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Pre-Production 3:
Scripting and Storyboarding
  SJSJ Grade 8 Technology Class
          March 2012
Planning Your Transitions
•   Bars                 • Blur Effect
•   Checkerboard         • Brightness Effect
•   DirectX Media Wipe   • Fade Effect
•   Dissolve             • Film Aging Effect
•   Fade                 • Filter Effects
•   Iris                 • Mirror and Grayscale
•   Pixelate               Effects
•   SMPTE Wipe           • Pixelate Effect
•   Wheel                • Speed Effects
Planning Your Audio
• Direct sound               • Selective Sound
  – Live sound.                – Add or remove sound
  – Not always ideal           – Ex: ticking bomb
• Studio sound               • Sound Bridge
  – Recorded in studio         – Continue across cut
  – Improve sound quality      – Use for continuity
  – Eliminating ambient      • Dubbed dialogue
    sound
                             • Wildtrack (asynchronous)
  – Dubbed dialogue
                               – Deliberately recorded
  – Can be mixed with live       separately from scene and
    environmental sound          then added
Scripting vs. Storyboarding

• Script:                            • Storyboard
   – Written text of a stage            – Series of panels on which a
     play, screenplay or broadcast        set of sketches is arranged to
                                          depict the important changes
                                          of scene and action in a
                                          series of shots
                                        – A visual script
Considerations

• Your Audience
   – Students? Parents? Young
     Children? Other?

• Length of Film

• Message
   – Persuasive? Informative?
     Entertaining?
Scripting

•   The dialogue and narration
•   The action
•   The talent
•   The scene and setting
•   The sound effects and music
•   The graphics and credits
•   The special props
Use the Script to

• Coordinate location shots and plan sets
• Choose the actors and actresses
• Decide on props, graphics, sound effects
  and music
• Assign production crew tasks
Why Storyboard?


•   Brainstorm ideas
•   Visualize finished product
•   Save time
•   Plan camera and sound (Production)
•   Plan edits (Post Production)
•   Keep everyone on the same page
•   Spot opportunities for camera shots
What to Include in
           Storyboard
•   Timing for each scene
•   Who will appear in each scene?
•   Camera Shots (Close up, two shot, wide, POV, etc)
•   Camera Movement (Pan, tilt, zoom, etc)
•   Lighting
•   Cuts and effects between scenes
•   Music and sound effects
•   Any special effects?
•   Number scenes and sections of storyboard
Keep in Mind the 5 W’s
•   Who?
•   What?
•   Where?
•   When?
•   Why?
Storyboarding
Storyboarding
Points to Remember
• Storyboards don’t have to be perfect
• Use simple sketches—stick
  figures, circles, lines, etc.
• You may use a graphics drawing program or
  other application
• Just depict major scenes.
What’s Next
• Individual Storyboards
• Team collaborates to create a script, storyboard
  and pitches to have it produced
Questions?

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Pre-Production Scripting and Storyboarding

  • 1. Pre-Production 3: Scripting and Storyboarding SJSJ Grade 8 Technology Class March 2012
  • 2. Planning Your Transitions • Bars • Blur Effect • Checkerboard • Brightness Effect • DirectX Media Wipe • Fade Effect • Dissolve • Film Aging Effect • Fade • Filter Effects • Iris • Mirror and Grayscale • Pixelate Effects • SMPTE Wipe • Pixelate Effect • Wheel • Speed Effects
  • 3. Planning Your Audio • Direct sound • Selective Sound – Live sound. – Add or remove sound – Not always ideal – Ex: ticking bomb • Studio sound • Sound Bridge – Recorded in studio – Continue across cut – Improve sound quality – Use for continuity – Eliminating ambient • Dubbed dialogue sound • Wildtrack (asynchronous) – Dubbed dialogue – Deliberately recorded – Can be mixed with live separately from scene and environmental sound then added
  • 4. Scripting vs. Storyboarding • Script: • Storyboard – Written text of a stage – Series of panels on which a play, screenplay or broadcast set of sketches is arranged to depict the important changes of scene and action in a series of shots – A visual script
  • 5. Considerations • Your Audience – Students? Parents? Young Children? Other? • Length of Film • Message – Persuasive? Informative? Entertaining?
  • 6. Scripting • The dialogue and narration • The action • The talent • The scene and setting • The sound effects and music • The graphics and credits • The special props
  • 7. Use the Script to • Coordinate location shots and plan sets • Choose the actors and actresses • Decide on props, graphics, sound effects and music • Assign production crew tasks
  • 8. Why Storyboard? • Brainstorm ideas • Visualize finished product • Save time • Plan camera and sound (Production) • Plan edits (Post Production) • Keep everyone on the same page • Spot opportunities for camera shots
  • 9. What to Include in Storyboard • Timing for each scene • Who will appear in each scene? • Camera Shots (Close up, two shot, wide, POV, etc) • Camera Movement (Pan, tilt, zoom, etc) • Lighting • Cuts and effects between scenes • Music and sound effects • Any special effects? • Number scenes and sections of storyboard
  • 10. Keep in Mind the 5 W’s • Who? • What? • Where? • When? • Why?
  • 13. Points to Remember • Storyboards don’t have to be perfect • Use simple sketches—stick figures, circles, lines, etc. • You may use a graphics drawing program or other application • Just depict major scenes.
  • 14. What’s Next • Individual Storyboards • Team collaborates to create a script, storyboard and pitches to have it produced