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How Content Gains Meaning and Value in the
        Era of Spreadable Media




                                  H nyek s S
                                   erJ in, U C
                                      n
C n n in r s eia
 ot t Ta md
   e      n
Transmedia storytelling
represents a process where
integral elements of a fiction get
dispersed systematically across
multiple delivery channels for
the purpose of creating a unified
and coordinated entertainment
experience. Ideally, each medium
makes it own unique
contribution to the unfolding of
the story.
C n n is a ic a r
 ot t Pr ipt y
   e      t o
Web 2.0 critique
C n n is e ixb
 ot t R m al
   e          e
C n n is pedb
 ot t Sr al
   e       a e
Ocuy a S et
  cp W l t e
       lr
"We are all susceptible to the pull of viral
ideas. Like mass hysteria. Or a tune that
gets into your head that you keep on
humming all day until you spread it to
someone else. Jokes. Urban legends.
Crackpot religions. Marxism. No matter
how smart we get, there is always this deep
irrational part that makes us potential hosts
for self-replicating information."

                          Neal Stephenson
Circulation
     vs.
Distribution
C ne t
 ot n                                                C lrl eo re
                                                      uuaR sucs
                                                       t




  We don’t share clips just because of what we have to say about
  the ad or film, but also because of what the ad might have to say
  about us.
Content is Global
TEXT
C n n isneedn
 ot t I pnet
   e    d
Iron Skies
Storytelling Konferenz 2012 - Henry Jenkins - König Inhalt in der Ära der vernetzten Medien
Storytelling Konferenz 2012 - Henry Jenkins - König Inhalt in der Ära der vernetzten Medien
Storytelling Konferenz 2012 - Henry Jenkins - König Inhalt in der Ära der vernetzten Medien

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Storytelling Konferenz 2012 - Henry Jenkins - König Inhalt in der Ära der vernetzten Medien

  • 1. How Content Gains Meaning and Value in the Era of Spreadable Media H nyek s S erJ in, U C n
  • 2.
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  • 4.
  • 5.
  • 6. C n n in r s eia ot t Ta md e n
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  • 9.
  • 10.
  • 11. Transmedia storytelling represents a process where integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience. Ideally, each medium makes it own unique contribution to the unfolding of the story.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17. C n n is a ic a r ot t Pr ipt y e t o
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  • 22. C n n is e ixb ot t R m al e e
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  • 26. C n n is pedb ot t Sr al e a e
  • 27. Ocuy a S et cp W l t e lr
  • 28.
  • 29.
  • 30.
  • 31.
  • 32. "We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep on humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information." Neal Stephenson
  • 33. Circulation vs. Distribution
  • 34.
  • 35. C ne t ot n C lrl eo re uuaR sucs t We don’t share clips just because of what we have to say about the ad or film, but also because of what the ad might have to say about us.
  • 36.
  • 38.
  • 39. TEXT
  • 40.
  • 41.
  • 42. C n n isneedn ot t I pnet e d

Notas do Editor

  1. Convergence is not a technological process
  2. Content is Retro
  3. So if content spread when it can be appropriated to meet the expressive needs of individuals within social systems, the question becomes, how do you create content that encourages this type of personalization? John Fiske ’ s proposed that texts became popular when they were producerly, when they gave up some control over its meaning, and left structures open-ended enough to allow diverse excess of potential interpretations, with which communities to appropriate them and leverage them to express local meanings and articulate their specific concerns.