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FUNDAMENTAL CONCEPT
OF TYPOGRAPHY
Size
• All typefaces are not created equally
• Some are fat and wide ; some are thin and narrow
• The height of each character is known as the “x-height”
• The width of each character is known as the “set width”
• The size can be also be measured in inches, millimetres or pixel
Lines
• A line of character has at least five lines that it can be
aligned
• These horizontal lines are guides for capital letter,
ascenders, lower case and descenders
here are the five lines
• Baseline: The one you might be most familiar with is the baseline. This is the line that the
text sits on.
• Cap height (or cap line): This marks the top of capital letters.
• Ascender height (or topline): This line shows where the top of letters such as k and h touch.
Strangely, in a lot of cases, this line is slightly higher than the capital line.
• X-height (or midline): This shows the height of lowercase letters (excluding ascenders and
descenders). It is typically measured using the height of the letter x.
• Descender height (or beardline): Descenders are the parts of characters that go below the
baseline (such as the letters p and y). This line shows where the bottoms of the decenders are.
Leading
• The amount of space between lines of text
• A general rule is that your leading value should be greater than the
font size; anywhere from 1.25 to 1.5 times
• When you decrease leading, lines get closer to each other, making
a block of text appear more compacted
• Increasing leading can reduce the pace of a piece of text; it can
slow the reader by introducing more white space
• Example 1 is set to a negative
value (a value that is smaller than
the type size). You can see the
ascenders colliding with descenders
and its effects on readability and
aesthetics.
• Example 2 is set at an often-
recommended value, which is 120%
of the type size. This means that if
your font size is 10pt, then leading
should be set at 12pt.
• Example 3 is set to 200% of the
type size. You’ll notice the disruption
in the pace and flow of reading the
text.
• you can measure leading by obtaining the distance between
two baselines
Tracking
• Space between groups of
characters
• Tracking can be described as
being loose or tight
• Loose tracking is when the
letters have a larger distance
between them
• Tight tracking is when the
letters are closer
Kerning
• The amount of space
between two characters
• More the microscopic view
of the space between two
letters
• Kerning is the art of
adjusting the space
between characters so that
the eye can flow easily
across the copy without
being distracted by
discrepancies

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Fundamental concept of typography

  • 2. Size • All typefaces are not created equally • Some are fat and wide ; some are thin and narrow • The height of each character is known as the “x-height” • The width of each character is known as the “set width” • The size can be also be measured in inches, millimetres or pixel
  • 3. Lines • A line of character has at least five lines that it can be aligned • These horizontal lines are guides for capital letter, ascenders, lower case and descenders
  • 4. here are the five lines • Baseline: The one you might be most familiar with is the baseline. This is the line that the text sits on. • Cap height (or cap line): This marks the top of capital letters. • Ascender height (or topline): This line shows where the top of letters such as k and h touch. Strangely, in a lot of cases, this line is slightly higher than the capital line. • X-height (or midline): This shows the height of lowercase letters (excluding ascenders and descenders). It is typically measured using the height of the letter x. • Descender height (or beardline): Descenders are the parts of characters that go below the baseline (such as the letters p and y). This line shows where the bottoms of the decenders are.
  • 5. Leading • The amount of space between lines of text • A general rule is that your leading value should be greater than the font size; anywhere from 1.25 to 1.5 times • When you decrease leading, lines get closer to each other, making a block of text appear more compacted • Increasing leading can reduce the pace of a piece of text; it can slow the reader by introducing more white space
  • 6. • Example 1 is set to a negative value (a value that is smaller than the type size). You can see the ascenders colliding with descenders and its effects on readability and aesthetics. • Example 2 is set at an often- recommended value, which is 120% of the type size. This means that if your font size is 10pt, then leading should be set at 12pt. • Example 3 is set to 200% of the type size. You’ll notice the disruption in the pace and flow of reading the text.
  • 7. • you can measure leading by obtaining the distance between two baselines
  • 8. Tracking • Space between groups of characters • Tracking can be described as being loose or tight • Loose tracking is when the letters have a larger distance between them • Tight tracking is when the letters are closer
  • 9. Kerning • The amount of space between two characters • More the microscopic view of the space between two letters • Kerning is the art of adjusting the space between characters so that the eye can flow easily across the copy without being distracted by discrepancies