3. Starring
Sharon E. Farb
UCLA Associate University Librarian for Collection
Management and Scholarly Communication
L. Amy Blum
UCLA Interim Vice Chancellor
for Legal Affairs
Kim S. Kovacs
UCLA Executive Director of Federal Relations
4. $1,383
UCLA Admissions Office estimate for
books and supplies for an academic
year for undergraduate students
Episode One
UCLA Context
10. UCLA Library Affordable Course Materials Initiative
Programmatic Challenges
Scalability and Expansion
Customized approach to each applicant
3,000+ teaching faculty/lecturers but only
~300 librarians and fulltime library staff
Quantity and variety of course materials
Differing Agendas
Motivation to implement changes in syllabus
Focus on quantity over quality/curation
16. Copyright Act
Why Talk about Copyright?
Myths / Concerns
• Copyrights “lock down” use of content.
• Journals and other commercial enterprises
hold copyrights and prevent use or charge
fees to profit off students.
• Copyrights prevent universities from using
content in classes.
17. Copyright Act
Purpose of Copyright
“The primary, objective of copyright is not to reward the labor
of authors, but [t]o promote the Progress of Science and
Useful Arts. To this end, copyright assures authors the right to
their original expression, but encourages others to build freely
upon the ideas and information conveyed by a work. This
result is neither unfair nor unfortunate. It is the means by
which copyright advances the progress of sciences and art.”
Justice Sandra Day O’Connor
FEIST PUBLICATIONS, INC. v. RURAL TEL. SERVICE
CO., 499 U.S. 340, 349-50 (1991).
18. Copyright Act
Copyright Ownership
Under copyright law, the creator of the original
expression in a work is its author.
The author is also the owner of copyright
unless there is a written agreement by which
the author assigns the copyright to another
person or organization, such as a publisher.
19. UC Policy
Individual Ownership and Policy
University of California Policy: Copyright ownership resides with the
originator of the work if it is:
• Scholarly/Aesthetic Work: Created by faculty and designated academic
employees resulting from independent academic effort
• Personal Work: Developed by a university employee outside the course and
scope of their university employment and without university resources.
• Student Work: Produced by a registered student without the use of
university funds (other than student financial aid) that is produced outside
any university employment.
20. UC Policy
Ownership of Course Materials
University of California Policy on Ownership of Course Materials:
• Course Materials Include: Work prepared for use in teaching including lectures,
lecture notes and materials, syllabi, study guides, bibliographies, visual aids,
images, diagrams, multimedia presentations, web-ready content, and educational
software.
• Copyright resides with the Designated Instructional Appointee who creates the
material. DIAs are university employees who serve as Instructors of Record and
have a general obligation to produce course materials.
• University only has a royalty-free perpetual license to use course approval
documents, not the course materials.
21. Copyright Act
What Are the Exclusive Rights?
Bundle of Rights:
• Make copies of the work.
• Make derivative works based on the
original work.
• Distribute the work.
• Perform the work publicly.
• Display the work in a commercial setting.
The owner of a copyright may license
these rights to others.
22. Episode Two
Relevance to OERs?
Our faculty own the copyrights to their
course materials and control how it is
used.
Our faculty own the copyright to their
scholarly work . . .
But – they often assign those rights to
publishers.
23. Episode Two
What Can the University Do?
Rely on exemptions to the Copyright
Act.
Assist faculty with retaining their
copyright when negotiating with
publishers.
Develop open access policies.
25. Copyright Act
TEACH ACT
Technology, Education and Copyright Harmonization Act (17 U.S.C.
§110(2))[TEACH ACT]:
• Safe harbor that protects the transmission of a work from copyright infringement
claims provided the transmission meets eleven specific requirements
• Requires limiting use to students enrolled in a specific class
• Cannot transmit textbook materials, materials "typically purchased or acquired by
students," or works developed specifically for online uses
26. Copyright Act
Fair Use
Four Factor Test:
• Character of Use (commercial versus
non-profit educational; transformative)
• Nature of Copyrighted Work (fact versus
imaginative and published versus
unpublished)
• Amount and Substantiality of Portion
Used
• Market Effect
27. Episode Two
Open Access Policies Can Help
A policy that grants rights to the
institution upon creation of content
prevents an author from granting all
rights to a publisher.
28. Episode Two
Faculty, Negotiate your Copyright
Librarians can assist faculty with ensuring they retain their copyrights
or specific use rights.
Faculty should read their publishing agreements to specifically
understand the grant of rights provisions.
Authors should modify publishing agreements to allow the author to
retain rights.
32. The Perils of Policy
Legislative and Government Relations Aspects of OER
33. Episode Three
Identifying Goals
What Are You Trying to Achieve?
• Open access to federal or state funded
research and materials?
• Lower cost of educational materials?
• Develop “free” education options like
MOOCs?
35. Episode Three
Avoiding Unintended Consequences
Have a Plan
Realize your timing needs to be long-
range and incremental.
Work with Diverse Coalitions
Who could partner with you? Think
creatively and broadly.
Cultivate Champions
Educate
36. Thank you!
Photo credits
Media History Digital Library
Kyle Alexander
Bill Ebbesen
Simon A. Eugster
Reed Hutchinson
laogooli
Coral Von Zumwalt
Elena Zhukova
Mark Holtzman, West Coast Aerial Photography
Guyon Morée
Padawane
Sharon E. Farb
Still from “The Perils of Pauline” (1914), pulled from the open access Media History Digital Library: http://mediahistoryproject.org/
When it comes to open education resources, one size doesn’t fit all. That’s true of both the OERs themselves and of the institutions of higher ed.
Overview of what each will focus on:
-- Sharon: UCLA context, overview of local challenges
-- Amy: Legal and academic policy considerations
-- Kim: Legislative and public policy issues
UCLA Admissions estimate for books/supplies for academic year: $1383.
36-38% of UCLA’s undergraduate students are Pell Grant recipients; 55% receive some federal, state, or campus financial aid;
49% graduate with loans to pay back (loans the students take on, not their parents).
Term-of-art “textbook” doesn’t resonate widely at UCLA; this limits impact of legislation/policies focused on “textbooks.” Course materials can include multiple books, lab supplies, course packs, data sets, audio and/or video, special collections items (physical or digital), and much more.
Instructor for each course changes from quarter to quarter/year to year, and each often doesn’t use previous instructors’ course materials.
Tier 1 research university: Many faculty focus on research more than teaching. Knowledge about campus instructional support services is limited, and there’s limited emphasis on helping instructors learn skills to become better teachers.
IT challenges: not all classrooms have the same technology for presentation/capture, and what is there may not accommodate specialized needs.
Adapted from UMass Amherst’s program
Incentivize instructors to work with the library on their course materials
Integrate collections into instruction
Digitize under-utilized rare and unique materials in Special Collections
Broaden access for students to course materials that they might previously not have purchased because of cost
Lower costs for students
Achieve instructors’ educational objectives
Each application/course requires a customized approach
Scalability: Number of Library staff (including subject specialists, curators, technologists) available to work on ACMI projects limited in terms of interest, expertise, and time
Must encompass a broad definition of course materials, which vary widely in format from course to course. Affordable IT solutions don’t yet exist to meet everyone’s needs.
Some applicants more interested in funds than in revamping course materials, but that doesn’t become clear until the award’s been made
OER movement’s focus on more OERs – rather than on curation and discovery
OER movement has not focused to date on impact of faculty routinely signing away their rights to commercial publishers. Faculty need to be aware of their role in this problem and what they can do to help solve it.
Academic freedom: each instructor has the authority to choose whatever course materials s/he wants
Employing fair use
Dealing with orphans
Providing access to standard texts from year to year
Representation in any resulting litigation for instructors who create their own OA textbooks.
DIAs also includes all members of the Academic Senate and clinical professors. Appointees in other academic titles may also be designated by the President.
Exemptions:
-- Classroom Teaching (Section 110(1))
-- TEACH Act (Section 110(2))
Distance Learning
-- Fair Use (Section 107)
Classroom Teaching Exemption: The performance or display of a work in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction.
Physical v. Virtual Classroom as Face to Face Teaching:
-- Course Websites
-- Course Management Systems
-- Are these virtual classrooms now deemed a “similar place devoted to instruction”?
Similar Place Devoted to Instruction: The House Report cites as qualifying locales “a studio, a work-shop, a gymnasium, a training field, a library, the stage of an auditorium, or the auditorium itself if it is actually used as a classroom for systematic instructional activities.” (H. Rep. at p. 82.)
DIAs also includes all members of the Academic Senate and clinical professors. Appointees in other academic titles may also be designated by the President.
DIAs also includes all members of the Academic Senate and clinical professors. Appointees in other academic titles may also be designated by the President.
Exemptions:
-- Classroom Teaching (Section 110(1))
-- TEACH Act (Section 110(2))
Distance Learning
-- Fair Use (Section 107)
Classroom Teaching Exemption: The performance or display of a work in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction.
Physical v. Virtual Classroom as Face to Face Teaching:
-- Course Websites
-- Course Management Systems
-- Are these virtual classrooms now deemed a “similar place devoted to instruction”?
Similar Place Devoted to Instruction: The House Report cites as qualifying locales “a studio, a work-shop, a gymnasium, a training field, a library, the stage of an auditorium, or the auditorium itself if it is actually used as a classroom for systematic instructional activities.” (H. Rep. at p. 82.)
Academic Freedom:
-- Academic Senate has primary responsibility for applying academic standards in compliance with applicable standards of professional care. [UC Policy]
-- The Senate approves curriculum, which may include approved textbooks.
-- Individual faculty select teaching materials, but subject to Senate curriculum approvals.
Privacy/Publicity Rights:
-- If materials contain photographs of identifiable persons, releases for use of images may be required.
-- If materials include student work, Family Educational Rights and Privacy Act (FERPA) may apply and waiver by students may be required.
Academic freedom: each instructor has the authority to choose whatever course materials s/he wants
Employing fair use
Dealing with orphans
Providing access to standard texts from year to year
Representation in any resulting litigation for instructors who create their own OA textbooks.