SlideShare uma empresa Scribd logo
1 de 7
British Board of Film Classification (BBFC)
The British Board of Film Classification (BBFC) which use to be known as British Board of
Film censor is the UK’s regulator of film and video, it’s a non-governmental organization.
BBFC provides ratings such as U, PG and 12A. BBFC have the power to rate, cut or even
reject work. They also rates some things on line.
The BBFC recognise and respect adult freedom of choice within law, protect the public
(especially children) from content which might raise harm risks, provide an effective
service to enforcement agencies and empower the public (especially parents) to make
informed viewing choices.
The age ratings the BBFC have created are :
U, PG, 12, 12A, 15, 18, R18.
U films are suitable for audience aged four and over. The U symbol
stands for Universal. U films are only allowed to contain very mild
language, for example ‘hell’ and ‘damn’. In U films you sometimes find
the characters cuddling or kissing but there is no sexual behaviour.
Violence in U films is generally mild, there are brief fight scenes, but
these scenes will be balanced by reassuring element. There are also a
few scenes where characters are in danger. In U films there aren’t any
references to drugs, unless there is an educational message about drugs
that the younger audience understand.
Here are some examples of U films:
PG stands for Parental Guidance. In PG films some scenes may be unsuitable
for young children. PG films include challenging issues such as
racism/bullying, however they never contain any theme which is
inappropriate for a child. There may be mild bad language in PG films for
example the words “son of a bitch” and “shit”. References to sex are very
unlikely unless they are undetailed. In PG films, the violence that takes place
is very mild, you might see some blood but you will not see how the injury
was inflicted in strong detail. Young children are likely to copy many things
they see on TV such as bullying etc. Easily accessible weapons such as knives
are not focused on in PG films. Smoking and drinking is also not glamorised.
To try and prevent children from copying things like this PG works emphasize
that they are harmful. There might be references to illegal drugs but there is
always an educational message which lets young children understand that its
bad. Here are some examples of PG films:
12 and 12A films contain material that is generally not suitable for young
children. 12A films require an adult to accompany the child younger than 12.
12 and 12A films may contain bad language such as “fuck” depending on the
manner in which it is used. They may contain moderate language such as
“bitch” or “twat”. Sex may be briefly portrayed in 12 and 12A films, there may
also be nudity but it should only be discreet. In 12 and 12A films violence is
allowed but not really detailed violence. These films may contain weapons
and long fighting scenes. Sexual violence scenes such as rape or assault may
be implied but briefly. Some horror films are passed at this category.
Dangerous behaviour such as suicide may be present in a 12 or 12A films but
not in detail.
Here are some examples of 12 and 12A films:
No one younger than 15 is allowed to watch a 15 rated film at the cinema. No theme
is prohibited for a 15 film. In a 15 rate film you might see, sexual nudity, strong
verbal reference to sex, frequent strong language, brief scenes of sexual violence,
strong violence, drug taking etc. At 15 there is no upper limit on the number of uses
of strong language such as “fuck” also strong terms like “cunt” may be used
occasionally depending on which manner they are used and depending on who is
using the language. Sexual activity may be portrayed but not strong detail . The
violence in 15 rated films may be strong. Furthermore there may be verbal
references to sexual violence. In 15 films drug taking may be shown.
Here are some example of 15 films:
Films rated 18 are for adults. No one under the age of 18 is allowed to see an
18 film at the cinema. No theme is prohibited at 18. In an 18 film you may
find, real sex, sexual violence, discriminatory language/behaviour, very strong
language, very strong violence, strong blood and gore etc. There is no limit in
the number of use of strong language, there may be homophobic, racist or
other discriminatory language. There can be strong and details portrayals of
sex. Violence can be strong and be portrayed with strong detail. Horror films
may contain extremely strong horror.
Here are some examples of 18 films:
R18 movies are special and legally-restricted classification. These films are
only shown to adults in specially licenced cinemas. Video works may be
supplied to adults only in licenced sex shops. R18 videos are not supplied by
mail order. Here are some examples of R18 films:

Mais conteúdo relacionado

Mais procurados

French new wave cinema
French new wave cinemaFrench new wave cinema
French new wave cinema
swatifariya
 
Intro to Film: Documentary
Intro to Film: DocumentaryIntro to Film: Documentary
Intro to Film: Documentary
Rob Nyland
 
Films 1930s (TV Y1)
Films 1930s (TV Y1)Films 1930s (TV Y1)
Films 1930s (TV Y1)
Simon Wright
 
Epq presentation template
Epq presentation templateEpq presentation template
Epq presentation template
Matthew Jones
 
History of film- media timeline
History of film- media timelineHistory of film- media timeline
History of film- media timeline
sophiebennett12
 
Session 11 auteur theory: Film Appreciation Course
Session 11 auteur theory: Film Appreciation CourseSession 11 auteur theory: Film Appreciation Course
Session 11 auteur theory: Film Appreciation Course
Jeremy Eliab
 
City Of God Analysing Opening Sequence
City Of God  Analysing Opening SequenceCity Of God  Analysing Opening Sequence
City Of God Analysing Opening Sequence
guestac28fe
 

Mais procurados (20)

Documentary Modes.pptx
Documentary Modes.pptxDocumentary Modes.pptx
Documentary Modes.pptx
 
French new wave cinema
French new wave cinemaFrench new wave cinema
French new wave cinema
 
Film & Cinema
Film & CinemaFilm & Cinema
Film & Cinema
 
An Introduction to Documentary Films
An Introduction to Documentary FilmsAn Introduction to Documentary Films
An Introduction to Documentary Films
 
Intro to Film: Documentary
Intro to Film: DocumentaryIntro to Film: Documentary
Intro to Film: Documentary
 
The Silent Era
The Silent EraThe Silent Era
The Silent Era
 
History of film
History of filmHistory of film
History of film
 
Cinema
Cinema   Cinema
Cinema
 
Eduqas New GCSE Film Studies: An approach to Component 2, Global Film.
Eduqas New GCSE Film Studies: An approach to Component 2, Global Film. Eduqas New GCSE Film Studies: An approach to Component 2, Global Film.
Eduqas New GCSE Film Studies: An approach to Component 2, Global Film.
 
Films 1930s (TV Y1)
Films 1930s (TV Y1)Films 1930s (TV Y1)
Films 1930s (TV Y1)
 
Epq presentation template
Epq presentation templateEpq presentation template
Epq presentation template
 
History of film- media timeline
History of film- media timelineHistory of film- media timeline
History of film- media timeline
 
Epq presentation
Epq presentationEpq presentation
Epq presentation
 
Marxist film theory
Marxist film theoryMarxist film theory
Marxist film theory
 
Film adaptation
Film adaptationFilm adaptation
Film adaptation
 
Session 11 auteur theory: Film Appreciation Course
Session 11 auteur theory: Film Appreciation CourseSession 11 auteur theory: Film Appreciation Course
Session 11 auteur theory: Film Appreciation Course
 
French imperialism - Craig, Breanna
French imperialism - Craig, BreannaFrench imperialism - Craig, Breanna
French imperialism - Craig, Breanna
 
History of photography-notes
History of photography-notesHistory of photography-notes
History of photography-notes
 
City Of God Analysing Opening Sequence
City Of God  Analysing Opening SequenceCity Of God  Analysing Opening Sequence
City Of God Analysing Opening Sequence
 
Vogue lesson 1 media language
Vogue lesson 1 media languageVogue lesson 1 media language
Vogue lesson 1 media language
 

Destaque (19)

BBFC Slideshare
BBFC SlideshareBBFC Slideshare
BBFC Slideshare
 
BBFC
BBFCBBFC
BBFC
 
Timeline
TimelineTimeline
Timeline
 
The british bored of film classification (bbfc
The british bored of film classification (bbfcThe british bored of film classification (bbfc
The british bored of film classification (bbfc
 
Music video idea
Music video ideaMusic video idea
Music video idea
 
BBFC WORK
BBFC WORKBBFC WORK
BBFC WORK
 
Nick baldwin bbfc ppt
Nick baldwin bbfc pptNick baldwin bbfc ppt
Nick baldwin bbfc ppt
 
Editing glossary final
Editing glossary finalEditing glossary final
Editing glossary final
 
The BBFC
The BBFCThe BBFC
The BBFC
 
Bbfc presentation
Bbfc presentationBbfc presentation
Bbfc presentation
 
BBFC research
BBFC researchBBFC research
BBFC research
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
The role of the bbfc
The role of the bbfcThe role of the bbfc
The role of the bbfc
 
BBFC film classification guidelines
BBFC film classification guidelinesBBFC film classification guidelines
BBFC film classification guidelines
 
Bbfc
BbfcBbfc
Bbfc
 
Evaluation question 1 - KEN NGUYEN
Evaluation question 1 - KEN NGUYENEvaluation question 1 - KEN NGUYEN
Evaluation question 1 - KEN NGUYEN
 
BBFC
BBFCBBFC
BBFC
 
British board of film classification
British board of film classificationBritish board of film classification
British board of film classification
 
Bbfc
BbfcBbfc
Bbfc
 

Semelhante a British board of film classication (bbfc) (20)

British board of classification
British board of classificationBritish board of classification
British board of classification
 
Bbfc
BbfcBbfc
Bbfc
 
Age rating 24 hours.
Age rating 24 hours.Age rating 24 hours.
Age rating 24 hours.
 
Certificate Rating
Certificate RatingCertificate Rating
Certificate Rating
 
The BBFC
The BBFCThe BBFC
The BBFC
 
BBFC Post
BBFC PostBBFC Post
BBFC Post
 
Certificate ratings by Agne Ivanauskaite
Certificate ratings by Agne IvanauskaiteCertificate ratings by Agne Ivanauskaite
Certificate ratings by Agne Ivanauskaite
 
The British Board of Film Classification
The British Board of Film ClassificationThe British Board of Film Classification
The British Board of Film Classification
 
Bbfc ratings
Bbfc ratingsBbfc ratings
Bbfc ratings
 
Classifications
ClassificationsClassifications
Classifications
 
Classifications
ClassificationsClassifications
Classifications
 
Classifications
ClassificationsClassifications
Classifications
 
Classifications
ClassificationsClassifications
Classifications
 
Certificate ratings
Certificate ratings Certificate ratings
Certificate ratings
 
Age Rating
Age RatingAge Rating
Age Rating
 
Certificate ratingss
Certificate ratingssCertificate ratingss
Certificate ratingss
 
Bbfc
BbfcBbfc
Bbfc
 
Bbfc and rating research
Bbfc and rating researchBbfc and rating research
Bbfc and rating research
 
BBFC and rating research
BBFC and rating researchBBFC and rating research
BBFC and rating research
 
Film age rating edited irene new
Film age rating edited irene newFilm age rating edited irene new
Film age rating edited irene new
 

Mais de haverstockmedia

The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
haverstockmedia
 
The weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad IslamThe weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad Islam
haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
haverstockmedia
 
Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018
haverstockmedia
 
Unit 13 assignment 1 report
Unit 13 assignment 1 reportUnit 13 assignment 1 report
Unit 13 assignment 1 report
haverstockmedia
 
Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018
haverstockmedia
 
Audience Research - 4018
Audience Research - 4018Audience Research - 4018
Audience Research - 4018
haverstockmedia
 
In this broadcast product
In this broadcast productIn this broadcast product
In this broadcast product
haverstockmedia
 

Mais de haverstockmedia (20)

Eval 2
Eval 2Eval 2
Eval 2
 
Eval 1
Eval 1Eval 1
Eval 1
 
Video idea weeknd -Amad Islam
Video idea weeknd -Amad IslamVideo idea weeknd -Amad Islam
Video idea weeknd -Amad Islam
 
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
 
The weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad IslamThe weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad Islam
 
Imvdb
ImvdbImvdb
Imvdb
 
Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01
 
Beyonce - dance for you
Beyonce -  dance for youBeyonce -  dance for you
Beyonce - dance for you
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018
 
Unit 13 assignment 1 report
Unit 13 assignment 1 reportUnit 13 assignment 1 report
Unit 13 assignment 1 report
 
Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018
 
Focus Group - 4018
Focus Group - 4018Focus Group - 4018
Focus Group - 4018
 
Audience Research - 4018
Audience Research - 4018Audience Research - 4018
Audience Research - 4018
 
In this broadcast product
In this broadcast productIn this broadcast product
In this broadcast product
 
Edon
Edon Edon
Edon
 

British board of film classication (bbfc)

  • 1. British Board of Film Classification (BBFC) The British Board of Film Classification (BBFC) which use to be known as British Board of Film censor is the UK’s regulator of film and video, it’s a non-governmental organization. BBFC provides ratings such as U, PG and 12A. BBFC have the power to rate, cut or even reject work. They also rates some things on line. The BBFC recognise and respect adult freedom of choice within law, protect the public (especially children) from content which might raise harm risks, provide an effective service to enforcement agencies and empower the public (especially parents) to make informed viewing choices. The age ratings the BBFC have created are : U, PG, 12, 12A, 15, 18, R18.
  • 2. U films are suitable for audience aged four and over. The U symbol stands for Universal. U films are only allowed to contain very mild language, for example ‘hell’ and ‘damn’. In U films you sometimes find the characters cuddling or kissing but there is no sexual behaviour. Violence in U films is generally mild, there are brief fight scenes, but these scenes will be balanced by reassuring element. There are also a few scenes where characters are in danger. In U films there aren’t any references to drugs, unless there is an educational message about drugs that the younger audience understand. Here are some examples of U films:
  • 3. PG stands for Parental Guidance. In PG films some scenes may be unsuitable for young children. PG films include challenging issues such as racism/bullying, however they never contain any theme which is inappropriate for a child. There may be mild bad language in PG films for example the words “son of a bitch” and “shit”. References to sex are very unlikely unless they are undetailed. In PG films, the violence that takes place is very mild, you might see some blood but you will not see how the injury was inflicted in strong detail. Young children are likely to copy many things they see on TV such as bullying etc. Easily accessible weapons such as knives are not focused on in PG films. Smoking and drinking is also not glamorised. To try and prevent children from copying things like this PG works emphasize that they are harmful. There might be references to illegal drugs but there is always an educational message which lets young children understand that its bad. Here are some examples of PG films:
  • 4. 12 and 12A films contain material that is generally not suitable for young children. 12A films require an adult to accompany the child younger than 12. 12 and 12A films may contain bad language such as “fuck” depending on the manner in which it is used. They may contain moderate language such as “bitch” or “twat”. Sex may be briefly portrayed in 12 and 12A films, there may also be nudity but it should only be discreet. In 12 and 12A films violence is allowed but not really detailed violence. These films may contain weapons and long fighting scenes. Sexual violence scenes such as rape or assault may be implied but briefly. Some horror films are passed at this category. Dangerous behaviour such as suicide may be present in a 12 or 12A films but not in detail. Here are some examples of 12 and 12A films:
  • 5. No one younger than 15 is allowed to watch a 15 rated film at the cinema. No theme is prohibited for a 15 film. In a 15 rate film you might see, sexual nudity, strong verbal reference to sex, frequent strong language, brief scenes of sexual violence, strong violence, drug taking etc. At 15 there is no upper limit on the number of uses of strong language such as “fuck” also strong terms like “cunt” may be used occasionally depending on which manner they are used and depending on who is using the language. Sexual activity may be portrayed but not strong detail . The violence in 15 rated films may be strong. Furthermore there may be verbal references to sexual violence. In 15 films drug taking may be shown. Here are some example of 15 films:
  • 6. Films rated 18 are for adults. No one under the age of 18 is allowed to see an 18 film at the cinema. No theme is prohibited at 18. In an 18 film you may find, real sex, sexual violence, discriminatory language/behaviour, very strong language, very strong violence, strong blood and gore etc. There is no limit in the number of use of strong language, there may be homophobic, racist or other discriminatory language. There can be strong and details portrayals of sex. Violence can be strong and be portrayed with strong detail. Horror films may contain extremely strong horror. Here are some examples of 18 films:
  • 7. R18 movies are special and legally-restricted classification. These films are only shown to adults in specially licenced cinemas. Video works may be supplied to adults only in licenced sex shops. R18 videos are not supplied by mail order. Here are some examples of R18 films: