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Georgia O’Keefe
American Painter (1887-1986)
An up close look
Who was Georgia O’Keefe?
• Nobody sees a flower, really, it is so small. We haven't time - and to
see takes time like to have a friend takes time.
If I could paint the flower exactly as I see it no one would see what I
see because I would paint it small like the flower is small. So I said to
myself - I'll paint what I see - what the flower is to me but I'll paint it
big and they will be surprised into taking time to look at it - I will
make even busy New Yorkers take time to see what I see of flowers.
...Well, I made you take time to look at what I saw and when you
took time to really notice my flower you hung all your own
associations with flowers on my flower and you write about my
flower as if I think and see what you think and see of the flower -
and I don't.
- Georgia O'Keeffe
Who was Georgia O’Keefe?
• born on November 15,
1887
• As a child she received art
lessons at home, and her
abilities were quickly
recognized and
encouraged by teachers
throughout her school
years. By the time she
graduated from high
school in 1905, O'Keeffe
had determined to make
her way as an artist.
Who was Georgia O’Keefe?
• O'Keeffe pursued studies
at the Art Institute of
Chicago (1905–1906) and
at the Art Students
League, New York (1907–
1908), where she was
quick to master the
principles of the approach
to art-making that then
formed the basis of the
curriculum—imitative
realism.
Who was Georgia O’Keefe?
• A pioneer of Modernism
in America
• An art teacher in both
public school and at the
college level
• Wife of Alfred Steglitz –
father of modern
photography
• Best known for her
abstract paintings of up
close flowers.
What was her theory on painting?
• "I often painted
fragments of things
because it seemed to
make my statement as
well as or better than the
whole could...I had to
create an equivalent for
what I felt about what I
was looking at...not copy
it.“
http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html
Question?
•Have you ever felt discouraged in
your own art because you couldn’t
make your image “look real”?
•Or made to feel less of an artist
because your work didn’t look as
“good” as your peers?
Artists struggle with these same
questions!
O'Keeffe had originally been trained in 19th
century "imitative realism," where the goal was
to try to reproduce nature and life as one saw it.
But she was discouraged with this method, and
she gave up painting until she saw the work of
Arthur Dove, who articulated his aim in painting
as to express his emotions on canvas. What
O'Keeffe was wrestling with was a philosophical
weakness in "realism," and that weakness is the
assumption that you can reproduce something
precisely as it is and that, further, you ought to
do so.
Georgia O’Keefe’s Flowers
• "Nobody sees a flower
really; it is so small. We
haven't time, and to
see takes time--like to
have a friend takes
time.“
http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html
Red Canna, Georgia O’Keefe, 1923
University of Arizona Art Museum
Georgia O’Keefe’s Flowers
Black Iris II (1927)
Georgia O’Keefe’s Flowers
“Red Poppy”, Oil on canvas, 1927
Georgia O’Keefe’s Flowers
Jack-in-Pulpit - No. 2, 1930
Georgia O’Keefe’s Flowers
Jack-in-the-Pulpit No. IV, 1930
Georgia O’Keefe’s Flowers
Oriental Poppies, 1928
Georgia O’Keefe’s Flowers
Red Snapdragons, 1923
Georgia O’Keefe’s Flowers
Gray Line with Black, Blue and Yellow, c. 1923,
oil on canvas, 48" x 30"
Georgia O’Keefe’s Flowers
Yellow Calla, 1926, oil on fiberboard, 9" x 13"
Georgia O’Keefe’s Flowers
Pansy, 1926, oil on canvas, 27" X 12"
Georgia O’Keefe’s Flowers
Morning Glory with Black, 1926, oil on canvas, 35" X 40"
Georgia O’Keefe at Ghost Ranch
Ranchos Church, 1930,
oil on canvas, 24" x
36"
Purple Hills Near Abiquiu, 1935,
oil on canvas, 16" x 30"
Georgia O’Keefe
Shell No. 1, 1928
Georgia O’Keefe
The Shell, 1934
Georgia O’Keefe
Cow's Skull with Calico Roses, 1931,
oil on canvas
Georgia O’Keefe
Pelvis Series- Red with Yellow, 1945
Georgia O’Keefe
Pelvis with Moon, 1943,
oil on canvas, 30" x 24"
Georgia O’Keefe
Jawbone and Fungus,
1930, oil on canvas, 17" x
20"
Georgia O’Keefe
Pelvis I (Pelvis with Blue), 1944,
oil on canvas, 36" x 30"
O’Keefe’s words of wisdom!
• O'Keeffe encourages us
to listen to life, to
observe it, to let it
speak its words to us
and then to try to put
in our own way what
we have seen.
http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html
Music Pink and Blue II (1919)
Resources
• http://www.artcyclopedia.com/artists/okeeffe_georgia.html
• http://www.michelangelo.com/okeeffe/

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Georgia O’keefe

  • 1. Georgia O’Keefe American Painter (1887-1986) An up close look
  • 2. Who was Georgia O’Keefe? • Nobody sees a flower, really, it is so small. We haven't time - and to see takes time like to have a friend takes time. If I could paint the flower exactly as I see it no one would see what I see because I would paint it small like the flower is small. So I said to myself - I'll paint what I see - what the flower is to me but I'll paint it big and they will be surprised into taking time to look at it - I will make even busy New Yorkers take time to see what I see of flowers. ...Well, I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower - and I don't. - Georgia O'Keeffe
  • 3. Who was Georgia O’Keefe? • born on November 15, 1887 • As a child she received art lessons at home, and her abilities were quickly recognized and encouraged by teachers throughout her school years. By the time she graduated from high school in 1905, O'Keeffe had determined to make her way as an artist.
  • 4. Who was Georgia O’Keefe? • O'Keeffe pursued studies at the Art Institute of Chicago (1905–1906) and at the Art Students League, New York (1907– 1908), where she was quick to master the principles of the approach to art-making that then formed the basis of the curriculum—imitative realism.
  • 5. Who was Georgia O’Keefe? • A pioneer of Modernism in America • An art teacher in both public school and at the college level • Wife of Alfred Steglitz – father of modern photography • Best known for her abstract paintings of up close flowers.
  • 6. What was her theory on painting? • "I often painted fragments of things because it seemed to make my statement as well as or better than the whole could...I had to create an equivalent for what I felt about what I was looking at...not copy it.“ http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html
  • 7. Question? •Have you ever felt discouraged in your own art because you couldn’t make your image “look real”? •Or made to feel less of an artist because your work didn’t look as “good” as your peers?
  • 8. Artists struggle with these same questions! O'Keeffe had originally been trained in 19th century "imitative realism," where the goal was to try to reproduce nature and life as one saw it. But she was discouraged with this method, and she gave up painting until she saw the work of Arthur Dove, who articulated his aim in painting as to express his emotions on canvas. What O'Keeffe was wrestling with was a philosophical weakness in "realism," and that weakness is the assumption that you can reproduce something precisely as it is and that, further, you ought to do so.
  • 9. Georgia O’Keefe’s Flowers • "Nobody sees a flower really; it is so small. We haven't time, and to see takes time--like to have a friend takes time.“ http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html Red Canna, Georgia O’Keefe, 1923 University of Arizona Art Museum
  • 11. Georgia O’Keefe’s Flowers “Red Poppy”, Oil on canvas, 1927
  • 16. Georgia O’Keefe’s Flowers Gray Line with Black, Blue and Yellow, c. 1923, oil on canvas, 48" x 30"
  • 17. Georgia O’Keefe’s Flowers Yellow Calla, 1926, oil on fiberboard, 9" x 13"
  • 18. Georgia O’Keefe’s Flowers Pansy, 1926, oil on canvas, 27" X 12"
  • 19. Georgia O’Keefe’s Flowers Morning Glory with Black, 1926, oil on canvas, 35" X 40"
  • 20. Georgia O’Keefe at Ghost Ranch Ranchos Church, 1930, oil on canvas, 24" x 36" Purple Hills Near Abiquiu, 1935, oil on canvas, 16" x 30"
  • 23. Georgia O’Keefe Cow's Skull with Calico Roses, 1931, oil on canvas
  • 24. Georgia O’Keefe Pelvis Series- Red with Yellow, 1945
  • 25. Georgia O’Keefe Pelvis with Moon, 1943, oil on canvas, 30" x 24"
  • 26. Georgia O’Keefe Jawbone and Fungus, 1930, oil on canvas, 17" x 20"
  • 27. Georgia O’Keefe Pelvis I (Pelvis with Blue), 1944, oil on canvas, 36" x 30"
  • 28. O’Keefe’s words of wisdom! • O'Keeffe encourages us to listen to life, to observe it, to let it speak its words to us and then to try to put in our own way what we have seen. http://www.drbilllong.com/CurrentEventsXI/OKeeffeIII.html Music Pink and Blue II (1919)