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Finding a Safe Place:
Creating Safety for Survivors of
 Domestic Violence through Art



        Gretchen Miller, MA, ATR-BC, CTC-S
        Registered Board Certified Art Therapist
                   Certified Trauma Consultant
Objectives
   Learn the benefits of using art to address safety
    in trauma intervention and recovery with
    domestic violence survivors
   Be able to identify how safety, resilience, and
    adaptive coping can be explored through art
   Be introduced to appropriate material & media
    considerations to create a safe creative
    environment and to explore fears & worries.
About Domestic Violence




Domestic violence (also called interpersonal or intimate partner
violence) is a pattern of behavior in any relationship that is used to
    gain or maintain power and control over an intimate partner.
    ~National Domestic Violence Hotline | www.thehotline.org
   Domestic abuse is when a partner uses a pattern of
    coercive and assaultive behaviors to obtain power and
    control;
   Coercion is defined as “to force to act or think in a
    certain way by use of pressure, threats, or intimidation or
    to compel; to dominate, restrain, or control forcibly; and
    to bring about by force or threat.”;

   What makes a relationship abusive is the repeated and
    patterned behavior by a partner that attempts to control
    aspects of the other person’s life through manipulation,
    fear, bullying, and multiple other coercive tactics.
    Ohio Domestic Violence Network: www.odvn.org
Domestic Violence
   Physical, sexual,              Linked to increased
    emotional, economic or          medical, psychological,
    psychological actions           and social problems.
    or threats.
                                   Battered women suffer
   Behaviors that frighten,        more health disorders
    intimidate, terrorize,          vs. non-victims: i.e.
    manipulate, hurt,               PTSD, substance
    humiliate, blame, injure,       abuse, anxiety,
    or wound.                       depression
Domestic Violence & Safety
   Increase risk when a victim leaves
   Personalized (Emotional) Safety Planning
   Protection Orders, Court
   Fleeing to a Shelter / Safe Housing

   Adaptive coping- women & children
   Normalize trauma reactions & triggers
   Safety is fluid and can change quickly

    Safety Planning in a Trauma Informed Manner- ODVN Best Practices
        and Protocols for Ohio’s Domestic Violence Programs (2011)
Creating Safety
  The Experience Matters:
•Honoring & validating trauma experience
•Normalize trauma reactions
•Early Intervention
•Relational enrichment
•Safe opportunities to share ones story
Physical Impact
   Hormone coritosal is released by the
    brain to respond to impending threat
   Causes increase in adrenalin, heart
    rate, blood pressure, muscle tension
   Sleep disturbances
   Heightened state of arousal
   Hyper vigilance / Startle response


    Miller, G. (2008). Bruce Perry's Impact: Considerations for Art
    Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
Themes:
•Safety & protection:
 inclusion of alarms,
cameras, computer
surveillance, videos

•Fear of fire, someone
 breaking in

•Image and verbalizations
 suggest anxiety,
heightened watchfulness,
title projects fear of
explosiveness, violence in
the home
Behavioral
   Aggression
   Regression
   Nightmares
   Separation
    Anxiety
   Oppositional
   Repetitive play


    Miller, G. (2008). Bruce Perry's Impact: Considerations for Art
    Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
Emotional

   Depression
   Irritability
   Anger
   Fearfulness
   Anxiety
   Lack of affect
Cognitive
   Decrease in attention span
   Difficulty concentrating
   Memory Impairment
   Persistent intrusive
    thoughts & images
   Confusion around traumatic
    event
   Poor self image and self
    esteem


      Miller, G. (2008). Bruce Perry's Impact: Considerations for Art
      Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
Creating Safety through Art
                BENEFITS
   Art making is a safe way to distance
    painful and frightening experiences from
    self and the environment
   Art safely externalizes internal experiences
   Art can help reduce, contain, or provide
    insight into states of fear, anxiety, and
    worry
   Creative expression through art can be
    less threatening to explore and share
    feelings or memories, as well as provide
    the flexibility to experiment, and take
    risks in a therapeutic environment;

   Exploration through art can help the
    survivor begin to manage trauma and
    make meaning.
   Art expression facilitates
    an immediate hands-on
    outlet for survivors to
    feel safe, explore steps
    for change, reduce
    stress, decrease
    tension;
   Creativity and
    imagination restores a
    sense of possibility,
    identity, and
    reconnection within the                         Malchiodi & Miller, 2012.
    self;       Domestic Violence and Art Therapy. In Malchiodi, C. (Ed.),
             The Handbook of Art Therapy (2nd ed.). New York: Guilford Press.
                                                              pp. 335-349.
 Artcan find and
 create a voice that
 was silenced in
 the violence and
 abuse;
 Artoffers a safe
 place to tell a
 survivor’s story
 and experiences
 with dignity &
 courage
                       Malchiodi & Miller, 2012
Objectives
•Art experiences that make one feel safe
•Environment of predictability & consistency
•Sensory based intervention
•Promotes expression
•Restores a sense of safety & stabilization
•Fosters resiliency
•Supports adaptive coping
Restoring Safety
“Loss of safety is at the core of trauma”
      Dr. William Steele, Helping Children Feel Safe
Material & Media
          Considerations
Help provide containment at a sensory level
 experience for restoring safety through:
Boxes
Book making
Mandalas
3-D and 2-D Symbols of Safe Places
Safe Places & Safe Houses
3-D Paper House Making
           •Repetitive, here & now focus
           through the paper folding
           process

           •Containment of
           emotions connected to worry,
           fear, uncertainty

           •Opportunity for
           symbolic storytelling

           (Miller, (2011). Paper house making
           with youth exposed to domestic violence
           PDF: http://tinyurl.com/7nalsau.
Papier-Mâché Safety House Box
Safety Book
Portable Safe Place | Artist Trading Card

  Using collage with printed
   paper, tissue paper, and
  magazine photo collage &
    words on a 2 ½ x 3 ½
space- create an image of a
safe place or scene that can
  travel, become mobile, or
 easily be carried as a visual
reminder and grounding tool
 for wellbeing, comfort, and
      emotional safety.
Safe Place Mandalas
Emotional Expression:
  Worries & Fear
   Fighting & Hurting
   Physical or Emotional Safety & Wellbeing
   Court, Legal, Social Services Proceedings
   Shelter Adjustment
   Separation & Divorce
   Custody & Visitation Arrangements
   Something “bad” happening again
Creating a box
to safely hold
   worries
Worry about Court and Fears about Testifying
Worry about Pets left behind or separated from
Emotional X-Ray Drawings: Scared & Frightened
Outside/Inside Masks | Outside
What feelings do you feel safe showing to others?
Outside/Inside Masks | Inside
What feelings do you not feel safe showing to others?
Fostering Resilience
What is Resilience?
 The American Psychological Association (APA)
 defines resilience as “the ability to adapt well
to adversity, trauma, tragedy, threats, or even
         significant sources of stress”.

   “Resilience is important because it is the
  human capacity to face, overcome and be
 strengthened by or even transformed by the
              adversities of life”.


              Pizzolongo, P.J. & Hunter, A. (2011). I am safe and secure.
      Promoting resiliency in young children. Young Children, 66(2): 67-69.
Dennis S. Charney, M.D (2004) Psychobiological Mechanisms of Resilience and
        Vulnerability: Implications for Successful Adaptation to Extreme Stress
Strength Bowls
Strength Boxes for Coping
Stones of Strength

   Word of strength,
 positive affirmation in
  permanent marker

Feeling to let go & have
  less power in chalk

   Create a special
  container or fabric
 pouch to hold stones
Courage Stick
About Post Traumatic Growth (PTG)
Positive psychological change experienced as a result of the struggle
               with highly challenging life circumstances

    Martin P. Seligman, Ph.D., MD, leading researcher, author
            and professor in positive psychology notes:

   Often Post-Traumatic Growth (PTG) occurs much more
    than the onset of Post-Traumatic Stress Disorder (PTSD)

   Individuals who experienced one awful event had
    more intense strengths (and therefore higher well-being)
    than individuals who had none.

   Traumatic events could lead to transformation and growth.
Creating a Creative
    Safe Space
   Make sure there is enough physical/table
    space to create comfortably.

   Select and create a safe space that
    communicates permission to freely create
    without worry about messiness and can
    be cleaned up easily.
Material Planning & Prep
   When planning to incorporate art making be
    mindful that different art materials and media
    can have different emotional effects
   Consider how materials that are being introduced
    and their properties may impact the client
    internally
   On the continuum of art material properties,
    drawing media offer the most control, while
    media such as paint and water-based clay can
    quickly stimulate expression and regression
Material Planning & Prep

   Create a balance and experience of material
    offerings that empowers choice, decision
    making, and control without over
    stimulating;

   Pre-structuring materials can help decrease
    feelings of being overwhelmed easily and
    create containment.
Additional Considerations
   Art materials do not have to be of "fine art"
    quality or expensive, but also should work
    well and more importantly, not add
    frustration the art making experience.

   Art materials should be treated and offered
    to the group with respect by the therapist, as
    this reflects additional meaning and
    importance connected to the experience.
Creating a Safe Environment
            for Art Expression
   Provide an environment that allows the client to freely
    create without judgment

   Show your interest in the client's art through inviting
    him/her to share

   Prompt invitations to share with: "Tell me about your
    picture...“

   Actively listen to what the client has to say about his/
    her art expression
                                           Schirrmacher, J. (1986).
   Make observations about the client's art without
    interpretations or assumptions

   Create opportunities to encourage storytelling
    about the art expression

   Focus on the art expression's design qualities:
    color, placement, line, shape, form, texture,
    energy

   Thank the client for sharing, whether this is
    talking about his/her art and/or showing what
    they have created
What to Avoid:
   Compliments about the client's art or the expectation
    that their art should be pleasing and "look good"

   Comments about the art product that are judgmental or
    interpreting in nature

   Valuing the product over the process

   Direct questions that make the creator feel they did
    something wrong (i.e. "What is that?", "Why did you
    draw that?")

   Telling an individual the "right" way to make or create
    something. This inhibits sincere expression.

                                            Schirrmacher, J. (1986).
References
Charney, D.S. (2004). Psychobiological Mechanisms of Resilience and
  Vulnerability: Implications for Successful Adaptation to Extreme
  Stress.

Malchiodi, C. & Miller, G. (2012). Domestic Violence and Art Therapy.
  In Malchiodi, C. (Ed.), The Handbook of Art Therapy (2nd ed.).
  New York: Guilford Press. pp. 335-349.

Pizzolongo, P.J. & Hunter, A. (2011). I am safe and secure.
   Promoting resiliency in young children. Young Children, 66(2):
   67-69.

Schirrmacher, J. (1986). Talking with young children about their art.
  Young Children, 41(5): 3-7..

Steele, W., Malchiodi, C., & Klein, N. (2002). Helping Children Feel
  Safe. National Institute for Trauma and Loss in Children.
Domestic Violence & the Arts Resources
   A Window Between Worlds- www.awbw.org
    Dedicated to using art to help end domestic
    violence.
   SpeakArtLoud- www.speakartloud.org
    Innovative social-profit organization that uses the
    arts to empower women and improve
    communities.
   Be a Voice Arts- www.beavoicearts.com
    Using the arts to speak up about abuse.
Domestic Violence Resources
Courage   Network
www.couragenetwork.org
      A resource, community, and
inspiration for victims, advocates, families,
friends and those dealing with domestic
violence in their personal lives.

Ohio   Domestic Violence Network- www.odvn.org
 Trauma Informed Care DV Best Practices & Protocol:
 www.odvn.org/images/stories/FinalTICManual.pdf

National   DV Hotline- www.thehotline.org
Gretchen Miller, MA, ATR-BC, CTC-S
  Registered Board Certified Art Therapist
        Certified Trauma Consultant

         gretchenmiller@cox.net
        www.gretchen-miller.com

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Finding a Safe Place: Creating Safety for Survivors of Domestic Violence through Art

  • 1. Finding a Safe Place: Creating Safety for Survivors of Domestic Violence through Art Gretchen Miller, MA, ATR-BC, CTC-S Registered Board Certified Art Therapist Certified Trauma Consultant
  • 2. Objectives  Learn the benefits of using art to address safety in trauma intervention and recovery with domestic violence survivors  Be able to identify how safety, resilience, and adaptive coping can be explored through art  Be introduced to appropriate material & media considerations to create a safe creative environment and to explore fears & worries.
  • 3. About Domestic Violence Domestic violence (also called interpersonal or intimate partner violence) is a pattern of behavior in any relationship that is used to gain or maintain power and control over an intimate partner. ~National Domestic Violence Hotline | www.thehotline.org
  • 4. Domestic abuse is when a partner uses a pattern of coercive and assaultive behaviors to obtain power and control;  Coercion is defined as “to force to act or think in a certain way by use of pressure, threats, or intimidation or to compel; to dominate, restrain, or control forcibly; and to bring about by force or threat.”;  What makes a relationship abusive is the repeated and patterned behavior by a partner that attempts to control aspects of the other person’s life through manipulation, fear, bullying, and multiple other coercive tactics. Ohio Domestic Violence Network: www.odvn.org
  • 5. Domestic Violence  Physical, sexual,  Linked to increased emotional, economic or medical, psychological, psychological actions and social problems. or threats.  Battered women suffer  Behaviors that frighten, more health disorders intimidate, terrorize, vs. non-victims: i.e. manipulate, hurt, PTSD, substance humiliate, blame, injure, abuse, anxiety, or wound. depression
  • 6. Domestic Violence & Safety  Increase risk when a victim leaves  Personalized (Emotional) Safety Planning  Protection Orders, Court  Fleeing to a Shelter / Safe Housing  Adaptive coping- women & children  Normalize trauma reactions & triggers  Safety is fluid and can change quickly Safety Planning in a Trauma Informed Manner- ODVN Best Practices and Protocols for Ohio’s Domestic Violence Programs (2011)
  • 7. Creating Safety The Experience Matters: •Honoring & validating trauma experience •Normalize trauma reactions •Early Intervention •Relational enrichment •Safe opportunities to share ones story
  • 8.
  • 9.
  • 10. Physical Impact  Hormone coritosal is released by the brain to respond to impending threat  Causes increase in adrenalin, heart rate, blood pressure, muscle tension  Sleep disturbances  Heightened state of arousal  Hyper vigilance / Startle response Miller, G. (2008). Bruce Perry's Impact: Considerations for Art Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
  • 11. Themes: •Safety & protection: inclusion of alarms, cameras, computer surveillance, videos •Fear of fire, someone breaking in •Image and verbalizations suggest anxiety, heightened watchfulness, title projects fear of explosiveness, violence in the home
  • 12.
  • 13. Behavioral  Aggression  Regression  Nightmares  Separation Anxiety  Oppositional  Repetitive play Miller, G. (2008). Bruce Perry's Impact: Considerations for Art Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
  • 14. Emotional  Depression  Irritability  Anger  Fearfulness  Anxiety  Lack of affect
  • 15. Cognitive  Decrease in attention span  Difficulty concentrating  Memory Impairment  Persistent intrusive thoughts & images  Confusion around traumatic event  Poor self image and self esteem Miller, G. (2008). Bruce Perry's Impact: Considerations for Art Therapy & Children from Violent Homes: http://tinyurl.com/6mlqqtv
  • 16. Creating Safety through Art BENEFITS  Art making is a safe way to distance painful and frightening experiences from self and the environment  Art safely externalizes internal experiences  Art can help reduce, contain, or provide insight into states of fear, anxiety, and worry
  • 17. Creative expression through art can be less threatening to explore and share feelings or memories, as well as provide the flexibility to experiment, and take risks in a therapeutic environment;  Exploration through art can help the survivor begin to manage trauma and make meaning.
  • 18. Art expression facilitates an immediate hands-on outlet for survivors to feel safe, explore steps for change, reduce stress, decrease tension;  Creativity and imagination restores a sense of possibility, identity, and reconnection within the Malchiodi & Miller, 2012. self; Domestic Violence and Art Therapy. In Malchiodi, C. (Ed.), The Handbook of Art Therapy (2nd ed.). New York: Guilford Press. pp. 335-349.
  • 19.  Artcan find and create a voice that was silenced in the violence and abuse;  Artoffers a safe place to tell a survivor’s story and experiences with dignity & courage Malchiodi & Miller, 2012
  • 20. Objectives •Art experiences that make one feel safe •Environment of predictability & consistency •Sensory based intervention •Promotes expression •Restores a sense of safety & stabilization •Fosters resiliency •Supports adaptive coping
  • 21. Restoring Safety “Loss of safety is at the core of trauma” Dr. William Steele, Helping Children Feel Safe
  • 22. Material & Media Considerations Help provide containment at a sensory level experience for restoring safety through: Boxes Book making Mandalas 3-D and 2-D Symbols of Safe Places
  • 23. Safe Places & Safe Houses
  • 24. 3-D Paper House Making •Repetitive, here & now focus through the paper folding process •Containment of emotions connected to worry, fear, uncertainty •Opportunity for symbolic storytelling (Miller, (2011). Paper house making with youth exposed to domestic violence PDF: http://tinyurl.com/7nalsau.
  • 27. Portable Safe Place | Artist Trading Card Using collage with printed paper, tissue paper, and magazine photo collage & words on a 2 ½ x 3 ½ space- create an image of a safe place or scene that can travel, become mobile, or easily be carried as a visual reminder and grounding tool for wellbeing, comfort, and emotional safety.
  • 29. Emotional Expression: Worries & Fear
  • 30. Fighting & Hurting  Physical or Emotional Safety & Wellbeing  Court, Legal, Social Services Proceedings  Shelter Adjustment  Separation & Divorce  Custody & Visitation Arrangements  Something “bad” happening again
  • 31. Creating a box to safely hold worries
  • 32. Worry about Court and Fears about Testifying
  • 33. Worry about Pets left behind or separated from
  • 34. Emotional X-Ray Drawings: Scared & Frightened
  • 35. Outside/Inside Masks | Outside What feelings do you feel safe showing to others?
  • 36. Outside/Inside Masks | Inside What feelings do you not feel safe showing to others?
  • 37.
  • 39. What is Resilience? The American Psychological Association (APA) defines resilience as “the ability to adapt well to adversity, trauma, tragedy, threats, or even significant sources of stress”. “Resilience is important because it is the human capacity to face, overcome and be strengthened by or even transformed by the adversities of life”. Pizzolongo, P.J. & Hunter, A. (2011). I am safe and secure. Promoting resiliency in young children. Young Children, 66(2): 67-69.
  • 40. Dennis S. Charney, M.D (2004) Psychobiological Mechanisms of Resilience and Vulnerability: Implications for Successful Adaptation to Extreme Stress
  • 43. Stones of Strength Word of strength, positive affirmation in permanent marker Feeling to let go & have less power in chalk Create a special container or fabric pouch to hold stones
  • 45. About Post Traumatic Growth (PTG) Positive psychological change experienced as a result of the struggle with highly challenging life circumstances Martin P. Seligman, Ph.D., MD, leading researcher, author and professor in positive psychology notes:  Often Post-Traumatic Growth (PTG) occurs much more than the onset of Post-Traumatic Stress Disorder (PTSD)  Individuals who experienced one awful event had more intense strengths (and therefore higher well-being) than individuals who had none.  Traumatic events could lead to transformation and growth.
  • 46. Creating a Creative Safe Space
  • 47. Make sure there is enough physical/table space to create comfortably.  Select and create a safe space that communicates permission to freely create without worry about messiness and can be cleaned up easily.
  • 48. Material Planning & Prep  When planning to incorporate art making be mindful that different art materials and media can have different emotional effects  Consider how materials that are being introduced and their properties may impact the client internally  On the continuum of art material properties, drawing media offer the most control, while media such as paint and water-based clay can quickly stimulate expression and regression
  • 49. Material Planning & Prep  Create a balance and experience of material offerings that empowers choice, decision making, and control without over stimulating;  Pre-structuring materials can help decrease feelings of being overwhelmed easily and create containment.
  • 50. Additional Considerations  Art materials do not have to be of "fine art" quality or expensive, but also should work well and more importantly, not add frustration the art making experience.  Art materials should be treated and offered to the group with respect by the therapist, as this reflects additional meaning and importance connected to the experience.
  • 51. Creating a Safe Environment for Art Expression  Provide an environment that allows the client to freely create without judgment  Show your interest in the client's art through inviting him/her to share  Prompt invitations to share with: "Tell me about your picture...“  Actively listen to what the client has to say about his/ her art expression Schirrmacher, J. (1986).
  • 52. Make observations about the client's art without interpretations or assumptions  Create opportunities to encourage storytelling about the art expression  Focus on the art expression's design qualities: color, placement, line, shape, form, texture, energy  Thank the client for sharing, whether this is talking about his/her art and/or showing what they have created
  • 53. What to Avoid:  Compliments about the client's art or the expectation that their art should be pleasing and "look good"  Comments about the art product that are judgmental or interpreting in nature  Valuing the product over the process  Direct questions that make the creator feel they did something wrong (i.e. "What is that?", "Why did you draw that?")  Telling an individual the "right" way to make or create something. This inhibits sincere expression. Schirrmacher, J. (1986).
  • 54. References Charney, D.S. (2004). Psychobiological Mechanisms of Resilience and Vulnerability: Implications for Successful Adaptation to Extreme Stress. Malchiodi, C. & Miller, G. (2012). Domestic Violence and Art Therapy. In Malchiodi, C. (Ed.), The Handbook of Art Therapy (2nd ed.). New York: Guilford Press. pp. 335-349. Pizzolongo, P.J. & Hunter, A. (2011). I am safe and secure. Promoting resiliency in young children. Young Children, 66(2): 67-69. Schirrmacher, J. (1986). Talking with young children about their art. Young Children, 41(5): 3-7.. Steele, W., Malchiodi, C., & Klein, N. (2002). Helping Children Feel Safe. National Institute for Trauma and Loss in Children.
  • 55. Domestic Violence & the Arts Resources  A Window Between Worlds- www.awbw.org Dedicated to using art to help end domestic violence.  SpeakArtLoud- www.speakartloud.org Innovative social-profit organization that uses the arts to empower women and improve communities.  Be a Voice Arts- www.beavoicearts.com Using the arts to speak up about abuse.
  • 56. Domestic Violence Resources Courage Network www.couragenetwork.org A resource, community, and inspiration for victims, advocates, families, friends and those dealing with domestic violence in their personal lives. Ohio Domestic Violence Network- www.odvn.org Trauma Informed Care DV Best Practices & Protocol: www.odvn.org/images/stories/FinalTICManual.pdf National DV Hotline- www.thehotline.org
  • 57. Gretchen Miller, MA, ATR-BC, CTC-S Registered Board Certified Art Therapist Certified Trauma Consultant gretchenmiller@cox.net www.gretchen-miller.com