Internet y periodismo
•Transferir como PPT, PDF•
0 gostou•586 visualizações
Para la invitación de la red Periodismo Hoy
![Carolina Botero [email_address] www.karisma.org.co/carobotero http://www.flickr.com/photos/claudio/3054776394 /](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Recomendados
Mais conteúdo relacionado
Mais procurados
Mais procurados (20)
Destaque
Semelhante a Internet y periodismo
Semelhante a Internet y periodismo (20)
Mais de Carolina Botero
Último
Último (12)
Internet y periodismo
- 1. ¿Cómo cambia Internet los derechos de autor en el ejercicio periodístico? Agosto 23, 2011
- 2. Carolina Botero [email_address] www.karisma.org.co/carobotero http://www.flickr.com/photos/claudio/3054776394 /
- 3. ¿cómo cambia Internet los derechos de autor?
- 4. 5 millones de años de historia del hombre en unas diapositivas Usando la idea del reloj de 24 horas de Guido Gybels, Dir. New Technologies Royal National Institute of Deaf People, UK http ://www.ictrnid.org.uk/speech08042005.html
- 5. 00:00 Aparecen los primeros homínidos
- 6. 19:12 Aparece el Homo Sapiens
- 7. 23:58 En los últimos dos minutos de ese día sucede todo lo que reconocemos como historia y cultura
- 11. Cambio
- 12. Las TIC y la Web 2.0 nos permiten hoy hacer las cosas en forma diferente y más eficiente, pero también significan un importante CAMBIO en la forma como vivimos y trabajamos y nos obliga a generar nuevas capacidades y paradigmas . Traducido de http://www.slideshare.net/andreasmeiszner/beyond-the-open-educational-resource-move-towards-open-and-participatory-learning-ecosystems El pasado El futuro Cerrado Abierto Expertos dirigen Todos tenemos algo que decir Individual Colaborativo El conocimiento es poder, agárrate a él El conocimiento es inútil si no se comparte Protege lo tuyo, no compartas El todo es más importante que la suma de las partes “ Copyright” (Derecho de Autor) “ Copyleft” Existe un costo para la reproducción El costo de reproducción es casi “cero” Mercados de masa Nichos de mercados Orientado al producto Orientado al servicio
- 13. Compartir
- 14. Las tecnologias digitales han revolucionado la Forma como las obras creativas se hacen, distribuyen y usan. CRICOS No. 00213J
- 15. Consumidor + Productor __________________ Prosumer
- 16. Todos los dias Usamos Peliculas Fotos Musica Textos Are you ready??? by ssh available at http://www.flickr.com/photos/ssh/12638218/ under a Creative Commons Attribution 2.0 licence CRICOS No. 00213J
- 17. AUSTRALIA part of the Creative Commons international initiative CRICOS No. 00213J Copyright by xkcd available at http://xkcd.com/14/ under a Creative Commons Attribution NonCommercial 2.5 licence < http://creativecommons.org/licenses/by-nc/2.5/ > CRICOS No. 00213J A veces simplemente no puedo sobreponerme al derecho de autor
- 18. Creative Commons ofrece Recursos que se pueden usar legalmente para copiar, modificar y reutilizar my CC stickers have arrived!!! by laihiu available at http://www.flickr.com/photos/laihiu/290630500/ under a Creative Commons Attribution 2.0 licence CRICOS No. 00213J
- 29. LENG. MAQUINA
- 30. LENG. HUMANO
- 31. LENG. JURIDICO
- 32. LIBRE CULTURA
- 33. Dominio público excepciones y limitaciones e incluso reconocer otras formas de aproximarse a la creación, producción, distribución y reutilizacióncultural
- 38. Algunas notas sobre periodismo hoy
- 42. http://www.periodismociudadano.com/2009/08/21/usuario-de-twitter-exige-a-sky-news-el-pago-por-usar-una-foto-publicada-en-twitpic/ “ Newscorp usa tus fotos sin permiso, pero pretende cobrar por leer sus contenidos”.
- 45. http://www.flickr.com/photos/donkeyhotey/5657853114/sizes/o/in/photostream/ http://www.flickr.com/photos/r_sh/5238068866/ http://www.flickr.com/photos/jorgedragon/5355912048/ http://www.flickr.com/photos/home_of_chaos/5287303391/
- 46. Cambio
- 47. Libertad de Prensa Libertad de Expresión
- 48. Gracias A menos que se informe de otra manera esta presentación está licenciada CCBY 2.5 Colombia http://creativecommons.org/licenses/by/2.5/co/ Carolina Botero Cabrera, agosto 2011 www.karisma.org.co/carobotero [email_address] Twitter: @carobotero
Notas do Editor
- Some just say ignore copyright law – rip, mix, burn This is ok if you’re an private user, or an obscure artist – can choose to take risk But doesn’t work for schools, libraries, museums, charities, academics, short film makers entering into competitions, DJs releasing a commercial CD etc Plus, the music labels and hollywood are suing people now – and in the UK they’re threatening to cut off people’s internet connections.
- So – looking at how the CC licences are being used According to the latest statistics from the CC website, there are currently about 140million webpages that use a CC licence As you can see, almost all of them contain the BY element – that’s because it was made compulsory for all the licences except the public domain licences after the first year, because pretty much everybody was using it anyway The majority also, unsurprisingly, choose the non-commercial element Interestingly, next most popular is ShareAlike, not noderivatives – this shows that there is still a strong focus on fostering creativity among CC community, and that, rather than trying to lock their material up, people are happy for it to be remixed, as long as the new work is also sharedEven more interesting is how these statistics are changing over time Even more interestingly – if you look at how the licences is being used over time, people are gradually moving towards more liberal licences with less restrictions on them This movement seems to indicate that as people become more familiar with the licences, they are more comfortable allowing greater use This is supported by anecdotal evidence from CC users who, after initially publishing their material under restrictive licences that don’t allow derivatives, often ‘re-release’ their material to allow new works