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ROMANTICISM IN ART &
LITERATURE
1790 - 1860
Factors leading to the rise of
          Romanticism

 Proliferation of Protestant
  denominations
 Independence in religion and politics
 Egalitarianism
 Rise of representative government
 Expansion in the ―new world‖
 ―Evil‖ of industrialism and urbanization
 Significant rise in literacy
Factors leading to the rise of
         romanticism

 Confusion generated
  by science
  • Darwin’s Origin of
    Species stated
    humanity’s mean
    origins
  • Marx’s Das Kapital
    predicted capitalism’s
    decay and a
    triumphant working
    class
The Spirit of the age
              (1790 – 1860)

 A sense of a shared vision among the
  Romantics.
 Early support of the French Revolution.
 Rise of the individual = alienation.
 Dehumanization of industrialization.
 Radical poetics / politics = an obsession
  with violent change.
A growing distrust of reason


Enlightenment              Early
                            19c
                                    Romanticism
Society is good, curbing            Civilization corrupts!
violent impulses!




     The essence of human experience is
      subjective and emotional.
     Human knowledge is a puny thing
      compared to other great historical forces.
     ―Individual rights‖ are dangerous efforts
      at selfishness = the community is more
      important.
The romanticism Movement
 Began in the 1790s and peaked in the 1820s.
 Mostly in Northern Europe, especially in
  Britain and Germany.
 A reaction against classicism and rationalism
  of the Enlightenment
 The ―Romantic Hero:‖
   • Greatest example was Lord
     Byron
   • Tremendously popular among
     the European reading public.
   • Youth imitated his haughtiness
     and rebelliousness.
Characteristics of romanticism

 Individualism
  • Emphasis moved from:
     • the stability of the community to the fulfillment
       of the individual.
     • the universal to the particular, for humankind to
       nations and ethnic groups
  • ―Life, Liberty, and the Pursuit of Happiness‖
    was a new ideal in the world.
  • During this time period, Women’s Rights
    and Abolitionism were taking root as major
    movements.
Characteristics of romanticism

 Individualism: The ―Rugged‖ Hero
  • American literature created this unique
    person. He was:
     •   Youthful, innocent, intuitive
     •   One with nature
     •   Loner, and uneasy around women
     •   Handsome, brave, moral and honorable
  • In James Fenimore Cooper’s
    Leatherstocking Tales, Nattie Bumpo is an
    example of this new American hero
Characteristics of romanticism
 Individualism: The ―Engaged &
  Enraged Artist‖
  • Self-realization comes
    through art
  • The artist as:
     •   apart from society
     •   social critic/revolutionary
     •   genius
     •   the true philosopher
  • Individuals have unique,
    endless potential
                                       Wandering Above the Sea of Fog
                                         Caspar David Friedrich, 1818
Characteristics of romanticism

 Emotionalism:
  • Imagination, intuition and inspiration
  • Feeling, not reason, became the test of
    authenticity.
  • Romantic love became a subject of poetry and
    drama.
  • Poetry is a form of emotional
    communication.
     • Painful and pleasurable emotions are equally valid
       to Romantic poets.
Characteristics of romanticism

 Emotionalism:
  • Backlash against the rationalism
    characterized by the Neoclassical period or
    ―Age of Reason‖
  • Imagination was considered necessary for
    creating all art
  • The Romantic artist, musician, or writer, is
    an ―inspired creator‖ rather than a ―technical
    master.‖
  • Romanticism emphasized going with the
    moment, or being spontaneous, rather than
    being precise, controlled, or realistic.
The Raft of Medusa
  Theodore Gericault
The Nightmare
John Henry Fuseli, 1781
Ride of the Valkyries
    William T. Maud
Characteristics of romanticism

 Rejection of Traditional Authority
  • Influenced by the American & French
    Revolutions
  • Government hierarchies, notions of
    sovereignty and aristocracy, and systems of
    distinction all fell.
  • Romantics believed that authority derives
    from the self, not from authority.
  • Newness itself was a value.
  • Political statements were popular in art
Liberty Leading the People
      Eugene Delacroix
The Return of the (Jewish) Volunteer From War
               Moritz Oppenheim
Ossian Receiving the Ghosts of French Heroes
       Anne-Louis Girodet de Roucy-Trioson
Characteristics of romanticism

 Nature: Mysticism
  • Romantics loved, and were spiritually
    involved, with nature
  • Romantic writing looked for comforting or
    exotic settings from the past
  • This was found in the supernatural, in
    nature, and/or in folk legends
  • Romantics glorified the
    awesome, horrifying, overwhelming power of
    nature
Characteristics of romanticism

 Primitivism: The Noble Savage
  • Romanticism: ―civilization corrupts;
    institutions have rippling effects‖
  • The child raised with the greatest possible
    freedom will develop in more admirable
    ways.
  • Youth and infancy are valued above wisdom
    of old age; holy wisdom is lost as we age.
  • Innocence is more valued than experience.
  • Humans are born into innocence, not
    innately depraved.
Characteristics of romanticism

 Nature: Romantic Escapism
  • Urban vs. Rural Settings
  • The Romantic journey is to the countryside
  • The Industrial Revolution caused Romantics
    to associate cities with
    corruption, greed, poverty, slums and
    dehumanization
  • Nature = escape from the abuses of industry
  • The Romantics associated the country with
    independence, moral clarity, and purity
     • The Gothic Romantic, Edgar Allan Poe, saw the
       country as a place of phantasm
     • Washington Irving saw the country as idyllic and
       as an escape
Nature
The Power & the Glory
An Avalanche in the Alps
Philip James de Loutherbourg, 1803
Sunset After a Storm on the Coast of Italy
            Andreas Achenbach
The Deluge
Francis Danby, 1840
Tree of Crows
Caspar David Friedrich, 1822
The Wreck of the Hope (aka the sea ice)
        Caspar David Friedrich, 1821
Shipwreck
Joseph Turner, 1805
The Eruption of Vesuvius
       John Martin
Nature
Romantic Country Life
Flatford Mill
john constable m1817
The Corn Field
 John Constable
      1826
The Hay Wain
John Constable, 1821
Nature
Interesting & Exotic Lands
Grand Canal, Venice
Joseph Mallord William Turner, 1835
Massacre of Chios
  Eugene Delacroix
       1824
The Fanatics of Tangiers
   Eugene Delacroix, 1838
The Sultan of
Morocco and His
  Entourage
Eugene Delacroix, 1845
The Women of Algiers in Their Apartment
          Eugene Delacroix, 1834
The Turkish
    Bath
  Jean Auguste
Ingres, 1852-1863
The Bullfight
Francisco Goya
Charge of the Mamelukes, May 2nd, 1808
           Francisco Goya, 1814
The Royal Pavillion at Brighton
 Designed by John Nash, 1815-1823
Characteristics of romanticism


 Nature: Revival of Things Past
  • Gothic & Romanesque revival.
  • ―Neo-Gothic‖ architectural style.
  • Medieval ruins were a favorite theme for art
    and poetry.
  • Romanticism fed the development of the
    Gothic novel
Characteristics of romanticism

 Nature: The Gothic Novel
  • The Gothic novel had wild, haunted
    landscapes
  • It had supernatural events in the plot
  • It was often mysterious
  • The Gothic concept had roots in
    France, Germany, and England
  • Edgar Allan Poe was America’s greatest
    Romantic Gothic writer
Salisbury Cathedral from the Bishop’s Ground
              John Constable, 1825
Salisbury Cathedral from the Meadows
          John Constable, 1831
Hadleigh Castle
John Constable, 1829
Eldena Ruin
Gaspar David Friedrich, 1825
Winter Landscape with Church
   Gaspar David Friedrich, 1811
British Houses of Parliament
         1840 - 1865
Characteristics of romanticism

 Gothic Mysticism in Art & Literature:
  The Exotic, Occult & Macabre
  • In keeping with gothic themes, Romanticism
    was obsessed with the supernatural
  • Ghosts, fairies, witches, demons.
  • The shadows of the mind—dreams &
    madness.
  • The romantics rejected materialism in
    pursuit of spiritual self-awareness.
  • They yearned for the unknown and the
    unknowable.
Cloister Cemetary in the Snow
Caspar David Friedrich, 1817 - 1819
Abbey in an Oak Forest
Caspar David Friedrich, 1810
Mad Woman with a
 Mania of Envy
Theodore Gericault, 1823
Pity
William Blake, 1795
The Great Red Dragon
   and the Woman
 Clothes with the Sun
     William Blake,
      1808 - 1810
Stonehenge
John Constable, 1836
Manfred and the Witch of the Alps
         John Martin - 1837
Witches Sabbath
Francisco Goya, 1798
Man and Woman Contemplating the Moon
        Friedrich David Caspar, 1824
The Cemetery Entrance
Freidrich David Caspar, 1825
Witches in the Air
 Francisco de Goya
        1798
Colosses
Francisco de Goya
        or
  his apprentice
   Asensio Juliá
   1808 - 1812
Saturn Devours his
       son
   Francisco Goya,
     1819 - 1823
Romantic Mysticism
   The Return to the
Great Christian Mysteries
God as the Architect
  William Blake, 1794
Elohim Creating Abraham
    William Blake, 1805
The Body of Abel Found by Adam & Eve
           William Blake, 1825
The Seventh Plague of Egypt
       John Martin, 1823
The Catherdral
Gaspar David Friedrich
        1818
The Age of the Great Novel

 Gothic Novel:
  • Jane Eyre - Charlotte Bronte (1847)
  • Wuthering Heights - Emily Bronte (1847)


 Historical Novel:
  • Ivanhoe - Sir Walter Scott (1819)
  • Les Miserables - Victor Hugo (1862)
  • The Three Musketeers – Alexander
    Dumas(1844)
The Age of the Great Novel

 Science Fiction Novel:
  • Frankenstein - Mary Shelley (1817)
  • Dracula – Bramm Stoker (1897)


 Novel of Purpose:
  • Hugh Trevar - Thomas Holcroft (1794)

 Folklore
  • Grimm’s Fairy Tales - Jacob and Wilhelm
    Grimm (1814)
The Age of the Great Novel

 The American Novel
  • Most American Romantic writers imitated
    the European writing style
  • American Romantic novelists broke away
    from the European tradition and
    discovered uniquely American topics and
    settings
  • American novelists explored the vast
    unknown lands – something the
    Europeans could not do
The Romantic Poets

 The Great English Romantic Poets
  •   Percy Byssche Shelley
  •   Lord Byron (George Gordon)
  •   Samuel Taylor Coleridge
  •   William Wordsworth
  •   John Keats
  •   William Blake
George Gordon’s
 (Lord Byron)
     Poem
      The
   Prisoner
   of Chillon
William
Wordsworth’s
  Poem,
Tintern Abbey
Samuel Taylor
 Coleridge’s
   Poem,
The Rime of the
Ancient Mariner
The Romantic Poets

 The American Romantic Poets
  • Most Romantic poets worked within
    conventional European literary
    structures
  • They proved that American poetry
    could reflect American subject
    matter, yet still hold to conventional
    poetic style
  • Most American Romantic poets wrote
    about the past
The Romantic Poets

 The American Romantic Poets
  • The Fireside Poets, a Boston group of
    Longfellow, Whittier, Holmes, and
    Lowell, were widely read and loved in
    America
  • They were the television of the
    American Romantic period and
    families gathered around the fireside to
    be entertained by their poetry
  • Their subject matter was comfortable
    and instructional
Consequences of Romanticism


• Violent outcomes of Romantic ideals
  • American Revolution (1775 – 1783)
  • French Revolution--storming of the Bastille
    in 1789
     • The French Revolution derived from and
       generated Romantic ideas.
  • Both revolutions developed from strong
    convictions about the innate rights of
    individuals.
Consequences of Romanticism


• Movement from rural to urban settings
  • There was a move to city for industry and a
    corresponding romanticizing of the country.
  • Cities were often filled with
    congestion, poverty, and misery.
  • Educated men and women expressed a
    nostalgia for rural landscapes.
Consequences of Romanticism

 Political Implications
  • Romanticism could reinforce the greatest
    themes of political liberalism or political
    conservatism
  • Contributed to growing nationalist
    movements
     • The concepts of the ―Volk‖ and the ―Volkgeist‖
     • The uniqueness of cultures was emphasized
Bibliography
       CGFA: A Virtual Art Museum.
         http://cgfa.sunsite.dk/fineart.htm

      ―Romanticism‖ on Archive.
         http://artchive.com/artchive/romanticism.html
       Susan M. Pojer’s presentation:
       ―Romanticism: The Artisitic Expression of Liberalism‖ for
        Horace Greeley HS, NY
       www.huffenglish.com/powerpoints/Romanticism.ppt

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American Romanticism Movement

  • 1. ROMANTICISM IN ART & LITERATURE 1790 - 1860
  • 2. Factors leading to the rise of Romanticism  Proliferation of Protestant denominations  Independence in religion and politics  Egalitarianism  Rise of representative government  Expansion in the ―new world‖  ―Evil‖ of industrialism and urbanization  Significant rise in literacy
  • 3. Factors leading to the rise of romanticism  Confusion generated by science • Darwin’s Origin of Species stated humanity’s mean origins • Marx’s Das Kapital predicted capitalism’s decay and a triumphant working class
  • 4. The Spirit of the age (1790 – 1860)  A sense of a shared vision among the Romantics.  Early support of the French Revolution.  Rise of the individual = alienation.  Dehumanization of industrialization.  Radical poetics / politics = an obsession with violent change.
  • 5. A growing distrust of reason Enlightenment Early 19c Romanticism Society is good, curbing Civilization corrupts! violent impulses!  The essence of human experience is subjective and emotional.  Human knowledge is a puny thing compared to other great historical forces.  ―Individual rights‖ are dangerous efforts at selfishness = the community is more important.
  • 6. The romanticism Movement  Began in the 1790s and peaked in the 1820s.  Mostly in Northern Europe, especially in Britain and Germany.  A reaction against classicism and rationalism of the Enlightenment  The ―Romantic Hero:‖ • Greatest example was Lord Byron • Tremendously popular among the European reading public. • Youth imitated his haughtiness and rebelliousness.
  • 7. Characteristics of romanticism  Individualism • Emphasis moved from: • the stability of the community to the fulfillment of the individual. • the universal to the particular, for humankind to nations and ethnic groups • ―Life, Liberty, and the Pursuit of Happiness‖ was a new ideal in the world. • During this time period, Women’s Rights and Abolitionism were taking root as major movements.
  • 8. Characteristics of romanticism  Individualism: The ―Rugged‖ Hero • American literature created this unique person. He was: • Youthful, innocent, intuitive • One with nature • Loner, and uneasy around women • Handsome, brave, moral and honorable • In James Fenimore Cooper’s Leatherstocking Tales, Nattie Bumpo is an example of this new American hero
  • 9. Characteristics of romanticism  Individualism: The ―Engaged & Enraged Artist‖ • Self-realization comes through art • The artist as: • apart from society • social critic/revolutionary • genius • the true philosopher • Individuals have unique, endless potential Wandering Above the Sea of Fog Caspar David Friedrich, 1818
  • 10. Characteristics of romanticism  Emotionalism: • Imagination, intuition and inspiration • Feeling, not reason, became the test of authenticity. • Romantic love became a subject of poetry and drama. • Poetry is a form of emotional communication. • Painful and pleasurable emotions are equally valid to Romantic poets.
  • 11. Characteristics of romanticism  Emotionalism: • Backlash against the rationalism characterized by the Neoclassical period or ―Age of Reason‖ • Imagination was considered necessary for creating all art • The Romantic artist, musician, or writer, is an ―inspired creator‖ rather than a ―technical master.‖ • Romanticism emphasized going with the moment, or being spontaneous, rather than being precise, controlled, or realistic.
  • 12. The Raft of Medusa Theodore Gericault
  • 13. The Nightmare John Henry Fuseli, 1781
  • 14. Ride of the Valkyries William T. Maud
  • 15. Characteristics of romanticism  Rejection of Traditional Authority • Influenced by the American & French Revolutions • Government hierarchies, notions of sovereignty and aristocracy, and systems of distinction all fell. • Romantics believed that authority derives from the self, not from authority. • Newness itself was a value. • Political statements were popular in art
  • 16. Liberty Leading the People Eugene Delacroix
  • 17. The Return of the (Jewish) Volunteer From War Moritz Oppenheim
  • 18. Ossian Receiving the Ghosts of French Heroes Anne-Louis Girodet de Roucy-Trioson
  • 19. Characteristics of romanticism  Nature: Mysticism • Romantics loved, and were spiritually involved, with nature • Romantic writing looked for comforting or exotic settings from the past • This was found in the supernatural, in nature, and/or in folk legends • Romantics glorified the awesome, horrifying, overwhelming power of nature
  • 20. Characteristics of romanticism  Primitivism: The Noble Savage • Romanticism: ―civilization corrupts; institutions have rippling effects‖ • The child raised with the greatest possible freedom will develop in more admirable ways. • Youth and infancy are valued above wisdom of old age; holy wisdom is lost as we age. • Innocence is more valued than experience. • Humans are born into innocence, not innately depraved.
  • 21. Characteristics of romanticism  Nature: Romantic Escapism • Urban vs. Rural Settings • The Romantic journey is to the countryside • The Industrial Revolution caused Romantics to associate cities with corruption, greed, poverty, slums and dehumanization • Nature = escape from the abuses of industry • The Romantics associated the country with independence, moral clarity, and purity • The Gothic Romantic, Edgar Allan Poe, saw the country as a place of phantasm • Washington Irving saw the country as idyllic and as an escape
  • 22. Nature The Power & the Glory
  • 23. An Avalanche in the Alps Philip James de Loutherbourg, 1803
  • 24. Sunset After a Storm on the Coast of Italy Andreas Achenbach
  • 26. Tree of Crows Caspar David Friedrich, 1822
  • 27. The Wreck of the Hope (aka the sea ice) Caspar David Friedrich, 1821
  • 29. The Eruption of Vesuvius John Martin
  • 32. The Corn Field John Constable 1826
  • 33. The Hay Wain John Constable, 1821
  • 35. Grand Canal, Venice Joseph Mallord William Turner, 1835
  • 36. Massacre of Chios Eugene Delacroix 1824
  • 37. The Fanatics of Tangiers Eugene Delacroix, 1838
  • 38. The Sultan of Morocco and His Entourage Eugene Delacroix, 1845
  • 39. The Women of Algiers in Their Apartment Eugene Delacroix, 1834
  • 40. The Turkish Bath Jean Auguste Ingres, 1852-1863
  • 42. Charge of the Mamelukes, May 2nd, 1808 Francisco Goya, 1814
  • 43. The Royal Pavillion at Brighton Designed by John Nash, 1815-1823
  • 44. Characteristics of romanticism  Nature: Revival of Things Past • Gothic & Romanesque revival. • ―Neo-Gothic‖ architectural style. • Medieval ruins were a favorite theme for art and poetry. • Romanticism fed the development of the Gothic novel
  • 45. Characteristics of romanticism  Nature: The Gothic Novel • The Gothic novel had wild, haunted landscapes • It had supernatural events in the plot • It was often mysterious • The Gothic concept had roots in France, Germany, and England • Edgar Allan Poe was America’s greatest Romantic Gothic writer
  • 46. Salisbury Cathedral from the Bishop’s Ground John Constable, 1825
  • 47. Salisbury Cathedral from the Meadows John Constable, 1831
  • 49. Eldena Ruin Gaspar David Friedrich, 1825
  • 50. Winter Landscape with Church Gaspar David Friedrich, 1811
  • 51. British Houses of Parliament 1840 - 1865
  • 52. Characteristics of romanticism  Gothic Mysticism in Art & Literature: The Exotic, Occult & Macabre • In keeping with gothic themes, Romanticism was obsessed with the supernatural • Ghosts, fairies, witches, demons. • The shadows of the mind—dreams & madness. • The romantics rejected materialism in pursuit of spiritual self-awareness. • They yearned for the unknown and the unknowable.
  • 53. Cloister Cemetary in the Snow Caspar David Friedrich, 1817 - 1819
  • 54. Abbey in an Oak Forest Caspar David Friedrich, 1810
  • 55. Mad Woman with a Mania of Envy Theodore Gericault, 1823
  • 57. The Great Red Dragon and the Woman Clothes with the Sun William Blake, 1808 - 1810
  • 59. Manfred and the Witch of the Alps John Martin - 1837
  • 61. Man and Woman Contemplating the Moon Friedrich David Caspar, 1824
  • 62. The Cemetery Entrance Freidrich David Caspar, 1825
  • 63. Witches in the Air Francisco de Goya 1798
  • 64. Colosses Francisco de Goya or his apprentice Asensio Juliá 1808 - 1812
  • 65. Saturn Devours his son Francisco Goya, 1819 - 1823
  • 66. Romantic Mysticism The Return to the Great Christian Mysteries
  • 67. God as the Architect William Blake, 1794
  • 68. Elohim Creating Abraham William Blake, 1805
  • 69. The Body of Abel Found by Adam & Eve William Blake, 1825
  • 70. The Seventh Plague of Egypt John Martin, 1823
  • 71. The Catherdral Gaspar David Friedrich 1818
  • 72. The Age of the Great Novel  Gothic Novel: • Jane Eyre - Charlotte Bronte (1847) • Wuthering Heights - Emily Bronte (1847)  Historical Novel: • Ivanhoe - Sir Walter Scott (1819) • Les Miserables - Victor Hugo (1862) • The Three Musketeers – Alexander Dumas(1844)
  • 73. The Age of the Great Novel  Science Fiction Novel: • Frankenstein - Mary Shelley (1817) • Dracula – Bramm Stoker (1897)  Novel of Purpose: • Hugh Trevar - Thomas Holcroft (1794)  Folklore • Grimm’s Fairy Tales - Jacob and Wilhelm Grimm (1814)
  • 74. The Age of the Great Novel  The American Novel • Most American Romantic writers imitated the European writing style • American Romantic novelists broke away from the European tradition and discovered uniquely American topics and settings • American novelists explored the vast unknown lands – something the Europeans could not do
  • 75. The Romantic Poets  The Great English Romantic Poets • Percy Byssche Shelley • Lord Byron (George Gordon) • Samuel Taylor Coleridge • William Wordsworth • John Keats • William Blake
  • 76. George Gordon’s (Lord Byron) Poem The Prisoner of Chillon
  • 78. Samuel Taylor Coleridge’s Poem, The Rime of the Ancient Mariner
  • 79. The Romantic Poets  The American Romantic Poets • Most Romantic poets worked within conventional European literary structures • They proved that American poetry could reflect American subject matter, yet still hold to conventional poetic style • Most American Romantic poets wrote about the past
  • 80. The Romantic Poets  The American Romantic Poets • The Fireside Poets, a Boston group of Longfellow, Whittier, Holmes, and Lowell, were widely read and loved in America • They were the television of the American Romantic period and families gathered around the fireside to be entertained by their poetry • Their subject matter was comfortable and instructional
  • 81. Consequences of Romanticism • Violent outcomes of Romantic ideals • American Revolution (1775 – 1783) • French Revolution--storming of the Bastille in 1789 • The French Revolution derived from and generated Romantic ideas. • Both revolutions developed from strong convictions about the innate rights of individuals.
  • 82. Consequences of Romanticism • Movement from rural to urban settings • There was a move to city for industry and a corresponding romanticizing of the country. • Cities were often filled with congestion, poverty, and misery. • Educated men and women expressed a nostalgia for rural landscapes.
  • 83. Consequences of Romanticism  Political Implications • Romanticism could reinforce the greatest themes of political liberalism or political conservatism • Contributed to growing nationalist movements • The concepts of the ―Volk‖ and the ―Volkgeist‖ • The uniqueness of cultures was emphasized
  • 84. Bibliography  CGFA: A Virtual Art Museum. http://cgfa.sunsite.dk/fineart.htm   ―Romanticism‖ on Archive. http://artchive.com/artchive/romanticism.html  Susan M. Pojer’s presentation:  ―Romanticism: The Artisitic Expression of Liberalism‖ for Horace Greeley HS, NY  www.huffenglish.com/powerpoints/Romanticism.ppt