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The Renaissance  means, literally, a “rebirth” RENAISSANCE Italy Northern Europe England
Ancient  Rome Islam Byzantium Ottomans Moors Persia China Classical  Greece Renaissance
Raphael (1483-1520),  The School of Athens
                                                                                                                                  The bracketed names are the contemporary characters from whom Raphael is thought to have drawn his likenesses. 1: Zeno of Citium or Zeno of Elea? 2: Epicurus 3: Frederi II of Mantua? 4: Anicius Manlius Severinus Boethius or Anaximander or Empedocles? 5: Averroes? 6: Pythagoras? 7: Alcibiades or Alexander the Great? 8: Antisthenes or Xenophon? 9: Hypatia (Francesco Maria della Rovere or Raphael's mistress Margherita.) 10: Aeschines or Xenophon? 11: Parmenides? 12: Socrates? 13: Heraclitus (Michelangelo). 14: Plato holding the  Timaeus  ( Leonardo da Vinci). 15: Aristotle holding the  Ethics ? 16: Diogenes of Sinope? 17: Plotinus? 18: Euclid or Archimedes with students ( Bramante)? 19: Strabo or Zoroaster? (Baldassare Castiglione or Pietro Bembo). 20: Ptolemy? R: Apelles (Raphael). 21: Protogenes (Il Sodoma or Perugino).
Marsilio Ficino (1492) ,[object Object]
Lorenzo Valla proclaiming the perfections of the Latin language… ,[object Object]
Michelangelo (1475-1564), David
The Formal Properties of Renaissance Art ,[object Object],[object Object],[object Object],[object Object]
Chiaroscuro ,[object Object],Gerrit van Honthorst (1592-1656),  The Matchmaker
One-point Perspective ,[object Object],[object Object],[object Object],[object Object]
Filippo Brunelleschi cutaway of the Dome of Florence Cathedral (Santa Maria del Fiore)
Atmospheric Perspective ,[object Object]
Monothematic ,[object Object]
Giotto (d.1337),  Lamentation,  ( The Mourning of Christ) , Cappella degli Scrovegni
Mona Lisa, or La Gioconda, Leonardo da Vinci  (c.1503-1506): good example of chiaroscuro
Atmospheric,  or aerial, perspective
One-point, linear perspective
Monothematic Leonardo da Vinci,  The Adoration of the Magi
study on perspective, Leonardo da Vinci,  The Adoration of the Magi
Saint Peter’s Basilica, Vatican, Rome; designed by Donato Bramante for Pope Julius III
St. Peter’s Basilica, Rome.
Interior Dome. St. Peter’s Basilica, Rome.
Mannerism: The Catholic Reform Program El Greco,  The Opening of the Fifth Seal
Tomb of Pope Alexander VII (r.1655-1667), Vatican, Rome (Bernini). Alexander VII condemned Protestant (Anglican) England,  prohibited all publications  on heliocentrism calling it a theoretical (theological) error, and attempted to stamp out Jansenism as a form of heresy.
Truth, by Giovanni Lorenzo Bernini, tramples England underfoot.

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