A Look at Subject Matter, Style, Form, and Content

1. The Components of Art Subject, Style, Content, Form, Media and Technique 0

2. The duty of an artist is to strain against the bonds of the existing style. – Philip Johnson 0

9. Running Horse , Cave Painting, Lascaux, France Period Style

10. Christ as the Good Shepherd , Byzantine Mosaic, Mausoleum of Gala Placidia, Ravenna, Italy Regional Style

11. Claude Monet, Impression Sunset , Impressionism, oil on canvas Regional Style

12. VAN GOGH . Starry Night (c. 1890 ) oil on canvas Individual Style

17. Amorous Couple (Mayan, Late Classic, 700–900 CE). Polychromed ceramic. H: 9 3⁄4 ” .

18. CONSTANTINE BRANCUSI . The Kiss ( c. 19 12 ). limestone .

19. OSCAR KOKOSCHKA . The Tempest ( c. 19 14 ). Oil on canvas

20. GRANT WOOD. American Gothic (1930). Oil on beaverboard. 29 7⁄8 ” x 24 7⁄8 ” .

21. BARBARA HEPWORTH (1903–1975). Two Figures (Menhirs) (1954–1955). Teak. H: 54 ” .

22. ROY LICHTENSTEIN. Forget It, Forget Me! (1962). Magna and oil on canvas. 79 7⁄8 ” x 68 ” .

23. DONNA ROSENTHAL. He Said… She Said;”let’s get physical”-”Do you think I’m Sexy” (1999). Mixed media. Suit 12” x 12” x 1 1/2”; dress 10” x 8” x 8”.

29. Representational GOYA Third of May, 1808 Romanticism oil on canvas

31. OSCAR KOKOSCHKA . The Tempest ( c. 19 14 ). Oil on canvas Expressionism

33. Abstraction PABLO PICASSO, Les Demoiselles D’Avignon (c. 1906) oil on canvas

34. “ Copy nature and you infringe on the work of our lord. Interpret nature and you are an artist. “ - JACQUE LIPCHITZ

35. BARBARA HEPWORTH (1903–1975). Two Figures (Menhirs) (1954–1955). Teak. H: 54 ” .

38. JUDY PFAFF. Voodoo (1981). Contact paper collage on Mylar. 98 ” x 60 ” (framed).

44. JACQUES-LOUIS DAVID. Death of Marat (1793). Oil on canvas. 63 3⁄4 ” x 49 1⁄8 ” . SANDOW BIRK. Death of Manuel (1992). Oil on canvas. 33 ” x 25 ” .

45. JACQUES - LOUIS DAVID. The Oath of the Horatii (1784). Oil on canvas. 11 ’ x 14 ’ .