TIZIANO Vecellio, Painting in Detail (1)

2. TIZIANO Vecellio
Self-Portrait
c. 1566
Oil on canvas, 86 x 69 cm
Museo del Prado, Madrid

3. TIZIANO Vecellio
Self-Portrait (detail)
c. 1566
Oil on canvas
Museo del Prado, Madrid

4. TIZIANO Vecellio
Self-Portrait (detail)
c. 1566
Oil on canvas
Museo del Prado, Madrid

5. TIZIANO Vecellio,
Featured Paintings in Detail
(1)

7. TIZIANO Vecellio
Portrait of Isabella of Portugal
1548
Oil on canvas, 117 x 93 cm
Museo del Prado, Madrid

8. TIZIANO Vecellio
Portrait of Isabella of Portugal
(detail)
1548
Oil on canvas, 117 x 93 cm
Museo del Prado, Madrid

9. TIZIANO Vecellio
Portrait of Isabella of Portugal
(detail)
1548
Oil on canvas, 117 x 93 cm
Museo del Prado, Madrid

10. TIZIANO Vecellio
Portrait of Isabella of Portugal
(detail)
1548
Oil on canvas, 117 x 93 cm
Museo del Prado, Madrid

12. TIZIANO Vecellio
Charles V Standing with His
Dog
1533
Oil on canvas, 192 x 111 cm
Museo del Prado, Madrid

13. TIZIANO Vecellio
Charles V Standing with His
Dog (detail)
1533
Oil on canvas, 192 x 111 cm
Museo del Prado, Madrid

14. TIZIANO Vecellio
Charles V Standing with His
Dog (detail)
1533
Oil on canvas, 192 x 111 cm
Museo del Prado, Madrid

15. TIZIANO Vecellio
Charles V Standing with His
Dog (detail)
1533
Oil on canvas, 192 x 111 cm
Museo del Prado, Madrid

16. TIZIANO Vecellio
Charles V Standing with His
Dog (detail)
1533
Oil on canvas, 192 x 111 cm
Museo del Prado, Madrid

18. TIZIANO Vecellio
Eleonora Gonzaga
c. 1538
Oil on canvas, 114 x 102 cm
Galleria degli Uffizi, Florence

19. TIZIANO Vecellio
Eleonora Gonzaga (detail)
c. 1538
Oil on canvas, 114 x 102 cm
Galleria degli Uffizi, Florence

20. TIZIANO Vecellio
Eleonora Gonzaga (detail)
c. 1538
Oil on canvas, 114 x 102 cm
Galleria degli Uffizi, Florence

21. TIZIANO Vecellio
Eleonora Gonzaga (detail)
c. 1538
Oil on canvas, 114 x 102 cm
Galleria degli Uffizi, Florence

23. TIZIANO Vecellio
Man with the Blue Sleeve
c. 1510
Oil on canvas, 85 x 70 cm
National Gallery, London

24. TIZIANO Vecellio
Man with the Blue Sleeve
(detail)
c. 1510
Oil on canvas, 85 x 70 cm
National Gallery, London

25. TIZIANO Vecellio
Man with the Blue Sleeve
(detail)
c. 1510
Oil on canvas, 85 x 70 cm
National Gallery, London

26. TIZIANO Vecellio
Man with the Blue Sleeve
(detail)
c. 1510
Oil on canvas, 85 x 70 cm
National Gallery, London

28. TIZIANO Vecellio
Woman with a Mirror
c. 1514
Oil on canvas, 93 x 76 cm
Musée du Louvre, Paris

29. TIZIANO Vecellio
Woman with a Mirror (detail)
c. 1514
Oil on canvas, 93 x 76 cm
Musée du Louvre, Paris

30. TIZIANO Vecellio
Woman with a Mirror (detail)
c. 1514
Oil on canvas, 93 x 76 cm
Musée du Louvre, Paris

32. TIZIANO Vecellio
Flora
1515-20
Oil on canvas
Galleria degli Uffizi, Florence

33. TIZIANO Vecellio
Flora (detail)
1515-20
Oil on canvas
Galleria degli Uffizi, Florence

34. TIZIANO Vecellio
Flora (detail)
1515-20
Oil on canvas
Galleria degli Uffizi, Florence

35. cast TIZIANO Vecellio, Featured
Paintings in Detail (1)
images and text credit www.
Music wav.
created olga.e.
thanks for watching
oes

36. TIZIANO Vecellio
Tiziano Vecelli or Tiziano Vecellio known in English as Titian, was an Italian painter,
the most important member of the 16th-century Venetian school.
He was born in Pieve di Cadore, near Belluno (in Veneto, Republic of Venice). During
his lifetime he was often called da Cadore, taken from the place of his birth.
Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the
famous final line of Dante's Paradiso), Titian was one of the most versatile of Italian
painters, equally adept with portraits, landscape backgrounds, and mythological and
religious subjects. His painting methods, particularly in the application and use of
color, would exercise a profound influence not only on painters of the Italian
Renaissance, but on future generations of Western art.
During the course of his long life, Titian's artistic manner changed drastically but he
retained a lifelong interest in color. Although his mature works may not contain the
vivid, luminous tints of his early pieces, their loose brushwork and subtlety of tone
are without precedent in the history of Western painting.