Session 4 Phil Tagg’s Musicological Model

Phil Tagg’s Musicological Model Research Skills Musicology Dr Paul Carr

Group Presentations ,[object Object],[object Object],[object Object]

Frank Zappa ‘Meaning’ paper. (up to chapter 3) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object]

Music (channel) Emitter Receiver Intended ‘message’ ‘ adequate’ response Communication Model

The ‘Analysis Object’ ,[object Object],[object Object],[object Object]

Para - Musical Fields of Association (PMFA) ,[object Object],[object Object]

‘ Parameters of Musical Expression’ (PME) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Examples of Parameters of musical expression (Tagg’s Version) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

‘ Musemes’ ,[object Object],[object Object]

Inter Objective Comparison Material (IOCM) ,[object Object],[object Object],[object Object],[object Object],[object Object]

PMFA Paramusical Fields of Association (relevant to IOCM) PMFA Paramusical Fields of Association (relevant to AO) AO Analysis Object IOCM Interobjective Comparison Material

Potential Synopsis Of Process ,[object Object],[object Object],[object Object],[object Object],[object Object]

‘ Hypothetical Substitution’ ,[object Object],[object Object],[object Object],[object Object],[object Object]

Videos ,[object Object],[object Object],[object Object],[object Object]

Homework ,[object Object],[object Object],[object Object],[object Object]

Information for Wiki ,[object Object],[object Object],[object Object],[object Object],[object Object]

Session 4 Phil Tagg’s Musicological Model

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Session 4 Phil Tagg’s Musicological Model