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The historian of your life remembers
Then I will have to love you mysteriously.
Motherwise I will love you.
Though the storm has mummified
the garbage bags,
though the salt eats our paws
and the false spring buds are dying,
Over and over again
in matching
hospital socks I will love
your every newness, will lastly kiss
your bald spot, brush the tangles
from your eyes: the dark light
whispering
our fears,
like grandparents, moving
crabwise over
the unmappable
distance of tomorrow,
of countdown, nine a.m.
I will not forfeit
any inch of you. Sisterwise, crumpled
on your couch
until they cut apart
your spine,
I will not forfeit: though You play
the same record again, heavy metal
from your childhood
again, though we drift in
and out of sleep
Again, wondering about death
and health insurance, my name restless
on your DNR, You lean your bike
against the rail. Can't cross
the bridge, you say, until you've cast off
something you love. I follow the river
to its end. Stand knee-deep in silt.
Collect bouncy balls, your dog's first tooth,
a slap bracelet, a Statue of Liberty keychain.
Cast me off in love: I carry myself
into the waiting distance.
2.
28 Liberty
underneath all skin is a room in an empty
office building with the sun coming down
shapewise, all Manhattanhenge pretty,
isosceles joy like you wouldn't believe
and a lone swivel chair in shadow,
looking out across the plaza to another
office building to another
office building
to another such
infinity —
Andrew's daughter
dreams of mopping floors here in
the hollow hall-
ways of nighttime
with her headphones on,
she's nineteen she's going to Puerto Rico
she has a tattoo of a rose on her arm
and an overbite
that makes her pretty
I print out her resume to help her
get a job mopping floors
or maybe changing
trash bags in executive cans
I correct Team Work, fix the margins,
the cacophony
of typefaces, the love
is in the editing I suppose,
all love in the editing, though god left us
with tailbones and cellulite,
though god left us
with uncertainty about god
with wisdom teeth and homeless dogs
And everyone's just flying off the planet,
Andrew says
on the phone with his little girl
who's somewhere in the rust belt now
pretending to be full-grown,
he says it again, God, everyone's flying
off the planet
I hear her voice against his ear:
Four people since January
And he's quiet now, his hand on the wheel
The city lights floating
golden in his glasses,
3.
Nothing shuts him up
like grief's invitation for platitudes —
The voice against his ear pulls us
over to the fire hydrant,
says
Dad? I’ll take you to the movies.
The city golden, the gravity
holding
4.
you, the average of all noses
love you abstrackly love you bottomless unemptying
on the doghair rug
water your plants for you
pour you a diet coke
in a glass with no beginning,
no end, kiss your bacne
kiss the mouths of your tattoos
we have
many mouths you have
two pairs of orthopedic
shoes in
neuropathy brown
a cracked cello case, glass bowls
stuck with jewels, a daughter
named like ghosts and everything after
is mine to hold against the entropy of everything
after is mine
5.
Black Circle
My mouth is a salt lick I lose my metrocard a rivulet
of sweat flows down my belly from my right
breast which is larger than the left, like feet —
It is disgusting to perpetuate
the asymmetries of a body with every breath
but here we are, sweating, long sleeves and hijab, heat-
straightened hair down to the waist, gray suits and nylons
the longest four minutes of our lives:
To work for the MTA you have to
cover up your teardrop tattoo
with a smooth
black circle,
fooling no one,
and sweep what cannot be swept,
sweep cemented gum sweep tar of city shoes
and homes of sleeping homeless:
sweep the rats from our eyes and change
the garbage bags on the platform
so we can dream again
oh look at that young mother,
shoulders marked with acne scars,
judge her for being so awfully
teenage so awfully
laughing,
glitter nail polish,
a charm bracelet
a skin-hot newborn stuck to her chest and god
she looks so happy, so overjoyed no shame
at being young, baring scars, holding her baby’s foot
in her small hand
I’m going to New Haven
which is the country
as far as I'm concerned, clouds
of minnows in the river,
a heron pretending to be a stick:
I’m done pretending, though it comes natural
and my body when it sweats can catch me off-guard
with a lung-deep shame
and suddenly the train
is packed with suits like a Friday afternoon
at the dry cleaner’s
I haven't been to a wedding in forever, the gray one says,
as I am thinking of wedding rings
and the sound they make, like water,
6.
and I pray to the beautiful girls in pearl earrings
who fall asleep in public with their mouths open
Our bodies on the train tracks make the grass grow, the graffiti jingle
make the bunting outside the car lot shine spiritual
make hesitation pretty
7.
A Counting
why running made her dizzy, why Oprah
and cigarettes, why vertigo, why overwork,
why laughter
of a gasping kind,
why ringing in her ears:
I never had to ask
where babies come from,
knew I had no father,
knew my mother must’ve found me,
spirit swimming in the ether:
Knew she
showed me mercy, knew
she took me in she built
a home from milk and hair, from bits of organs, heart and lung,
the skin of her skin the toes
of her toes
I never asked why memory, why ether, why belonging, only asked to count
her fingers, toes and heartbeats, taking
Meticulous
inventory
of What I’d hollowed coming through
When what I’d hollowed
coming through
was why she slept so much,
why running made her dizzy, why Oprah
why cigarettes, why vertigo, why overwork,
why laughter
of a gasping kind,
why ringing in her ears,
I never asked just counted:
onetwothreefourfive
and back again,
one two three four five and back again
Never asked just counted
8.
Mother in All Your Disguises
you are near me but cannot breathe me, mother
in all your disguises are you mercy or apparition? Who were you
before you knew me or have
you always known me, the every
mother trapped
inside one kitchen crying woman
high heel spinning woman
night shift working
bathtub sleeping
red robe woman
Reddi-whip upturned
elbow braced
against refrigerator woman, it is summer and
the streets are melting, they have swallowed up your high, high heels
the sky
is pavement orange
And your face is menacing
when you scold me
In one breath
You named me Me; I named you mother
in all your disguises
not Reddi-whip, though I could have
not high heels not melting, not menacing
not Mojave that made us
not Joshua tree as salutation
not scorpion as desire
not tumbleweed as talking,
mother in all your disguises I look for you in every grocery store
I heal you with my bones you are mysterious in the parking lot
the summer turns the pavement to molasses
you lose your shoe, your best pair
(the tar pits took the wolves and mastodons, who will cry for them)
now the heel is all messed up you dive in after it
the parking lot has got you now, you mastodon your legs
your teeth your blood your cysts your breasts your love your broken-down indifference
on Sunday mornings I throw cornflakes on your bed
to mark the shape of you
I satisfy the achy, bruised-up edges
of my knowing
You are liquid, ever-changing
flypaper, hairspray wafting down the daffodiling hall,
camouflaged in sofa bed
9.
pasted into wallpaper
moving swanly with the vacuum
your voice the whoosh of highway cars, the furnituring breath of night, the splish and
splosh of bathroom sink
mother I’m outgrowing, I’ve sucked all the spaghettis I can muster
I’ve paranoid the locks and shaken
possums from the rafters I have even wrecked
myself searching
for you and still
you move in the tissue-thin
house dress of my childhood and your body
smells like crayons mapping out the infinite
imagination of my
four years old: I draw
the speckled black that burst me, I draw
you before I named you,
I search the wallpaper
I empty out the vacuum stick the crayons in my nostrils:
Are you presence or the absence, the broken or the blessed, the blackness
or the rainbow that I scratch out with my nail I love your
burst blood vessel cheeks
Veiny cavity: a neck
A cold piano sings your teeth, you are a pink arrangement in sand
You sweat you grow hair from your armpits, no wonder you’re so tired
Remember when we paved over the animals and they grew wild inside us?
Now we dance the dance
Of buzzards in the desert, more beak than footwork
more memory than desire you never really
say you love me but you press a penny to my forehead, oh cool relief
You teach me to feel the smallest
breezes in the world (the breath of flies, the second
hand of clocks)
You tell me where I come from so I don’t forget
though I am older now and not so hungry
10.
Rebeginning
Skin we share
Bones we share
You asked for a mirror you got it
The skin under your eyes is the blue of always
I gave you varicose veins, turned your hair gray and spindly
Taught you heartpain that could kill you
Gave you greedy gave you
Sticky hands
The lake is milk with salt, the black sand beach
is only gnats
the terrible black
of thousands deep
So we wade. We part the sea we cup the water
In our hands and thirteen years go by
I'm not a good girl anymore
no I’m a little shit and near
the buzzing carcass of a fish
My hands r alive with hated sixleg
things their
crystal ball eggs
their blooming near-invisible
smooth black shells
Mama says to really see the larvae
tuck it under eyelid, waterline will quiver you may hear
the holy suction of life
attaching to life and yes!
I see with pure transparency the nerves
So cellular unstopping, the branching spine,
It is irritating to unravel world as it is
My mother lassoes mysteries with every word
They say this lake is all runoff
All human error, a flood that killed,
And some more blessed than others
More blissfully on purpose
I slam my bedroom door so many times a draft
forms in the house
Flips books to unread pages, wakes dust
From blinds,
Carries away the water bill
And any hope of paying it I'm angry
To the point of disastering I bang my head against the door
Dream violent mercies of rebeginning,
Dream clean birth of eyes
11.
White linen,
A family of spines,
A flood that kills all things,
Sweet milk from salt.
We wade. We part the sea
Of black. We cup our hands
The larvae is invisible except
For desire
The salt has reddened up
our fresh-shaved legs
The skin we share
Bones we share
Blue we share
The milk we share: the water stings our eyes but heals
Your varicose veins,
my acne
we are washing out
our ugliness with salt
We are mirror
The gnats they eat our ugliness
We weigh nothing.
12.
The Babies We Had as Children are All Growed Up
Mama your dirty lipstick cigarettes
are kissing our ancestors
on the mouth of some salt sand graveyard
While the parking lot weeps up the bramble hills.
You say the iodined old folk will exterminate
the grief
from our mouths, I say
Ash in lungs can’t choke me
Sun pain breath can’t hit me and though
Your knees may crumble there will still be tomorrow
picnicking the disco ball till dawnlight stumbles, rises, pours
a cup of coffee on my raw pink teeth.
I’ve already seen your death mask and it’s pretty.
It can stop a nosebleed with its eyes
It waxes off your eyebrows like the moon
It laps up all the blackness from the bathroom sink your hunger
looks nice on you, it’s something alive at least
Though you are filthy and smell like bruises,
Though you scratch mosquito bites with broken nails
to brief explosions of time,
your appetites scream wind chimes
through the vast unknowing childhood
of my bedroom, through the brief and happy
Goldfinch yellow sponge paint walls remember
when I was your one and only
hamburger helper?

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you

  • 1. The historian of your life remembers Then I will have to love you mysteriously. Motherwise I will love you. Though the storm has mummified the garbage bags, though the salt eats our paws and the false spring buds are dying, Over and over again in matching hospital socks I will love your every newness, will lastly kiss your bald spot, brush the tangles from your eyes: the dark light whispering our fears, like grandparents, moving crabwise over the unmappable distance of tomorrow, of countdown, nine a.m. I will not forfeit any inch of you. Sisterwise, crumpled on your couch until they cut apart your spine, I will not forfeit: though You play the same record again, heavy metal from your childhood again, though we drift in and out of sleep Again, wondering about death and health insurance, my name restless on your DNR, You lean your bike against the rail. Can't cross the bridge, you say, until you've cast off something you love. I follow the river to its end. Stand knee-deep in silt. Collect bouncy balls, your dog's first tooth, a slap bracelet, a Statue of Liberty keychain. Cast me off in love: I carry myself into the waiting distance.
  • 2. 2. 28 Liberty underneath all skin is a room in an empty office building with the sun coming down shapewise, all Manhattanhenge pretty, isosceles joy like you wouldn't believe and a lone swivel chair in shadow, looking out across the plaza to another office building to another office building to another such infinity — Andrew's daughter dreams of mopping floors here in the hollow hall- ways of nighttime with her headphones on, she's nineteen she's going to Puerto Rico she has a tattoo of a rose on her arm and an overbite that makes her pretty I print out her resume to help her get a job mopping floors or maybe changing trash bags in executive cans I correct Team Work, fix the margins, the cacophony of typefaces, the love is in the editing I suppose, all love in the editing, though god left us with tailbones and cellulite, though god left us with uncertainty about god with wisdom teeth and homeless dogs And everyone's just flying off the planet, Andrew says on the phone with his little girl who's somewhere in the rust belt now pretending to be full-grown, he says it again, God, everyone's flying off the planet I hear her voice against his ear: Four people since January And he's quiet now, his hand on the wheel The city lights floating golden in his glasses,
  • 3. 3. Nothing shuts him up like grief's invitation for platitudes — The voice against his ear pulls us over to the fire hydrant, says Dad? I’ll take you to the movies. The city golden, the gravity holding
  • 4. 4. you, the average of all noses love you abstrackly love you bottomless unemptying on the doghair rug water your plants for you pour you a diet coke in a glass with no beginning, no end, kiss your bacne kiss the mouths of your tattoos we have many mouths you have two pairs of orthopedic shoes in neuropathy brown a cracked cello case, glass bowls stuck with jewels, a daughter named like ghosts and everything after is mine to hold against the entropy of everything after is mine
  • 5. 5. Black Circle My mouth is a salt lick I lose my metrocard a rivulet of sweat flows down my belly from my right breast which is larger than the left, like feet — It is disgusting to perpetuate the asymmetries of a body with every breath but here we are, sweating, long sleeves and hijab, heat- straightened hair down to the waist, gray suits and nylons the longest four minutes of our lives: To work for the MTA you have to cover up your teardrop tattoo with a smooth black circle, fooling no one, and sweep what cannot be swept, sweep cemented gum sweep tar of city shoes and homes of sleeping homeless: sweep the rats from our eyes and change the garbage bags on the platform so we can dream again oh look at that young mother, shoulders marked with acne scars, judge her for being so awfully teenage so awfully laughing, glitter nail polish, a charm bracelet a skin-hot newborn stuck to her chest and god she looks so happy, so overjoyed no shame at being young, baring scars, holding her baby’s foot in her small hand I’m going to New Haven which is the country as far as I'm concerned, clouds of minnows in the river, a heron pretending to be a stick: I’m done pretending, though it comes natural and my body when it sweats can catch me off-guard with a lung-deep shame and suddenly the train is packed with suits like a Friday afternoon at the dry cleaner’s I haven't been to a wedding in forever, the gray one says, as I am thinking of wedding rings and the sound they make, like water,
  • 6. 6. and I pray to the beautiful girls in pearl earrings who fall asleep in public with their mouths open Our bodies on the train tracks make the grass grow, the graffiti jingle make the bunting outside the car lot shine spiritual make hesitation pretty
  • 7. 7. A Counting why running made her dizzy, why Oprah and cigarettes, why vertigo, why overwork, why laughter of a gasping kind, why ringing in her ears: I never had to ask where babies come from, knew I had no father, knew my mother must’ve found me, spirit swimming in the ether: Knew she showed me mercy, knew she took me in she built a home from milk and hair, from bits of organs, heart and lung, the skin of her skin the toes of her toes I never asked why memory, why ether, why belonging, only asked to count her fingers, toes and heartbeats, taking Meticulous inventory of What I’d hollowed coming through When what I’d hollowed coming through was why she slept so much, why running made her dizzy, why Oprah why cigarettes, why vertigo, why overwork, why laughter of a gasping kind, why ringing in her ears, I never asked just counted: onetwothreefourfive and back again, one two three four five and back again Never asked just counted
  • 8. 8. Mother in All Your Disguises you are near me but cannot breathe me, mother in all your disguises are you mercy or apparition? Who were you before you knew me or have you always known me, the every mother trapped inside one kitchen crying woman high heel spinning woman night shift working bathtub sleeping red robe woman Reddi-whip upturned elbow braced against refrigerator woman, it is summer and the streets are melting, they have swallowed up your high, high heels the sky is pavement orange And your face is menacing when you scold me In one breath You named me Me; I named you mother in all your disguises not Reddi-whip, though I could have not high heels not melting, not menacing not Mojave that made us not Joshua tree as salutation not scorpion as desire not tumbleweed as talking, mother in all your disguises I look for you in every grocery store I heal you with my bones you are mysterious in the parking lot the summer turns the pavement to molasses you lose your shoe, your best pair (the tar pits took the wolves and mastodons, who will cry for them) now the heel is all messed up you dive in after it the parking lot has got you now, you mastodon your legs your teeth your blood your cysts your breasts your love your broken-down indifference on Sunday mornings I throw cornflakes on your bed to mark the shape of you I satisfy the achy, bruised-up edges of my knowing You are liquid, ever-changing flypaper, hairspray wafting down the daffodiling hall, camouflaged in sofa bed
  • 9. 9. pasted into wallpaper moving swanly with the vacuum your voice the whoosh of highway cars, the furnituring breath of night, the splish and splosh of bathroom sink mother I’m outgrowing, I’ve sucked all the spaghettis I can muster I’ve paranoid the locks and shaken possums from the rafters I have even wrecked myself searching for you and still you move in the tissue-thin house dress of my childhood and your body smells like crayons mapping out the infinite imagination of my four years old: I draw the speckled black that burst me, I draw you before I named you, I search the wallpaper I empty out the vacuum stick the crayons in my nostrils: Are you presence or the absence, the broken or the blessed, the blackness or the rainbow that I scratch out with my nail I love your burst blood vessel cheeks Veiny cavity: a neck A cold piano sings your teeth, you are a pink arrangement in sand You sweat you grow hair from your armpits, no wonder you’re so tired Remember when we paved over the animals and they grew wild inside us? Now we dance the dance Of buzzards in the desert, more beak than footwork more memory than desire you never really say you love me but you press a penny to my forehead, oh cool relief You teach me to feel the smallest breezes in the world (the breath of flies, the second hand of clocks) You tell me where I come from so I don’t forget though I am older now and not so hungry
  • 10. 10. Rebeginning Skin we share Bones we share You asked for a mirror you got it The skin under your eyes is the blue of always I gave you varicose veins, turned your hair gray and spindly Taught you heartpain that could kill you Gave you greedy gave you Sticky hands The lake is milk with salt, the black sand beach is only gnats the terrible black of thousands deep So we wade. We part the sea we cup the water In our hands and thirteen years go by I'm not a good girl anymore no I’m a little shit and near the buzzing carcass of a fish My hands r alive with hated sixleg things their crystal ball eggs their blooming near-invisible smooth black shells Mama says to really see the larvae tuck it under eyelid, waterline will quiver you may hear the holy suction of life attaching to life and yes! I see with pure transparency the nerves So cellular unstopping, the branching spine, It is irritating to unravel world as it is My mother lassoes mysteries with every word They say this lake is all runoff All human error, a flood that killed, And some more blessed than others More blissfully on purpose I slam my bedroom door so many times a draft forms in the house Flips books to unread pages, wakes dust From blinds, Carries away the water bill And any hope of paying it I'm angry To the point of disastering I bang my head against the door Dream violent mercies of rebeginning, Dream clean birth of eyes
  • 11. 11. White linen, A family of spines, A flood that kills all things, Sweet milk from salt. We wade. We part the sea Of black. We cup our hands The larvae is invisible except For desire The salt has reddened up our fresh-shaved legs The skin we share Bones we share Blue we share The milk we share: the water stings our eyes but heals Your varicose veins, my acne we are washing out our ugliness with salt We are mirror The gnats they eat our ugliness We weigh nothing.
  • 12. 12. The Babies We Had as Children are All Growed Up Mama your dirty lipstick cigarettes are kissing our ancestors on the mouth of some salt sand graveyard While the parking lot weeps up the bramble hills. You say the iodined old folk will exterminate the grief from our mouths, I say Ash in lungs can’t choke me Sun pain breath can’t hit me and though Your knees may crumble there will still be tomorrow picnicking the disco ball till dawnlight stumbles, rises, pours a cup of coffee on my raw pink teeth. I’ve already seen your death mask and it’s pretty. It can stop a nosebleed with its eyes It waxes off your eyebrows like the moon It laps up all the blackness from the bathroom sink your hunger looks nice on you, it’s something alive at least Though you are filthy and smell like bruises, Though you scratch mosquito bites with broken nails to brief explosions of time, your appetites scream wind chimes through the vast unknowing childhood of my bedroom, through the brief and happy Goldfinch yellow sponge paint walls remember when I was your one and only hamburger helper?