SlideShare uma empresa Scribd logo
1 de 17
THEORY OF A
DOCUMENTARY
Erin Miller
THE AIM OF A DOCUMENTARY
The main purpose of a documentary is to report to the audience something
that is real. Documentaries are made up of real life footage showing
situations that have actually taken place or they make reconstructions to
show to the audience what it would look like. They also include narrators to
anchor meaning, however the narrator is rarely seen.
Documentaries can be based on many different things. These are things such
as politics, history, society, culture and religion. All documentaries have a
purpose or a ‘moral to the story’. In some documentaries the evidence that
should be included is unavailable which then means reconstructions have to
be made. These are on things such as crime or history. The reconstructions
are made for the audience to have a strong understanding. An example of a
documentary involving reconstruction would be ‘The True Story of Madeline
“What distinguishes a
documentary is the
portrayal of sound and
images of actuality” –
John Corner 1995
THE HISTORY OF DOCUMENTARIES
oThe documentary genre was developed by John Grierson and his
team in the 1930’s. His team worked at the General Post Office.
oHe believes that the ‘original’ actor and the ‘original’ counter parts
are the best guidelines for reconstructions and making the
documentary realistic to the audience.
oAfter he carried out this research he created documentaries such as
‘Coal Face’ and ‘Housing Problems’.
JOHN GRIERSON
o In 1926 John Grierson came up with the term ‘documentary’. He said
it stands for ‘The creativity of actuality’
o He shot real people in real situations in real environments.
o Old style documentaries had a sense of persuasion involved. This
was deemed as bias because it was not focusing on the facts. This
was what John Grierson was mainly involved with, the facts.
o There are a lot of arguments that are concerned with creativity of
documentaries. A lot of people believe it should be factual because
that is the purpose of a documentary.
FILM MAKERS
o Film makers agree that reconstructions are going to have to happen.
This is because things can not be captured as soon as they happen.
Again an example of this would be the Madeline McCann
documentary showing the reconstructions.
o They also argue that when people are filmed from a realistic point of
view, it is no longer reality because people change when they are put
in front of a camera.
o ‘I think that the truth is actually what you come away with at the end
of seeing a film. I mean its you’re truth that you’re seeing. Everybody
who makes film is putting their own truth on screen’ – Diane
Tammes.
CREATIVE DEVELOPMENT
Peter Mayeux said that; Documentaries present facts about a subject
using real events, people, places and then creatively interpret all
comments on those realities and peoples concerns’.
o Some analysts argue that the word documentary should be changed
to ‘non-fiction programming’, because of creative development over
the years.
o People argue about what they ‘think’ a documentary should contain.
However most common thoughts are
- Recorded Sound; real experiences or reality.
- Not just facts, but some arguments so that the audience draw their
own conclusion.
THE FIVE ELEMENTS OF
DOCUMENTARY
John Corner, a professor at The University of Liverpool, believed that
there are 5 central elements to documentaries.
1. Observation
2. Interview
3. Dramatisation
4. Mise-en-scene
5. Exposition
OBSERVATION AND INTERVIEWS
o Most documentaries include observations. This is usually done by
placing the camera as if it is unseen so that the audience can become
a part of what is seen. This is like they are looking at things from
their point of view.
o All documentaries include interviews. This is because a documentary
relies on interviews to support or contrast the over all topic of the
documentary. The film maker has the option to let the interview run
in one piece or cut parts out. This is a key part of the interview
because it is putting out a message to the target audience.
DRAMATISATION, MISE-EN-SCENE
AND EXPOSITION
o Dramatisation – A documentary maker will do this through
observation. It is used to build arguments and create conflict.
o Mise-en-scene- This is important in a documentary. This is used to
make the documentary seen more realistic for the audience. Mise-en-
scene includes; set, props, costume, lighting, make-up and colour
o Exposition – This is the part of the documentary that explores the
theme of the documentary. This can be done in many different ways
such as in interviews or in a commentary. This can be approached in
many different ways.
TRUTH AND REALITY
‘ It is critical that film makers be rid of the fantasy that the
documentary can be an unproblematic representation of reality and
that the ‘truth’ can be conveniently dispensed and revealed like
valium’ – Dennis O’rourke.
o This is an important argument in the world of documentaries. It is
unknown of how much of the ‘truth’ is actually the truth. John Corner
says this is why facts or evidence is key when talking about the truth.
o The most popular documentaries are the ones that focus on sex,
violence, drugs, gangs and law and order.
PEOPLES RIGHT TO KNOW
o Peoples right to know is really important as it can change the way
the world see people and the current laws against people and things.
o A lot of documentaries are around peoples right to know. An
example of this would be making a documentary based on something
that the government are not telling the truth about. The subject of
documentary that we have decided is not based around peoples right
to know. It is based around opinions and morals.
TYPES OF DOCUMENTARY
Fully Narrated
In this style of documentary direct mode of address is used to explain
to the audience what is happening on the screen. This is done
through the use of voice overs. This is usually found on
documentaries that are about things like animals. This however is the
type of documentary we are going to be doing. This means we will be
involved in the documentary and talking the whole way throughout it.
Fly On The Wall
This style of documentary relies on observations. This allows the
audience to perceive the documentary in their own way. In these
documentaries there is little/no narration to allow this perception.
This style is commonly used in Police and A&E documentaries. We will
not be using this type of documentary as we want to be more
involved throughout the whole thing.
TYPES OF DOCUMENTARIES
Mixed
This style of documentary uses a wide range of documentary
techniques to produce a detailed and informing documentary. They
use a combination of interviews, observations and narration to
develop the documentaries narrative. This style is used in
documentaries about music and film. We will be using some parts of
this in our documentary because we want interviews with different
people.
Self Reflective
This style of documentary acknowledges the camera and the
talking/narrating on the screen. Some say it takes the focus away
from the issue and makes it more about the star presenting. We again
want to use parts of this on our documentary. We want someone to
be in the documentary to get involved with different groups of
TYPES OF DOCUMENTARY
Docudrama
This style of documentary uses facts to create a fictional narrative,
made up of re-enactments. These type of documentaries are some of
the most popular as they usually talk about major events that have
happened. An example of this is The Death of JFK, amongst many
others. This is deemed as a dangerous style as it can be misleading.
This is not a style that we are interested in because our topic is not
that serious.
Docusoaps
This style of documentary is one of the most popular styles on the TV
in the past 10 years. This is because they tend to follow the daily lives
of celebrities. This style came from the UK with documentaries such
as; Katie Price, Airline and Peter Andre. Another reason they are
popular with TV producers is because they are low cost, as no actors
are hired. We are not using this as our documentary is not about a
celebrity.
DISNEYFICTION
Steven Barnett’s Theory
Steven Barnett has a theory about television and its need to broadcast
things that get ratings, rather than serious documentaries that inform
and teach the public of major events in history. He believes that
documentaries have been ‘dumbed down’ for audiences since this is
what people have become used to. There are claims that this shows
television being ‘cheap; and being more concerned about getting
ratings rather than portraying a serious matter.
This may be something that our documentary comes into. Beauty is a
popular subject at the moment and it is what a lot of people invest
their time and money into. Rather than picking a serious matter we
have chosen a popular topic.
DOCUMENTARY CONVENTIONS
All documentaries follow narrative conventions. This is important as
each documentary focuses on a beginning, middle and end. They
have a strong focus on conflict and uses music and sound effects to
make it seem more interesting.
Beginning
At the start they will pose a question to the audience and start to look
at some interviews and footage to build conflict about that question.
Middle
At this point they will look in detail at both sides of the argument and
look at different opinions about the subject; building a stronger
argument.
End
At the end of the documentary they will expose the exposition and
resolve any complications for the audience.
DOCUMENTARY CONVENTIONS
Conflict
Conflict is important in any documentary as it will build the argument
and poses different questions to the audience. Conflict in
documentaries should be shown through reconstructions and
interviews.
Selection and Construction
This is a vital part in making a documentary because you have to
think of every part of the documentary that you want to develop.
From the topic to; who, what, why, where, and how you are going to
do it. You also must look at the cost and time it is going to take you
to build this documentary.
Conclusion
To develop a documentary to a high standard, the planning has to be
in a high amount of detail and when planning you must have a depth
knowledge of your chosen topic and know what content you want to

Mais conteúdo relacionado

Mais procurados

Film development pre production production
Film development pre production productionFilm development pre production production
Film development pre production productionMissConnell
 
Principles of editing
Principles of editingPrinciples of editing
Principles of editingdaisyhjones
 
Codes and Conventions of documentaries
Codes and Conventions of documentariesCodes and Conventions of documentaries
Codes and Conventions of documentariesLea Valley Media
 
An Introduction to Documentary Films
An Introduction to Documentary FilmsAn Introduction to Documentary Films
An Introduction to Documentary FilmsMegan Fulham
 
Codes And Conventions Of Documentary
Codes And Conventions Of DocumentaryCodes And Conventions Of Documentary
Codes And Conventions Of DocumentaryGreenwich Council
 
Film History part 2 - REVISED
Film History part 2 - REVISEDFilm History part 2 - REVISED
Film History part 2 - REVISEDJohn Grace
 
Narrative Structure in film
Narrative Structure in filmNarrative Structure in film
Narrative Structure in filmNaamah Hill
 
Modes of Documentary: Conventions
Modes of Documentary: ConventionsModes of Documentary: Conventions
Modes of Documentary: Conventionsamythechooch
 
Theory of documentaries powerpoint
Theory of documentaries powerpointTheory of documentaries powerpoint
Theory of documentaries powerpointconnorwilliamsmedia
 
6 modes of documentaries
6 modes of documentaries 6 modes of documentaries
6 modes of documentaries callumjg
 
Docusoaps
DocusoapsDocusoaps
DocusoapsESOL
 
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)SofiaRibWillDS75
 
Codes and Conventions of British Social Realism
Codes and Conventions of British Social RealismCodes and Conventions of British Social Realism
Codes and Conventions of British Social Realismhannahmedia123
 
Documentary production Course Curriculum.pdf
Documentary production Course Curriculum.pdfDocumentary production Course Curriculum.pdf
Documentary production Course Curriculum.pdfRazibul Hossain
 
Cinema verite-and-direct-cinema
Cinema verite-and-direct-cinemaCinema verite-and-direct-cinema
Cinema verite-and-direct-cinemaKelly Chalk
 
Editing techniques
Editing techniquesEditing techniques
Editing techniqueskrober4
 
Media dvd cover analysis
Media dvd cover analysisMedia dvd cover analysis
Media dvd cover analysishlgaskell1
 
Film language
Film languageFilm language
Film languagekrober4
 
Introduction to Film Language
Introduction to Film LanguageIntroduction to Film Language
Introduction to Film LanguageTheresa Dawson
 
Themes of documentaries
Themes of documentariesThemes of documentaries
Themes of documentariesEmHall
 

Mais procurados (20)

Film development pre production production
Film development pre production productionFilm development pre production production
Film development pre production production
 
Principles of editing
Principles of editingPrinciples of editing
Principles of editing
 
Codes and Conventions of documentaries
Codes and Conventions of documentariesCodes and Conventions of documentaries
Codes and Conventions of documentaries
 
An Introduction to Documentary Films
An Introduction to Documentary FilmsAn Introduction to Documentary Films
An Introduction to Documentary Films
 
Codes And Conventions Of Documentary
Codes And Conventions Of DocumentaryCodes And Conventions Of Documentary
Codes And Conventions Of Documentary
 
Film History part 2 - REVISED
Film History part 2 - REVISEDFilm History part 2 - REVISED
Film History part 2 - REVISED
 
Narrative Structure in film
Narrative Structure in filmNarrative Structure in film
Narrative Structure in film
 
Modes of Documentary: Conventions
Modes of Documentary: ConventionsModes of Documentary: Conventions
Modes of Documentary: Conventions
 
Theory of documentaries powerpoint
Theory of documentaries powerpointTheory of documentaries powerpoint
Theory of documentaries powerpoint
 
6 modes of documentaries
6 modes of documentaries 6 modes of documentaries
6 modes of documentaries
 
Docusoaps
DocusoapsDocusoaps
Docusoaps
 
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
 
Codes and Conventions of British Social Realism
Codes and Conventions of British Social RealismCodes and Conventions of British Social Realism
Codes and Conventions of British Social Realism
 
Documentary production Course Curriculum.pdf
Documentary production Course Curriculum.pdfDocumentary production Course Curriculum.pdf
Documentary production Course Curriculum.pdf
 
Cinema verite-and-direct-cinema
Cinema verite-and-direct-cinemaCinema verite-and-direct-cinema
Cinema verite-and-direct-cinema
 
Editing techniques
Editing techniquesEditing techniques
Editing techniques
 
Media dvd cover analysis
Media dvd cover analysisMedia dvd cover analysis
Media dvd cover analysis
 
Film language
Film languageFilm language
Film language
 
Introduction to Film Language
Introduction to Film LanguageIntroduction to Film Language
Introduction to Film Language
 
Themes of documentaries
Themes of documentariesThemes of documentaries
Themes of documentaries
 

Semelhante a Theory of a documentary

Documentary Theory Final
Documentary Theory FinalDocumentary Theory Final
Documentary Theory Finaljs00523128
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentariescallum cook
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentariesaw0480348
 
Documentary theory
Documentary theoryDocumentary theory
Documentary theoryzwasmedia
 
Theory of documentaries
Theory of documentariesTheory of documentaries
Theory of documentariesfionaamaskew
 
Theory of documentary2
Theory of documentary2Theory of documentary2
Theory of documentary2rubymcgann
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentariescallum cook
 
Theory of Documentaries
Theory of DocumentariesTheory of Documentaries
Theory of DocumentariesEmmaDuley
 
The Theory of Documentaries
The Theory of DocumentariesThe Theory of Documentaries
The Theory of DocumentariesJack Fell
 
Theory of a documentary good one
Theory of a documentary good oneTheory of a documentary good one
Theory of a documentary good onekirstymitchelll
 
Theory of a documentary good one
Theory of a documentary good oneTheory of a documentary good one
Theory of a documentary good onekirstymitchelll
 
Unit 27 task 2 codes and conventions of factual programmes
Unit 27 task 2   codes and conventions of factual programmesUnit 27 task 2   codes and conventions of factual programmes
Unit 27 task 2 codes and conventions of factual programmesChelsie Brandrick
 
The Theory of Documentary
The Theory of DocumentaryThe Theory of Documentary
The Theory of Documentarymillykingmedia
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentariesSamTurner1999
 
The theory of documentary
The theory of documentaryThe theory of documentary
The theory of documentarymillykingmedia
 
Genre Analysis
Genre AnalysisGenre Analysis
Genre AnalysisWOOD97
 

Semelhante a Theory of a documentary (20)

Documentary Theory Final
Documentary Theory FinalDocumentary Theory Final
Documentary Theory Final
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentaries
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentaries
 
Documentary theory
Documentary theoryDocumentary theory
Documentary theory
 
Theory of documentary
Theory of documentaryTheory of documentary
Theory of documentary
 
Theory of documentaries
Theory of documentariesTheory of documentaries
Theory of documentaries
 
Theory of documentary2
Theory of documentary2Theory of documentary2
Theory of documentary2
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentaries
 
Theory of Documentaries
Theory of DocumentariesTheory of Documentaries
Theory of Documentaries
 
The Theory of Documentaries
The Theory of DocumentariesThe Theory of Documentaries
The Theory of Documentaries
 
Theory of a documentary good one
Theory of a documentary good oneTheory of a documentary good one
Theory of a documentary good one
 
Types Of Documentory
Types Of DocumentoryTypes Of Documentory
Types Of Documentory
 
Theory of a documentary good one
Theory of a documentary good oneTheory of a documentary good one
Theory of a documentary good one
 
Unit 27 task 2 codes and conventions of factual programmes
Unit 27 task 2   codes and conventions of factual programmesUnit 27 task 2   codes and conventions of factual programmes
Unit 27 task 2 codes and conventions of factual programmes
 
The Theory of Documentary
The Theory of DocumentaryThe Theory of Documentary
The Theory of Documentary
 
The theory of documentaries
The theory of documentariesThe theory of documentaries
The theory of documentaries
 
The theory of documentary
The theory of documentaryThe theory of documentary
The theory of documentary
 
Documentaries
DocumentariesDocumentaries
Documentaries
 
Genre Analysis
Genre AnalysisGenre Analysis
Genre Analysis
 
Documentaries
DocumentariesDocumentaries
Documentaries
 

Último

Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfAyushMahapatra5
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxVishalSingh1417
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphThiyagu K
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Krashi Coaching
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxiammrhaywood
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingTeacherCyreneCayanan
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
9548086042 for call girls in Indira Nagar with room service
9548086042  for call girls in Indira Nagar  with room service9548086042  for call girls in Indira Nagar  with room service
9548086042 for call girls in Indira Nagar with room servicediscovermytutordmt
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfciinovamais
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...christianmathematics
 

Último (20)

Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
Kisan Call Centre - To harness potential of ICT in Agriculture by answer farm...
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Advance Mobile Application Development class 07
Advance Mobile Application Development class 07Advance Mobile Application Development class 07
Advance Mobile Application Development class 07
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
9548086042 for call girls in Indira Nagar with room service
9548086042  for call girls in Indira Nagar  with room service9548086042  for call girls in Indira Nagar  with room service
9548086042 for call girls in Indira Nagar with room service
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 

Theory of a documentary

  • 2. THE AIM OF A DOCUMENTARY The main purpose of a documentary is to report to the audience something that is real. Documentaries are made up of real life footage showing situations that have actually taken place or they make reconstructions to show to the audience what it would look like. They also include narrators to anchor meaning, however the narrator is rarely seen. Documentaries can be based on many different things. These are things such as politics, history, society, culture and religion. All documentaries have a purpose or a ‘moral to the story’. In some documentaries the evidence that should be included is unavailable which then means reconstructions have to be made. These are on things such as crime or history. The reconstructions are made for the audience to have a strong understanding. An example of a documentary involving reconstruction would be ‘The True Story of Madeline “What distinguishes a documentary is the portrayal of sound and images of actuality” – John Corner 1995
  • 3. THE HISTORY OF DOCUMENTARIES oThe documentary genre was developed by John Grierson and his team in the 1930’s. His team worked at the General Post Office. oHe believes that the ‘original’ actor and the ‘original’ counter parts are the best guidelines for reconstructions and making the documentary realistic to the audience. oAfter he carried out this research he created documentaries such as ‘Coal Face’ and ‘Housing Problems’.
  • 4. JOHN GRIERSON o In 1926 John Grierson came up with the term ‘documentary’. He said it stands for ‘The creativity of actuality’ o He shot real people in real situations in real environments. o Old style documentaries had a sense of persuasion involved. This was deemed as bias because it was not focusing on the facts. This was what John Grierson was mainly involved with, the facts. o There are a lot of arguments that are concerned with creativity of documentaries. A lot of people believe it should be factual because that is the purpose of a documentary.
  • 5. FILM MAKERS o Film makers agree that reconstructions are going to have to happen. This is because things can not be captured as soon as they happen. Again an example of this would be the Madeline McCann documentary showing the reconstructions. o They also argue that when people are filmed from a realistic point of view, it is no longer reality because people change when they are put in front of a camera. o ‘I think that the truth is actually what you come away with at the end of seeing a film. I mean its you’re truth that you’re seeing. Everybody who makes film is putting their own truth on screen’ – Diane Tammes.
  • 6. CREATIVE DEVELOPMENT Peter Mayeux said that; Documentaries present facts about a subject using real events, people, places and then creatively interpret all comments on those realities and peoples concerns’. o Some analysts argue that the word documentary should be changed to ‘non-fiction programming’, because of creative development over the years. o People argue about what they ‘think’ a documentary should contain. However most common thoughts are - Recorded Sound; real experiences or reality. - Not just facts, but some arguments so that the audience draw their own conclusion.
  • 7. THE FIVE ELEMENTS OF DOCUMENTARY John Corner, a professor at The University of Liverpool, believed that there are 5 central elements to documentaries. 1. Observation 2. Interview 3. Dramatisation 4. Mise-en-scene 5. Exposition
  • 8. OBSERVATION AND INTERVIEWS o Most documentaries include observations. This is usually done by placing the camera as if it is unseen so that the audience can become a part of what is seen. This is like they are looking at things from their point of view. o All documentaries include interviews. This is because a documentary relies on interviews to support or contrast the over all topic of the documentary. The film maker has the option to let the interview run in one piece or cut parts out. This is a key part of the interview because it is putting out a message to the target audience.
  • 9. DRAMATISATION, MISE-EN-SCENE AND EXPOSITION o Dramatisation – A documentary maker will do this through observation. It is used to build arguments and create conflict. o Mise-en-scene- This is important in a documentary. This is used to make the documentary seen more realistic for the audience. Mise-en- scene includes; set, props, costume, lighting, make-up and colour o Exposition – This is the part of the documentary that explores the theme of the documentary. This can be done in many different ways such as in interviews or in a commentary. This can be approached in many different ways.
  • 10. TRUTH AND REALITY ‘ It is critical that film makers be rid of the fantasy that the documentary can be an unproblematic representation of reality and that the ‘truth’ can be conveniently dispensed and revealed like valium’ – Dennis O’rourke. o This is an important argument in the world of documentaries. It is unknown of how much of the ‘truth’ is actually the truth. John Corner says this is why facts or evidence is key when talking about the truth. o The most popular documentaries are the ones that focus on sex, violence, drugs, gangs and law and order.
  • 11. PEOPLES RIGHT TO KNOW o Peoples right to know is really important as it can change the way the world see people and the current laws against people and things. o A lot of documentaries are around peoples right to know. An example of this would be making a documentary based on something that the government are not telling the truth about. The subject of documentary that we have decided is not based around peoples right to know. It is based around opinions and morals.
  • 12. TYPES OF DOCUMENTARY Fully Narrated In this style of documentary direct mode of address is used to explain to the audience what is happening on the screen. This is done through the use of voice overs. This is usually found on documentaries that are about things like animals. This however is the type of documentary we are going to be doing. This means we will be involved in the documentary and talking the whole way throughout it. Fly On The Wall This style of documentary relies on observations. This allows the audience to perceive the documentary in their own way. In these documentaries there is little/no narration to allow this perception. This style is commonly used in Police and A&E documentaries. We will not be using this type of documentary as we want to be more involved throughout the whole thing.
  • 13. TYPES OF DOCUMENTARIES Mixed This style of documentary uses a wide range of documentary techniques to produce a detailed and informing documentary. They use a combination of interviews, observations and narration to develop the documentaries narrative. This style is used in documentaries about music and film. We will be using some parts of this in our documentary because we want interviews with different people. Self Reflective This style of documentary acknowledges the camera and the talking/narrating on the screen. Some say it takes the focus away from the issue and makes it more about the star presenting. We again want to use parts of this on our documentary. We want someone to be in the documentary to get involved with different groups of
  • 14. TYPES OF DOCUMENTARY Docudrama This style of documentary uses facts to create a fictional narrative, made up of re-enactments. These type of documentaries are some of the most popular as they usually talk about major events that have happened. An example of this is The Death of JFK, amongst many others. This is deemed as a dangerous style as it can be misleading. This is not a style that we are interested in because our topic is not that serious. Docusoaps This style of documentary is one of the most popular styles on the TV in the past 10 years. This is because they tend to follow the daily lives of celebrities. This style came from the UK with documentaries such as; Katie Price, Airline and Peter Andre. Another reason they are popular with TV producers is because they are low cost, as no actors are hired. We are not using this as our documentary is not about a celebrity.
  • 15. DISNEYFICTION Steven Barnett’s Theory Steven Barnett has a theory about television and its need to broadcast things that get ratings, rather than serious documentaries that inform and teach the public of major events in history. He believes that documentaries have been ‘dumbed down’ for audiences since this is what people have become used to. There are claims that this shows television being ‘cheap; and being more concerned about getting ratings rather than portraying a serious matter. This may be something that our documentary comes into. Beauty is a popular subject at the moment and it is what a lot of people invest their time and money into. Rather than picking a serious matter we have chosen a popular topic.
  • 16. DOCUMENTARY CONVENTIONS All documentaries follow narrative conventions. This is important as each documentary focuses on a beginning, middle and end. They have a strong focus on conflict and uses music and sound effects to make it seem more interesting. Beginning At the start they will pose a question to the audience and start to look at some interviews and footage to build conflict about that question. Middle At this point they will look in detail at both sides of the argument and look at different opinions about the subject; building a stronger argument. End At the end of the documentary they will expose the exposition and resolve any complications for the audience.
  • 17. DOCUMENTARY CONVENTIONS Conflict Conflict is important in any documentary as it will build the argument and poses different questions to the audience. Conflict in documentaries should be shown through reconstructions and interviews. Selection and Construction This is a vital part in making a documentary because you have to think of every part of the documentary that you want to develop. From the topic to; who, what, why, where, and how you are going to do it. You also must look at the cost and time it is going to take you to build this documentary. Conclusion To develop a documentary to a high standard, the planning has to be in a high amount of detail and when planning you must have a depth knowledge of your chosen topic and know what content you want to