UFO Aliens Prometheus

A Weekly Global Watch Media Publication (www.globalreport2010.com) June 8th, 2012

The Global Watch Weekly Report is a publication of Rema Marketing (www.remamarketing.com) and is published every Friday.
For any queries regarding this service please contact us at admin@remamarketing.com. ©Rema Marketing 2012. All Rights Reserved.

“The Number one weekly report which
provides concrete evidence of a New World
Order & One World Government agenda”

www.globalreport2010.com

This is a FREE report. Please pass this on to
others who you may feel would benefit from this
information. Web site owners please feel free to
give this away to your site visitors or email lists

Not yet on our mailing list? Then visit the web
site link below and sign up to ensure you don't
miss out on these free weekly reports


Welcome to the Global Watch Weekly Report
Prometheus (Greek: Προμηθεύς) is a Titan, culture hero, and trickster figure who in Greek
mythology is credited with the creation of man from clay and the theft of fire for human use, an
act that enabled progress and civilization. He is known for his intelligence, and as a champion of
mankind. The punishment of Prometheus as a consequence of the theft is a major theme of his
mythology, and is a popular subject of both ancient and modern art. Zeus, king of the Olympian
gods, sentenced the Titan to eternal torment for his transgression. The immortal Prometheus
was bound to a rock, where each day an eagle, the emblem of Zeus, was sent to feed on his
liver, only to have it grow back to be eaten again the next day.

In some stories, Prometheus is freed at last by the hero Heracles (Hercules). Among the ancient
Greeks, Prometheus was venerated as a divinity. In the Western classical tradition, Prometheus
became a figure who represented human striving, particularly the quest for scientific knowledge,
and the risk of overreaching or unintended consequences. In particular, he was regarded in the
Romantic era as embodying the lone genius whose efforts to improve human existence could
also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to
her novel Frankenstein (1818).

It is thus of interest that a movie would emerge in June 2012 by the very same name. The movie
Prometheus is a 2012 science fiction film directed by Ridley Scott and written by Jon Spaihts and
Damon Lindelof. Set in the late 21st century, the story centers on the crew of the spaceship
Prometheus as they follow a star map discovered among the remnants of several ancient Earth
civilizations. Led to a distant world and an advanced civilization, the crew seeks the origins of
humanity, but instead discovers a threat that could cause the extinction of the human race.

The big importance of reviewing this movie is because it provides exposure to the debate
regarding the origins of mankind and reaches a conclusion which is squarely at odds with the
genesis account of creation.

4 PROMETHEUS: THE STORY

8 INTERVIEW WITH RIDLEY SCOTT

12 THE BIBLICAL VERDICT ON PROMETHEUS

16 THE SECRETS OF PROMETHEUS


The Global Watch Weekly Report is a publication of Rema Marketing (www.remamarketing.com) and is published every Friday.
For any queries regarding this service please contact us at admin@remamarketing.com. ©Rema Marketing 2012. All Rights Reserved.

D

PROMETHEUS: THE STORY
Blackberry Under the Spotlight

Prometheus is a 2012 science fiction film directed A script by Spaihts acted as a prequel to the events
by Ridley Scott and written by Jon Spaihts and of the Alien films, but Scott opted for a different
Damon Lindelof. The film stars Noomi Rapace, direction to avoid repeating cues from those films. In
Michael Fassbender, Guy Pearce, Idris Elba, Logan late 2010, he brought Lindelof onto the project to
Marshall-Green and Charlize Theron. rewrite Spaihts' script, and together they developed
a separate story that precedes the story of Alien but
Set in the late 21st century, the story centers on the is not directly connected to that franchise.
crew of the spaceship Prometheus as they follow a
star map discovered among the remnants of several According to Scott, though the film shares "strands
ancient Earth civilizations. Led to a distant world of Alien's DNA, so to speak", and takes place in the
and an advanced civilization, the crew seeks the same universe, Prometheus will explore its own
origins of humanity, but instead discovers a threat mythology and ideas.
that could cause the extinction of the human race.
The film entered production in April 2010, with
The fi l m began extensive design phases developing the technology
development in the and creatures the film required. Principal
early 2000s as a fifth photography began in March 2011, on an estimated
entry in the Alien $120–130 million budget, with filming taking place
franchise, with both almost entirely on practical sets and on location in
Scott and director England, Iceland, Spain, and Scotland. The film was
James C a m e r o n shot entirely using 3D cameras.
developing ideas for a
film that would serve Prometheus was supported by a marketing
as a prequel to Scott's campaign that included viral activities on the web.
1979 science fiction The campaign released three videos that featured
horror film Alien. By stars from the film, in character, which expanded on
2003, the project was elements of the fictional universe and received a
sidelined by the generally positive reception. Prometheus was
development of Alien vs. Predator, and remained released on June 1, 2012, in the United Kingdom
dormant until 2009 when Scott again showed and is scheduled for release today June 8, 2012 in
interest. the United States and Canada.

www.globalreport2010.com 4

D

THE MOVIE PLOT They interpret this as an invitation from humanity's
forerunners: the "Engineers". Peter Weyland, the
The movie begins with the scene of a spacecraft elderly founder of the Weyland Corporation, funds
arriving on earth in the distant past. A giant human the creation of the scientific vessel Prometheus to
like alien (known as the engineer) is first introduced follow the map to the distant moon LV-223. The
as a humanoid creature wearing a cloak. His skin is journey takes several years with all crew in deep
bright white with incredible muscle tone and size, as sleep under the watch of a human android called
well as having very dark, black eyes. David.

He is looking up at a massive circular vessel (your
classic UFO) as it departs from planet Earth and
ascends into the sky - leaving the engineer to In 2093, the ship arrives at its destination, and its
sacrifice himself in order to create life on this new crew are informed of their mission to find the
world. He drinks a dark liquid but then its body engineers. Mission director Meredith Vickers orders
disintegrates and falls into a waterfall, seeding Earth them to avoid direct contact if the Engineers are
with its DNA. found. The Prometheus lands near a pyramidal type
structure and a team is sent to explore within.

Inside they find several stone cylinders, a monolithic
statue of a humanoid head, and the corpse of a
giant alien, thought to be one of the engineers.
Other bodies are later found, and the species is
presumed to be extinct. David secretly takes a
cylinder, while the remaining cylinders begin leaking
dark liquid.

A rapidly approaching storm forces the crew to
The movie then fast forwards to the year 2089, return to Prometheus, leaving crew members
archaeologist couple Elizabeth Shaw and Charlie Milburn and Fifield stranded in the structure. After
Holloway discover Sumerian type 30,000 year old spending many hours alone inside the structure,
rock paintings in a cave in the island of Skye in Fifield and Milburn are attacked by snake-like
Scotland among several unconnected ancient creatures. Milburn is killed, and corrosive fluid from
cultures which seems to be a visual code conveying one of the creatures melts Fifield's helmet, exposing
an ancient star map. him to the leaking dark liquid.


D

In the ship, the captured engineer's DNA is It is interesting to note that Holloway’s body starts to
analyzed and found to match that of humans. show the characteristics that mimicked that of the
Meanwhile, David the android investigates the 'sacrificed engineer' in the beginning of the film; by
cylinder and discovers a dark liquid. He intentionally having his veins turn black and his skin starting to
infects Holloway with the substance by spiking his deteriorate. His eye and pupils also transform.
drink to see what impact the substance would have
on Holloway. Later that same day, Shaw and the
infected Holloway have sex.

The following day when the storm has cleared the
crew returns to the structure to find their two
comrades only to find Milburn's corpse. But more
importantly David discovers a room containing an
engineer in stasis and a star map highlighting Earth.

When they reach the Prometheus, Vickers refuses
to let the team back onto the ship with Holloway
fearing a contagious viral infection and Holloway
surrenders himself to Vickers' flamethrower, in an
attempt to protect Shaw and the rest of the crew
from what he fears may ensue from his mutation if
left alive. We see Holloway's body completely
engulfed in flames as he slowly dies. Even Vickers
seems to be shocked and horrified by what she
sees.
The engineer in the temple (upon David waking him
up), is wearing a bio-mechanical suit but why? Meanwhile a medical scan reveals that Shaw,
despite earlier on in the movie known to be infertile,
is pregnant with an alien foetus. Shaw uses an
automated surgery table to cut the alien offspring
from her abdomen and she escapes from the
operating room theatre with the alien embryo still
alive but trapped in the operating theatre thrashing
around and seemingly growing at an accelerated
rate.

Weyland the founder of the corporation funding the
expedition is then is revealed to have been in stasis
The theory is that the engineers on LV-223 (the aboard Prometheus all along and he explains to
moon on which Prometheus takes place) are the Shaw that he intends to go back to the engineer that
'military' of the Engineers - and, as Captain Janek David found and ask the engineer to prevent his
speculates in the film; that the temples on this moon death from old age.
are actually military testing facilities. This is where
they develop the biological weapons, which will aid Weyland and a team returns to the structure and
them in the cleansing of planets before creating new awaken the engineer, who is discovered to be the
life. Or -- are they to be used as weapons of war pilot of an engineer spaceship. David speaks to the
against other races throughout the universe? One engineer in a language resembling Sumerian in
thing is for sure, LV-223 is not the engineer home which the engineer understands but then responds
world. by decapitating the android and then killing Weyland
and the other crew with him.
Meanwhile Holloway's infection rapidly ravages his
body, and he is rushed back to Prometheus.


D


Shaw however manages to escape and exit the to understand why they created humanity and later
engineer compound whilst the engineer kills the attempted to destroy it. Thus setting the stage ready
crew and then activates his space ship residing for an obvious sequel.
within the compound in which its attempts to
complete its mission by travelling back to earth to The topic of religion is obliquely addressed in the
release a liquid. Shaw convinces the Prometheus movie, as it is revealed Elizabeth's presence on the
controller, Janek to stop the engineer spaceship - ship has more to do with the fact she is "a true
so Janek crashes Prometheus into it while Vickers believer" than her skills as an archaeologist. She
ejects from the ship. believes the aliens, or "engineers" can answer her
questions and the meaning of life, and she walks
The disabled engineer spaceship crashes back onto around with a cross around her neck, which implies
the planet, killing Vickers. Shaw goes to Vickers' some connection to religion.
lifeboat and finds the alien embryo which has grown
to a gigantic size. The engineer meanwhile survives Ultimately in the movie, we learn that the engineers
the crash and searches for Shaw recognizing her as were originally planning to take a ship full of
being responsible for preventing it from leaving the destructive cargo to earth 2,000 years prior to the
planet. Reaching the lifeboat it attacks Shaw, who events of Prometheus - in order to exterminate all
then releases the alien offspring in defence. In a life in order to start fresh and create something new,
titanic struggle the alien embryo and the engineer a higher-evolved breed of human perhaps? We
fight with ultimately the alien embryo thrusting it never really understand much about the reasoning
tentacle down the engineer's throat, and killing the behind this plot - but David simply puts it as
engineer. 'Sometimes you must destroy in order to create'.

So, with this knowledge, obviously something had
gone wrong during the preparation of this
extermination that forced the engineers to abandon
their work and seek refuge by hiding in a secured
area of their temple. Locking them inside until
someone would come to wake them up again.

Shaw recovers the android David's head, and with
his help she launches another engineer spaceship
to travel to the engineers' home world in an attempt


D

INTERVIEW WITH RIDLEY SCOTT
In December 2011, Erlingur Gretar, Editor-in-chief of Filmophilia.com interviewed Ridley Scott about his
movie, Prometheus which has now been released in June 2012. The interview transcript is as follows.

Erlingur Grétar Einarsson: What [part of Prometheus] are you shooting in Iceland? What role in the film
does it “play”?

Ridley Scott: It’s, you know, whenever you’re talking about science-fiction, it always sounds pretentious or
corny. It’s actually “The beginning of time”. But I think we’ve got it right. (He laughs) So, it will be a pretty
good beginning of time.

EGE: [The Prometheus’ cast] is a very impressive line-up.

RS: Yeah, you know, we were staying with the notion that there were no stars in the first film [1979's
Alien]. I think it was [Weaver‘s] first film. They were not stars.

EGE: Skerritt had some name recognition, maybe at the same level Fassbender is now.

RS: Yeah. I didn’t make that as a plan, you know. Sometimes it’s better when you have a story, where
you’re gonna lose people during the story, that they are lesser known. Of course, Charlize [Theron] is very
well known, but she hangs around ‘till the end. (He laughs)

EGE: So you are linking this directly with the Alien films?

RS: Not at all.

EGE: Not at all?

RS: No.

EGE: No?

RS: I mean, you could actually say, and there’s a quote I did, a pretty good quote: By the end of the third
act you start to realize there’s a DNA of the very first alien, but none of the subsequent aliens. To tell you
what that is is a pity, and I’m not going to tell you, because it’s actually pretty good, pretty organic to the
process and to the original. But we go back, we don’t go forward.

EGE: The official synopsis from Fox says that this revolves around the “Alien Gods”, the “Space Jockey”
from the first film.


D

RS: Yeah, so there you have that. I was always amazed that, I mean, I’ve only done two science-fictions,
but I was always amazed that no one asked who the hell the Space Jockey was. He wasn’t even called the
Space Jockey. During the film they started to call it the Space Jockey. I don’t know who started that one
off. I always thought it was amazing that no one ever asked who he was, and why was he there? What
was all that about? I sat thinking about this for a while and thought, well, there’s a story! And the other four
[films] missed it! So, here it is.

EGE: Will you be using any of Giger’s original design for this film?

RS: We’ve had a pretty good relationship with Giger for many years. I was the first one to go see him in
Switzerland, and persuade him to get on a plane. He wouldn’t get on a plane, because he was afraid of
flying. And he finally came to Shepperton. He was with me for eleven months. Never went into town,
stayed over a pub in Shepperton. Very non-Giger, not exotic. You’d think he’d be in a suite in a hotel. He’s
in a pub. He was in a room over a pub, and he was very happy there. And yeah, I brought him in, I showed
him what we were doing, showed him the story and he liked it a lot. So he’s doing a little bit of work for me.
He’s been doing some murals, big murals, which we’ll see in almost one of the first chambers we
encounter when we land where we’re gonna go.

EGE: The tone of the film, according to the official synopsis, and the tone of the premise, sounds a lot
more mythological than the original Alien films. The original Alien films revolved around industrial settings
and premises and social situations rather than anything mythological.

RS: The original Alien was a pretty savage engine. I’ve always said it was a C-movie done in an A-way.
Because it was the Old Dark House, you know. Seven people in the Old Dark House, and they’re all going
to die. (He laughs) And they’re gonna die horribly and that in itself is a tricky exercise, because you can do
it well, you can do it badly. But somehow that worked. It turned out pretty well.

I think one of the reasons why I’ve never gone back to science-fiction, even though I’ve often noodled
around, thought about it, looked for story, looked for material, is that there’s a nice purity to the original
Alien. It’s fairly pure. And this one does actually raise all kinds of other questions, because if someone
could, a being, could be as monstrously clever to create something like we experienced in the very first
one – I always figured it’s a weapon, and I always figured that [the ship in the first Alien] was a carrier of
weapons. Therefore, who is that, inside that suit? That wasn’t a skeleton, that was a suit. And if you open
up the suit, what do you get inside it? And why were they going, where were they going?

Also, I ring off of… there’s a writer, Erich von Däniken. One of his most famous books was called Chariots
of the Gods. Everyone thinks he was out of his mind, you know, for number one, “we are the creation of
gods”, if you go back to the 19th century anthropologists, Darwin, and say if you go look at Darwin for the
moment and look at the Darwinian idea, the Darwinian thesis, which is seemingly very logical.


D

You know, you’re going from something that gradually comes to two legs and gradually here we are. Then
you can go beyond that and you look more mathematically at the feasibility of how we’re able to be sitting
here, right now, in this place. I’m talking to you, and I’ve got this thing (he picks up his cellphone) which
looks like Star Trek. This is “Beam me up, Scotty”-stuff. You wouldn’t have believed this thing could exist
thirty years ago. Things have changed so dramatically that you can start looking at the idea that all our
history can be completely wrong and misguided. Because at some point someone has to put a statement
down and have their own thesis, have their own theories. That was then later accepted or later is gradually
dissolved and re-drawn or reworked. So now you’ve got the whole changed attitude with NASA, the church
and I think even Hawking. Over the last thirty years have gone from “It’s highly unlikely that there’s anyone
else in our galaxy, any other force, being in our galaxy,” to now, where they’re conceding that there are
probably thousands of different lifeforms in this galaxy. And I think Hawking actually said, “Let’s hope they
don’t visit.” And I think the church has conceded as well that it would not be against the word of God if we
conceded that there are other lifeforms in this galaxy. So, if you take that out, then the door is open. To
me, it’s entirely logical. It’s entirely ridiculous to believe that we are the only ones here. That’s why my first
thought is that for us to be sitting here right now is actually mathematically impossible without a lot of
assistance. Who assisted? Who made the right decisions? Who was pushing and pulling to adjust us?
That’s a fair question.

EGE: Prometheus has the Brandywine production tag on it [a Production slate only used for Alien films
since 1979] Do you feel any pressure going back to that world?

RS: No. Not at all, really. I had a good time making it. They gave me an opportunity to make it. I’d only
done The Duellists at that point which was actually a pretty good film. Then someone had bizarrely seen it
at Cannes and thought, “I wonder if he wants to do science-fiction,” which couldn’t be more different. I read
it and thought, “Wow! This is fantastic,” because at that moment I was engaged in a lot of, I was reading a
lot Jean Giraud’s “Moebius” stuff. The great French illustrator, beyond everything. I’d been looking at him
just with the view to, you know, one day I wanted to do science-fiction. I’d seen Stanley Kubrick’s 2001 and
that for me was certainly a door opening. You go, “Wow, that works,” and what am I gonna do?

So, I happened to be looking at Moebius’ stuff, just out of interest, because I’m a really… I can really draw
and paint. I was really influenced by what I saw, but didn’t know where to apply it. When I read the Alien
script, I just saw Moebius all the way, and I said, “I’ll do it! I know how to do it!” I was in Hollywood, and we
sat for 22 hours straight. “Do you want to change it?” – “Nope.” – “What do you want to do?” – “Shoot it.”
That was it. Bingo. People were saying, “Let’s rewrite the third act, that is a disaster.” I said, “I’ll do it.”
Once you’re doing it, you can adjust it.

EGE: Do you see Noomi [Rapace] as something of a successor to Sigourney?

RS: Yeah, I mean, they’re quite different women. Sigourney, to start with, is 6’1’’ in stocking feet, and
Noomi insists that she is 5’1’’ in stocking feet. (He laughs) I look at a lot of foreign movies, and
unfortunately a lot of mainstream movies aren’t terribly good. You know. (He laughs)

The most influential for me are the new ones around the corner, and I look at a lot of foreign films and a lot
of Scandinavian films. The Scandinavians have a very good touch for making movies, you guys
(Icelanders) as well. I saw Dragon Tattoo a year ago, the first one. And, “Wow, who is that?” and from that
I said, “This is the girl that’s going to do the film.” She came to L.A. and I met with her, and discovered that
she’s in fact extraordinarily posh, as opposed to punk. So there was a real actress. A real actress, very,
very good. So, I don’t know, she will just do great.

EGE: She has this same fire that Sigourney brought, as well.

RS: I would say that Noomi’s even more volatile and passionate. And sure, she looks good. But the
combination of that and intelligence is a great combination.

D

THE BIBLICAL VERDICT ON PROMETHEUS
Prometheus as a movie opens up the Pandora’s Däniken's first book, Chariots of the Gods?, was an
box on deep searching questions such as 'Where immediate best seller in the United States, Europe
did we come from?'; 'What happens when we die?'; and India, with subsequent books "according to von
'Why are we here?'; 'Who created us?' As the movie Däniken, have been translated into 32 languages
unfolds in addressing these questions it becomes and together have sold more than 63 million
clear that the central premise of Prometheus is that copies."
humans were genetically created by an alien race of
super-beings called 'engineers'. Von Däniken was raised a strict Catholic, and
attended the international Catholic school Saint-
Michel in Fribourg, Switzerland. During his time at
the school he rejected the church's interpretations
of the Bible, and developed an interest in astronomy
and the phenomenon of flying saucers

The ancient astronaut theory is based on the
premise that extra-terrestrials with superior
knowledge of science and engineering landed on
earth thousands of years ago, sharing their
expertise with early civilizations and forever
changing the course of human history.

These engineers choose a planet which can sustain
life and the engineers then travel across the
universe to it. From there, one engineer must
sacrifice himself by taking a mixture of Alien Bio-
Former which essentially breaks down the
Engineer's DNA. From there, the Engineer is
destroyed and his DNA is spread to mix with that of
the native planet. From there life is created and
evolved to what we have become today.

It is important to note that Erich Von Daniken was a
key influence for Ridley Scott in directing the movie.
Erich Anton Paul von Däniken is a Swiss author
best known for his controversial claims about extra-
terrestrial influences on early human culture, in
books such as Chariots of the Gods?, published in
1968. Däniken is one of the main figures
responsible for popularizing the "paleo-contact" and
ancient astronaut hypotheses.

This theory grew out of the centuries-old idea that
life exists on other planets, and that humans and
extra-terrestrials have crossed paths before. The
theme of human-alien interaction was thrust into the
spotlight in the 1960s, driven by a wave of UFO
sightings and popular films like 2001: A Space
Odyssey (1968). The space program played no
small part in this as well ... if mankind could travel to
other planets, why couldn't extra-terrestrials visit
Earth?


D

Of recent times the ancient astronaut theory was
further fuelled by the late Zecariah Sitchin and
Maximillien De Lafayette who have written
numerous publications supporting the notion that
human civilization was engineered by a an extra
terrestrial species known as the annunaki. These
beings were present during the time of early human
history in a period of time associated with the rise of
the ancient world of Sumeria.

Interestingly, many of the secular researchers such
as Sitchin and De Lafayette use the Bible to back
up their claims. Their research frequently redefines
the God of the bible as an alien, or race of aliens,
(which are created beings if they exist), and this
contradicts the immutable attribute of God as the
one and only Creator of all things as defined in the
Both authors works are primarily based on recent bible (Acts 17:24–26, and many others).
nineteenth and twentieth century discoveries of
Sumerian clay tablets in Iraq and surrounding areas For example, author Zecharia Sitchin quotes from
which when decoded seem to convey that the the bible, (but more from ancient Sumerian texts
Sumerians were in direct contact with space visitors documenting the same events of the bible from a
whom they saw as “gods”. pagan perspective), however, he claims humanity
was created by a race of angelic beings rather than
God the Creator. He derives this theory based on
his interpretation of the Hebrew word for God which
is “Elohim.” Elohim is a plural word, which most
Christians attribute to the fact that God has a triune
nature, (Father, Son, and Holy Spirit), defined
throughout the bible and referred to by Christians as
the trinity, (a topic which spans beyond the scope of
this article), yet Sitchin and other authors agreeing
with him, such as his predecessor Erick Von
Däniken, author of Chariots of the Gods, contend
otherwise.

THE CHRISTIAN RESPONSE

Bizarrely as it sounds the Christian response to the
ancient astronaut theory is not as consistent as one
would first think. It is very much varied.

For instance, Dr. Donald P. Coverdell, TH.D., author
of The Mystery Clouds, does not agree that
humanity was created by a race of aliens/angels,
but does believe that UFO/extra-terrestrial


D

manifestations are primarily divine manifestations of angelic beings as indicated in 1 Kings 18:12; 2
God and His faithful angels. He quotes numerous Kings 2:16.
scriptures referring to the events of the Exodus of
Israel from Egypt which included miracles and 1 Kings 18:12
events surrounding a mysterious pillar of fire in the
night sky, (Exodus 13:21-22, 14:24; Numbers 14:14; “And as soon as I [Elijah is speaking] have gone from you, the
Spirit of the LORD will carry you I know not where. And so,
Nehemiah 9:12, 14), and pillar of cloud in the day when I come and tell Ahab and he cannot find you, he will kill
which rained down a strange bread-like food in the me, although I your servant have feared the LORD from my
mornings for the Israelites to eat. youth.”

Other mysterious clouds associated with God and 2 Kings 2:16
His faithful angels are mentioned throughout
scripture, such as the clouds of heaven, (Daniel “And they said to him [Elisha], Behold now, there are with your
7:13; Matthew 24:29-31; 1 Thessalonians 4:13-18; servants fifty strong men. Please let them go and seek your
master [Elijah]. It may be that the Spirit of the LORD has
Revelation 11:12), the clouds of glory present caught him up and cast him upon some mountain or into some
during Moses’ meetings with God on mount Sinai, valley.” And he said, “You shall not send.”
the tent of meeting, and with Jesus at the mount of
transfiguration, (Exodus 16:10, 24:16, 40:34-35; Then there are Christian authors such as John W.
Numbers 16:42; 1 Kings 8:11; 2 Chronicles 5:14; Milor, author of Aliens and the Antichrist and Aliens
Isaiah 4:5; Ezekiel 1:28, 10:4; Matthew 17:5; Mark in the Bible, Finis Jennings Dake, prominent
9:7; Luke 21:27), and the cloud to which Jesus theologian and author of God’s Plan for Man,
entered when departing the Earth, (Acts 1:9). among many other works, and Christian UFO
researcher Jim Cunningham who believe that the
universe actually is populated with life.

In essence, their argument is that the terms “angels”
and “host of heaven,” are synonymous with extra-
terrestrial life forms of varying alignments, living on
other planets, (in the heavens)–spanning multiple
dimensions.

For example, author John W. Milor speaks of the
butterfly theory of the origin of angels, which
suggests that they were initially created as
reproductive species, reproducing after their own
kind, rather than each being an individual creation.
Dr Coverdell writes about the angelic visitations of In his book “Aliens and the Antichrist” he says,
Ezekiel, where the angels were associated with
what appear to be some type of advanced “The humanoids that we know of as Cro-Magnon and
technological mode of transportation referred to as Neanderthal were among some of the beings that God
translated into angels. Evidence for this is found in the fossil
wheels within wheels, (Ezekiel 1, 2), and of the record, (bones of Cro-Magnon and Neanderthal which predate
angelic flying Chariots of Fire in God’s angelic army, Adam and Eve), indications in scriptures that speak of a pre-
(2 Kings 6:17), also named the Chariot of Israel in a Adamite angelic civilization on Earth once ruled by Lucifer
specific encounter with the prophet Elijah, (2 Kings (Ezekiel 28; Isaiah 14), and also because the translation
2:11-12). Dr. Coverdell argues that this Chariot of process from reproductive mortal humans to non-reproductive
immortals is predicted to occur with humanoid Christians in the
Israel was an airborne vehicle piloted by angels; it future, (Matthew 22:30; Mark 12:25; Luke 20:35; Revelation
was used to physically abduct Elijah up from the 21:16–17; 22:8–9).”
ground in a whirlwind and carry him away to
heaven. Furthermore, before Elijah was taken away Author John Milor also points out that God’s faithful
to heaven never to return, Dr. Coverdell points out angels are specifically mentioned in scripture as
that Elijah may have been routinely abducted by


D

observing, helping, and learning about salvation THE CLASSICAL POSITION
from humanity because salvation is something the
angels must learn about from observation rather The classic and conservative Christian position is
than personal experiences. Because of this, many that a combination of the Bible and the Apocrypha
UFOs/extra-terrestrials come to Earth for these reveal clues which equate the ancient astronaut
reasons, and in some cases, even infiltrate human theory with the pre Noahic period. During this period
society on occasion, (Hebrews 13:2). there was a Satanic attack on the human race by
which a specific category of fallen angels came
The topic of cosmic salvation is also discussed in down an 1) exposed mankind to forbidden
Milor’s book, Aliens and the Antichrist. technologies, weapons and alchemy that would lead
to mankind's ruin and 2) genetically modified
“Hebrews 2:16–18 indicates that salvation is not for angels, specific human lineage's by interbreeding with
(which are defined in the bible as non-reproductive immortal humans.
beings of the highest order), but for the descendants of
Abraham. However, Galatians 3:26-29 states that the
descendants of Abraham are those who belong to Christ, 1 ENOCH 8:1 “And Azazel taught men to make swords, and
which does not limit them to any particular genetic disposition, knives, and shields, and breastplates, and made known to
or species. Therefore if there are beings in the heavens (i.e. them the metals of the earth and the art of working them, and
outer space), that are not angels then certain scriptures that bracelets, and ornaments, and the use of antimony, and the
speak of salvation may actually pertain to them.” beautifying of the eyelids, and all kinds of costly stones, and
all 2 colouring tinctures. And there arose much godlessness,
and they committed fornication, and they 3 were led astray,
These scriptures include Acts 2:39; Colossians and became corrupt in all their ways. Semjaza taught
1:20; Ephesians 3:10, and Milor believes that the enchantments, and root-cuttings, Armaros the resolving of
universe may very well be a mission field that Jesus enchantments, Baraqijal (taught) astrology, Kokabel the
was referring to when He spoke of reaching sheep constellations, Ezeqeel the knowledge of the clouds, Araqiel
the signs of the earth, Shamsiel the signs of the sun, and
from another fold, (John 10:16). Sariel the course of the moon. And as men perished, they
cried, and their cry went up to heaven”
Acts 2:39
The classical position would see references to
“For the promise is unto you, and to your children, and to all engineers or annunaki as simply alien coated
that are afar off, even as many as the LORD our God shall descriptions of beings who are actually spiritual and
call.”
deceptive in nature and who are part of a deceptive
plot to undermine the biblical world view of human
Colossians 1:20
origins. The classical biblical view would thus
“And, having made peace through the blood of his cross, by
equate the coming of the annunaki or engineers not
him to reconcile all things unto himself; by him, I say, whether at the origin of creation but rather during the
they be things in earth, or things in heaven.” antediluvian age before the great flood.
*According to Milor note that this scripture refers to reconciling
Interestingly in the movie “Prometheus”, Shaw who
things in heaven, or the heavens, with God. Milor believes this
must mean that there are beings dealing with sin and death
seems to represent established Christianity (by the
that dwell in the heavens. wearing of a cross as a necklace) is challenged as
to whether she still believes in the biblical world
Ephesians 3:10–11 view when they perform scientific tests on the DNA
of the captured engineer which shows that the DNA
“To the intent that now unto the principalities and powers in sequence matches that of humans.
heavenly places might be known by the church the manifold
wisdom of God, According to the eternal purpose which he Alex Jones of inforwars.com says
purposed in Christ Jesus our Lord…”
“Prometheus is not just a film but a revelation of method
John 10:16 revealing the deepest secrets of the Illuminati mystery religion.
The film tells of the origins of human kind with a super race of
“And other sheep I have, which are not of this fold: them also I near-immortal genetic engineers, who are contemplating a
must bring, and they shall hear my voice; and there shall be genetic overwrite or re-write of the Planet Earth when
one fold, and one shepherd.” meddling humans stumble into the Magicians laboratory.
They are punished for their trespass.”


D

THE SECRETS OF PROMETHEUS

It is important to realize that those ruling families of the global elite very much believe that they are
descendants of an extra-terrestrial species. Many researchers such as Jim Marrs have provided evidence to
show a trail of consistent belief from the Sumerian and Egyptian dynasties all the way down to Babylon and
the Roman Empire and ultimately in the form of the power elite of the twenty first century. The belief that
there are specific bloodlines which contain non human DNA giving descendants access to additional
spiritual powers, knowledge, wisdom and wealth.

The following below is an interesting 15 minute video clip entitled “Secrets of Prometheus”.

The video is a great complement to this weeks edition of the Global Watch Weekly and will further cement
the belief that the agenda of the movie is a plan to further strengthen the view that mankind's origins is base
on a view which is clearly in sharp contrast to the genesis biblical world view.

www.globalreport2010.com/prometheus-secret.htm
(If you click the link above and nothing happens, simply type the link into your web browser and hit the return button)


UFO Aliens Prometheus

Recomendados

Recomendados

Mais conteúdo relacionado

Último

Último (20)

Destaque

Destaque (20)

UFO Aliens Prometheus