Coherent Presence is a paradoxical state of wholeness that’s anything but uniform. It is infinitely diverse and multiplex. It maximizes both local freedom and global cohesion. The coherent is spontaneous and free, expressing the Now. Non-local and instantaneous, transcending separations of spaces and our identifications within time. This accounts for the perfect coordination of functions in the healthy organism

1. 1
Philip
Randolph
Lilien
adam@holocrea3ons.com

2. Complexity
Dimensions
Complexity
Space
is
non
3
dimensional
space.
Can
have
any
number
or
frac3ons
of
dimensions.
Have
some
of
the
proper3es
of
fractal
space
such
as
self-­‐similarity
but
not
the
same.
Holo’space
has
Hypersymetry
substance.
Living
Art
is
emergent,
boGom-­‐up,
distributed
and
parallel.
2

3. Hypersymmetry
field
• The
surface
of
the
art
is
a
projec3ve
frame
window
into
complex
dimensions
of
4
to
hundreds
of
dimensions.
The
super-­‐symmetry
field
is
the
low
entropy
and
high
order
carrier
of
the
space.
Evolu3onary
processes
increase
dimensionality
able
to
hold
and
render
more
harmonic
resonance.
• By
maintaining
the
complex
dimensional
harmonic
symmetry
while
vectorizing
dimensional
symmetry,
a
flow
of
energe3c
informa3on
is
liberated.
• Light
from
a
light
source
is
emiRng
into
the
space/3me
material
world
but
is
conserving
its
symmetry
in
the
higher
complex
dimension,
i.e.
it
is
absorbing
an
equal
poten3al
through
the
Zero
Point
Dimension.
This
maintains
the
Material
Space.
• This
nega3ve
resistor
effect
is
a
synentropic
reordering
of
the
surface
to
the
viewer
space
poten3al.
• Process,
form
and
rela3onship
are
unified.
3

4. • In
Holo’Dimensional
Qubism,
the
surface
of
the
art
is
frameless.
The
surface
is
a
projec3on
of
space
with
complex
proper3es,
that
is
a
space
with
holo’-­‐
dimensional
proper3es.
• Holo’Qubism
is
the
explora3on
and
discovery
of
forms
of
principles,
as
the
roots
of
the
Creator's
Original
Design
Science.
• The
viewer
experiences
Emergent
Principle.
The
frame
becomes
a
window
of
percep3on
into
Space
that
is
becoming
alive,
that
uses
the
energe3c
ecology
of
the
perceiver
to
emerge
spontaneous
living
presence.
• The
environment
of
the
art
as
life
is
the
psycho-­‐
energe3c
field
of
the
viewer.
4

6. Holo’Dimensional
Qubism
• The
surface
of
the
frame
is
frameless,
a
projec3on
of
space
with
dimensional
proper3es.
• Qubism
is
the
discovery
of
the
Creator’s
Original
Design
Science.
• Holo’Qubis3c
principle
have
unbounded
syntropic
alignments,
a
cosmological
informa3on
bonding.
• Principles
reveal
the
original
oscilla3ons
of
crea3ve
potency.
Principles
operate
everywhere
yet
take
up
no
Material
Space.
Space
and
principle
co-­‐emerge.
6

7. Philosophical
Founda3ons
• To
provide
a
framework
to
understand
the
basis
of
Holo’Space
Qubism
in
rela3onship
to
Space
itself.
• We
are
going
to
engage
in
the
reconstruc3on
of
Art
in
rela3onship
to
Reinterpreta3on
of
Crea3on.
• We
are
going
to
s3ck
with
simple,
intui3ve
postulates
as
to
space
and
how
this
can
be
applied
to
a
new
understanding
of
the
role
and
power
of
art.
7

8. Super-­‐symmetry
Complexity
Space
• Complexity
space
expresses
the
physics
of
dimensionality
embodying
through
hyper-­‐
informa3on
or
syntropic
informa3on
fields
large
scalings
of
energy.
• Dimensions,
not
space
interpenetrate.
8

9. Some
Fundamental
Design
Principles
of
Life
Expressing
Art
• Strong
center
is
made
stronger
by
smaller
strong
centers
contained
in
it
with
s3ll
smaller
strong
centers.
Strong
centers
defines
the
way
that
a
strong
center
requires
a
spa3al
field-­‐like
effect,
created
by
other
centers,
as
the
primary
source
of
its
strength
• Boundaries
is
the
way
in
which
the
field-­‐like
effect
of
a
center
is
strengthened
by
the
crea3on
of
a
ring-­‐like
center,
made
of
smaller
centers,
which
surround
and
intensify
the
first.
The
boundary
also
unites
the
center
with
the
centers
beyond
it,
thus
strengthening
it
further.
• Alterna3ng
repe33on
is
the
way
in
which
centers
are
strengthened
when
they
repeat,
by
the
inser3on
of
other
centers
between
the
repea3ng
ones.
9

10. • Posi3ve
Space
• Good
Shape
• Local
symmetries
• Deep
interlock
and
ambiguity
• Contrast
• Roughness
• Gradients
• Echoes
• The
Void
• Simplicity
and
inner
calm
• Non-­‐separateness,
interdependence
10

11. Surprise,
Freedom
and
the
Organizing
Process
• Our
highest
success
in
manifes3ng
Art
as
Life
will
come
in
the
marriage
of
the
surprise
and
freedom
with
an
elegant
field
of
organizing
processes
genera3ng
the
spontaneous
evolu3on
of
new
poten3al.
11

12. Holo’Qubis3c
Organiza3on
• Entropy
or
the
tendency
towards
the
loss
of
order
increases
in
closed
systems,
that
is
system
divorced
from
their
source
space.
This
true
for
both
Subjec3ve
and
Material
Space.
• Syntropic
comes
from
Coherent
Space
to
Subjec3ve
Space
as
an
increase
in
harmonic
resonance.
• Negentropic
comes
from
Real
Space
to
Material
Space
and
is
expressed
as
an
increase
in
complexity
and
symmetry.
• Engineered
together,
produces
harmonic
super-­‐symmetry.
Every
symmetry
is
harmonic
and
propor3onal
to
all
other
symmetries.
• With
sufficient
density,
Qubis3c
Art
is
able
to
radiate
gigabytes
of
informa3on.
• This
is
the
life
field
of
Holo’Qubism.
12

13. Coherent
Space
in
the
Subjec3ve
Realm
• By
projec3ng
Coherent
Space
through
Material
and
Subjec3ve
Space,
we
are
able
to
glimpse
immortality
and
analogs
to
shamanic
and
psychedelic
pathways,
making
them
familiar.
• Human
imagina3on
informed
by
Coherent
Space
points
to
where
human
history
is
heading.
• Subjec3ve
Space
bound
to
Material
Space
is
the
prison
planet.
• The
collec3ve
controllers
use
Coherent
Space
Powers
to
bind
and
control
consciousness.
13

14. Inherent
Archetypes
• The
Ar3st
as
conscious
director
is
a
fabricator
of
inherent
archetypes.
• If
we
are
to
mi3gate
our
worst
ecological,
social
and
poli3cal
excesses,
we
beGer
understand
and
replicate
nature,
or
create
beGer
metaphors
and
analogies
of
reality
(with
these
archetypes).
• This
is
not
an
appeal
for
the
imita3on
of
the
strict
vernacular
but
rather
recogni3on
that
just
as
in
the
past,
differing
climates
and
cultures
produce
different
design
solu3ons
producing
discrete
conven3ons
of
symbol
and
signal
appropriate
to
their
cultural
environment
so
Qubis3c
ar3sts
will
reveal
Coherent
Space
expressions
with
unique
perspec3ves
and
proper3es.
14

16. Power
from
the
Precipita3on
of
Space.
• Hyper’Classical
Art
is
about
awakening
a
new
energy
source
engineered
via
coherence,
extrac3ng
power
through
the
precipita3on
of
Space,
Real
Space
to
Material
Space
and
Coherent
Space
to
Subjec3ve
Space..
• Ul3mately,
Hyper’Classical
Art
is
about
rendering
principles
themselves.
Coherent
Space
everywhere
ac3ve
as
Principles,
is
an
original
unity.
• Geometries
across
scale
precipitate
the
sacred,
allowing
insight
into
the
nature
of
existence
and
space
as
Conscious
Poten3al.
16

17. Pure
Coherent
Space
• Coherent
Space
is
the
comple3on
of
Evolu3on.
The
true
upwards
arc
of
humanity
is
the
realiza3on
of
Coherent
Space
through
the
flow
of
history.
• Coherent
Space
is
the
Crea3ve
eternity,
3me
its
moving
images.
• Soul-­‐mind
subjec3ve
space
is
the
expression
of
the
coherent
ordering
of
the
whole
universe.
Every
stage
is
reflected
in
the
subjec3ve
space
of
the
soul-­‐mind.
• The
soul-­‐mind
expressed
as
a
visual
field
so
Coherent
Space
mass-­‐maGer-­‐material
can
be
assimilated.
17

18. Hyper’Classical
Ar3sts
• They
are
shamans,
healers,
alchemists.
• Holo'Dimensional
design
is
an
aGractor
of
new
order
drawing
the
viewer
beyond
their
ordinary
awareness,
revealing
another
realm,
ini3a3ng
them
into
a
space
of
meaning,
a
movement
of
evolu3on.
• Art
needs
to
be
a
driving
force
woven
into
the
fabric
of
our
3mes.
• Hyper’Classical
Art
expresses
a
range
of
styles
arising
out
of
experimenta3on
and
research,
emerging
as
their
own
unique
crea3ons.
• Qubis3c
Art
is
evolved
not
designed;
therefore,
NOT
fully
subjec3ve.
Art
is
sourced
by
space
evolving
from
its
own
nature,
becoming
more
and
more
unique
in
its
own
way.
18

19. • Geometries
across
scale
precipitate
the
sacred,
allowing
insight
into
the
nature
of
existence
and
space
as
Conscious
Poten3al.
• Holo’dimensional
Space
re-­‐organizes
and
re-­‐energizes
the
psyche,
weaving
the
viewer
with
the
Fabric
of
Being.
• Viewing
Coherent
Space
can
re-­‐organize
the
psyche,
weaving
the
viewer
with
hyperspace
consciousness.
Inner
and
outer
are
woven.
• The
Hyper’Classical
ar3st
uses
tools
of
art
to
explore
truth,
life
and
crea3on
• The
art
expresses
alchemical
living
presences
through
crea3ve
ecologies
of
space.
• New
space
evokes
new
feelings.
19

20. New
space
evokes
new
feelings
• Holo'Dimensional
Space
re-­‐organizes
and
re-­‐energizes
the
psyche,
weaving
the
viewer
with
the
Fabric
of
Being.
• Inges3ng
Coherent
Space
can
help
re-­‐organize
the
psyche,
weaving
the
viewer
with
hyperspace
consciousness.
Inner
and
outer
are
woven
together.
• New
space
evokes
new
emo3ons.
• The
Nature
of
the
space
determines
the
quali3es
of
feelings.
Within
the
viewer
is
a
complex
of
self-­‐
iden3fying
spaces.
20

21. Coherent
Grace
of
Presence
• Subjec3ve
Space
iden3fica3on
with
Material
Space
is
Ignorance
or
Samsara.
• Subjec3ve
Space
Realiza3on
of
Coherent
Space
is
Enlightenment
or
Nirvana
or
Sainthood.
• Good
basis
to
cul3vate
pure
mind
and
pure
feelings
as
that
is
the
conduit
for
Coherent
Grace
of
Presense.
21

22. Rela3onship
of
the
Domains
of
Space
• Coherent
Space
is
to
Subjec3ve
Space
as
Real
Space
is
to
Material
Space.
• Through
Subjec3ve
Space,
Coherent
Space
expresses
interest
in
Material
Space.
• Coherent
Space
is
the
posi3ve
pole
of
Subjec3ve
Space.
• Material
Space
is
the
nega3ve
pole
of
Real
Space.
• Coherent
Space
manifests
Electro-­‐Material
Fields
through
Harmonic
Vortexing.
• This
allows
the
evolu3on
of
the
atomic
community
through
geometric
bonding,
and
then
through
the
range
of
Material
appearances.
22

23. Subjec3ve
Space
Is/Is
not
the
Fundamental
Space
• From
a
Subjec3ve
Space
perspec3ve,
it
is
only
the
concepts
we
hold
about
space
that
is
space.
Space
is
also
in
fact
the
most
fundamental
aGribute
of
the
Subjec3ve
.
From
our
Subjec3ve
Space
conceptualiza3ons
come
our
purposes,
visions,
goals,
ac3ons,
and
manifesta3ons.
We
invent
or
create
our
Space.
• Subjec3ve
Space
as
an
ar3fact
of
our
history,
our
culture
and
our
languages
includes
all.
23

24. Holo’Qubism
• Spaces
and
Dimensions
can
interpenetrate
spaces.
Spaces
rela3ve
to
each
other.
• Consciousness
is
cellular,
organic,
human
ecological,
global,
solar,
galac3c,
cosmic
all
AS
the
same
space.
When
we
limit
our
iden3ty
we
lose
the
Con3nuum
of
Space.
24

25. Fundamental
Par3cles
Crea3on
• Fundamental
par3cles
can
be
produced
by
literally
vortexing
them
from
Real
Space.
• Material
Space
is
driven
by
harmonic
interac3on
with
Real
Space,
through
the
impulse
of
Coherent
Space.
• Standing
wave
vortexes
of
Real
Space
cons3tute
the
par3cles
of
the
Material
Space.
• Material
Space
par3cles,
electrons
and
positrons
and
unified
neutrons
are
essen3ally
standing
wave,
non-­‐temporally
defined
sustained
by
Real
Space
Poten3al.
• Material
Space
par3cles
create
a
zone
of
charge
density
and
is
radial,
spherical
and
3me
harmonic
as
the
expansion
of
the
standing
wave.
Something
out
of
3me
can
exist
forever.
• Standing
wave
force
fields
provide
the
illusion
of
solidity
and
the
volume
of
maGer.
They
self-­‐organize
Real
Space
as
Material
Space
Expression.
• Art—Local
Complexity,
Global
Spontaneity
• Crea3on—Local
Spontaneity,
Global
Coherence
25

26. Material
Space
Engineering
Zero
Point
Space
Space
– Iner3al
and
gravita3onal
proper3es
of
Material
Space
are
due
to
the
non-­‐equilibrium
interac3on
with
Zero
Point
Real
Space
and
thus
are
not
immutable
proper3es
of
Material
Space
and
can
be
engineered
based
on
Material
Space
interac3on
with
Real
Shak3
Space.
– Shak3
Space
is
disturbed
or
otherwise
locally
reduced
entropy
with
the
appearance
of
material
effects
by
Coherent
Space
Ac3on.
– No
Real
Space
material
involved
– Real
Space
is
Super
dense
all
pervasive
and
dynamic
26

27. Light
• Light
rela3ve
to
Real
Space
• Real
Space
waves
are
Longitudinal
– Exists
across
scale
– Holographic
Color
• Light
is
a
pulse
transverse
wave
– The
difference
• Longitudinal
Waves
exist
in
a
realm
of
vast
oceanic
poten3al
• Transverse
light
waves
are
like
ripples
on
the
surface
or
sound
waves
through
the
depth.
• Photons
are
single
impulses
of
Real
Space,
its
ul3mate
material
3ck-­‐
tock.
These
pulses,
dipolely
reflected
or
absorbed
allow
coherent
field
reordering
to
occur.
• Mass
is
not
an
immutable
property
of
maGer.
27

28. Holo’dimensional
separated
color
fields
• The
colors
become
related
holo’dimensionally
as
they
are
combined
and
recombined
through
genera3ng
holo’dimensional
space.
• Holo’dimensional
processes
liberate
the
spectrum
and
become
spectral
free
colors
related
to
the
whole
instead
of
each
other.
• The
Qubis3c
space
rotates
around
mul3ple
dimensional
axes
simultaneously
embedded
through
holo’dimensional
parallel
color
fields.
The
color
channels
embed
the
holo’harmonics.
28

29. Spa3al
Rela3onship
to
Spirituality
• Spiritually
Real
Space
is
akin
to
the
Primordial
Mother
of
Crea3on
who
embodies
All
Poten3al.
• Coherent
Space
is
the
Godhead
where
is
sourced
the
very
appearance
of
crea3on
through
all
Real
Space
and
Material
Space
(as
so
by
3me-­‐space).
• Material
Space
is
illusion
when
we
believe
it
to
be
the
only
existence.
Subjec3ve
Space
is
reduced
to
a
sideshow
posi3on
in
the
Scheme
of
Illusion.
• Subjec3ve
Space
is
the
Godhead
appearing
through
the
Material
Lens.
It
is
all-­‐pervading
even
if
we
are
under
the
view
that
Subjec3ve
Space
is
separate.
• Crea3on
is
reducible
to
two
fundamental
Spaces:
Creator
Source
and
Crea3on
Source,
Divine
Male
and
Divine
Female
dipole.
29

30. – Healers
see
beyond
the
surface
• Deepen
dimensions
• Expand
Subjec3ve
Space
Experience
• Art
can
expand
and
expand
experience
– Deep
sleep
–
Psychic
reorganiza3on
30

31. Causal
Space
• Frequency
and
vibra3on
transverse
movement
through
the
realm
of
3me-­‐space-­‐energy-­‐
maGer.
Oscilla3ons
are
longitudinal
movement
through
the
Real
space
substrate
of
the
Hyperdimensional
Causal.
• Principles
being
everywhere
originally
exis3ng
are
the
power
basis
of
hyper-­‐spa3al
poten3al.
According
to
the
nature
of
the
receiver,
so
the
poten3al
is
experienced.
31

32. Hypersymmetry
complexity
space
• Hypersymmetry
complexity
space
reveals
how
life
emerges
from
space.
Space
is
without
dimensional
limit.
How
we
scale
the
energy
and
informa3on
determines
the
dimensional
parameters.
• Through
dimensional
symmetry
harmonics
linear
and
non-­‐linear
have
play.
• Without
hyper’dimensionality,
one
would
expect
any
two
points
of
the
plane
of
the
picture
to
be
unrelated.
With
hypersymmetry
complexity,
proper3es
appear.
The
interac3ve
strength
between
par3cles
of
light
and
its
super-­‐
symmetric
partners
are
strengthened.
• Density
of
dimensional
informa3on
manifests
real
energy
and
a
real
appearance
of
mass
through
the
space
expressed
through
the
space
of
the
brane
frame.
• The
realiza3on
of
Harmonic
Complexity
is
an
extension
of
symmetries
associated
with
space
and
3me
right
at
the
root
of
the
string
of
dimensions
that
define
every
point
of
existence.
32

33. Subjec3ve
Space
relates
to
Coherent
Space
• Coherent
Space
relates
to
Subjec3ve
Space
as
being
all-­‐pervading,
non-­‐local
and
diffuse.
• Subjec3ve
Space
accesses
Coherent
Space
as
space
that
is
everywhere,
broadcas3ng
the
divine
order.
• This
is
our
fundamental
change
agent.
• Electron
pairs
are
compressive
symmetries
through
local
Casimir
effects.
33

34. Negentropic
Re-­‐ordering
of
the
Poten3al
Field
The
Forma3on
of
Dipolar
Resonance
• Dipole
harmonic
wavepairs
are
projected
through
the
surface
space,
reordering
Subjec3ve
Space,
exhibi3ng
living
quali3es.
• Through
Qubis3c
Arts,
Real
space
is
translated.
• Poles
Separa3on
is
an
illusion.
Polari3es
are
impelled
together
via
Real
Space.
The
greater
the
harmonic
density
associated
with
the
dipole
so
the
perceptual
mass
is
increased.
34

35. Casimir
Art
• Super-­‐symmetry
coherence
causes
transla3ons
of
coherence
effects.
The
Real
Space
through
Material
Space
to
Subjec3ve
Space.
•
35

36. Casimir
Force
• The
direct
measurement
of
the
Casimir
force
(Fc=p2hcA/240d4
)
has
been
performed
on
several
occasions,
first
by
Sparnaay
in
1958
and
most
recently
in
1998
by
Mohideen.
Using
an
atomic
force
microscope,
Mohideen’s
measurements
where
found
to
be
within
1%
of
Casimir’s
theore3cal
predic3on.
One
will
note
that
this
force
increases
very
rapidly
in
propor3on
to
the
inverse
of
the
fourth
power
of
the
distance
between
the
plates.
Decreasing
the
spacing
by
a
factor
of
10,
increases
the
force
by
a
factor
of
10,000.
Increase
of
Symmetry
36

37. Casimir
Forces
on
an
Atomic
Scale
• A
Simple
extrapola3on
of
this
force
down
to
the
separa3on
distance
of
bonded
atoms
in
the
range
of
10-­‐9
to
10-­‐10
m
yields
an
astounding
Casimir
pressure
of
106
to
1010
kPa,
providing
values
tantalizing
close
to
the
ul3mate
strength
of
many
metals
and
Young’s
modulus.
This
would
not
appear
to
be
a
coincidence,
providing
a
far
more
logical
and
intui3ve
mechanism
for
atomic
and
molecular
bonds.
Extrapola3ng
even
further
to
the
dimension
of
bonded
nucleons,
generally
conceded
to
be
in
the
order
of
10-­‐15
m,
(to
be
contested)
yields
an
astronomical
radia3on
pressure
of
1030
kPa,
which
seems
rather
absurd
but
certainly
sufficient
to
hold
the
nucleus
together
against
the
coulomb
repulsion
of
the
protons....
37

38. 38
• The
viewer
experiences
Emergent
Principle.
The
frame
becomes
a
window
of
percep3on
into
Space
that
is
becoming
alive,
that
uses
the
energe3c
ecology
of
the
perceiver
to
emerge
spontaneous
living
presence.
• In
other
words,
the
environment
of
the
art
as
life
is
the
psycho-­‐energe3c
field
of
the
viewer.

39. Subjec3ve
Space
and
Material
Space
Without
Subjec3ve
Space
Material
Space
would
not
appear.
Without
Material
Space
Subjec3ve
Space
would
not
exist.
They
appear
to
be
inseparable.
39

40. Presence
• How
do
we
know
Presence?
– Spontaneity
– Coherence
– Someone
who
has
Presence
appears
to
be
spontaneous
in
their
ac3ons
and
also
coherent
in
their
expression
• Real
Space
of
everywhere
is
present,
as
is
Coherent
Space.
Presence
is
a
common
concept
of
Coherent
Space.
• Presence
is
not
part
of
3me.
The
present
is
not
Presence
as
all
experience
is
of
the
past.
Presence
arises
as
its
own
nature
and
is
not
bound
by
our
concepts
or
limita3ons
of
3me.
The
Now
is
the
Gateway
to
Presence;
never
found
in
our
projec3ons
of
Past
and
Future.
It
is
at
once
all
connected
and
free.
• Free
aGen3on
can
realize
presence
by
aware
resonance
with
the
Free
arising
of
connected
coherence.
40

41. How
do
we
know
Presence?
• How
do
we
know
Presence?
– Spontaneity
– Coherence
– Someone
who
has
presence
appears
to
be
spontaneous
in
their
ac3ons
and
also
coherent
in
their
expression.
– This
is
the
fundamental
organizing
principle
of
consciousness
and
sense
of
Self.
41

42. Effortless,
coherent
ac3on
• Effortless,
coherent
ac3on,
taken
when
the
en3re
universe
is
at
one
with
you.
Saints
achieve
this.
• Freedom,
spontaneity,
sensi3vity,
effortless
ac3on
and
effortless
crea3on
are
all
Taoist
ideals.
Cul3vated
in
tradi3onal
Hyper’Classical
Chinese
art
and
poetry,
in
life
itself.
The
way
to
a
healthy
life
without
stress
and
strife.
We
can
contemplate
this
for
the
rest
of
our
lives.
42

43. Local
Freedom/Global
Cohesion
• Coherent
Presence
is
a
paradoxical
state
of
wholeness
that’s
anything
but
uniform.
It
is
infinitely
diverse
and
mul3plex.
It
maximizes
both
local
freedom
and
global
cohesion.
• The
coherent
is
spontaneous
and
free,
expressing
the
Now.
• Non-­‐local
and
instantaneous,
transcending
separa3ons
of
spaces
and
our
iden3fica3ons
within
3me.
This
accounts
for
the
perfect
coordina3on
of
func3ons
in
the
healthy
organism.
43

45. Holo’Dimensional
Time
• Holo’Space
Hyper’Time
flows
in
all
direc3ons
at
once.
Coherent
Space
archetonics
is
Awareness
connected
to
Source.
45

46. Consciousness
is
Resonance
• Consciousness
is
Resonance.
Wherever
Resonance
Arises,
Arises
Consciousness.
• When
Resonance
Disappears
So
Does
Consciousness
Appear
to
Disappear
46

47. Currencies
of
Space
• Electrical
can
be
of
three
types:
– Electron
Currents,
Positronic
Currents
and
Positronic/Electronic
Neutral
Neural
Currents.
• These
are
all
drawn
directly
from
the
Real
Space.
• Symmetry
in
parity
and
harmonic
resonance
can
cause
the
arising
of
Free
Energy.
• Syntropy
is
low
entropy
transmission
directly
to
Subjec3ve
Space.
• Technology
of
freed
Material
Space.
The
Cold
Radiant
Current
to
Subjec3ve
Space.
• The
Frame
Field
of
space
is
aGenuated
compared
to
the
ambient
entropy
of
the
Viewer.
• Via
Subjec3ve
Space
the
ambient
reordering
of
the
Cogni3ve
Field
of
Subjec3ve
Space.
• Coherent
Space
reorders
Subjec3ve
Space
via
Syntropy.
• Principles
are
Currencies
of
Coherent
Space.
• Material
Space
can
be
effected
via
Subjec3ve
Vibra3ons.
47

48. Coherent
Space
reorders
through
Shak3
Space
• The
interior
Field
of
the
Frame
of
the
complexity
space
is
aGenuated
compared
to
the
ambient
entropy
of
the
Viewer.
• This
is
via
Subjec3ve
Space,
the
ambient
reordering
of
the
Cogni3ve
Field
of
the
rendered
Subjec3ve
Space.
• Coherent
Space
reorders
the
Real
Space
via
Longitudinal
Oscilla3ons.
• Principles
are
in
Coherent
Space
the
Currencies.
• Material
Space
is
effected
via
Subjec3ve
Vibra3ons.
48

49. Hyper
Classical
Art,
Ain
Sophia
Shekinah
Space
of
Wisdom-­‐Presence
Expresses
the
beau3ful,
good
and
true.
Hyper’Classical
Ar3st
uses
tools
of
art
to
discover
science
and
philosophy;
to
explore
the
nature
of
life
and
Crea3on;
to
gain
insight
into
the
nature
of
Existence
and
Space
and
Poten3al.
49

50. • That
we
see
or
operate
through
only
three
or
four
or
five
spa3al
dimensions
doesn't
mean
that's
all
that
exists
or
even
that
is
what
actually
exists.
There
are
many
unseen
ingredients
to
the
universe.
We
do
not
include
other
dimensions,
because
we
have
no
direct
rela3onship
to
them.
• We
iden3fy
within
3
dimensions.
We
seldom
reflect
on
the
possibility
of
an
existence
with
an
endless
number
of
dimensions
encoded
into
the
nature
of
space
itself.
• An
evolu3on
of
lower
dimensional
objects
expressed
through
a
higher
dimensional
space
as
projec3ve
dimensional
space.
• Par3cles
and
living
designs
adhere
on
the
dimensional
surface
Brane
forming
the
material
lens.
• Dimensional
spaces
allow
an
en3rely
new
set
of
possibili3es.
Par3cles
of
percep3on
confined
to
3-­‐dimensional
surfaces
moving
as
images
of
3me
never
venture
beyond.
50

51. • Through
an
evolu3on
of
lower
dimensional
objects
expressed
through
a
higher
dimensional
space
art
be
projec3ve
dimensional
space
• All
sorts
of
par3cles
and
living
designs
adhere
on
that
dimensional
surface
forming
the
material
lens.
• Dimensional
space
allow
an
en3rely
new
set
of
possibili3es.
Par3cles
of
percep3on
confined
to
3-­‐dimensional
surfaces
as
form
moving
through
a
dimension
of
3me
never
venturing
beyond
that.
51

52. Symmetry
• Symmetry
has
held
a
special
fascina3on
to
humanity
for
all
3me
– The
Power
of
Symmetry
is
revealed
through
our
inherent
rela3onship
to
Real
Space
as
Hyperdimensional
Symmetry
standing
wave
Life.
We
are
aGracted
to
symmetry;
it
is
a
basic
condi3on
of
life.
– A
localized
coherence
of
random
impressions
52

53. Holo’Qubis3c
Art
• Hyper’Classical
Art
creates
new
thought.
It
creates
new
emo3ons.
It
adds
to
the
repertoire
of
experience
and
represents
a
triumph
over
the
raw
data
of
sensa3on.
• We
are
intelligence
designed
to
find
and
amplify
the
order
that
is
found
in
the
material
realm.
• Qubis3c
pieces
employ
principles
of
evolu3on
holographically
organized
with
self-­‐similar
proper3es
across
scale
emerging
non-­‐linear
fields
of
space
and
frame.
What
the
viewer
sees
are
not
forms
but
emergent
principles.
The
paradox
is
that
Subject
Space
finds
form
through
Material
Space.
53

54. • On
ini3al
viewing
of
Coherent
Space,
Space
is
viewed
separately
as
linear
sequences.
Then
there
begins
a
remembering
of
the
feel
of
everything
at
once,
that
we
inhabit
more
than
3
dimensions
at
once.
54

55. • The
harmonic
resonant
space
rela3ons
are
themselves
dense
virtual
life-­‐tronic
field
poten3al.
The
greater
the
projec3on
of
dimensional
space,
the
denser
the
harmonic
mass.
• Mass
is
condensed
informa3on.
Dimensionality
ethereally
penetrates
mass.
• Harmonic
Coherent
Space
embodies
the
sourcing
of
dimensionality
itself.
It
exists
through
the
scale
of
Real
Space
as
synforma3on;
syntropic
informa3on
fields.
• Energy
emerges
with
Holo’Dimensional
proper3es.
Harmonic
Coherent
Space
reveals
how
life
emerges
from
space
and
is
inherent
to
Space.
55

56. • Percep3ons
are
organized
by
vectorized
coherence.
Tendencies
conserved
in
maGer
organized
percep3ons
are
spa3alized
as
distribu3ons
of
non-­‐
linear
harmonic
transients.
• Life
emerges
naturally
when
condi3ons
are
met.
Qubism
Art
arises
to
meet
these
condi3ons.
• Life
is
manifested
through
Holo’Fractal
densifica3on.
• Neural
Expressions
are
organized
and
informed
by
harmonic
psychoac3ve
densifica3on.
Qubism
frames
the
frameless.
56

57. • Informa3on
chroma3cally
bound
expresses
space.
We
can
see
mul3ple
spaces
at
once.
Powerful
crea3ve
energe3cs
are
released
via
mul3ple
spaces.
• Viewer
in
more
than
one
place
there
is
no
ground
of
past.
Colors
rebound
into
their
own
space.
Yellow
is
never
seen
as
more
yellow
nor
violet
as
violet.
• Holo’dimensional
space
rotates
and
remains
fixed
while
preserving
harmonic
integrity.
Space
projec3ons
do
radical
and
irreversible
non-­‐linear
changes
to
the
figure
as
a
whole.
The
form
of
the
figure
is
retained
in
a
topological
con3nuity.
The
harmonics
move
through
the
air
of
the
viewer.
57

58. 58
• Through
an
evolu3on
of
lower
dimensional
objects
expressed
through
a
higher
dimensional
space
art
be
projec3ve
dimensional
space
• All
sorts
of
par3cles
and
living
designs
adhere
on
that
dimensional
surface
forming
the
material
lens.
• Dimensional
space
allow
an
en3rely
new
set
of
possibili3es.
Par3cles
of
percep3on
confined
to
3-­‐
dimensional
surfaces
as
form
moving
through
a
dimension
of
3me
never
venturing
beyond
that.

59. • Coherent
Space
expressed
culturally
includes
Holographic
Imagery
that
the
whole
network
of
knowledge
and
connec3ons
are
everywhere
distributed
for
instant
and
deep
access.
• This
allows
the
instant
re-­‐crea3on
of
extended
reality
everywhere
linked
with
any
other
place
anywhere.
This
will
birth
the
fusion
of
the
vernacular
processes
with
self-­‐educa3ng
global
sharing
of
syntropy.
59

60. • We
are
liberated
to
epitomize
the
Mean.
• Constraints
are
op3mized
as
a
spectrum
of
Holographic
Informa3on
through
an
elegance
of
design
(holding
of
dynamic
forces),
a
spontaneous
efficiency
of
organiza3on,
contextual
resonance,
and
the
economies
of
rela3onships.
• Genius
Lotus
of
Complexity;
celebrate
diversity,
contextual
veracity
over
homogenized
anomie,
elegance
and
efficiency,
the
proper
syntheses
paGern
binding
the
dynamics
of
fields
with
form.
60

61. • The
dynamics
of
the
Golden
Mean
is
the
basis
of
Life
proper3es.
The
basis
of
the
condi3ons
in
complexity
space
for
the
emergence
of
self-­‐
reflexive
consciousness
is
perfect
dynamic
media3on.
An
op3mum
expression
of
energy-­‐
efficiency,
achieved
as
a
means
of
genera3ng
the
maximum
complexity
of
informa3on
structures
of
energy
and
maGer
at
the
lowest
energy
cost.
• The
crea3ve
conceptualiza3on
of
Pure
Principle
through
the
Oversoul
of
Holo’Qubis3c
Art.
61

62. • Dynamic
art
can
be
seen
as
a
dissipa3ve,
open
system
like
an
organism,
which
absorbs
low
entropy
coherence.
• Visual
viewing,
as
an
act
of
metabolism.
The
less
entropy
produced,
the
less
energy
wasted.
This
can
be
achieved
at
both
the
local
(part)
and
global
(whole
and
beyond)
scale.
• Holo’Qubism
Art
is
the
interdependent
carrier
of
meaning,
as
metabolism.
62

63. 63
• Experience
Crea3on
Whole
from
the
Source
that
is
the
Creator
eternal
to
the
Real
Space
of
the
Mother
of
all
Manifes3ng
Poten3al
Through
Material
Space
for
Subjec3ve
Space
Reorganiza3on.
• Modern
Media
is
Wormhole
in
nature,
holo
to
the
fractal
evolu3on
of
Material
Space.
It
connects
through
another
dimension.
This
shit
from
Fractal
to
Holo’Fractal
Evolu3on
is
the
threshold
of
Human
Consciousness.
• Then
to
Co’Holofractal
Evolu3on
which
is
the
invoking
into
the
world
through
Technics,
an
Evolu3on
that
is
collec3ve
and
is
Enlightened.

64. • Holo’Qubism
creates
evolu3onary
incarna3ons
of
harmonic
Life,
which
allow
explora3ons
of
syntropic
crea3on.
64

65. Light
from
a
light
source
is
emiRng
into
the
space/3me
material
world
but
is
conserving
its
symmetry
in
the
higher
complex
dimension,
i.e.
it
is
absorbing
an
equal
poten3al
through
the
Zero
Point
Dimension.
65

66. • Holo’Space
discovers
what
is
prior
to
Vector
Space.
• The
surface
is
a
frameless
field
projector
of
Space
with
Dimensional
proper3es.
Space
itself
is
the
medium.
• The
viewed
surface
is
a
projector
of
complex
dimensional
space.
By
building,
infusing,
vectorizing
and
evolving
the
space,
dimensionally
complex
harmonic
resonance
is
anchored
amplified.
The
flow
of
informa3on
poten3al
is
conserved
in
the
complex
space
but
liberated
through
the
surface
projector,
which
syntropically
and
negentropically
ac3vates
the
viewer.
66

67. New
Cause
• Holo’Space
acts
by
installing
New
Cause
into
the
Root
Directories
of
the
Incarna3ng
Being.
These
replace
the
"Unprincipled
Direc3ves"
that
perpetuate
the
Karmic
Pathways.
.
Our
illusions
hide
the
Universal
Being
from
our
Awareness.
This
is
akin
to
installing
a
new
opera3ng
kernel
into
fields
of
life.
Oscilla3ons
by
their
nature
are
expressions
of
Divine
Presence
67

68. Holo’Dimensional
Space
• Essen3al
nature
express
alchemical
living
presences
and
crea3ve
ecologies.
• Appearance
arises
according
to
the
complex
condi3ons
of
resonance
and
harmonics.
• Rooted
as
universal
harmonic
transware,
transcendent
to
Material
Space.
• Transware
building
of
harmonic
informa3on
fields
containers
of
poten3alized
crea3vity.
• Everything
is
rooted
through
a
universal
harmonic
transware.
• The
perceiver
views
the
Holo’Dimensional
Space
from
but
one
perspec3ve
out
of
a
nearly
infinite
number
of
perspec3ves.
68

69. • Ordering
a
field
of
poten3al
ini3ates
the
reordering
of
harmonic
wave
pairs.
• The
bindingness
of
form
is
liberated
through
Holo’Dimensional
expressions.
• Coherent
Space
radiates
self-­‐similarity
resonance.
• Energy
flow
converges
from
coherent
complexity
space
and
diverges
from
surface
space.
Harmonic
resonant
space
rela3ons
form
fields
of
force
with
life
proper3es.
69

70. • Qubis3c
Art
organizes
the
rela3vely
randomized
energies
of
the
viewer
giving
rise
to
coherent
phenomena
including
visionary
insights.
Gravita3onal
effects
can
be
experienced,
being
a
by-­‐product
of
the
coherent
principle
expressed.
• Field
effect
propulsion
can
arise
without
a
material
medium.
70

71. 71
• Transware
building
of
harmonic
informa3on
fields
containers
of
poten3alized
crea3vity.
• Everything
is
rooted
through
an
universal
harmonic
transware.
• The
perceiver
views
the
Holo’Dimensional
Space
from
but
one
percep3on
out
of
a
nearly
infinite
number
of
perspec3ves.

72. • The
denser
the
harmonic
resonant
space,
the
more
life-­‐tronic
fields
become
alive.
The
frameless
projec3on
of
dimensional
space
densi3es
harmonic
mass.
• Mass
is
condensed
informa3on.
Holo'Space
condenses
mass.
• Harmonic
complexity
space
expresses
coherence,
exis3ng
across
scale
as
synforma3on;
syntropic
informa3on
fields.
Scales
of
energy
emerge
with
Holo’Dimensional
proper3es.
Harmonic
complexity
space
reveals
how
life
emerges
from
space.
• Energy
and
informa3on
scale
across
dimensions.
Tradi3onal
Arts
express
linear
parameters.
(Linear
and
Non-­‐linear
together
at
the
edge
of
complex
chaos)
72

73. • Harmonic
complexity
space
expresses
coherence,
exis3ng
across
scale
as
synforma3on;
syntropic
informa3on
fields.
• Scales
of
energy
emerge
from
Holo’Dimensional
proper3es.
Harmonic
complexity
space
reveals
how
life
emerges
from
space.
• Energy
and
informa3on
scale
across
dimensions.
Tradi3onal
Art
expresses
linear
parameters.
73

74. • Qubis3c
Art
frames
evolve
through
a
con3nuumiza3on
of
itself.
• Such
Art
is
Itself.
It
is
not
a
symbol
or
rendering
of
something
else.
With
Holo’Qubis3c
Art
process,
form
and
rela3onship
are
unified.
74

75. • Holo’Qubis3c
designers
act
as
mediators,
coordinators
and
catalysts
for
emergent,
complex
spontaneous
form
to
arise.
• The
final
cause
of
least
ac3on
is
the
op3mal
ar3fact
for
this
role.
75

76. • Holo’Dimensional
Qubism
shows
how
evolu3onary
order
emerges
out
of
any
kind
of
chaos.
• Hardwired
into
Existence,
Life
is
encoded
to
appear
everywhere.
Life
is
hardwired
into
Existence!
76

77. Non-­‐Linear
Harmonic
Transients
• Coherent
Syntropics
do
not
involve
…
with
spa3al
or
dimensional
limita3ons.
• Holo’loca3ons
exist
as
Holo’harmonic
fields.
77

78. • Life
itself
is
a
Holo’Dimensional
Coherent
Space
projected
through
Material
Space.
• Mind
is
the
syntropic
expression
of
this
formula.
• This
is
the
incarna3on
of
spirit.
Bondage
is
the
habitua3on
to
Subjec3ve
incarna3on.
78

79. • Spiritual
darkness
comes
from
aGachment
by
the
subjec3ve
soul
to
Material
Space.
• Subjec3ve
Space
masquerading
as
Material
Space.
• Coherent
Space
is
the
memory
of
maGer.
79

80. Energy
flow
converges
from
complexity
space
and
energy
flow
diverges
from
surface
space.
The
harmonic
resonant
space
rela3ons
are
themselves
dense
"virtual"
life-­‐tronic
fields.
80

81. • Through
radical
complexity,
linear
and
non-­‐linear
coherence
and
spontaneity
are
maintained.
• Harmonic
complexity
space
is
dense,
giving
density
to
mass
and
ecology.
The
very
condi3ons
of
Space
can
evolve.
• The
resonance
strength
between
a
harmonic
and
its
super-­‐symmetric
rela3onships
are
closely
aligned.
Density
of
super-­‐symmetric
informa3on
manifests
real
energy
when
grounded
through
a
receiving
viewer
and
an
appearance
of
real
mass
through
Psychic
re-­‐organiza3on
via
syntropic
harmonics
expressing
through
the
frame-­‐view.
81

82. • The
realiza3on
of
syntropic
harmonics
is
an
extension
of
symmetries
associated
with
space
and
3me.
Harmonics
Complexity
is
right
at
the
root
of
the
scaling
of
dimensions
penetra3ng
the
root
at
every
point
of
existence.
Pure
poten3al
is
pure
intelligence.
• When
poten3alized
harmonics
break
it
produces
according
its
nature
of
the
roots
of
unique
space-­‐regions
a
holoarchy
of
wave
par3cles
seen
as
movement
of
form
in
space.
• Holo'dimensionality
provides
a
means
to
explore
the
nature
of
primordial
existence.
82

83. Harmonic
Densifica3on
• Harmonic
densifica3on
occurs
when
the
syntropic
and/or
negentropic
fields
increase
geometrically.
• Super-­‐symmetry
harmonics
appear
through
the
viewer’s
field
of
consciousness
and
are
geometric
in
this
sense.
A
reorganiza3on
of
the
psycho-­‐synap3c
membranes
as
a
scalar
poten3al
across
scale
as
dimensional
fields
of
expression.
83

84. • Syntropic
means
moving
together
and
goes
from
Coherent
Space
to
Subjec3ve
Space
as
an
increase
in
harmonics.
• Negantropic
means
nega3ve
entropic
arising
energy
field
self-­‐organizing
towards
an
organizing
higher
order,
and
goes
from
Real
Space
to
Material
Space.
It
is
expressed
as
an
increase
in
symmetry.
With
sufficient
density,
it
is
able
to
store
mul3ple
gigabytes
of
informa3on.
This
is
the
life
field
of
Holo’Space
Qubism.
• Samadhi
and
spontaneous
healing
are
condi3ons
where
the
higher
dimensions
reorganize
lower
dimensions.
84

85. • We
can
the
four-­‐field
of
space-­‐3me
as
the
quantum
reversibility
with
the
non-­‐linear
rela3vis3c
of
place
and
the
vector
of
3me
as
the
direc3ng
energies.
Thus
we
transmit
the
fire
of
the
Divine
Plan
of
Design
of
and
as
Principle,
the
Archetypal
molders
of
the
3meless
unity
of
all
vectors
of
possibili3es.
85

86. Non-­‐local
self-­‐referencing
webs
of
interrela3onships
persist
and
develop,
characterized
by
a
high
degree
of
corrella3on
imposed
by
symmetry.
Imposed
correla3ons
have
momentum-­‐energy
rela3onships
with
other
entrained
systems.
This
cons3tutes
the
con3nuous
forma3ve
basis
to
the
evolu3on
of
space.
86

87. • Local
chance
events
underlie
and
create
our
apparent
reality
in
the
most
fundamental
of
ways,
and
yet
they
paradoxically
are
the
basis
for
global
causality.
We
amplify
the
local
un3l
it
has
Global
Wave-­‐effects.
Dynamic
equilibrium.
Pure
Newtonian
causality
is
an
incorrect
(finite)
view;
so
is
complete
uncertainty
and
infinite
chance.
Presence
is
pure
causality
and
pure
spontaneity.
87

88. • This
local
energy-­‐minimizing
behavior,
when
applied
to
the
large
numbers
of
shit-­‐
opera3ons
implicit
the
complex
neural
and
metabolic
processes
of
individual
organisms
-­‐
allows
global
stability
to
be
maintained
in
the
face
of
an
environment
in
constant
flux.
• This
stability
has
just
enough
crea3vity
in
it
to
deal
adap3vely
with
most
new
situa3ons.
A
flux
between
order
and
randomness,
with
not
too
much
of
either
extreme,
is
the
key
to
any
act
of
both
evolu3onary
adap3vity
with
homeostasis.
88

89. The
Golden
Mean
is
the
primary
mediator,
the
pathway
to
op3mized
stability,
a
metaphor
for
Holo’Qubism
embedded
in
the
greater
evolu3onary
impera3ve-­‐-­‐the
behavior
of
nature
leading
to
a
pathway
to
reveal
Art
as
Life.
89

90. • For
Holo’Qubism
the
first
emergent
feedback-­‐
led
evolu3on
is
in
the
design
process
itself;
the
formal
cause
being
the
result
of
the
processes
that
inform
it.
• Rich
feedback
loops
result.
The
ar3st
then
acts
as
mediator,
coordinator
and
catalyst
for
the
emergent,
complex
space
to
arise.
• The
ar3st
personifies
the
op3mizing
impera3ve
of
Phi
in
his
or
her
role
in
the
design
process.
90

91. • Designs
display
a
form
of
metabolic
homeostasis
with
an
emergence
of
system-­‐
memory
and
learning
capaci3es.
Recursive
loops
exist
in
the
design.
Dynamics
synthesize
with
sta3cs,
linear
with
non-­‐linear.
91

92. • Coherent
Space
is
manifes3ng
as
a
networked,
mul3-­‐dimensional
reality
field.
• Every
computer
screen
is
a
window
−
geographical
distance
is
irrelevant.
Objects
seen
or
heard
are
neither
physical,
nor
necessarily
representa3ons
of
physical
objects,
but
are
in
form,
character,
and
ac3on
made
up
of
data
or
pure
informa3on.
• This
informa3on
is
derived
from
the
opera3ons
of
the
natural,
physical
world
but
is
derived
primarily
from
the
immense
traffic
of
symbolic
informa3on,
images,
sounds,
and
people,
that
cons3tute
human
enterprise
in
science,
art,
business
and
culture.
92

93. • Holo’Qubis3c
design
architecture
is
imbued
with
Phi/Chaos
dynamical
symmetry;
the
Golden
Mean
in
novel
ways,
not
sta3cs
and
state,
but
via
dynamics
and
process:
tension,
as
paradox,
as
a
dynamical
unity
of
opposites,
the
finite
with
the
infinite
reciprocal,
fusing
the
linear
with
the
non-­‐linear,
the
ordered
with
the
random
-­‐
and
causality
with
chance.
93

94. • This
is
the
Logos
of
Heraclitus
of
Ephesus,
or
the
Tao
of
Lao
Tsu.
It
is
a
universal
archetype
in
the
Jungian
sense.
• Gaia
is
a
paradigm
for
global
homeostasis
based
on
Complexity.
The
whole
planet
minimizes
its
entropy-­‐produc3on
at
the
edge
of
Chaos
because
of
the
Coherent
Space
transceiving
of
the
biosphere.
• Qubism
reveals
the
cultural
impera3ve
of
the
collec3ve
direc3on.
• Topology
of
dialec3c
harmonics
bound
via
spa3al
development.
94

95. • Some3mes
a
statement
is
too
complex
and
reflexive
to
be
proven
-­‐
one
falls
prey
to
tautology
and
paradox.
Our
highest
success
will
come
in
the
marriage
of
the
surprise
and
freedom
with
an
elegant
field
of
organizing
processes
that
will
allow
the
spontaneous
evolu3on
of
the
new
and
the
new
poten3al
actualized.
95

96. • Symmetry
is
a
sign
that
a
theory
is
viable,
because
nature
exhibits
symmetry
in
so
many
ways.
96

97. Water
• Water
on
cellular
levels
are
holders
of
coherent
space
condi3ons.
Through
the
dipole
crystal
liquid
nature.
97

98. How
is
coherent
space
found
in
the
world?
Through
that
which
is
presence…
• Coherent
space
is
the
quality
aspect
of
existence
and
Shak3
space
is
the
quan3ty
aspect.
• Principles
are
the
basis
of
all.
• Creator
is
an
infinite
intelligence.
The
words
omnipotent,
omniscient,
and
omnipresent
all
express
the
idea
of
infinite
consciousness
98

99. • The
state
of
Being
is
the
founda3on
of
all
existence.
Being
is
mo3onless
and
was
the
primal
state
before
the
original
act
of
crea3on
occurred.
This
is
because
the
universe
exists
within
the
consciousness
of
the
Original
Creator.
The
original
act
of
Crea3on
was
infinite
in
its
poten3al,
causing
not
just
the
crea3on
of
one
universe,
but
an
infinite
number
of
universes.
99

100. • The
male-­‐female
principle,
as
in
the
original
Crea3on,
is
not
the
same
idea
as
a
comparison
between
men
and
women.
Men
and
women
on
Earth
each
contain
a
mixture
of
both
male
and
female
aGributes.
A
man
is
physically
a
more
male
version
of
the
human
gender
mix,
and
a
woman
is
physically
a
more
female
version.
The
Father
Creator
principle
of
consciousness,
however,
is
energe3cally
pure
male
and
works
in
synchronicity
with
the
pure
female
principle,
which
is
the
Mother
Creator
principle
of
Pure
Impulse.
Behind
this
lays
the
Absolute
Beyond
Space
Itself.
An
exact
balance
between
the
male
and
female
crea3ve
principles
made
possible
the
manifesta3on
of
the
consciousness
templates
for
an
infinite
number
of
universes.
100

101. • Coherent
is
thought
like
• Real
Space
is
feeling
like
• The
fundamental
formula
of
crea3on
is,
“Coherent
Thought
plus
Real
space
Feeling
equals
manifesta3on.”
101

102. • Dimensions
are
the
fundamental
building
blocks
of
reality.
We
live
in
a
conscious
universe
because
the
universe
was
created
en3rely
from
original
consciousness.
Every
aspect
of
the
universe,
from
stars
to
humans
and
even
sunlight,
are
all
composed
of
100%
original
consciousness.
102

103. • New
Paradigm
of
Transmuta3on
-­‐
Holo'Scalar
Restora3on
Theo'Surrec3on
103

104. • The
Creator's
Design
Science
has
as
its
basis
a
Cosmic
Language,
an
Original
Re'Sonics.
The
27
Holo'LeGers
are
the
Fundamental
Principles
out
of
which
All
That
Is
Emerges.
• Principles
are
Holographic
in
Nature
in
that
All
Principles
exist
under
all
condi3ons
and
scale.
104

105. Holo’Space
Principles
Electricity,
Magne4sm,
Equilibrium,
Cohesion,
Cogni4on,
Expansion,
Contrac4on,
Intelligence,
Grace,
Philosophy
Intui4on
Inven4ons
Freedom
Void
Dimensionality
Harmony
Insights
The
Geniis
Light
MaGer
Music
Arts
Rhythms
Miracles
Chaos
EMERGE
FROM
The
Language
of
Holight
Crea3on
105

106. Electricity Magnetism Equilibrium Cohesion Cognition
Expansion Contraction Intelligence Grace Philosophy
Intuition Inventions Freedom Void Dimensionality
Harmony Insights The Geniis Light Matter
Music Arts Rhythms Miracles Chaos
106

107. Level
Expression
of
Divinity
What
is
its
Ac3on
Through
Regenerate
Characteris3cs
for
Remedy
Ac3on
Coherent
Space
Holo'Vision
Oscilla3onal
Templates
Principled
Founda3ons
Mental
Spiritual
Thought
PaGern
Resonance
Focus
Soul
Feeling
Energy
Vibra3on
Coherence
Ins3nct
Body
Ins3nct
Form
Iner3a
107

108. Holo’Space
LeGers
• Through
Principles
all
is
brought
forth,
all
existence
and
all
possibility.
In
our
capacity
and
our
knowledge
of
how
to
"pronounce"
these
"leGers"
that
they
become
effec3vely
realized,
a
means
by
which
we
can
embody
directly
that
which
is
First
Cause.
Otherwise,
Quabbalah
is
only
an
intellectual
pursuit.
The
various
leGers
as
they
are
rendered
in
English
text
can
best
be
understood
as
a
type
of
mul3sensory
holographic
complex.
Parts
of
the
body
and
elemental
zones
are
focused
even
as
it
is
dispersed
throughout
the
whole
psycho-­‐spiritual
field.
These
Holographic
complexes
are
the
simulitudes
of
the
Original
Divine
Oscilla3ons
and
directly
embody
their
potencies.
For
Quabbalah
to
become
effec3ve
certain
facul3es
must
be
unfolded
and
developed
(trained)
otherwise
we
simply
do
not
have
the
capacity
to
speak
the
leGer
just
as
a
very
small
child
does
not
have
the
capacity
to
speak
because
the
necessary
facul3es
have
not
yet
developed.
Ater
one's
capacity
has
been
developed
and
unfolded,
one
then
has
the
opportunity
to
cause
these
primordial
"principles"
to
become
crea3vely
ac3ve
in
the
micro
and
macrocosm
by
crea3ve
combining
of
various
principles.
108

109. 27
inherent
therefore
necessary
for
existence,
Divine
Principles
as
follows:
Ain
Sophia
Shekinah’s
Design
Science
Fundamentals
• Principle
of
Equilibrium
• Principle
of
Polarity
• Principle
of
The
Eucharist
• Principle
of
Quadra-­‐polar
Magnet
• Principle
of
Akasha
• Principle
of
Harmony
• Principle
of
Grace
• Principle
of
Language
• Principle
of
Clarity
• Principle
of
Purity
• Principle
of
Iden3ty
• Principle
of
Love
• Principle
of
Omnipotence
• Principle
of
Virtue
• Principle
of
Magne3cs
• Principle
of
Cohesion
• Principle
of
Jus3ce
• Principle
of
Evolu3on
• Principle
of
Expansion
• Principle
of
First
Appearance
• Principle
of
Freedom
• Principle
of
Ingenuity
• Principle
of
Intui3on
• Principle
of
Cogni3on
• Principle
of
MaGer
• Principle
of
Voidness
• Principle
of
Rhythm
109

110. • Tri-­‐Elemental
Pronuncia3on
– Shin
Holo'Color
– Aleph
Carrier
– Tone
Mem
Feeling
110

111. • Holo'Sensory
Sensoriums
• Dynamic
Holibrium
• Holo'Presence
Ac3va3on
• Ul3mate
Sensory
Field
Prac3ce
111

112. • Founda3on
Tablets
of
Crea3on
• Language
of
Holight
Crea3on
• Theo'Surrec3on
• Apriori
Kingdom
Vibratory
Templates
112

113. Scalergy
•
Space3me
Densifica3on
– Non-­‐rela3vis3c
curvature
– Intellergy
as
S.T.E.M./Space
Time
Energy
Mass
– Asymmetrical
Dynamic
Equilibrium
– Harmonic
Drive
Systems
– Non-­‐linear
Algorithms
of
Space
– Inphotonic
Shock
Waves
– Vortex
Holo'Descent
113

114. Universally
Principled
Templates
– Art
as
Virtual
Life
– Cosmic
Acupuncture
– Nega3ve
Gravity
– Dissipa3ve
Visual
Structures
– Self-­‐Boundedness
Across
Scale
114

115. Seven-­‐headed
Heterarchy
Psychology
of
The
Divine
-­‐
Arts
• Concerned
with
The
Basic
Characteris3cs
– Light
-­‐
Process
– Magne3sm
-­‐
Rela3onship
– Energy
-­‐
Object
– Design
– Symmetry
– Scale
– Flux
115

116. Reflected
in
The
Human
Being
• Illumina3on
or
Wisdom
• AGrac3veness
or
Love
• Intelligent
Ac3vity
– Art
– Science
– Religion
– Organiza3on
116

117. • Art
Divine
divided
into
three
stages.
First
Salva3on
Art.
Art
consumma3on
integra3on
and
purifica3on
of
vital
expression,
sen3ence
and
mental
awareness.
Directly
related
to
Mass
Consciousness
Art.
117

118. • The
Second
Stage
Divine
Art,
Art
of
Enlightenment.
Art
of
Solar
Consciousness
the
integra3on
of
the
three
aspects
deliberately
induced
revela3ons.
Included
is
the
process
of
group
unifica3on
through
telepathic
or
resonant
rapport,
the
Psycheology
of
24
Lights.
118

119. Art
of
Libera3on
• Art
of
Libera3on
Psychology
of
Source
unifica3on
of
human
with
Cosmic
Causal,
the
transcendence
of
Solar
Consciousness
and
ascension
via
direct
iden3fica3on
unifica3on
with
the
Whole.
119

120. Objec3ve
of
Divine
Art
• Integrate
Personality
Vehicles
to
The
Group
then
to
the
God/Goddess
Global
Self
of
the
Transcendental
Creator.
• Elucidate
coherent
founda3ons
for
the
field
of
art
axioms.
Searching
for
founda3on
through
context
limi3ng
modern
Art
is
wandering
a
jungle
of
ever-­‐increasing
meaninglessness.
This
present
course
of
Art
leads
to
simple
coherent
clear
understanding
to
express
full
gestalts
in
range
and
depth.
120

121. • Lacking
in
tradi3onal
Art
are
a
set
of
axioms
that
can
apply
to
living
and
non-­‐living
as
well
as
micro
and
macrocosmic
levels
and
the
psychic
dimensions.
This
Art
of
The
Divine
is
an
expression
with
applica3on
to
culture,
economics,
poli3cs…
into
a
unified
whole
with
no
sharp
demarca3on
dividing
different
fields
of
human
ac3vity
and
knowledge.
121

122. • Energies
of
the
electromagne3c
spectrum
of
light
tend
to
achieve
a
balance
when
a
higher
poten3al
gets
in
contact
with
a
lower
poten3al.
For
instance,
if
you
bring
a
hot
body
in
contact
with
a
cold
one,
a
heat
exchange
occurs
un3l
both
bodies
approach
the
same
temperature.
Physicists
call
this
process
entropy.
• With
Syntropic
Forces,
the
opposite
is
the
case.
When
a
body
of
high
Syntropic
Force
comes
in
contact
with
a
body
of
lower
poten3al,
a
process
takes
place
we
could
call
nega3ve
entropy.
Here
the
stronger
poten3al
draws
energy
from
the
weaker
one
becoming
stronger
but
the
net
effect
is
posi3ve
for
both
par3es.
How?
While
the
poten3al
move
up
the
gradient
poten3al
and
poten3al
is
reduced
for
the
party
with
a
lower
poten3al,
s3ll
the
very
exchange
opens
for
both
par3es
to
an
infusion
of
syntropic
force
greater
than
that
“lost”
by
the
party
with
the
lower
poten3al.
That
is
called
“holding
space”.
122

123. • S3ll
more
marked
is
the
difference
of
the
space
in
which
both
energies
act.
As
we
all
know,
the
electromagne3c
energies
diminish
in
intensity
with
the
square
of
the
distance
from
their
source.
They
are
totally
part
of
the
three-­‐dimensional
space
of
our
visual
and
most
kine3c
percep3ons.
That's
why
we
need
amplifiers
of
considerable
strength
if
we
want
to
pick
up
radio
waves
from
a
very
distant
transmiGer.
This
principle
is
valid
for
the
space
3me
con3nuum
of
the
physicist.
People
of
all
ages
who
used
life
energies
knew
of
the
power
of
"psychic
links,"
or
iden3cal
structures.
Once
a
person
who
is
working
with
life
energies
(such
as
a
shaman,
magician,
or
healer)
has
a
psychic
link
to
the
target
of
his
or
her
opera3on,
he
can
bridge
the
physical
space
that
separates
him
from
the
target,
no
maGer
how
distant
it
may
be.
Therefore
it
is
obvious
that
work
with
life
force
requires
a
new
model
of
space-­‐3me.
This
model
of
space-­‐3me
is
essen3ally
different
from
the
space-­‐3me
that
the
physicist
describes,
yet
it
interacts
with
it.
It
is
a
hyper
space
in
which
iden3cal
objects
establish
warps,
or
direct
contacts.
The
natural
law
of
ac3on
of
life
energy
is
simple.
It
states
that
DISTANCE
IS
A
RESULT
OF
STRUCTURAL
DIFFERENCE.
123

124. • Science
of
The
Sacred
Word,
the
Cosmic
Language
to
awaken
the
Divine
Poten3als
in
All
of
us.
The
Ac3va3on
and
release
of
these
Divine
Expressive
Elements
in
the
sutbtle
organizing
Presence
allows
the
appearance
of
a
new
set
of
condi3ons.
These
conditons
bring
a
change
in
the
opera3ons
of
all
the
bodies.
• The
Original
Language
is
Principle.
Understanding
and
applica3on
of
Principles
are
at
the
root
of
all
human
transforma3onal
technologies
and
social
and
personal
evolu3on.
For
example,
without
an
understanding
of
equilibrium
(fulcrum)
and
polarity,
the
use
of
levers
and
leverage
would
not
be
recognized.
The
Eucharist
is
based
on
the
principle
of
self-­‐
spiritualiza3on
or
transforma3on
by
receiving
from
a
higher
order.
The
work
of
Prigogine
on
systems
far
from
equilibrium
is
based
in
part
on
the
same
principle.
Steam
engines
could
not
exist
without
the
expansion
principle
while
Expression
expresses
the
Principle
or
Oscilla3on
of
Freedom.
• Word
as
Expression
of
Divinity
ini3ated
Crea3on
Itself.
At
the
root
of
All
That
Is
is
a
"Creator's
Design
Science".
Quabbalis3cs
here
is
understood
as
that
Science.
A
set
of
Principles
are
necessary
for
Crea3on.
Out
of
these
Principles,
The
Creator
creates
All
That
Is.
• Forms
of
Intelligence
are
Forms
of
Principle.
124