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Sergei Eisenstein




 The Montage Theory
Eisenstein’s early years
• January 23rd 1898 - February 11th 1948
• He was born in Riga, Latvia but his family
  moved frequently in his early days.
• Eisenstein came from a middle-class family.
  His father was an architect and his mother
  was the daughter of a prosperous merchant.
• In 1920 he moved to Moscow and began his
  career in theatre.
• He was a pioneer in the use of “montage”, he
  argued that montage was the essence of the
  cinema.
What is a Montage?
 The process of selecting,
editing and piecing together
separate sections of film to
form a continuous whole.
Eisenstein believed that film
montage could create ideas or
have an impact beyond the
individual images
2 or more images edited
together create a “tertium
quid” (third thing) that makes
the whole greater than the sum
of individual images.
For Example
 Eisensteins greatest demonstration of
“the power of the montage” comes in
his “odessa steps” sequence of his
1925 film “battleship potemkin”
The montage allows Eisenstein to
manipulate the audiences perception of
time by stretching out the crowds flight
down the steps for 7 minutes, several
times longer than in real life.
Another example would be the famous
sequence involving a runaway baby
carriage show Eisenstein using montage
to arouse emotion amoung the films
audience.

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Sergei eisenstein

  • 1. Sergei Eisenstein The Montage Theory
  • 2. Eisenstein’s early years • January 23rd 1898 - February 11th 1948 • He was born in Riga, Latvia but his family moved frequently in his early days. • Eisenstein came from a middle-class family. His father was an architect and his mother was the daughter of a prosperous merchant. • In 1920 he moved to Moscow and began his career in theatre. • He was a pioneer in the use of “montage”, he argued that montage was the essence of the cinema.
  • 3. What is a Montage? The process of selecting, editing and piecing together separate sections of film to form a continuous whole. Eisenstein believed that film montage could create ideas or have an impact beyond the individual images 2 or more images edited together create a “tertium quid” (third thing) that makes the whole greater than the sum of individual images.
  • 4. For Example Eisensteins greatest demonstration of “the power of the montage” comes in his “odessa steps” sequence of his 1925 film “battleship potemkin” The montage allows Eisenstein to manipulate the audiences perception of time by stretching out the crowds flight down the steps for 7 minutes, several times longer than in real life.
  • 5. Another example would be the famous sequence involving a runaway baby carriage show Eisenstein using montage to arouse emotion amoung the films audience.