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2D Final
By Meghan Gallagher
Simulated    texture in a
work of art
Visual Texture
Texture  that departs from the
 actual texture of an
 object, often simplifying of
 exaggerating it, but retaining
 some recognizable aspect of
 its texture.
Abstract Texture
Texturethat makes no
reference to real of
actual texture.
Invented Texture
Stems from
unconscious, irrational
sources and therefore
takes on fantastic
forms.
Surrealism
Texture  that is chosen
or created by the artist
to foil or undermine
our ideas about the
objects that it depicts.
Subversive Texture
An overall design that is
based on the repetition
or grouping of elements
such as line, shape,
color, or texture.
Pattern
Nearby  objects
appear more textured
than distant objects
Texture Gradient
Artthat makes no
reference to visible
reality.
Nonobjective Art
Color;  the visual
sensation created by
specific parts of the
visible spectrum
Hue
Atransparent object
with triangular ends,
usually made of glass
Prism
Deflection of light
from a straight path, as
by passing it through a
medium such as
water.
Refraction
That segment of the
 spectrum of
 electromagnetic energy
 that excites the eyes and
 produces visual sensation,
 arranged in order of wave-
 lengths
Visible Spectrum
The traditional wheel
for representing colors
of pigments, consisting
of twelve colors
Color Wheel
Colorsthat cannot be
created by mixing
other colors
Primary Colors
Colorscreated by
mixing primary colors
Secondary Colors
Colorscreated by
mixing primary and
secondary colors
Tertiary Colors
A school of architecture
that taught students to
integrate science and
technology in the works.
Bauhaus School
Combines    3 additive
primary colors in equal
intensities produces
white light.
Additive Color
Colors created from
pigments; the
subtractive primary
colors are red, yellow,
and blue pigments.
Subtractive Colors
Colorson the yellow
and red side of the
color wheel
Warm Colors
Colorson the blue-
green side of the color
wheel
Cool Colors
Thelightness or
darkness of a color.
Value
Brightness   of a color.
Intensity
The degree of purity
of hue, as measured
by its intensity of
brightness.
Saturation
Colorsmixed with gray
and, sometimes, also
weakened in intensity.
Neutral Color
Colorsthat sit across
from one another on a
color wheel and
contrast most
extremely.
Complementary
Colors
Thelingering
impression made by a
stimulus that has been
removed.
Afterimage
Atwelve-color color
wheel with yellow at
the top
Triadic Color System
Thegroup of three
primary color identified
by the placement of an
an equilateral triangle
over a 12 color, color
wheel
Primary Triad
Thegroup of three
secondary colors
Secondary Triad
Creates the illusion of
vibrations through
afterimages
Op Art
Juxtaposition  of areas of
 bright color, distorted
 linear perspective, and
 drawing that is
 unrelated to the color.
Fauvism
A manner of using color
in which one color
dominates and is
sometimes combined
with its various tints and
shades
Monochromatic
Color Scheme
The combination of two or
more colors that lie
adjacent to one another
on the color
wheel, tending to create a
feeling of harmony
Analogous Color
Scheme
The combination of
two or more colors
that lie across from
one another on the
color wheel
Complementary
Color Scheme
A manner of using color
characterized by
combining a color with
the two colors adjacent
to its complementary
color
Split-
Complementary
Color Scheme
Thecombinnation of
two adjacent color
wheel with their direct
complementaries
Double-
Complementary
Color Scheme
The  color we typically
associate with objects
as they would be seen
in direct sunlight
Local Color
The Depiction of
colors as they are
perceived under
different lighting
comditions
Optical Color
Theuse of colors that
are not normally
associated with the
subjects being
depicted.
Arbitrary Color

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