SlideShare uma empresa Scribd logo
1 de 5
I N W H AT WAY S D O E S YO U R M E D I A
    P RO D U C T U S E , D E V E L O P O R
      CHALLENGE FORMS AND
  CONVENTIONS OF REAL MEDIA
               P RO D U C T S ?




          Evalution: Question 1
W H AT I S T H E G E N R E O F YO U R
       M E D I A P RO D U C T ?

 The genre of our product is pop/rock.
 Pop/rock is a music genre which mixes a catchy pop style and light lyrics
with guitar-based rock songs. Van Morrison’s “Brown eyed girl” is an example
of a song of this genre.
 Conventions of a pop/rock music video usually include the artist miming
the lyrics along with sometimes a story featuring other actors on the side. As a
group, we made sure that our music video included the singer miming as well
as a boy and a girl actor to feature in a story.
CONVENTIONS USED
 We used a range of different camera angles, we used a lot of close ups for the brown
eyes as the brown eyes are our motif and symbol for our products. The close up shot
enables the audience to realise the importance of the brown eyes, as they are used in the
digipak, magazine advertisement and numerous times in the music video.

 Camera movement is used to follow or trace the artist/band/actor and follow their
movements. To do this, we used camera shots such as crane shots, pans, tilts and tracking.

 We used different shades of lighting to emphasize the difference between the
storyline and the singer miming. We used a dream effect on the scenes with the female
actor when it was supposed to be the male actor’s thoughts about his past lover.
CONVENTIONS USED
                  CONTINUED…

 To make sure that our media products used, developed and challenged forms and
conventions of real media products we did a lot of research on other music videos and
conventions they used. We researched music videos of our own genre as well as music videos of
other genres to compare them and decide which conventions we particularly wanted to use for
our own music video.
 Our group decided to subvert a convention of our genre, we did this by using dancing from
the singer as well as the actors, this isn’t usually seen in a music video of a pop/rock genre. We
decided to use dancing as even though pop/rock songs don’t tend to be dancing songs, as a
group we decided the dancing element would be a good convention for our video as it fits well
with the chorus of the song itself.
MISE-EN-SCENE
 In terms of mise-en-scene, the setting of the music video was in a park, house and by a
riverside. We researched settings before deciding the final settings to be used as a final group.
The costumes have also been researched, we brainstormed a range of different costume
ideas, the two males wore winter clothes including knitted jumpers whereas the girl had an outfit
of a typical pop/rock music genre, leather jacket and a dress, the dress for the pop side and the
leather for the rock side. Make up was naturalistic. Lighting is also natural, we didn’t use any
lights of our own. We used weather shots to also emphasize the weather while we filmed. The
weather when we filmed was quite dark and gloomy, as a group we found this perfect as it
reflected the male’s mood, he felt isolated and alone while being separated from his lover. When
they are reunited and dancing in the living room, the lighting is a lot brighter which also refletcts
the happiness and relief of the characters to be back together.

Mais conteúdo relacionado

Mais procurados

Narrative theorist
Narrative theoristNarrative theorist
Narrative theorist
rhiaassi
 
Goodwin’S Music Video Theory Mark Iiii
Goodwin’S Music Video Theory Mark IiiiGoodwin’S Music Video Theory Mark Iiii
Goodwin’S Music Video Theory Mark Iiii
Halfmazin
 
Andrew goodwins robbie candy
Andrew goodwins robbie candy Andrew goodwins robbie candy
Andrew goodwins robbie candy
Maajid_5
 
Andrew Goodwin's Theory
Andrew Goodwin's TheoryAndrew Goodwin's Theory
Andrew Goodwin's Theory
Amy Tompkins
 

Mais procurados (20)

Q1
Q1Q1
Q1
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 
question 4
question 4question 4
question 4
 
Narrative theorist
Narrative theoristNarrative theorist
Narrative theorist
 
question 1
question 1question 1
question 1
 
Research
Research Research
Research
 
'Hit me baby one more time'
'Hit me baby one more time''Hit me baby one more time'
'Hit me baby one more time'
 
Goodwin’S Music Video Theory Mark Iiii
Goodwin’S Music Video Theory Mark IiiiGoodwin’S Music Video Theory Mark Iiii
Goodwin’S Music Video Theory Mark Iiii
 
Analysis of The 1975's Robbers
Analysis of The 1975's RobbersAnalysis of The 1975's Robbers
Analysis of The 1975's Robbers
 
Media Pitch
Media PitchMedia Pitch
Media Pitch
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Passenger restless wind
Passenger restless windPassenger restless wind
Passenger restless wind
 
Andrew goodwins robbie candy
Andrew goodwins robbie candy Andrew goodwins robbie candy
Andrew goodwins robbie candy
 
Analysis of Panic! At The Disco's Nine In The Afternoon
Analysis of Panic! At The Disco's Nine In The AfternoonAnalysis of Panic! At The Disco's Nine In The Afternoon
Analysis of Panic! At The Disco's Nine In The Afternoon
 
Single ladies (put a ring on it
Single ladies (put a ring on itSingle ladies (put a ring on it
Single ladies (put a ring on it
 
Director research
Director researchDirector research
Director research
 
Goodwin's features
Goodwin's featuresGoodwin's features
Goodwin's features
 
fhrfhrhGenre
fhrfhrhGenrefhrfhrhGenre
fhrfhrhGenre
 
Different music videos for different genres
Different music videos for different genresDifferent music videos for different genres
Different music videos for different genres
 
Andrew Goodwin's Theory
Andrew Goodwin's TheoryAndrew Goodwin's Theory
Andrew Goodwin's Theory
 

Destaque

Narrative!!
Narrative!!Narrative!!
Narrative!!
clack10m
 
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
Εύα Ζαρκογιάννη
 
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη ΕύαDa vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
Εύα Ζαρκογιάννη
 
Evaluation
EvaluationEvaluation
Evaluation
clack10m
 
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
Εύα Ζαρκογιάννη
 
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
Εύα Ζαρκογιάννη
 
H έννοια της ομορφιάς Παρόν-Παρελθόν
H έννοια της ομορφιάς Παρόν-ΠαρελθόνH έννοια της ομορφιάς Παρόν-Παρελθόν
H έννοια της ομορφιάς Παρόν-Παρελθόν
Εύα Ζαρκογιάννη
 
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
Εύα Ζαρκογιάννη
 
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
Εύα Ζαρκογιάννη
 
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
Εύα Ζαρκογιάννη
 

Destaque (18)

Narrative!!
Narrative!!Narrative!!
Narrative!!
 
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
ΓΝΩΡΙΜΙΑ ΜΕ ΤΑ ΜΝΗΜΕΙΑ-ΕΡΕΧΘΕΙΟΝ
 
Flexibility Franchise Brochure
Flexibility Franchise BrochureFlexibility Franchise Brochure
Flexibility Franchise Brochure
 
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη ΕύαDa vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
Da vinci Υπεύθυνη καθηγήτρια: Ζαρκογιάννη Εύα
 
Audience research
Audience researchAudience research
Audience research
 
Evaluation
EvaluationEvaluation
Evaluation
 
Nihal evaluation
Nihal evaluationNihal evaluation
Nihal evaluation
 
Η ιστορία της φωτογραφίας
Η ιστορία της φωτογραφίαςΗ ιστορία της φωτογραφίας
Η ιστορία της φωτογραφίας
 
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
Eργασία των μαθητών του Πειραματικού Γυμνασίου του Πανεπιστημίου Μακεδονίας σ...
 
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
Το τείχος του Βερολινου - Διαθεματική σύνδεση με τα Κείμενα Νεοελληνικής Λογο...
 
Analysis
AnalysisAnalysis
Analysis
 
Brain gender and social construction
Brain gender and social constructionBrain gender and social construction
Brain gender and social construction
 
O πρώτος σιδηρόδρομος
O πρώτος σιδηρόδρομοςO πρώτος σιδηρόδρομος
O πρώτος σιδηρόδρομος
 
H έννοια της ομορφιάς Παρόν-Παρελθόν
H έννοια της ομορφιάς Παρόν-ΠαρελθόνH έννοια της ομορφιάς Παρόν-Παρελθόν
H έννοια της ομορφιάς Παρόν-Παρελθόν
 
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
Διεθνής έκθεση Θεσσαλονίκης - Τοπική Ιστορία Γ΄Γυμνασίου (Πρότυπο Πειραματικό...
 
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
Θεματική ενότητα: Εφηβεία- Ανάλυση λογοτεχνικού βιβλίου: Κωδικας 99
 
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
Θεματική ενότητα:Εφηβεία - Ανάλυση λογοτεχνικού βιβλίου: "Εμένα γιατί μου πάν...
 
Κωνσταντίνος Καβάφης
Κωνσταντίνος ΚαβάφηςΚωνσταντίνος Καβάφης
Κωνσταντίνος Καβάφης
 

Semelhante a Evaluation Question 1

R&b conventions for Q1
R&b conventions for Q1R&b conventions for Q1
R&b conventions for Q1
Sophia Mangroo
 
Evaluation
EvaluationEvaluation
Evaluation
Shazmaa
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
anna ZIOL
 

Semelhante a Evaluation Question 1 (20)

Andrew Goodwins Music Video Conventions
Andrew Goodwins Music Video ConventionsAndrew Goodwins Music Video Conventions
Andrew Goodwins Music Video Conventions
 
Andrew Goodwins Music Video Conventions
Andrew Goodwins Music Video ConventionsAndrew Goodwins Music Video Conventions
Andrew Goodwins Music Video Conventions
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
Question 1
Question 1Question 1
Question 1
 
Question 1
Question 1Question 1
Question 1
 
R&b conventions for Q1
R&b conventions for Q1R&b conventions for Q1
R&b conventions for Q1
 
Question1
Question1Question1
Question1
 
evaluation 1
evaluation 1 evaluation 1
evaluation 1
 
Evaluation
EvaluationEvaluation
Evaluation
 
Challenging Video Conventions
Challenging Video ConventionsChallenging Video Conventions
Challenging Video Conventions
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Conventions of indie pop
Conventions of indie popConventions of indie pop
Conventions of indie pop
 
Evaluation task 1
Evaluation task 1Evaluation task 1
Evaluation task 1
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Question 1: In what ways does your music video/digipak/magazine advert, use d...
Question 1: In what ways does your music video/digipak/magazine advert, use d...Question 1: In what ways does your music video/digipak/magazine advert, use d...
Question 1: In what ways does your music video/digipak/magazine advert, use d...
 
Media evaluation2
Media evaluation2Media evaluation2
Media evaluation2
 
Question 1
Question 1Question 1
Question 1
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
Music Video: Pink - Who Knew
Music Video: Pink - Who KnewMusic Video: Pink - Who Knew
Music Video: Pink - Who Knew
 
Music video pitch
Music video pitchMusic video pitch
Music video pitch
 

Último

Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire business
panagenda
 
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Victor Rentea
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Safe Software
 

Último (20)

Biography Of Angeliki Cooney | Senior Vice President Life Sciences | Albany, ...
Biography Of Angeliki Cooney | Senior Vice President Life Sciences | Albany, ...Biography Of Angeliki Cooney | Senior Vice President Life Sciences | Albany, ...
Biography Of Angeliki Cooney | Senior Vice President Life Sciences | Albany, ...
 
CNIC Information System with Pakdata Cf In Pakistan
CNIC Information System with Pakdata Cf In PakistanCNIC Information System with Pakdata Cf In Pakistan
CNIC Information System with Pakdata Cf In Pakistan
 
Ransomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdfRansomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdf
 
ICT role in 21st century education and its challenges
ICT role in 21st century education and its challengesICT role in 21st century education and its challenges
ICT role in 21st century education and its challenges
 
Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire business
 
DEV meet-up UiPath Document Understanding May 7 2024 Amsterdam
DEV meet-up UiPath Document Understanding May 7 2024 AmsterdamDEV meet-up UiPath Document Understanding May 7 2024 Amsterdam
DEV meet-up UiPath Document Understanding May 7 2024 Amsterdam
 
Boost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdfBoost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdf
 
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWEREMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
 
TrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
TrustArc Webinar - Unlock the Power of AI-Driven Data DiscoveryTrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
TrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
 
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
 
[BuildWithAI] Introduction to Gemini.pdf
[BuildWithAI] Introduction to Gemini.pdf[BuildWithAI] Introduction to Gemini.pdf
[BuildWithAI] Introduction to Gemini.pdf
 
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, AdobeApidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
 
2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...
 
Corporate and higher education May webinar.pptx
Corporate and higher education May webinar.pptxCorporate and higher education May webinar.pptx
Corporate and higher education May webinar.pptx
 
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
 
Exploring Multimodal Embeddings with Milvus
Exploring Multimodal Embeddings with MilvusExploring Multimodal Embeddings with Milvus
Exploring Multimodal Embeddings with Milvus
 
Spring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUKSpring Boot vs Quarkus the ultimate battle - DevoxxUK
Spring Boot vs Quarkus the ultimate battle - DevoxxUK
 
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024Finding Java's Hidden Performance Traps @ DevoxxUK 2024
Finding Java's Hidden Performance Traps @ DevoxxUK 2024
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...
 

Evaluation Question 1

  • 1. I N W H AT WAY S D O E S YO U R M E D I A P RO D U C T U S E , D E V E L O P O R CHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA P RO D U C T S ? Evalution: Question 1
  • 2. W H AT I S T H E G E N R E O F YO U R M E D I A P RO D U C T ?  The genre of our product is pop/rock.  Pop/rock is a music genre which mixes a catchy pop style and light lyrics with guitar-based rock songs. Van Morrison’s “Brown eyed girl” is an example of a song of this genre.  Conventions of a pop/rock music video usually include the artist miming the lyrics along with sometimes a story featuring other actors on the side. As a group, we made sure that our music video included the singer miming as well as a boy and a girl actor to feature in a story.
  • 3. CONVENTIONS USED  We used a range of different camera angles, we used a lot of close ups for the brown eyes as the brown eyes are our motif and symbol for our products. The close up shot enables the audience to realise the importance of the brown eyes, as they are used in the digipak, magazine advertisement and numerous times in the music video.  Camera movement is used to follow or trace the artist/band/actor and follow their movements. To do this, we used camera shots such as crane shots, pans, tilts and tracking.  We used different shades of lighting to emphasize the difference between the storyline and the singer miming. We used a dream effect on the scenes with the female actor when it was supposed to be the male actor’s thoughts about his past lover.
  • 4. CONVENTIONS USED CONTINUED…  To make sure that our media products used, developed and challenged forms and conventions of real media products we did a lot of research on other music videos and conventions they used. We researched music videos of our own genre as well as music videos of other genres to compare them and decide which conventions we particularly wanted to use for our own music video.  Our group decided to subvert a convention of our genre, we did this by using dancing from the singer as well as the actors, this isn’t usually seen in a music video of a pop/rock genre. We decided to use dancing as even though pop/rock songs don’t tend to be dancing songs, as a group we decided the dancing element would be a good convention for our video as it fits well with the chorus of the song itself.
  • 5. MISE-EN-SCENE  In terms of mise-en-scene, the setting of the music video was in a park, house and by a riverside. We researched settings before deciding the final settings to be used as a final group. The costumes have also been researched, we brainstormed a range of different costume ideas, the two males wore winter clothes including knitted jumpers whereas the girl had an outfit of a typical pop/rock music genre, leather jacket and a dress, the dress for the pop side and the leather for the rock side. Make up was naturalistic. Lighting is also natural, we didn’t use any lights of our own. We used weather shots to also emphasize the weather while we filmed. The weather when we filmed was quite dark and gloomy, as a group we found this perfect as it reflected the male’s mood, he felt isolated and alone while being separated from his lover. When they are reunited and dancing in the living room, the lighting is a lot brighter which also refletcts the happiness and relief of the characters to be back together.