7. LINE A path traced by a moving point or a mark with the point being the smallest of all visual elements. Movement, direction and emphasis implied by lines convey different characteristics and psychological effects. Types of lines: actual, implied, incised, raised, contour, variation, cross-hatched, lines formed by edges Linear forms are interpreted as lines
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23. SHAPE a 2-dimensional form that occupies an area with identifiable boundaries. ---------------------------------------------------------------- a 3-dimensional form that occupies a volume of space. MASS
25. The Raven and the First Men, Bill Reid, 1983, Laminated yellow cedar
26. SPACE In 3-dimensions, an area in which anything with mass exists. In 2-dimensions, it only has height and width, but no depth. It is a limited or unlimited area appearing to advance, recede, or extend in all directions.
31. VALUE The relative lightness or darkness of a color in relation to another, as well as the relationship of light to dark. Hue – the name used to distinguish one color from another. The word “hue” is used interchangeably with the term “color.” Tint – a color lighter than the hue’s normal value. Adding white usually produces a tint. Shade – a color darker than the hue’s normal value. Adding black usually produces a shade.
32.
33.
34.
35.
36.
37. COLOR A function of light where the physiological activity of the human eye and the science of electromagnetic wavelengths are the process necessary for it function. Color are the components of light revealed when refracted through a prism. When arranged on a color wheel, colors are labeled: primary, secondary and tertiary
38.
39.
40.
41.
42.
43.
44.
45. LIGHT A type of radiant energy that reveals the world of forms and spatial relationships. Actual light – Natural light. Light produced by electricity. In art, this type of light is used in architecture and some sculpture. The illusion of light – Light which is created in an artwork by the use of paint or another medium. The artist most often creates this illusion with value changes.
73. The Scream, 1893,Edvard MunchStolen in 1994 & 2004there are 5+ versions,http://www.telegraph.co.uk/news/worldnews/1584138/The-Screams-value-unstained-by-theft-damage.htmlhttp://www.youtube.com/watch?v=QPJubZlcYxU&feature=related
74.
75. TEXTURE A quality experienced through touch or through touch visualization.
81. PERSPECTIVE Any system for depicting the illusion of 3-dimensional space on a 2-dimensional surface. LINEAR perspective (also called scientific) one-point -- two-point Isometric perspective Aerial perspective Ground perspective
97. TIME A progression or sequence that creates an actual or implied sense of life/time passing. Time is the element in which we live. It is sometimes referred to as the forth dimension.
123. BALANCE In either 2-D or 3-D, the visual “heaviness” or “lightness” of forms arranged in a composition. Symmetrical Balance Asymmetrical Balance Approximate Symmetry
143. Executions of the Third of May, 1808, Francisco de Goya, 1814-15 http://eeweems.com/goya/3rd_of_may.html
144. SCALE Size in relation to a standard or “normal” size. ------------------------------------------------------------- The size relationships between parts of a whole or between two or more items perceived as a unit. PROPORTION
150. Grading Criteria - Presentations Proper length = 5 minutes Full bio/history Pic of artist Where did they go to school Influences/legacy Anecdotal info Plenty of images Presenters interest in the subject Seems informed/able to answer questions Proper sources cited