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1. Back to the Future (1985) Film Opening
Analysis
We looked at the film opening of back to the future in class,
and I liked the way that the opening of the filmgives somany
hints about the narrative of the film. I decided to explore this
further.
The mise-en-scene in the film opening is used to signal
characteristics of one of the main characters. It is set in
someone’s house, although the audience is unaware of
who’s yet. The uses of props are very significant to the
character and the storyline. Straight away we see a clock,
and then lots and lots of clocks closely packed together and
lined up next to each other, all showing the same time, 7:50.
There are many different clocks that we see, regular clocks,
alarm clocks, kitchen clocks; one clock has a man on whose
arm moves with the ticks to drink beer, and one has the Doc
– one of the main characters of the film – hanging from the clockhand (although the audience
would only know who this was if they had seen this film as this actually occurs later on in the
film). Having so many clocks in the same place signifies to the audience that this person has
an interest in time, as they are all close together and read exactly the same times. We then
see newspaper clippings on a wall, and the headlines read ‘Brown’s Mansion Destroyed’ and
‘Brown Estate Sold to Developers’, showing a potential for this person to be interested in this
case, or that they had something to do with it. The camera then shows pictures above a bed,
and they appear to be inventors of some sort or people of importance – this indicates that
this person thinks highly of these people as they are placed above his bed. Then the camera
zooms out and we see that there is a lot of mess next to the bed, drinks, paper rubbish etc.
showing that this person is either very lazy, or that they move too quickly to clear this mess
up. The bed however is made up, showing that maybe this person hasn’t been there for a
while. We get to see what appears to be a breakfast making machine, there is a radio next to
the bed with cups and mugs on top of it. The radio turns on and we hear an advert for a car,
and then we see a coffee machine pouring out hot water but there’s no cup there. There is
then a TV shown to us with a woman presenting on a news channel, stating a case about
missing Plutonium. Then, we see extremely burnt toast popping out of a toaster, appearing
as if it had been there for a very long time and was being singed. The next part of the machine
is a dog food can opener, which pours food into a dog bowl over flowing with dog food, and
throws the empty can into a bin full of cans. All of the parts of the machine indicate to the

2. audience that the person is not there, and that they haven’t been for a while as everything
has been there a while or has nothing to use to do what it’s supposed to do.
The only character in the filmopening, we only see from the feet to the knees, maybe saving
their face until a later scene. He is wearing jeans, Nike trainers, and is holding a skateboard -
typical to a teenage boy of that era. We see him put a key under the mat, and the use of this
prop and the fact he puts it under the mat instigates that this character and the person whose
house he is in are very close. Also, the persons skate board is rolled underneath the bed, and
it hits a case of plutonium – instigating that the person who lives there has taken it. The name
of the dog that lives in this place is Einstein, furtherly portraying the character/owners
interest in inventors.
The colours used are quite bland, all of the clocks are gold, brown, black or silvery colours,
and the bed is white and dark red. This is showing that the character doesn’t take much
consideration into details like that, and prefer things simple and plain so he can get on with
other things. The lighting is also ambient, there is no use of lights so there definitely must be
no one home.
The cinematography is very similar throughout the whole of the opening. Straight away the
camera is panning slowly from left to right across all of the props. I think this has been done
in order for the audience to be ableto seeeverything they are meant to see,and to emphasise
every element they have set out for the audience to see, like the different kinds of clocks, the
newspaper clippings, the TV, the machine etc. Throughout all of the pans, close ups are being
used. This emphasises the point I have made about wanting the audience to take in everything
they see properly. The camera also tracks the movement of the boy as he walks through the
door, furtherly showing props that are significantto the narrative –the dog bowl over flowing,
and then the plutonium under the bed. The camera lingers on a medium shot of the
skateboard hitting the plutonium, showing that it is of importance to the story, before it cuts
to the next scene.
There is a constant diegetic sound of the clocks ticking in the background. As well as this,
there is the diegetic sound of the radio presenting an advert for a car and the woman on the
television that is presenting the news. As well as this, the breakfast machine makes alerting
noises when it a section of it is about to do its proposed job, and there are also mechanistic
noises that the machine makes when its parts are moving, for instance when it moves to pour
the dog food in its bowl. This shows that the character never has a quiet life, and also that
what they use to put their inventions together are old, rusty and mechanistic.
The editing used is very slow paced. From the second that the film opening begins, the shot
doesn’t end until 2:46 minutes. Then following a 2 second shot, the next shot goes from 2:48
to 3:20 when the scene changes. This shows just how slow the editing truly is, as it is trying to
allow you to take everything in as previously mentioned.

3. I really like the way that the opening tries to use as many ways as possible to let the audience
into the narrative. I like the use of the long panning shot at the beginning that is giving major
hints about the theme of the film – time. I want to portray this into my film, and let the
audience know straight away what the theme of my film is, so I want to try and incorporate
shots such as the ones used in this extract to try and do that.