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Realisme CKV2 Vitus

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EducaçãoDiversão e humor
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Lewis Caroll Alice in Wunderland Jules Vernes 20.000 mijlen onder de zee Mary Shelley ‘Frankenstein’ Robert Louis Stevenson ‘ The Strange Case of Dr Jekyll and Mr Hyde’
Londen 1851 “ Great Exhibition of the world industry of all nations” “ Christal Palace”
Parijs 1889 “ Exposition Universelle” “ Village nègre”
Chicago 1893 “ World Fair” Ferris Wheel
Hanover EXPO 2000 “ A new world arising ” MVRDV
Shanghai EXPO 2010 “ Better City, Better Life” John Körmeling
Chicago 1893 “ World Fair” Franse schilderkunst bepaald door de Academie des Beaux-Arts
de Academie des Beaux-Arts De kunst van de Salon Rafaël (Renaissence) Poussin (Klassisme) Rubens (Barok)
 
Millet de school van Barbizon Schilderen “en plein air”
“ la Bohème” “Le Realisme, G. Courbet” Verisme, Verdi (fragment 12)
Manet “bourgeoisie” “ Dandy” “ Salon de Refuses” Emile Zola Naturalisme
Monet “ Impressionisme” Kleur en licht als onderwerp Debussy “Prelude a l’apres-midi d’un faune” (fragment 13)

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Realisme CKV2 Vitus

  • 1. Lewis Caroll Alice in Wunderland Jules Vernes 20.000 mijlen onder de zee Mary Shelley ‘Frankenstein’ Robert Louis Stevenson ‘ The Strange Case of Dr Jekyll and Mr Hyde’
  • 2. Londen 1851 “ Great Exhibition of the world industry of all nations” “ Christal Palace”
  • 3. Parijs 1889 “ Exposition Universelle” “ Village nègre”
  • 4. Chicago 1893 “ World Fair” Ferris Wheel
  • 5. Hanover EXPO 2000 “ A new world arising ” MVRDV
  • 6. Shanghai EXPO 2010 “ Better City, Better Life” John Körmeling
  • 7. Chicago 1893 “ World Fair” Franse schilderkunst bepaald door de Academie des Beaux-Arts
  • 8. de Academie des Beaux-Arts De kunst van de Salon Rafaël (Renaissence) Poussin (Klassisme) Rubens (Barok)
  • 9.  
  • 10. Millet de school van Barbizon Schilderen “en plein air”
  • 11. “ la Bohème” “Le Realisme, G. Courbet” Verisme, Verdi (fragment 12)
  • 12. Manet “bourgeoisie” “ Dandy” “ Salon de Refuses” Emile Zola Naturalisme
  • 13. Monet “ Impressionisme” Kleur en licht als onderwerp Debussy “Prelude a l’apres-midi d’un faune” (fragment 13)