SlideShare uma empresa Scribd logo
1 de 89
Agenda
                                  	

•  Warm Up: In your sketchbook please write down what
   colors you think you will use for each room in your
   apartment	

•  Agenda:	

   –  Turn in final floor plans with rubric and reflection questions	

   –  Color Theory	

   –  Worktime: Concept Boards	

•  8 by 8 show workshop meeting next Thursday in Room 7
Unit 3: Professional Practices
 and Client Communication




  Please grab a few boxes of colored
         pencils for your table
Elements of Art
  Basic building blocks of art. Can’t
 make a work of art without at least
                  one
•  Color
•  Line
•  Shape
•  Texture
•  Form
•  Space
•  Value
Principles of Design
   The rules that govern how an artist
     organizes the elements of art in a
                work of art
•  Balance
•  Contrast
•  Emphasis
•  Variety
•  Unity
•  Proportion
•  Movement
OPAQUE VS. TRANSPARENT/
     TRANSLUCENT




 UNABLE TO SEE   ABLE TO BE SEEN
   THROUGH       THROUGH (EITHER
                 PARTIALLY OR FULLY)
WHICH IS OPAQUE?
ARE THESE TRANSPARENT
      OR OPAQUE?
WHAT PART OF THIS STILL
   LIFE DRAWING IS
    TRANSPARENT?
HUE
                       A pure (unmixed with
                       black, white, gray or
                       another color) color’s
                       name or how it is
                       classified
Blue’s hue is blue
Red’s hue is red
Green’s hue is green
CHROMA
                       How pure a color is,
                       meaning the amount of
                       black, white or gray that
                       is present in a color
High Chroma Colors – very intense and vivid,
very little black, white or gray present


Low Chroma Colors – very dull and colors, a
lot of black, white or gray present
INTENSITY

                         Brightness or dullness
                         of a color (NOT
                         lightness or darkness!)
A pure hue has a high intensity

When a hue is mixed with white, black, gray or
another color it has a lower intensity
INTENSITY
SATURATION

                         The intensity of a
                         specific hue. It is based
                         on the color’s purity
A highly saturated hue has a vivid, intense color

A less saturated color appears more muted and
gray.
SATURATION
VALUE


  The brightness or
  darkness of a color
VALUE
COLOR SYSTEMS	




ADDITIVE	

   SUBTRACTIVE
ADDITIVE COLOR SYSTEM
•  Named for the more colors mixed together
   the brighter they become, adding to the
   brightness of the color	

•  Color + Color = Brighter color	

    	

	

•  End result = White	

•  Primary Colors: Red, Green and Blue	

•  Medium: Light	

•  Uses: Color computer monitors, color TV’s,
   stage lighting, contemporary luminal art
SUBTRACTIVE COLOR SYSTEM
•  Named for the more colors mixed together
   the darker they become. subtracting away
   the brightness of the color	

•  Color + Color = Black 	

         	

	

•  End result = Black	

•  Primary Colors – magenta, cyan, yellow	

•  Media: transparent materials such as
   Watercolors, Dyes and Acetates	

•  Uses: Artists, Color Photography, Full
   Color Printing Industry applications such
   as billboards, magazines, illustrations,
   books and advertising, computer printers
12 COLOR SYSTEM




 COLOR WHEEL
PRIMARY




CANNOT BE MADE BY MIXING OTHER COLORS
             TOGETHER
PRIMARY
SECONDARY




MADE BY MIXING 2 PRIMARY COLORS
           TOGETHER
SECONDARY
TERTIARY (INTERMEDIATE)




MADE BY MIXING A PRIMARY COLOR WITH A
          SECONDARY COLOR
TERTIARY
TINTS:
ADDING WHITE TO A COLOR
TINTS:
ADDING WHITE TO A COLOR
SHADES:
ADDING BLACK TO A COLOR
SHADES:
ADDING BLACK TO A COLOR
O   V   R   Y   G   B
TONES:
COLOR + ITS COMPLEMENT
           OR
     COLOR + GREY
MONOCHROMATIC




TINTS AND SHADES OF ONE (MONO) COLOR
MONOCHROMATIC




TINTS AND SHADES OF ONE (MONO) COLOR
MONOCHROMATIC
MONOCHROMATIC
Monochromatic color schemes look clean
             and elegant
Analogous Color




COLORS NEXT TO ONE ANOTHER ON THE
          COLOR WHEEL
Analogous
        	

      An analogous color
         scheme is well
        coordinated and
            calming
Analogous
Complementary Colors




ACROSS FROM ONE ANOTHER ON THE COLOR
 WHEEL. PLACING COMPLEMENTS NEXT TO
ONE ANOTHER MAKE EACH APPEAR BRIGHTER
COMPLEMENTARY
Complementary color schemes look very intense
    and can be overpowering in large doses
Split-Complementary




COLORS ON EITHER SIDE OF A COLOR’S
          COMPLEMENT
SPLIT- COMPLEMENTARY
A split-complementary color scheme has high
     contrast and is very vivid and intense.
Triadic




THREE COLORS SPACED EQUALLY APART ON
          THE COLOR WHEEL
TRIADIC
Triadic color schemes are very vibrant and so
 it’s best to carefully balance them by letting
       one color dominate the other two.
TRIADIC
Tetradic or Rectangular




 FOUR COLORS ARRANGED INTO TWO
      COMPLEMENTARY PAIRS
TETRADIC	

Looks rich and warm. Tetradic color schemes works
  best if you let one color be dominant.  You should
 also pay attention to the balance between warm and
               cool colors in your design.
SQUARE




FOUR COLORS EVENLY SPACED APART FROM
   ONE ANOTHER ON THE COLOR WHEEL
SQUARE	

Square color schemes works best if you let one color be
     dominant.  You should also pay attention to the
  balance between warm and cool colors in your design
WARM VS. COOL
WARM COLORS	


•  Reds; Oranges; Yellows	

•  reminiscent of fire	

•  advance (come forward)
   towards the viewer	

•  Tend to be vibrant and
   stimulating. Yellow-Green
   and Red-Violet can be
   considered either warm or
   cool.
WARM
COOL COLORS	


•  Blues; Greens; Violets 	

•  reminiscent of water	

•  recede (go backwards) away
   from the viewer, 	

•  Tend to be calming and
   soothing	

•  Yellow-Green and Red-Violet
   can be considered either warm
   or cool.
COOL
NEUTRALS	

•  also known as
   achromatic
   color (absence
   of color)	

•  includes grays,
   white, black
   and sometimes
   brown.
NEUTRAL
  Neutral
 schemes are
 calming and
    unified
EARTH TONES	

•  browns, tans, grays, greens,
   oranges, whites, and some reds	

•  The colors in an earth tone
   scheme are muted and flat in an
   emulation of the natural colors
   found in soil, moss, trees and
   rocks	

•  Many earth tones originate from
   clay earth pigments such as
   umber, ochre, and sienna
EARTH TONES	

Earth tone color schemes are warm, muted and
                     calming
Color Meanings
                                                      	

•    Red	

•    Red is the color of fire and blood, so it is associated with energy,
     war, danger, strength, power, determination as well as passion,
     desire, and love.	

•    Red is a very emotionally intense color. It enhances human
     metabolism, increases respiration rate, and raises blood pressure.
     It has very high visibility, which is why stop signs, stoplights, and
     fire equipment are usually painted red. In heraldry, red is used to
     indicate courage. It is a color found in many national flags.	

•    Red brings text and images to the foreground. Use it as an accent
     color to stimulate people to make quick decisions; it is a perfect
     color for 'Buy Now' or 'Click Here' buttons on Internet banners
     and websites. In advertising, red is often used to evoke erotic
     feelings (red lips, red nails, red-light districts, 'Lady in Red', etc).
     Red is widely used to indicate danger (high voltage signs, traffic
     lights). This color is also commonly associated with energy, so
     you can use it when promoting energy drinks, games, cars, items
     related to sports and high physical activity.	

•    Light red represents joy, sexuality, passion, sensitivity, and love. 
     Pink signifies romance, love, and friendship. It denotes feminine
     qualities and passiveness.
     Dark red is associated with vigor, willpower, rage, anger,
     leadership, courage, longing, malice, and wrath.
     Brown suggests stability and denotes masculine qualities.
     Reddish-brown is associated with harvest and fall.
Color Meanings
                                                        	

•    Orange	

•    Orange combines the energy of red and the happiness of yellow. It is
     associated with joy, sunshine, and the tropics. Orange represents
     enthusiasm, fascination, happiness, creativity, determination,
     attraction, success, encouragement, and stimulation.	

•    To the human eye, orange is a very hot color, so it gives the
     sensation of heat. Nevertheless, orange is not as aggressive as red.
     Orange increases oxygen supply to the brain, produces an
     invigorating effect, and stimulates mental activity. It is highly
     accepted among young people. As a citrus color, orange is
     associated with healthy food and stimulates appetite. Orange is the
     color of fall and harvest. In heraldry, orange is symbolic of strength
     and endurance.	

•    Orange has very high visibility, so you can use it to catch attention
     and highlight the most important elements of your design. Orange is
     very effective for promoting food products and toys.	

•    Dark orange can mean deceit and distrust.
     Red-orange corresponds to desire, sexual passion, pleasure,
     domination, aggression, and thirst for action.
     Gold evokes the feeling of prestige. The meaning of gold is
     illumination, wisdom, and wealth. Gold often symbolizes high
     quality.
Color Meanings
                                                         	

•    Yellow	

•    Yellow is the color of sunshine. It's associated with joy, happiness,
     intellect, and energy. 	

•    Yellow produces a warming effect, arouses cheerfulness, stimulates
     mental activity, and generates muscle energy. Yellow is often
     associated with food. Bright, pure yellow is an attention getter,
     which is the reason taxicabs are painted this color. When overused,
     yellow may have a disturbing effect; it is known that babies cry
     more in yellow rooms. Yellow is seen before other colors when
     placed against black; this combination is often used to issue a
     warning. In heraldry, yellow indicates honor and loyalty. Later the
     meaning of yellow was connected with cowardice.	

•    Use yellow to evoke pleasant, cheerful feelings. You can choose
     yellow to promote children's products and items related to leisure.
     Yellow is very effective for attracting attention, so use it to highlight
     the most important elements of your design. Men usually perceive
     yellow as a very lighthearted, 'childish' color, so it is not
     recommended to use yellow when selling prestigious, expensive
     products to men – nobody will buy a yellow business suit or a
     yellow Mercedes. Yellow is an unstable and spontaneous color, so
     avoid using yellow if you want to suggest stability and safety. Light
     yellow tends to disappear into white, so it usually needs a dark color
     to highlight it. Shades of yellow are visually unappealing because
     they loose cheerfulness and become dingy.	

•    Dull (dingy) yellow represents caution, decay, sickness, and
     jealousy. 
     Light yellow is associated with intellect, freshness, and joy.
Color Meanings
                                                  	

•    Green is the color of nature. It symbolizes growth,
     harmony, freshness, and fertility. Green has strong
     emotional correspondence with safety. Dark green is also
     commonly associated with money. 	

•    Green has great healing power. It is the most restful color
     for the human eye; it can improve vision. Green suggests
     stability and endurance. Sometimes green denotes lack of
     experience; for example, a 'greenhorn' is a novice. In
     heraldry, green indicates growth and hope. Green, as
     opposed to red, means safety; it is the color of free
     passage in road traffic.	

•    Use green to indicate safety when advertising drugs and
     medical products. Green is directly related to nature, so
     you can use it to promote 'green' products. Dull, darker
     green is commonly associated with money, the financial
     world, banking, and Wall Street.	

•    Dark green is associated with ambition, greed, and
     jealousy.
     Yellow-green can indicate sickness, cowardice, discord,
     and jealousy.
     Aqua is associated with emotional healing and protection.
     Olive green is the traditional color of peace.
Color Meanings
                                                         	

•    Blue is the color of the sky and sea. It is often associated with
     depth and stability. It symbolizes trust, loyalty, wisdom,
     confidence, intelligence, faith, truth, and heaven. 	

•    Blue is considered beneficial to the mind and body. It slows
     human metabolism and produces a calming effect. Blue is
     strongly associated with tranquility and calmness. In heraldry,
     blue is used to symbolize piety and sincerity. 	

•    You can use blue to promote products and services related to
     cleanliness (water purification filters, cleaning liquids,
     vodka), air and sky (airlines, airports, air conditioners), water
     and sea (sea voyages, mineral water). As opposed to
     emotionally warm colors like red, orange, and yellow; blue is
     linked to consciousness and intellect. Use blue to suggest
     precision when promoting high-tech products. 	

•    Blue is a masculine color; according to studies, it is highly
     accepted among males. Dark blue is associated with depth,
     expertise, and stability; it is a preferred color for corporate
     America.	

•    Avoid using blue when promoting food and cooking, because
     blue suppresses appetite. When used together with warm
     colors like yellow or red, blue can create high-impact, vibrant
     designs; for example, blue-yellow-red is a perfect color
     scheme for a superhero.	

•    Light blue is associated with health, healing, tranquility,
     understanding, and softness.
     Dark blue represents knowledge, power, integrity, and
     seriousness.
Color Meanings
                                          	

•  Purple combines the stability of blue and the
   energy of red. Purple is associated with royalty.
   It symbolizes power, nobility, luxury, and
   ambition. It conveys wealth and extravagance.
   Purple is associated with wisdom, dignity,
   independence, creativity, mystery, and magic.	

•  According to surveys, almost 75 percent of pre-
   adolescent children prefer purple to all other
   colors. Purple is a very rare color in nature;
   some people consider it to be artificial.	

•  Light purple is a good choice for a feminine
   design. You can use bright purple when
   promoting children's products.	

•  Light purple evokes romantic and nostalgic
   feelings.
   Dark purple evokes gloom and sad feelings. It
   can cause frustration.
Color Meanings
                                            	

•  White is associated with light, goodness,
   innocence, purity, and virginity. It is
   considered to be the color of perfection.	

•  White means safety, purity, and cleanliness.
   As opposed to black, white usually has a
   positive connotation. White can represent a
   successful beginning. In heraldry, white
   depicts faith and purity. 	

•  In advertising, white is associated with
   coolness and cleanliness because it's the color
   of snow. You can use white to suggest
   simplicity in high-tech products. White is an
   appropriate color for charitable
   organizations; angels are usually imagined
   wearing white clothes. White is associated
   with hospitals, doctors, and sterility, so you
   can use white to suggest safety when
   promoting medical products. White is often
   associated with low weight, low-fat food, and
   dairy products.
Color Meanings
                                            	

•  Black is associated with power, elegance,
   formality, death, evil, and mystery.	

•  Black is a mysterious color associated with fear
   and the unknown (black holes). It usually has a
   negative connotation (blacklist, black humor,
   'black death'). Black denotes strength and
   authority; it is considered to be a very formal,
   elegant, and prestigious color (black tie, black
   Mercedes). In heraldry, black is the symbol of
   grief.	

•  Black gives the feeling of perspective and depth,
   but a black background diminishes readability.
   A black suit or dress can make you look thinner.
   When designing for a gallery of art or
   photography, you can use a black or gray
   background to make the other colors stand out.
   Black contrasts well with bright colors.
   Combined with red or orange – other very
   powerful colors – black gives a very aggressive
   color scheme.
Color Theory and Your
                      Apartment	

•  Select color schemes for
   the rooms you plan on
   creating a concept board/
   scale model for	

•  Use the knowledge and
   notes you’ve gathered
   today, combined with the
   color meanings packet	

•  Think of what your client
   would want to have and
   how each room relates to
   one another
Concept Board Parameters
                                  	

•  fill paper provided	

•  title with your project title	

•  at least 3 of your own finished drawings (see specifics under step 5!)	

•  At least 6 pictures/photographs from internet/magazine/newspaper/etc	

•  color swatches for the color scheme of your apartment (either paint
   chips or created with drawing materials or paper)	

•  At least 3 textile swatches (real material or find examples; print and
   paste on)	

•  Neat, clean lettering (computer generated is better!)	

•  Clean, well planned layout	

•  Professional craftsmanship	

•  Easily communicates your concept to the class	

•  All components fit with your brief
Directions: Step 1	


•  Browse the internet;
   design magazines; your
   design file created
   earlier in the year or
   take photographs of
   things that inspire you
   or you would like to
   include in your
   apartment
Directions:
     Step 2	

•  Determine and write down what
   textures and materials you are
   planning for the apartment (note
   that you may have several options
   as you have more than 1 room!
   Just keep it unified!)	

   –  Flooring – hardwoods; tile; cork;
      bamboo; carpet; linoleum; etc.	

   –  Wall Coverings – wallpaper;
      fabric; paint; paint effects
      (feathering; linen-look painting;
      marbling)	

   –  Furniture – upholstered; wood;
      plastic; glass; metals
Directions: Step 3	


•  Determine and write down your
   focal points/points of emphasis	

   –  What will be your ‘shining stars’ –
      pieces of your design that impress	

      •  Focal points can be made with 	

          –  Color	

          –  Texture	

          –  Pattern	

          –  Contrast	

          –  Proportion	

          –  Movement
Directions: Step 4	

•  Collect materials	

   –  From the writing you’ve
      completed in the previous
      steps, collect materials to use
      on your concept board	

   –  Can’t find the material? Search
      the Internet or magazines for a
      high quality image OR create
      your own
For the rest of the day
                              	

•  Work on your concept board	

•  You should be working on step 5 by next
   class	

•  Next class we will finish up your concept
   boards	

•  Following class: begin scale model of your
   floor plan
Directions: Step 5	

•  Create your 3 original designs in
   pencil 	

   –  1 piece of furniture	

   –  1 textile pattern - 	

   –  1 accessory; built-in or accent piece	

       •  Fireplace	

       •  Bookshelves	

       •  Chandelier or Light Fixture	

•  Then complete the designs in
   either gouache or colored pencils	

•  Must be to the highest quality – a
   true work of art!
Directions: Step 6	

•  Determine the layout you think is the most
   successful for all of the objects you’ve collected
   and created – SAVE ROOM FOR PROPER
   TITLING AND NOTES	

•  Think of what you want to emphasize – what is the
   focal point of your concept board?	

•  Plan out how you’ll create movement across the
   concept board to keep your client interested in the
   variety of samples, drawings and pictures you’ll
   have	

•  Play around with composition to find the best
   solution possible – remember that this is an ART
   project	

•  When you are satisfied, affix the objects to the
   concept board using either a glue stick or rubber
   cement – NOT WHITE GLUE!
Directions: Step 7	

•  Make necessary
   annotations (notes) to help
   convey your complete
   concept	

•  Title with your apartment
   project’s title; the date and
   your name 	

•  Use a professional lettering
   style – computer generated
   and printed is the best!
Directions: Step 8	

•  Fill out the rubric and answer the
   reflection questions in complete
   sentences on the back of the rubric.	

•  Reflection Questions:	

•  Describe with 4 adjectives the design
   feel you are trying to convey in your
   concept board 	

•  What is highly successful about your
   concept board? Nothing is not an
   answer.	

•  What could be changed about your
   concept board and how would changing
   this improve your concept board?
   Nothing is not an answer?

Mais conteúdo relacionado

Mais procurados

Color and texture in interior design ciu
Color and texture in interior design ciuColor and texture in interior design ciu
Color and texture in interior design ciualicankayar
 
0005 aesthetics and ordering systems in interior design
0005 aesthetics and ordering systems in interior design0005 aesthetics and ordering systems in interior design
0005 aesthetics and ordering systems in interior designsrmmrs2003
 
Colours in interior design
Colours in interior designColours in interior design
Colours in interior designRutuja Yawale
 
Elements of design colour
Elements of design   colourElements of design   colour
Elements of design colourjamieandlianne
 
Color wheel powerpoint
Color wheel powerpointColor wheel powerpoint
Color wheel powerpointAna
 
Colors in interior design
Colors in interior designColors in interior design
Colors in interior designZunairaKhusro
 
Color Chapter 2 Powerpoint 2
Color Chapter 2 Powerpoint 2Color Chapter 2 Powerpoint 2
Color Chapter 2 Powerpoint 2tanyalangford
 
Principle of design
Principle of designPrinciple of design
Principle of designRahul Gupta
 
Lecture 1 b definition of principle of design
Lecture 1 b definition of principle of designLecture 1 b definition of principle of design
Lecture 1 b definition of principle of designWilfred Dexter Tanedo
 
Design Principle: Balance
Design Principle: BalanceDesign Principle: Balance
Design Principle: Balancechu_pochi
 
Interior Design principles and elements
Interior Design principles and elementsInterior Design principles and elements
Interior Design principles and elementsDivya Suresh
 
Styles of Interior Design
Styles of Interior DesignStyles of Interior Design
Styles of Interior DesignSuma Burgapally
 

Mais procurados (20)

Color and texture in interior design ciu
Color and texture in interior design ciuColor and texture in interior design ciu
Color and texture in interior design ciu
 
0005 aesthetics and ordering systems in interior design
0005 aesthetics and ordering systems in interior design0005 aesthetics and ordering systems in interior design
0005 aesthetics and ordering systems in interior design
 
Colours in interior design
Colours in interior designColours in interior design
Colours in interior design
 
Color Theory
Color TheoryColor Theory
Color Theory
 
Elements of design colour
Elements of design   colourElements of design   colour
Elements of design colour
 
Color wheel powerpoint
Color wheel powerpointColor wheel powerpoint
Color wheel powerpoint
 
The Color Wheel
The Color WheelThe Color Wheel
The Color Wheel
 
Color schemes ppt
Color schemes pptColor schemes ppt
Color schemes ppt
 
Colors in interior design
Colors in interior designColors in interior design
Colors in interior design
 
Principles of design
Principles of designPrinciples of design
Principles of design
 
Color wheel
Color wheelColor wheel
Color wheel
 
Color Chapter 2 Powerpoint 2
Color Chapter 2 Powerpoint 2Color Chapter 2 Powerpoint 2
Color Chapter 2 Powerpoint 2
 
Principle of design
Principle of designPrinciple of design
Principle of design
 
AHSArt: Color theory Drawing + Painting
AHSArt:  Color theory Drawing + Painting AHSArt:  Color theory Drawing + Painting
AHSArt: Color theory Drawing + Painting
 
Lecture 1 b definition of principle of design
Lecture 1 b definition of principle of designLecture 1 b definition of principle of design
Lecture 1 b definition of principle of design
 
Design Principle: Balance
Design Principle: BalanceDesign Principle: Balance
Design Principle: Balance
 
Colour Schemes
Colour SchemesColour Schemes
Colour Schemes
 
Interior Design principles and elements
Interior Design principles and elementsInterior Design principles and elements
Interior Design principles and elements
 
Styles of Interior Design
Styles of Interior DesignStyles of Interior Design
Styles of Interior Design
 
Colours For Interior Decoration
Colours For Interior DecorationColours For Interior Decoration
Colours For Interior Decoration
 

Destaque

Descarga de archivos de audio d te
Descarga de archivos de audio d teDescarga de archivos de audio d te
Descarga de archivos de audio d teSilvia D'Emilio
 
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...Suely Maia
 
SPSMadrid Get sql spinning with SharePoint. Best practice for the back end
SPSMadrid Get sql spinning with SharePoint. Best practice for the back endSPSMadrid Get sql spinning with SharePoint. Best practice for the back end
SPSMadrid Get sql spinning with SharePoint. Best practice for the back endKnut Relbe-Moe [MVP, MCT]
 
Mobile altea approach-4-slideshare
Mobile altea approach-4-slideshareMobile altea approach-4-slideshare
Mobile altea approach-4-slideshareGiovanni Rota
 
GuideToFireSprinklerSystemWaterSavingIssue1
GuideToFireSprinklerSystemWaterSavingIssue1GuideToFireSprinklerSystemWaterSavingIssue1
GuideToFireSprinklerSystemWaterSavingIssue1sam fattal
 
Tutorial cómo hacer capturas de pantalla
Tutorial cómo hacer capturas de pantallaTutorial cómo hacer capturas de pantalla
Tutorial cómo hacer capturas de pantallaClaudia Casariego
 
Laporte, dominique historia de la mierda
Laporte, dominique   historia de la mierdaLaporte, dominique   historia de la mierda
Laporte, dominique historia de la mierdaparresiasta
 
Fundamentos de Marketing Político
Fundamentos de Marketing PolíticoFundamentos de Marketing Político
Fundamentos de Marketing PolíticoGunnar Zapata Zurita
 
Business Process Management & Service Oriented Architecture
Business Process Management & Service Oriented ArchitectureBusiness Process Management & Service Oriented Architecture
Business Process Management & Service Oriented ArchitectureGiovanni Rota
 

Destaque (19)

Reglas de acentuación
Reglas de acentuaciónReglas de acentuación
Reglas de acentuación
 
Software privado y libre
Software privado y libreSoftware privado y libre
Software privado y libre
 
Ficha control de lectura
Ficha control de lecturaFicha control de lectura
Ficha control de lectura
 
Descarga de archivos de audio d te
Descarga de archivos de audio d teDescarga de archivos de audio d te
Descarga de archivos de audio d te
 
Sindome dow
Sindome dowSindome dow
Sindome dow
 
Newbee - Módulo Site
Newbee - Módulo SiteNewbee - Módulo Site
Newbee - Módulo Site
 
Reflexiones
ReflexionesReflexiones
Reflexiones
 
Front desk
Front deskFront desk
Front desk
 
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...
GENESIS , Apartments, Business & Servicer, lançamento da Leduca, 2556-5838, a...
 
SPSMadrid Get sql spinning with SharePoint. Best practice for the back end
SPSMadrid Get sql spinning with SharePoint. Best practice for the back endSPSMadrid Get sql spinning with SharePoint. Best practice for the back end
SPSMadrid Get sql spinning with SharePoint. Best practice for the back end
 
Mobile altea approach-4-slideshare
Mobile altea approach-4-slideshareMobile altea approach-4-slideshare
Mobile altea approach-4-slideshare
 
GuideToFireSprinklerSystemWaterSavingIssue1
GuideToFireSprinklerSystemWaterSavingIssue1GuideToFireSprinklerSystemWaterSavingIssue1
GuideToFireSprinklerSystemWaterSavingIssue1
 
Tutorial cómo hacer capturas de pantalla
Tutorial cómo hacer capturas de pantallaTutorial cómo hacer capturas de pantalla
Tutorial cómo hacer capturas de pantalla
 
Ventas dinamicas
Ventas dinamicasVentas dinamicas
Ventas dinamicas
 
Laporte, dominique historia de la mierda
Laporte, dominique   historia de la mierdaLaporte, dominique   historia de la mierda
Laporte, dominique historia de la mierda
 
Fundamentos de Marketing Político
Fundamentos de Marketing PolíticoFundamentos de Marketing Político
Fundamentos de Marketing Político
 
600.32 animal health notice
600.32 animal health notice600.32 animal health notice
600.32 animal health notice
 
300.42 insuance of desk citations
300.42 insuance of desk citations300.42 insuance of desk citations
300.42 insuance of desk citations
 
Business Process Management & Service Oriented Architecture
Business Process Management & Service Oriented ArchitectureBusiness Process Management & Service Oriented Architecture
Business Process Management & Service Oriented Architecture
 

Semelhante a Color theory

Semelhante a Color theory (20)

Image Processing - Color Science.pptx
Image Processing - Color Science.pptxImage Processing - Color Science.pptx
Image Processing - Color Science.pptx
 
wk 4 Psychology of Colors.pptx
wk 4 Psychology of Colors.pptxwk 4 Psychology of Colors.pptx
wk 4 Psychology of Colors.pptx
 
PPT - Psychology of Color.pptx
PPT - Psychology of Color.pptxPPT - Psychology of Color.pptx
PPT - Psychology of Color.pptx
 
Green colorintro
Green colorintroGreen colorintro
Green colorintro
 
Types of colors
Types of colors Types of colors
Types of colors
 
ID_Interior_colour_schemes.pptx
ID_Interior_colour_schemes.pptxID_Interior_colour_schemes.pptx
ID_Interior_colour_schemes.pptx
 
Hue value-intensity
Hue value-intensityHue value-intensity
Hue value-intensity
 
Color
ColorColor
Color
 
Colors, id
Colors, idColors, id
Colors, id
 
Importance of color in creation to the design
Importance of color in creation to the designImportance of color in creation to the design
Importance of color in creation to the design
 
Introduction to color theory for Multimedia Students
Introduction to color  theory  for Multimedia StudentsIntroduction to color  theory  for Multimedia Students
Introduction to color theory for Multimedia Students
 
Color Theory - part 1
Color Theory - part 1 Color Theory - part 1
Color Theory - part 1
 
The color wheel
The color wheelThe color wheel
The color wheel
 
Colour 1 theory 2014
Colour 1 theory 2014Colour 1 theory 2014
Colour 1 theory 2014
 
Color slides
Color slidesColor slides
Color slides
 
Element of Art - Color
Element of Art - ColorElement of Art - Color
Element of Art - Color
 
color psychology in Films, Importance of Color in movies
color psychology in Films, Importance of Color in moviescolor psychology in Films, Importance of Color in movies
color psychology in Films, Importance of Color in movies
 
Color theory hue tint shade intensity
Color theory hue tint shade intensityColor theory hue tint shade intensity
Color theory hue tint shade intensity
 
Colour theory II
Colour theory IIColour theory II
Colour theory II
 
Color theory
Color theoryColor theory
Color theory
 

Mais de caitlin devendorf (20)

Art With A Heart.pptx
Art With A Heart.pptxArt With A Heart.pptx
Art With A Heart.pptx
 
Burlap wreaths
Burlap wreathsBurlap wreaths
Burlap wreaths
 
Monica's Paint Night
Monica's Paint NightMonica's Paint Night
Monica's Paint Night
 
Paint night colorful abstracts
Paint night colorful abstractsPaint night colorful abstracts
Paint night colorful abstracts
 
Before There Was You
Before There Was YouBefore There Was You
Before There Was You
 
Paint swatch portfolio online version for blog
Paint swatch portfolio online version for blogPaint swatch portfolio online version for blog
Paint swatch portfolio online version for blog
 
Quick Fire 2: Store floor plan
Quick Fire 2: Store floor planQuick Fire 2: Store floor plan
Quick Fire 2: Store floor plan
 
Scale models
Scale modelsScale models
Scale models
 
Concept board rubric
Concept board rubricConcept board rubric
Concept board rubric
 
Roman city tunnel book
Roman city tunnel bookRoman city tunnel book
Roman city tunnel book
 
Caitlindevendorf
CaitlindevendorfCaitlindevendorf
Caitlindevendorf
 
Account setup
Account setupAccount setup
Account setup
 
Medieval art
Medieval artMedieval art
Medieval art
 
Art rx weeks 10 to 15
Art rx weeks 10 to 15Art rx weeks 10 to 15
Art rx weeks 10 to 15
 
Roman city grid
Roman city gridRoman city grid
Roman city grid
 
Stage 1 planning directions
Stage 1 planning directionsStage 1 planning directions
Stage 1 planning directions
 
Stage 1 planning directions
Stage 1 planning directionsStage 1 planning directions
Stage 1 planning directions
 
Roman city tunnel book stage 1 planning directions
Roman city tunnel book stage 1 planning directionsRoman city tunnel book stage 1 planning directions
Roman city tunnel book stage 1 planning directions
 
Illuminated letter process
Illuminated letter processIlluminated letter process
Illuminated letter process
 
Prehistoric
PrehistoricPrehistoric
Prehistoric
 

Color theory

  • 1. Agenda •  Warm Up: In your sketchbook please write down what colors you think you will use for each room in your apartment •  Agenda: –  Turn in final floor plans with rubric and reflection questions –  Color Theory –  Worktime: Concept Boards •  8 by 8 show workshop meeting next Thursday in Room 7
  • 2. Unit 3: Professional Practices and Client Communication Please grab a few boxes of colored pencils for your table
  • 3. Elements of Art Basic building blocks of art. Can’t make a work of art without at least one •  Color •  Line •  Shape •  Texture •  Form •  Space •  Value
  • 4. Principles of Design The rules that govern how an artist organizes the elements of art in a work of art •  Balance •  Contrast •  Emphasis •  Variety •  Unity •  Proportion •  Movement
  • 5. OPAQUE VS. TRANSPARENT/ TRANSLUCENT UNABLE TO SEE ABLE TO BE SEEN THROUGH THROUGH (EITHER PARTIALLY OR FULLY)
  • 8. WHAT PART OF THIS STILL LIFE DRAWING IS TRANSPARENT?
  • 9. HUE A pure (unmixed with black, white, gray or another color) color’s name or how it is classified Blue’s hue is blue Red’s hue is red Green’s hue is green
  • 10. CHROMA How pure a color is, meaning the amount of black, white or gray that is present in a color High Chroma Colors – very intense and vivid, very little black, white or gray present Low Chroma Colors – very dull and colors, a lot of black, white or gray present
  • 11. INTENSITY Brightness or dullness of a color (NOT lightness or darkness!) A pure hue has a high intensity When a hue is mixed with white, black, gray or another color it has a lower intensity
  • 13. SATURATION The intensity of a specific hue. It is based on the color’s purity A highly saturated hue has a vivid, intense color A less saturated color appears more muted and gray.
  • 15. VALUE The brightness or darkness of a color
  • 16. VALUE
  • 17. COLOR SYSTEMS ADDITIVE SUBTRACTIVE
  • 18. ADDITIVE COLOR SYSTEM •  Named for the more colors mixed together the brighter they become, adding to the brightness of the color •  Color + Color = Brighter color •  End result = White •  Primary Colors: Red, Green and Blue •  Medium: Light •  Uses: Color computer monitors, color TV’s, stage lighting, contemporary luminal art
  • 19. SUBTRACTIVE COLOR SYSTEM •  Named for the more colors mixed together the darker they become. subtracting away the brightness of the color •  Color + Color = Black •  End result = Black •  Primary Colors – magenta, cyan, yellow •  Media: transparent materials such as Watercolors, Dyes and Acetates •  Uses: Artists, Color Photography, Full Color Printing Industry applications such as billboards, magazines, illustrations, books and advertising, computer printers
  • 20.
  • 21. 12 COLOR SYSTEM COLOR WHEEL
  • 22. PRIMARY CANNOT BE MADE BY MIXING OTHER COLORS TOGETHER
  • 24. SECONDARY MADE BY MIXING 2 PRIMARY COLORS TOGETHER
  • 26. TERTIARY (INTERMEDIATE) MADE BY MIXING A PRIMARY COLOR WITH A SECONDARY COLOR
  • 32. O V R Y G B
  • 33. TONES: COLOR + ITS COMPLEMENT OR COLOR + GREY
  • 34. MONOCHROMATIC TINTS AND SHADES OF ONE (MONO) COLOR
  • 35. MONOCHROMATIC TINTS AND SHADES OF ONE (MONO) COLOR
  • 38.
  • 39. Analogous Color COLORS NEXT TO ONE ANOTHER ON THE COLOR WHEEL
  • 40.
  • 41. Analogous An analogous color scheme is well coordinated and calming
  • 43. Complementary Colors ACROSS FROM ONE ANOTHER ON THE COLOR WHEEL. PLACING COMPLEMENTS NEXT TO ONE ANOTHER MAKE EACH APPEAR BRIGHTER
  • 44.
  • 45. COMPLEMENTARY Complementary color schemes look very intense and can be overpowering in large doses
  • 46.
  • 47. Split-Complementary COLORS ON EITHER SIDE OF A COLOR’S COMPLEMENT
  • 48.
  • 49. SPLIT- COMPLEMENTARY A split-complementary color scheme has high contrast and is very vivid and intense.
  • 50.
  • 51. Triadic THREE COLORS SPACED EQUALLY APART ON THE COLOR WHEEL
  • 52.
  • 53. TRIADIC Triadic color schemes are very vibrant and so it’s best to carefully balance them by letting one color dominate the other two.
  • 55. Tetradic or Rectangular FOUR COLORS ARRANGED INTO TWO COMPLEMENTARY PAIRS
  • 56. TETRADIC Looks rich and warm. Tetradic color schemes works best if you let one color be dominant.  You should also pay attention to the balance between warm and cool colors in your design.
  • 57. SQUARE FOUR COLORS EVENLY SPACED APART FROM ONE ANOTHER ON THE COLOR WHEEL
  • 58. SQUARE Square color schemes works best if you let one color be dominant.  You should also pay attention to the balance between warm and cool colors in your design
  • 60. WARM COLORS •  Reds; Oranges; Yellows •  reminiscent of fire •  advance (come forward) towards the viewer •  Tend to be vibrant and stimulating. Yellow-Green and Red-Violet can be considered either warm or cool.
  • 61.
  • 62. WARM
  • 63. COOL COLORS •  Blues; Greens; Violets •  reminiscent of water •  recede (go backwards) away from the viewer, •  Tend to be calming and soothing •  Yellow-Green and Red-Violet can be considered either warm or cool.
  • 64.
  • 65. COOL
  • 66. NEUTRALS •  also known as achromatic color (absence of color) •  includes grays, white, black and sometimes brown.
  • 67. NEUTRAL Neutral schemes are calming and unified
  • 68. EARTH TONES •  browns, tans, grays, greens, oranges, whites, and some reds •  The colors in an earth tone scheme are muted and flat in an emulation of the natural colors found in soil, moss, trees and rocks •  Many earth tones originate from clay earth pigments such as umber, ochre, and sienna
  • 69. EARTH TONES Earth tone color schemes are warm, muted and calming
  • 70. Color Meanings •  Red •  Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love. •  Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure. It has very high visibility, which is why stop signs, stoplights, and fire equipment are usually painted red. In heraldry, red is used to indicate courage. It is a color found in many national flags. •  Red brings text and images to the foreground. Use it as an accent color to stimulate people to make quick decisions; it is a perfect color for 'Buy Now' or 'Click Here' buttons on Internet banners and websites. In advertising, red is often used to evoke erotic feelings (red lips, red nails, red-light districts, 'Lady in Red', etc). Red is widely used to indicate danger (high voltage signs, traffic lights). This color is also commonly associated with energy, so you can use it when promoting energy drinks, games, cars, items related to sports and high physical activity. •  Light red represents joy, sexuality, passion, sensitivity, and love. Pink signifies romance, love, and friendship. It denotes feminine qualities and passiveness. Dark red is associated with vigor, willpower, rage, anger, leadership, courage, longing, malice, and wrath. Brown suggests stability and denotes masculine qualities. Reddish-brown is associated with harvest and fall.
  • 71. Color Meanings •  Orange •  Orange combines the energy of red and the happiness of yellow. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation. •  To the human eye, orange is a very hot color, so it gives the sensation of heat. Nevertheless, orange is not as aggressive as red. Orange increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity. It is highly accepted among young people. As a citrus color, orange is associated with healthy food and stimulates appetite. Orange is the color of fall and harvest. In heraldry, orange is symbolic of strength and endurance. •  Orange has very high visibility, so you can use it to catch attention and highlight the most important elements of your design. Orange is very effective for promoting food products and toys. •  Dark orange can mean deceit and distrust. Red-orange corresponds to desire, sexual passion, pleasure, domination, aggression, and thirst for action. Gold evokes the feeling of prestige. The meaning of gold is illumination, wisdom, and wealth. Gold often symbolizes high quality.
  • 72. Color Meanings •  Yellow •  Yellow is the color of sunshine. It's associated with joy, happiness, intellect, and energy. •  Yellow produces a warming effect, arouses cheerfulness, stimulates mental activity, and generates muscle energy. Yellow is often associated with food. Bright, pure yellow is an attention getter, which is the reason taxicabs are painted this color. When overused, yellow may have a disturbing effect; it is known that babies cry more in yellow rooms. Yellow is seen before other colors when placed against black; this combination is often used to issue a warning. In heraldry, yellow indicates honor and loyalty. Later the meaning of yellow was connected with cowardice. •  Use yellow to evoke pleasant, cheerful feelings. You can choose yellow to promote children's products and items related to leisure. Yellow is very effective for attracting attention, so use it to highlight the most important elements of your design. Men usually perceive yellow as a very lighthearted, 'childish' color, so it is not recommended to use yellow when selling prestigious, expensive products to men – nobody will buy a yellow business suit or a yellow Mercedes. Yellow is an unstable and spontaneous color, so avoid using yellow if you want to suggest stability and safety. Light yellow tends to disappear into white, so it usually needs a dark color to highlight it. Shades of yellow are visually unappealing because they loose cheerfulness and become dingy. •  Dull (dingy) yellow represents caution, decay, sickness, and jealousy. Light yellow is associated with intellect, freshness, and joy.
  • 73. Color Meanings •  Green is the color of nature. It symbolizes growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety. Dark green is also commonly associated with money. •  Green has great healing power. It is the most restful color for the human eye; it can improve vision. Green suggests stability and endurance. Sometimes green denotes lack of experience; for example, a 'greenhorn' is a novice. In heraldry, green indicates growth and hope. Green, as opposed to red, means safety; it is the color of free passage in road traffic. •  Use green to indicate safety when advertising drugs and medical products. Green is directly related to nature, so you can use it to promote 'green' products. Dull, darker green is commonly associated with money, the financial world, banking, and Wall Street. •  Dark green is associated with ambition, greed, and jealousy. Yellow-green can indicate sickness, cowardice, discord, and jealousy. Aqua is associated with emotional healing and protection. Olive green is the traditional color of peace.
  • 74. Color Meanings •  Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven. •  Blue is considered beneficial to the mind and body. It slows human metabolism and produces a calming effect. Blue is strongly associated with tranquility and calmness. In heraldry, blue is used to symbolize piety and sincerity. •  You can use blue to promote products and services related to cleanliness (water purification filters, cleaning liquids, vodka), air and sky (airlines, airports, air conditioners), water and sea (sea voyages, mineral water). As opposed to emotionally warm colors like red, orange, and yellow; blue is linked to consciousness and intellect. Use blue to suggest precision when promoting high-tech products. •  Blue is a masculine color; according to studies, it is highly accepted among males. Dark blue is associated with depth, expertise, and stability; it is a preferred color for corporate America. •  Avoid using blue when promoting food and cooking, because blue suppresses appetite. When used together with warm colors like yellow or red, blue can create high-impact, vibrant designs; for example, blue-yellow-red is a perfect color scheme for a superhero. •  Light blue is associated with health, healing, tranquility, understanding, and softness. Dark blue represents knowledge, power, integrity, and seriousness.
  • 75. Color Meanings •  Purple combines the stability of blue and the energy of red. Purple is associated with royalty. It symbolizes power, nobility, luxury, and ambition. It conveys wealth and extravagance. Purple is associated with wisdom, dignity, independence, creativity, mystery, and magic. •  According to surveys, almost 75 percent of pre- adolescent children prefer purple to all other colors. Purple is a very rare color in nature; some people consider it to be artificial. •  Light purple is a good choice for a feminine design. You can use bright purple when promoting children's products. •  Light purple evokes romantic and nostalgic feelings. Dark purple evokes gloom and sad feelings. It can cause frustration.
  • 76. Color Meanings •  White is associated with light, goodness, innocence, purity, and virginity. It is considered to be the color of perfection. •  White means safety, purity, and cleanliness. As opposed to black, white usually has a positive connotation. White can represent a successful beginning. In heraldry, white depicts faith and purity. •  In advertising, white is associated with coolness and cleanliness because it's the color of snow. You can use white to suggest simplicity in high-tech products. White is an appropriate color for charitable organizations; angels are usually imagined wearing white clothes. White is associated with hospitals, doctors, and sterility, so you can use white to suggest safety when promoting medical products. White is often associated with low weight, low-fat food, and dairy products.
  • 77. Color Meanings •  Black is associated with power, elegance, formality, death, evil, and mystery. •  Black is a mysterious color associated with fear and the unknown (black holes). It usually has a negative connotation (blacklist, black humor, 'black death'). Black denotes strength and authority; it is considered to be a very formal, elegant, and prestigious color (black tie, black Mercedes). In heraldry, black is the symbol of grief. •  Black gives the feeling of perspective and depth, but a black background diminishes readability. A black suit or dress can make you look thinner. When designing for a gallery of art or photography, you can use a black or gray background to make the other colors stand out. Black contrasts well with bright colors. Combined with red or orange – other very powerful colors – black gives a very aggressive color scheme.
  • 78. Color Theory and Your Apartment •  Select color schemes for the rooms you plan on creating a concept board/ scale model for •  Use the knowledge and notes you’ve gathered today, combined with the color meanings packet •  Think of what your client would want to have and how each room relates to one another
  • 79. Concept Board Parameters •  fill paper provided •  title with your project title •  at least 3 of your own finished drawings (see specifics under step 5!) •  At least 6 pictures/photographs from internet/magazine/newspaper/etc •  color swatches for the color scheme of your apartment (either paint chips or created with drawing materials or paper) •  At least 3 textile swatches (real material or find examples; print and paste on) •  Neat, clean lettering (computer generated is better!) •  Clean, well planned layout •  Professional craftsmanship •  Easily communicates your concept to the class •  All components fit with your brief
  • 80. Directions: Step 1 •  Browse the internet; design magazines; your design file created earlier in the year or take photographs of things that inspire you or you would like to include in your apartment
  • 81. Directions: Step 2 •  Determine and write down what textures and materials you are planning for the apartment (note that you may have several options as you have more than 1 room! Just keep it unified!) –  Flooring – hardwoods; tile; cork; bamboo; carpet; linoleum; etc. –  Wall Coverings – wallpaper; fabric; paint; paint effects (feathering; linen-look painting; marbling) –  Furniture – upholstered; wood; plastic; glass; metals
  • 82. Directions: Step 3 •  Determine and write down your focal points/points of emphasis –  What will be your ‘shining stars’ – pieces of your design that impress •  Focal points can be made with –  Color –  Texture –  Pattern –  Contrast –  Proportion –  Movement
  • 83. Directions: Step 4 •  Collect materials –  From the writing you’ve completed in the previous steps, collect materials to use on your concept board –  Can’t find the material? Search the Internet or magazines for a high quality image OR create your own
  • 84. For the rest of the day •  Work on your concept board •  You should be working on step 5 by next class •  Next class we will finish up your concept boards •  Following class: begin scale model of your floor plan
  • 85. Directions: Step 5 •  Create your 3 original designs in pencil –  1 piece of furniture –  1 textile pattern - –  1 accessory; built-in or accent piece •  Fireplace •  Bookshelves •  Chandelier or Light Fixture •  Then complete the designs in either gouache or colored pencils •  Must be to the highest quality – a true work of art!
  • 86. Directions: Step 6 •  Determine the layout you think is the most successful for all of the objects you’ve collected and created – SAVE ROOM FOR PROPER TITLING AND NOTES •  Think of what you want to emphasize – what is the focal point of your concept board? •  Plan out how you’ll create movement across the concept board to keep your client interested in the variety of samples, drawings and pictures you’ll have •  Play around with composition to find the best solution possible – remember that this is an ART project •  When you are satisfied, affix the objects to the concept board using either a glue stick or rubber cement – NOT WHITE GLUE!
  • 87.
  • 88. Directions: Step 7 •  Make necessary annotations (notes) to help convey your complete concept •  Title with your apartment project’s title; the date and your name •  Use a professional lettering style – computer generated and printed is the best!
  • 89. Directions: Step 8 •  Fill out the rubric and answer the reflection questions in complete sentences on the back of the rubric. •  Reflection Questions: •  Describe with 4 adjectives the design feel you are trying to convey in your concept board •  What is highly successful about your concept board? Nothing is not an answer. •  What could be changed about your concept board and how would changing this improve your concept board? Nothing is not an answer?