TO BOUNCE TO DROP OF GRAVITY TO BIND TO ERASE TO REMOVE OF ENTROPY TO WEAVE TO SPRAY TO SIMPLIFY OF NATURE TO JOIN TO SYSTEMATIZE TO DIFFER OF GROUPING TO MATCH TO REFER TO DISARRANGE OF LAYERING TO LAMINATE TO FORCE TO SHAVE OF FELTING TO BOND OF MAPPING TO OPEN TO COLLECT TO HINGE OF LOCATION TO MIX TO GRASP TO MARK OF CONTEXT TO SPLASH TO TIGHTEN TO EXPAND OF TIME TO KNOT TO BUNDLE TO DILUTE TO TALK TO SPILL TO HEAP TO LIGHT OF PHOTOSYNTHESIS 67-68 TO DROOP TO GATHER TO REVISE OF CARBONIZATION TO CONTINUE
  • 5. your making - contextual framework process/materials political personal critical/ theoretical historical geographical institutional cultural
  • 6. Getting it out of your head Verbalising telling other people – telling yourself
  • 7. Getting it out of your head Reflective notes - asking questions why what how when
  • 8. Getting it out of your head • Points that you found specially interesting in your reading, and would like to follow up in more detail – making connections • Questions that came up in your mind, because of points made in material you read – further research - following up questions
  • 9. Getting it out of your head • After a session it's a good idea to reinforce your learning by trying to remember the main things you learned. Think "What were the three main points that were new to me, in my actions today?“ • Notes from other material you read as a result of the course - whether this was publications cited, or relevant material that you happened to read (such as newspaper articles).
  • 10. Getting it out of your head • record everything you read in this subject area, while you're doing the research, with a sentence or two on the main points an article was making and how useful you found it. • Your reflections on the course, and how well it is meeting your needs.
  • 11. Getting it out of your head • How your learning in formal taught sessions is related to what you're learning in other ways. • Thoughts that aren't yet fully formed, but that you want to refine later. This could include your feelings about the course and your progress in it, and theories that are developing in your mind.
  • 12. Getting it out of your head Visualising - Diagram Sketch Model
  • 23. Deciding on what the idea should become • What do you want from the work? • What do you want an audience to do with the work? • Relate this back to - your question your intention
  • 24. Deciding on what the idea should become testing sampling
  • 25. Testing • Against what? • For what? • What are you trying to test? • What are you looking for? • What are you trying to find out?
  • 28. Sampling AVA Photoshop Illustrator choice colourways pattern
  • 30. Deciding on what the idea should become Looking at what already exists Looking at the work of others Reflecting on your initial intention
  • 31. Deciding on what the idea should become stealing evolving developing
  • 32. Deciding on what the idea should become What is it for ? Where does it go? Who is it for?