4. Linear narrative: Unlike a lot of films, we didn’t keep to a linear or strict narrative, as we felt it would be more interesting to let the audience interpret in what order the film would actually have been in. This tests Todorov’s theory of narrative. We also introduced a doppelganger, of X being very happy in his imagination, whilst in real life, everything that he’s done to find the girl he loves is being rewound and undone, with him eventually getting hit by a car.
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7. The fact that he takes drugs to take away the pain of being in love shows our generation/social groups (16-24) unwillingness to face facts that sometimes things don’t always work out for the best.
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9. To be distributed, we’d imagine it would fit well with Film4 or Channel4, as they always keep a keen eye for short films and also, the matters addressed are features that would fit better on C4 rather than the BBC or itv.
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13. We also used gained knowledge of narrative to create a different and non-linear narrative that is left open to audience interpretation. This was useful to create meaning behind the film. We learnt from last years film