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Teaching Children’s Literature: It’s Critical
    Responses to “Risky” Texts




  Jerome C. Harste        Vivian Vasquez
  Andrew Manning          Peggy Albers
Participants: 14 Elementary Teachers
(N=42)        19 Secondary Teachers
               9 Administrators

Master’s Degree in Literacy
              Teacher as Research
              Critical Literacy
              Multiple Ways of Knowing
              2-Year Program
What are teacher concerns and reservations about using risky texts in their
classroom? What factors do they take into account when selecting children’s
literature for use in their classroom?
Given a better understanding of teacher concerns and reservations about
Using risky texts in their classroom, what are the implications for teacher preparation?
Three Questions: Three Books

Would you use this book in your classroom? If “No,” why not?
If ‘Yes,” how do you see using it?

What reservations or concerns, if any, do you have about using
this book in your classroom?

What factors do you take into account when selecting books for
use in your classroom?
Woolvs in the Sitee:ˆHow participants thought they might use this book in
their classrooms:

Use it to explore words as tools
Have kids edit the spelling and grammar in the book (“Let’s correct it!”)
Call attention to the fact that the author uses first person to express his
      ideas and opinions
Use the misspellings to help students understand voice in text
Use it to explore voice – difference between how you speak and how you write
Use it to discuss authentic language

Teach an art lesson
Use it to teach art – mood evoked through color
Use it to study the relationship between ‘abstract text’ and ‘abstract art’
Use it to talk about how images further the meaning of a text

Use it to encourage visualization (dramatize moods/darkness)
Discuss point of view
Use the book to develop inferencing skills – What do wolves represent?
     Why don’t they have water? Where is his family?
Use it to teach main idea (stated evidence) and inferencing
Look for metaphors and descriptive language: What do the wolves represent?
Use open-ended questions: What do you think is the author’s message? Use evidence
     from the text to support your ideas
Continued: Woolvs in the Sitee:ˆHow participants thought they might use this book in
their classrooms:

Use the book to discuss social issues and to build emotional bridges and understanding
Explore the relationship between the boy and neighbor; social issues
Talk about how the book gives hope – boy goes out at the end; he begins to reflect
 on past, talk about repressed memories
Help students connect the story to their own lived experiences: How does the story
     relate to your experiences living in the city?
.Focus on self-esteem, independence, maturity, social support networks for children
Identify the big ideas: Mental illness, Thugs, Lack of Family Support, Lack of Resources
Use it to demonstrate compassion – Mrs. Radinski
Use it to teach about bullying and its effects on individuals
Use it to talk about loss, depression, wolves
Use it to talk about resurrection – a new life

Discuss who gets to determine why a book can be written with obvious
    spelling and grammar issues
Discuss why the book is written in a chaotic fashion
Talk about the relationship between language and culture – cultural literacy/
     situated literacy
Would you use this book in your classroom? If “No,” why not?
If ‘Yes,” how do you see using it.

Elementary:No
Death, Duck, & A Tulip: 82% (Maybe: !0%) Probably Means 92%
I Am Thomas: 64% (Maybe: 7%) Probably Means 71%
Woolvs in the Sitee: 52% (Maybe: 41%) Probably Means 93%

Intermediate/Secondary:No
Death, Duck, & A Tulip: 3% (Maybe: 6%) Probably Means 9%
I Am Thomas: 0% (Maybe: 0%)
Woolvs in the Sitee: 26% (Maybe: 20%) Probably Means 46%

Administrators/Staff Support:No
Death, Duck, & A Tulip: 0% (Maybe: 11%) Probably Means 11%
I Am Thomas: 0% (Maybe: 0%)
Woolvs in the Sitee: 62% (Maybe: 0%) Probably Means 62%
What reservations or concerns, if any, do you
have about using this book in your classroom?
(76 identified)

Psychological Concerns                 52
     --readiness to discuss topic
     --sensitivity of topic
     --emotional impact
Parental Concerns                      31
     --topic best handled at home
     --inappropriate for school
Educational Concerns                   21
     --lack of administrative support
     --not comfortable handling topic myself
     --can topic be explored openly
Religious Concerns                      12
     --doesn’t match the church’s stance

8 participants had no concerns
Reading and Rereading Responses Resulted in 9 Categories:

Is the book age-appropriate?
Would students in my class find this book interesting?
Would this book promote in-depth student engagement?
Is there a curricular tie-in?
Am I comfortable handling a discussion around this topic?
Would my students find the illustrations engaging?
Does this book have literary merit?
Would this book support students in taking on a critical stance?
Other (Personal taste, access, fun, etc…)
Book Selection Criteria in Order of Importance (N=40)

Elementary Teachers:
Would the book promote in-depth student engagement? (13/14)
Would the students in my class find this book interesting? (12/14)
Is the book age-appropriate? (10/14)
Would the book support students in taking on a critical stance? (5/14)

Secondary Teachers:
Would the book promote in-depth student engagement? (17/19
Would the students in my class find this book interesting? (17/19)
Would the book support students in taking on a critical stance? (11/19)
Is the book age-appropriate? (9/19)

Administrators:
Would the book promote in-depth student engagement? (7/9)
Would the book support students in taking on a critical stance? (5/9)
Would the student in my class find this book interesting? (4/9)
Age-appropriate Elaborations by Elementary Teachers:

“Is it meaningful/relevant for Grade 3 kids?” (Rebekah, Grade 3 Teacher)
“I think I need to be aware of my children’s ages in picking books. I find there
       are topics that are too mature for my students and I feel they wouldn’t get
       anything out of it. I wouldn’t get the discussions.” (Amy, Grade 2 Teacher)
“Could I read this to my students and could they take meaning from it?” (Dawn,
       Grade 3 Teacher)
“This is the primary concern I have when choosing texts and content for my
       youngsters. I always consider this. This is my first year teaching kinders; I’m
       very conscious of my choices.” (Diana, JK/SK Teacher)
“The subject must be appropriate – it’s not about ‘level.’ (Claire, Grade 2 Teacher)
“*Age-appropriate+ for the issues they can handle.” (Julie, Grade 3 Teacher)
“Is it a topic that students are developmentally able to work with?” (Megan,
       Grade 1 Teacher)
“Content (maturity level required), level of vocabulary, topic, what kinds of
       prior experience are necessary for students to make meaning of the text 
       make connections.” (Meghan, Grade 3 Teacher)
Concerns:

“Some parents would not feel comfortable with this. I had a parent call this
    past week about a story that a child was reading “Losing Grandpa.” They
    wanted it pulled.” (Amy, Grade 2 Teacher)

“I think it may be difficult for some of my students to make connections
      that are needed for comprehension.” (Roseanne, ESL Teacher)

“8-year-olds are not mature enough to process /fully understand what
     is taking place in the book.” (Rebekah, Grade 3 Teacher)

“My students attention span is no longer than 10 minutes; the book
    would be too long. Just not right. (Diana, Kindergarten Teacher)

“It seems too vague and I am struggling with how it can connect with
      my students.” (Anita, Special Education Teacher)
Concerns

“How do you explain to parents why you are using a book with grammar and
    spelling mistakes, when you are, at the same time, teaching correct spelling
    and grammar.” (Christine, Teacher-Librarian, JK-Grade 8)

“Not written in proper grammatical form/spelling.” (Lucy, Grade 7 Teacher)

Scary – “shadows prowling against pavement”-Is there mental illness?” “Are
     children ready to discuss mental illness/concerns (developmentally, socially)?”
     (Pat, Junior High Teacher)

“I don’t feel equipped to deal in mental disorders/paranoia,” (Lisa, 11-12 High School
     Teacher)

“Doesn’t seem like a positive story.” (Lisa, 11-12 High School Teacher)

“I’m not to sure how to present its content (I don’t know exactly the message
     because it is very vague.) (Josie, Grade 8 Teacher)

“Positioning it as a published piece.” (Paul, Resource Teacher/Teacher
     Representative for Board on Library Policy)
Interesting Comments:

“Reads as being written by an adult pretending to be a speaker from a
    different discourse/social culture” (Meghan, Grade 3 Teacher)

“Some *parents+ will probably complain, but those will always complain
    about something.” (Nicole, Core Resource Teacher)

 *You should+ “know, at this present moment, we’ve had
      students cutting themselves. I would have to really question when
is a good time. (Roberta, Reading Recovery/Literacy Leader)

“Also important to me is whether or not the book fits with Catholic values
     or stirs up controversial issues.” (Adam, Grade 8 Teacher)
Things to Talk About:

Age-Appropriate – seems like a reasonable concern, but can be
the home of a scoundrel. (ALA reports that teachers are the
biggest censors of books)

Parents – In past research I have done, this is one of many
teachers’ major concern for not implementing change.

Protect the Innocence of Children – This attitude can really
hinder opening up much needed conversations

Literature as Positive – We have inadvertently taught teachers
that literature addresses should be enjoyable
and entertaining.

Not knowing how to talk about important issues.

Books are social. Importance of text sets.
Reflective Comment on Response Paper

“And now, a few words onRisky Texts. I am wondering
if the risk in these texts might be mitigated somewhat if we don’t
presume that the only authority or perspective on the topic is that
presented by the author. It seems to me that if we make a commitment
to offer, welcome and intentionally provoke multiple perspectives
in our classrooms, then we have to worry less about risky texts.
If students are compelled and know how to question texts,
each other, the teacher and themselves, then I think the risk is reduced.
I think that we get into trouble when we allow anyone,
 including ourselves or a text to use our classrooms as a place to
promote one ideology.” (Nicola, Resource Teacher)

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LRA Risky Texts Presentation 2012

  • 1. Teaching Children’s Literature: It’s Critical Responses to “Risky” Texts Jerome C. Harste Vivian Vasquez Andrew Manning Peggy Albers
  • 2. Participants: 14 Elementary Teachers (N=42) 19 Secondary Teachers 9 Administrators Master’s Degree in Literacy Teacher as Research Critical Literacy Multiple Ways of Knowing 2-Year Program
  • 3. What are teacher concerns and reservations about using risky texts in their classroom? What factors do they take into account when selecting children’s literature for use in their classroom? Given a better understanding of teacher concerns and reservations about Using risky texts in their classroom, what are the implications for teacher preparation?
  • 4. Three Questions: Three Books Would you use this book in your classroom? If “No,” why not? If ‘Yes,” how do you see using it? What reservations or concerns, if any, do you have about using this book in your classroom? What factors do you take into account when selecting books for use in your classroom?
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  • 10. Woolvs in the Sitee:ˆHow participants thought they might use this book in their classrooms: Use it to explore words as tools Have kids edit the spelling and grammar in the book (“Let’s correct it!”) Call attention to the fact that the author uses first person to express his ideas and opinions Use the misspellings to help students understand voice in text Use it to explore voice – difference between how you speak and how you write Use it to discuss authentic language Teach an art lesson Use it to teach art – mood evoked through color Use it to study the relationship between ‘abstract text’ and ‘abstract art’ Use it to talk about how images further the meaning of a text Use it to encourage visualization (dramatize moods/darkness) Discuss point of view Use the book to develop inferencing skills – What do wolves represent? Why don’t they have water? Where is his family? Use it to teach main idea (stated evidence) and inferencing Look for metaphors and descriptive language: What do the wolves represent? Use open-ended questions: What do you think is the author’s message? Use evidence from the text to support your ideas
  • 11. Continued: Woolvs in the Sitee:ˆHow participants thought they might use this book in their classrooms: Use the book to discuss social issues and to build emotional bridges and understanding Explore the relationship between the boy and neighbor; social issues Talk about how the book gives hope – boy goes out at the end; he begins to reflect on past, talk about repressed memories Help students connect the story to their own lived experiences: How does the story relate to your experiences living in the city? .Focus on self-esteem, independence, maturity, social support networks for children Identify the big ideas: Mental illness, Thugs, Lack of Family Support, Lack of Resources Use it to demonstrate compassion – Mrs. Radinski Use it to teach about bullying and its effects on individuals Use it to talk about loss, depression, wolves Use it to talk about resurrection – a new life Discuss who gets to determine why a book can be written with obvious spelling and grammar issues Discuss why the book is written in a chaotic fashion Talk about the relationship between language and culture – cultural literacy/ situated literacy
  • 12. Would you use this book in your classroom? If “No,” why not? If ‘Yes,” how do you see using it. Elementary:No Death, Duck, & A Tulip: 82% (Maybe: !0%) Probably Means 92% I Am Thomas: 64% (Maybe: 7%) Probably Means 71% Woolvs in the Sitee: 52% (Maybe: 41%) Probably Means 93% Intermediate/Secondary:No Death, Duck, & A Tulip: 3% (Maybe: 6%) Probably Means 9% I Am Thomas: 0% (Maybe: 0%) Woolvs in the Sitee: 26% (Maybe: 20%) Probably Means 46% Administrators/Staff Support:No Death, Duck, & A Tulip: 0% (Maybe: 11%) Probably Means 11% I Am Thomas: 0% (Maybe: 0%) Woolvs in the Sitee: 62% (Maybe: 0%) Probably Means 62%
  • 13. What reservations or concerns, if any, do you have about using this book in your classroom? (76 identified) Psychological Concerns 52 --readiness to discuss topic --sensitivity of topic --emotional impact Parental Concerns 31 --topic best handled at home --inappropriate for school Educational Concerns 21 --lack of administrative support --not comfortable handling topic myself --can topic be explored openly Religious Concerns 12 --doesn’t match the church’s stance 8 participants had no concerns
  • 14. Reading and Rereading Responses Resulted in 9 Categories: Is the book age-appropriate? Would students in my class find this book interesting? Would this book promote in-depth student engagement? Is there a curricular tie-in? Am I comfortable handling a discussion around this topic? Would my students find the illustrations engaging? Does this book have literary merit? Would this book support students in taking on a critical stance? Other (Personal taste, access, fun, etc…)
  • 15. Book Selection Criteria in Order of Importance (N=40) Elementary Teachers: Would the book promote in-depth student engagement? (13/14) Would the students in my class find this book interesting? (12/14) Is the book age-appropriate? (10/14) Would the book support students in taking on a critical stance? (5/14) Secondary Teachers: Would the book promote in-depth student engagement? (17/19 Would the students in my class find this book interesting? (17/19) Would the book support students in taking on a critical stance? (11/19) Is the book age-appropriate? (9/19) Administrators: Would the book promote in-depth student engagement? (7/9) Would the book support students in taking on a critical stance? (5/9) Would the student in my class find this book interesting? (4/9)
  • 16. Age-appropriate Elaborations by Elementary Teachers: “Is it meaningful/relevant for Grade 3 kids?” (Rebekah, Grade 3 Teacher) “I think I need to be aware of my children’s ages in picking books. I find there are topics that are too mature for my students and I feel they wouldn’t get anything out of it. I wouldn’t get the discussions.” (Amy, Grade 2 Teacher) “Could I read this to my students and could they take meaning from it?” (Dawn, Grade 3 Teacher) “This is the primary concern I have when choosing texts and content for my youngsters. I always consider this. This is my first year teaching kinders; I’m very conscious of my choices.” (Diana, JK/SK Teacher) “The subject must be appropriate – it’s not about ‘level.’ (Claire, Grade 2 Teacher) “*Age-appropriate+ for the issues they can handle.” (Julie, Grade 3 Teacher) “Is it a topic that students are developmentally able to work with?” (Megan, Grade 1 Teacher) “Content (maturity level required), level of vocabulary, topic, what kinds of prior experience are necessary for students to make meaning of the text  make connections.” (Meghan, Grade 3 Teacher)
  • 17. Concerns: “Some parents would not feel comfortable with this. I had a parent call this past week about a story that a child was reading “Losing Grandpa.” They wanted it pulled.” (Amy, Grade 2 Teacher) “I think it may be difficult for some of my students to make connections that are needed for comprehension.” (Roseanne, ESL Teacher) “8-year-olds are not mature enough to process /fully understand what is taking place in the book.” (Rebekah, Grade 3 Teacher) “My students attention span is no longer than 10 minutes; the book would be too long. Just not right. (Diana, Kindergarten Teacher) “It seems too vague and I am struggling with how it can connect with my students.” (Anita, Special Education Teacher)
  • 18. Concerns “How do you explain to parents why you are using a book with grammar and spelling mistakes, when you are, at the same time, teaching correct spelling and grammar.” (Christine, Teacher-Librarian, JK-Grade 8) “Not written in proper grammatical form/spelling.” (Lucy, Grade 7 Teacher) Scary – “shadows prowling against pavement”-Is there mental illness?” “Are children ready to discuss mental illness/concerns (developmentally, socially)?” (Pat, Junior High Teacher) “I don’t feel equipped to deal in mental disorders/paranoia,” (Lisa, 11-12 High School Teacher) “Doesn’t seem like a positive story.” (Lisa, 11-12 High School Teacher) “I’m not to sure how to present its content (I don’t know exactly the message because it is very vague.) (Josie, Grade 8 Teacher) “Positioning it as a published piece.” (Paul, Resource Teacher/Teacher Representative for Board on Library Policy)
  • 19. Interesting Comments: “Reads as being written by an adult pretending to be a speaker from a different discourse/social culture” (Meghan, Grade 3 Teacher) “Some *parents+ will probably complain, but those will always complain about something.” (Nicole, Core Resource Teacher) *You should+ “know, at this present moment, we’ve had students cutting themselves. I would have to really question when is a good time. (Roberta, Reading Recovery/Literacy Leader) “Also important to me is whether or not the book fits with Catholic values or stirs up controversial issues.” (Adam, Grade 8 Teacher)
  • 20. Things to Talk About: Age-Appropriate – seems like a reasonable concern, but can be the home of a scoundrel. (ALA reports that teachers are the biggest censors of books) Parents – In past research I have done, this is one of many teachers’ major concern for not implementing change. Protect the Innocence of Children – This attitude can really hinder opening up much needed conversations Literature as Positive – We have inadvertently taught teachers that literature addresses should be enjoyable and entertaining. Not knowing how to talk about important issues. Books are social. Importance of text sets.
  • 21. Reflective Comment on Response Paper “And now, a few words onRisky Texts. I am wondering if the risk in these texts might be mitigated somewhat if we don’t presume that the only authority or perspective on the topic is that presented by the author. It seems to me that if we make a commitment to offer, welcome and intentionally provoke multiple perspectives in our classrooms, then we have to worry less about risky texts. If students are compelled and know how to question texts, each other, the teacher and themselves, then I think the risk is reduced. I think that we get into trouble when we allow anyone, including ourselves or a text to use our classrooms as a place to promote one ideology.” (Nicola, Resource Teacher)