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In the name of God
Frame Selection
Dr. Ali Mirzajani


Tehran University of Medical Science
Frame Selection

 From an aesthetic point of view ,
  glasses are of no small importance
  to the person wearing them.
 The patient needs to received help,
  not only with sizing ,but also with
  the cosmetic aspects of a frame.
Frame Selection
 Despite continuous changes in frame
  styles, there are still certain basics
  that can be used to arrive at an
  aesthetically pleasing and
  comfortable frame.
 The wearer ultimately has the final
  choice of what he will wear , but he
  /she should not be allowed free rein in
  selecting his frames.
Cosmetic Dispensing
:Frame selection is often



 A process of trial and error
 Usually time consuming
 Frequently extremely frustrating
Well-selected frame
   :consists of
 A good bridge fit
 Proper eye size
 An acceptable shape
Frame Selection

   Cosmetic consideration
   Fitting consideration
   Healthy consideration
   Visual consideration
Cosmetic
consideration
Cosmetic consideration
 Well-selected frame shape tends
  to :
 Exaggerate and emphasize facial lines are
  complementary (more desirable aspects) to
  the person and make face more attractive.
 Disparage and deemphasize facial lines are
  uncomplementary (less desirable aspects) to
  the person.
Cosmetic consideration

 Complementary      lines should be
  emphasized through repetition ,
  usually by the upper and/or lower eye
  wires. (make face more attractive)
 Reciprocally , uncomplementary lines
  should not repeated by the frame
  lines. (make face unattractive)
Cosmetic consideration

 Few faces meet the artistic ideal in bone
  structure and conformity.
 The line of the frame selected should create
  the effect of balancing facial planes that are
  not components of idealized proportions.
 The idea is the same as using vertical stripes
  to enhance the appearance of a short or a fat
  person.
Cosmetic consideration
    facial types

   Generally ,there are seven basic facial shapes
facial types
 Oval : considered to be
  the ideal type.
facial types
 Oblong: thinner and
  longer than the oval.
facial types
 Round: more circular
  than the oval.
facial types
   Square: again, the
    sides of the face are
    more parallel than in
    the oval, with the face
    being wider and
    shorter than usual.
facial types
Triangular: the lower part
     of the face is wider
   .than the upper part
facial types
:(Inverted triangular(base up
  the upper part of the face
 ,the temple area is wider
   .than lower jaw area
facial types
   Diamond: the central
 section of the face is
wider, with the upper
and lower extremities
of the face narrowing
  .down considerably
Cosmetic consideration

   To simplify the face shapes for the purpose
    of aiding in the choice of frame width and
    depth , the seven shapes can be condensed
    down to the following five shapes.
A Basic Guide to Face
               Shapes
   Three Keys:

Frame shape should contrast with face shape
Frame size should be in scale with face size
   Eyewear should balance personal proportion
Theoval faces can wear any kind
of shapes, big, small, strict, as
.it suit you
OVAL - oval-shaped faces tend to
  suit many different styles




Your goal should be to keep the oval's natural balance. Look for frames that a
 ,as wide as, or wider than, the broadest part of the face (1
almond or walnut-shaped frames that are neither too deep nor too narrow so (
that they do not upset facial balance
If you have around face you can
  go for a round shape or correct
  the line of the face with a
   square shape




 Your goal should be to make the face appear longer and thinner. Look for
,angular, narrow frames that will lengthen the face (1
 ,high or mid-height temples, which help create a longer profile (2
  ,a clear bridge that widens the eyes (3
frames that are wider than they are deep, such as an octagonal shape (4
ROUND- a round face tends to suit quite
 angular stylesand geometric shapes,
which give definition to the face.
 Round or large eye shapesare less
suitable as they will exaggerate the
 round shape of the face
Choose frames that are distinctive, angular,
almost square, with designs that accentuate the
upper part of the face. Look for frames with high
temples and
up-swept "cat's eye" styles.
If you have asquare face, you
can go in the same shape as the
face, or on the contrary to go to
 oval shape




  .Your goal should be to make the face look longer and soften the angles
 : Look for
 ,curvilinear, narrow styles that soften facial angles (1
 ,frames that are wider than the widest part of the face (2
 frames that have more width than depth, and (3
 .narrow ovals, which are an excellent choice (4
SQUARE - soft, oval shapes work
well. Thin, angular styles are
 less flattering
If you have along face, you should
go for a frame which cut the length of
the face and enlarged the face, in
respect to the interpupillary
 .distance




The long shape can benefit from enhancing the width of the face so
try wide, large framed glasses in oval or round styles
long face




look for softer shapes with some width; anything small
and angular will tend to be less flattering
Choose frames that are deep to shorten the face. Frames
can be slightly wider than the face
Face Shape: Oblong
Coloring: Cool, medium intensity
Heart or Triangular shaped




Frame shapes to try Choose angular frames with
strong vertical lines. Avoid frame shapes which
mirror the angle of the jaw and in doing so draw
.attention to it
Triangular shaped




 Triangular shaped– Try to select narrow,
round or square eye shapes for these faces,
which are a wider and more rounded shape
than triangular ones
BASE-UP TRIANGLE FACES




Base-Up shaped faces have a very wide top third and small
bottom third. Your goal should be to minimize the width of
the top half of the face. Look for


1) frames that are wider at the bottom half of the frame,
2) very light colored materials are effective, and uniform in
                colour
3) rimless styles are an excellent choice.
Frame color
Frame color

    Effective factors in frame color selection:
2.   Hair color
3.   Skin color
4.   Feature size
5.   Eye color
Hair color

 Gray hair : frames in pale tints of blue or rose
  are suitable.
 Pure white or partially gray hair : plain gray
  frames are better.
 Red hair: green frames is better( browns or
  reds should be avoided).
(Skin color (facial tone

 Yellow or olive skin tones: colors to
  be avoided would be green-brown ,
  green , yellow, or yellow-brown,
  because emphasize the yellow or
  olive tones already sufficiently
  present.
 The recommended colors are those
  that draw out the colors desired, i.e.
  ,reds, pinks, red-browns.
(Skin color (facial tone

 Overly pink skin:
 good colors: cool brown, greens,
  and ambers.
 Avoided colors : shades of blue,
  violet, and magenta
(Skin color (facial tone

 Ageing skin :
 The same colors as yellow or olive skin tones
  are suitable. Warm brown-red tones.
 Avoided colors : gray, black, metallic frames,
  which only emphasize shadows caused by
  wrinkles.
(Skin color (facial tone

 Skin irregularities:
 A black color frame will
  emphasize skin irregularities.
(Skin color (facial tone

 The smaller and more delicate the features,
  the lighter (thinner ) the frame should be.
 The larger and broader the features, the
  heavier (thicker) the frame should be.
 For children and women with child-like
  features, a light weight frame is suitable.
 Using a frame too thick create a puny
  appearance.
Temple design

 Basically temple style is indicated more by its
  relation to appropriate function than by
  appearance.
 Broad temples tend to decrease the facial
  length.
 Thin temples tend to increase the facial
  length.
Temple design
High-power Myopes

            Small, round frame shapes are best to
            reduce lens thickness
            Angular frames with sharp corners will
            accent the thickness of the lenses
            Frames that look good with plano
            lenses may be very unattractive
            with high minus lenses
Fitting high plus lenses

 .Small, round frames
 .Fitting with high index aspheric lenses
. Fit with a short vertex distance
Fitting
consideration
Fitting
consideration
General rules
 Sturdy construction for high power lenses
 Frames with excessive curved front is not
  suitable for fitting.
 Frames with excessive flat front is not
  suitable for fitting.
 Frames with excessive eye size is not suitable
  for small PD
 When the previous glasses are used frame
  selection is function of the old frame.
For high minus lenses

1. Small eye size
2. Frame with rounded corners
3. A wide frame should be avoided.
4. Excessive decentration should be avoided
   (outer edge Vs inner edge)
5. Wider bridge (more DBL)
  Thus : less effective diameter
  a 50 □ 20 instead of a 52 □ 18
For high minus lenses

6.High index of refraction for reducing the edge
   thickness.
7.Plastic lenses for reducing the weight in the
   sensitive nose.
8. Using a flat bevel rather than the usual 40 º
   reduces reflection rings (also edge coating)
9. Thick rim of demi-amber or brown plastic is
   suitable. (a crystal or black frame is not
   suitable)
For high minus lenses

10.Front curves less than 2.00 D will result in a
  high reflection of light from the front.
11.Using a pink tint or antireflection coating
  will reduce lens reflections.
12.Minus lens and eye make up
For high plus lenses

1. Smaller eye size
2. Rounded shapes
3. Effective diameters ≤ eye size + 2mm
4. Shapes with small “frame differences”
For high plus lenses


5. Sturdy construction
6. Short vertex distances
7. Adjustable nosepads (for regulate BVD)
8. Cable temples
For cylindrical lenses

 Rounded shapes is not suitable (rotating
  cylinder axis)
 Frame dimension should be short in along
  thickness direction of the lens when it is
  possible.
Fitting consideration
    the bridge

   The appropriate bridge is determined by:
   Bridge width
   Position of its pads
   Frontal angle of the bridge at the pads
   Splay angle (transverse angle)
   Vertical angle (crest angle)
Frontal angle
Splay angle (transverse
( angle
Vertical angle (Crest
(angle
Healthy
 consideration
 As a healthy point of view ,
 properties that frame materials
 required can be listed as:
Healthy
  consideration
1. They must not injure –cause dermatitis
2. They must take and hold a good polish
3. They must be resist attack from skin acids
   (cellulose nitrate becomes yellow and crazed
   with time)
4. They must be light (neurotic problems)
Healthy consideration
  agents cause
  dermatitis have a poor quality
1.Metal frames that
  nickel alloy base metal (common)
2. Coloring agents
3. Even gold can cause dermatitis
Healthy
consideration
  There is two type of contact dermatitis:
2. Irritant contact dermatitis (ICD)
3. Allergic contact dermatitis (ACD)
Healthy consideration
 children bridges
 The investigations have shown that splay angle
  decreases from 28.2 º at ages “3 to 5” to 23 º at
  ages “ 16 to 18” .

 The depth of the nasal bridge also changes : it
  increases from 14.2 mm at age 3 to 5 to 19.2 mm
  at age s 16 to 18.
Healthy consideration
children bridges
   Thus in children:
   A larger pad splay angle
   A larger pad area
   More soft pad that does not inhibit nasal
    development.
   Using different types of nasal pads.
Healthy
consideration
   Selection of the wrong nasal pad can causes
    deformity and malformation of child's nose.
   An uncomfort bridge can cause neurotic
    problems for wearer.
   A non-suitable bridge can cause injury of the
    skin.
   A bridge pad with no good material (no skin
    acid resistance ) can cause contact
    dermatitis.
Healthy
consideration
 In wearers with surgical process on nose or
  other facial parts, a light weight frame with a
  good adjustable pad should be used.
 With age there are pronounced physiological
  changes to the elasticity and fat content of
  the skin and therefore , the bridge fitting is
  important.
Visual
consideration
Visual consideration

 Half-eye frame for near vision
 Suitable eye size for size of patient's eyes
 Suitable field of view
 No excessive change in eye size
Visual consideration

 Gradually variation in frame mode (important
  as both visually and habitually – suppression
  of the old frame components)
 suitable frame for bifocals and progressive
  corrections
 No too small eye size for children ,specially in
  accommodative esotropia.
Frame selection in
Ear, nose and other
facial deformities
Thank you for your attention

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Frameselection dr ali mirzajai

  • 1. In the name of God
  • 2. Frame Selection Dr. Ali Mirzajani Tehran University of Medical Science
  • 3. Frame Selection  From an aesthetic point of view , glasses are of no small importance to the person wearing them.  The patient needs to received help, not only with sizing ,but also with the cosmetic aspects of a frame.
  • 4. Frame Selection  Despite continuous changes in frame styles, there are still certain basics that can be used to arrive at an aesthetically pleasing and comfortable frame.  The wearer ultimately has the final choice of what he will wear , but he /she should not be allowed free rein in selecting his frames.
  • 6. :Frame selection is often  A process of trial and error  Usually time consuming  Frequently extremely frustrating
  • 7. Well-selected frame :consists of  A good bridge fit  Proper eye size  An acceptable shape
  • 8. Frame Selection  Cosmetic consideration  Fitting consideration  Healthy consideration  Visual consideration
  • 10. Cosmetic consideration  Well-selected frame shape tends to :  Exaggerate and emphasize facial lines are complementary (more desirable aspects) to the person and make face more attractive.  Disparage and deemphasize facial lines are uncomplementary (less desirable aspects) to the person.
  • 11. Cosmetic consideration  Complementary lines should be emphasized through repetition , usually by the upper and/or lower eye wires. (make face more attractive)  Reciprocally , uncomplementary lines should not repeated by the frame lines. (make face unattractive)
  • 12. Cosmetic consideration  Few faces meet the artistic ideal in bone structure and conformity.  The line of the frame selected should create the effect of balancing facial planes that are not components of idealized proportions.  The idea is the same as using vertical stripes to enhance the appearance of a short or a fat person.
  • 13. Cosmetic consideration facial types  Generally ,there are seven basic facial shapes
  • 14. facial types  Oval : considered to be the ideal type.
  • 15. facial types  Oblong: thinner and longer than the oval.
  • 16. facial types  Round: more circular than the oval.
  • 17. facial types  Square: again, the sides of the face are more parallel than in the oval, with the face being wider and shorter than usual.
  • 18. facial types Triangular: the lower part of the face is wider .than the upper part
  • 19. facial types :(Inverted triangular(base up the upper part of the face ,the temple area is wider .than lower jaw area
  • 20. facial types Diamond: the central section of the face is wider, with the upper and lower extremities of the face narrowing .down considerably
  • 21. Cosmetic consideration  To simplify the face shapes for the purpose of aiding in the choice of frame width and depth , the seven shapes can be condensed down to the following five shapes.
  • 22. A Basic Guide to Face Shapes  Three Keys: Frame shape should contrast with face shape Frame size should be in scale with face size Eyewear should balance personal proportion
  • 23. Theoval faces can wear any kind of shapes, big, small, strict, as .it suit you
  • 24. OVAL - oval-shaped faces tend to suit many different styles Your goal should be to keep the oval's natural balance. Look for frames that a ,as wide as, or wider than, the broadest part of the face (1 almond or walnut-shaped frames that are neither too deep nor too narrow so ( that they do not upset facial balance
  • 25. If you have around face you can go for a round shape or correct the line of the face with a square shape Your goal should be to make the face appear longer and thinner. Look for ,angular, narrow frames that will lengthen the face (1 ,high or mid-height temples, which help create a longer profile (2 ,a clear bridge that widens the eyes (3 frames that are wider than they are deep, such as an octagonal shape (4
  • 26. ROUND- a round face tends to suit quite angular stylesand geometric shapes, which give definition to the face. Round or large eye shapesare less suitable as they will exaggerate the round shape of the face
  • 27. Choose frames that are distinctive, angular, almost square, with designs that accentuate the upper part of the face. Look for frames with high temples and up-swept "cat's eye" styles.
  • 28. If you have asquare face, you can go in the same shape as the face, or on the contrary to go to oval shape .Your goal should be to make the face look longer and soften the angles : Look for ,curvilinear, narrow styles that soften facial angles (1 ,frames that are wider than the widest part of the face (2 frames that have more width than depth, and (3 .narrow ovals, which are an excellent choice (4
  • 29. SQUARE - soft, oval shapes work well. Thin, angular styles are less flattering
  • 30. If you have along face, you should go for a frame which cut the length of the face and enlarged the face, in respect to the interpupillary .distance The long shape can benefit from enhancing the width of the face so try wide, large framed glasses in oval or round styles
  • 31. long face look for softer shapes with some width; anything small and angular will tend to be less flattering Choose frames that are deep to shorten the face. Frames can be slightly wider than the face
  • 32. Face Shape: Oblong Coloring: Cool, medium intensity
  • 33. Heart or Triangular shaped Frame shapes to try Choose angular frames with strong vertical lines. Avoid frame shapes which mirror the angle of the jaw and in doing so draw .attention to it
  • 34. Triangular shaped Triangular shaped– Try to select narrow, round or square eye shapes for these faces, which are a wider and more rounded shape than triangular ones
  • 35. BASE-UP TRIANGLE FACES Base-Up shaped faces have a very wide top third and small bottom third. Your goal should be to minimize the width of the top half of the face. Look for 1) frames that are wider at the bottom half of the frame, 2) very light colored materials are effective, and uniform in colour 3) rimless styles are an excellent choice.
  • 37. Frame color  Effective factors in frame color selection: 2. Hair color 3. Skin color 4. Feature size 5. Eye color
  • 38. Hair color  Gray hair : frames in pale tints of blue or rose are suitable.  Pure white or partially gray hair : plain gray frames are better.  Red hair: green frames is better( browns or reds should be avoided).
  • 39. (Skin color (facial tone  Yellow or olive skin tones: colors to be avoided would be green-brown , green , yellow, or yellow-brown, because emphasize the yellow or olive tones already sufficiently present.  The recommended colors are those that draw out the colors desired, i.e. ,reds, pinks, red-browns.
  • 40. (Skin color (facial tone  Overly pink skin:  good colors: cool brown, greens, and ambers.  Avoided colors : shades of blue, violet, and magenta
  • 41. (Skin color (facial tone  Ageing skin :  The same colors as yellow or olive skin tones are suitable. Warm brown-red tones.  Avoided colors : gray, black, metallic frames, which only emphasize shadows caused by wrinkles.
  • 42. (Skin color (facial tone  Skin irregularities:  A black color frame will emphasize skin irregularities.
  • 43. (Skin color (facial tone  The smaller and more delicate the features, the lighter (thinner ) the frame should be.  The larger and broader the features, the heavier (thicker) the frame should be.  For children and women with child-like features, a light weight frame is suitable.  Using a frame too thick create a puny appearance.
  • 44. Temple design  Basically temple style is indicated more by its relation to appropriate function than by appearance.  Broad temples tend to decrease the facial length.  Thin temples tend to increase the facial length.
  • 46. High-power Myopes Small, round frame shapes are best to reduce lens thickness Angular frames with sharp corners will accent the thickness of the lenses Frames that look good with plano lenses may be very unattractive with high minus lenses
  • 47. Fitting high plus lenses .Small, round frames .Fitting with high index aspheric lenses . Fit with a short vertex distance
  • 49. Fitting consideration General rules  Sturdy construction for high power lenses  Frames with excessive curved front is not suitable for fitting.  Frames with excessive flat front is not suitable for fitting.  Frames with excessive eye size is not suitable for small PD  When the previous glasses are used frame selection is function of the old frame.
  • 50. For high minus lenses 1. Small eye size 2. Frame with rounded corners 3. A wide frame should be avoided. 4. Excessive decentration should be avoided (outer edge Vs inner edge) 5. Wider bridge (more DBL) Thus : less effective diameter a 50 □ 20 instead of a 52 □ 18
  • 51. For high minus lenses 6.High index of refraction for reducing the edge thickness. 7.Plastic lenses for reducing the weight in the sensitive nose. 8. Using a flat bevel rather than the usual 40 º reduces reflection rings (also edge coating) 9. Thick rim of demi-amber or brown plastic is suitable. (a crystal or black frame is not suitable)
  • 52. For high minus lenses 10.Front curves less than 2.00 D will result in a high reflection of light from the front. 11.Using a pink tint or antireflection coating will reduce lens reflections. 12.Minus lens and eye make up
  • 53. For high plus lenses 1. Smaller eye size 2. Rounded shapes 3. Effective diameters ≤ eye size + 2mm 4. Shapes with small “frame differences”
  • 54. For high plus lenses 5. Sturdy construction 6. Short vertex distances 7. Adjustable nosepads (for regulate BVD) 8. Cable temples
  • 55. For cylindrical lenses  Rounded shapes is not suitable (rotating cylinder axis)  Frame dimension should be short in along thickness direction of the lens when it is possible.
  • 56. Fitting consideration the bridge  The appropriate bridge is determined by:  Bridge width  Position of its pads  Frontal angle of the bridge at the pads  Splay angle (transverse angle)  Vertical angle (crest angle)
  • 60. Healthy consideration  As a healthy point of view , properties that frame materials required can be listed as:
  • 61. Healthy consideration 1. They must not injure –cause dermatitis 2. They must take and hold a good polish 3. They must be resist attack from skin acids (cellulose nitrate becomes yellow and crazed with time) 4. They must be light (neurotic problems)
  • 62. Healthy consideration agents cause dermatitis have a poor quality 1.Metal frames that nickel alloy base metal (common) 2. Coloring agents 3. Even gold can cause dermatitis
  • 63. Healthy consideration  There is two type of contact dermatitis: 2. Irritant contact dermatitis (ICD) 3. Allergic contact dermatitis (ACD)
  • 64. Healthy consideration children bridges  The investigations have shown that splay angle decreases from 28.2 º at ages “3 to 5” to 23 º at ages “ 16 to 18” .  The depth of the nasal bridge also changes : it increases from 14.2 mm at age 3 to 5 to 19.2 mm at age s 16 to 18.
  • 65. Healthy consideration children bridges  Thus in children:  A larger pad splay angle  A larger pad area  More soft pad that does not inhibit nasal development.  Using different types of nasal pads.
  • 66. Healthy consideration  Selection of the wrong nasal pad can causes deformity and malformation of child's nose.  An uncomfort bridge can cause neurotic problems for wearer.  A non-suitable bridge can cause injury of the skin.  A bridge pad with no good material (no skin acid resistance ) can cause contact dermatitis.
  • 67. Healthy consideration  In wearers with surgical process on nose or other facial parts, a light weight frame with a good adjustable pad should be used.  With age there are pronounced physiological changes to the elasticity and fat content of the skin and therefore , the bridge fitting is important.
  • 69. Visual consideration  Half-eye frame for near vision  Suitable eye size for size of patient's eyes  Suitable field of view  No excessive change in eye size
  • 70. Visual consideration  Gradually variation in frame mode (important as both visually and habitually – suppression of the old frame components)  suitable frame for bifocals and progressive corrections  No too small eye size for children ,specially in accommodative esotropia.
  • 71. Frame selection in Ear, nose and other facial deformities
  • 72. Thank you for your attention