From technical protection measures to creative commons

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Alexandra Giannopoulou

4th International Conference on Information Law

Tecnologia

Technical protection measures “…the answer to the machine is the machine…” Charles Clark

Technical protection measures are nothing more than the “lost morality” of the user

TYPOLOGY classification according to the function of each TPM

Digital Millennium Copyright Act,[object Object]

REGION CODING Is the copyright industry getting in its own way?

SECURITY COPYRIGHT TPM REMUNERATION INTERNET

“..to stimulate another practice of copyright in order to provide a different image than that of a system which restrains creation and access to works”

METADATA European Copyright Directive: “…rights-holders should be encouraged to use markings…”

Collecting societies to collaborate with creative commons?

“…to build a reasonable, flexible copyright in the face of increasingly default rules”

traditional copyright industry “coercion does not ensure compliance” open movement

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From technical protection measures to creative commons

1. Digital disposition of a work: from technical protection measures to Creative Commons 4th International Conference on Information Law

2. Law neutrality over technology

4. Digitalized creations

5. Flexible rules online?

6. Technical protection measures “…the answer to the machine is the machine…” Charles Clark

7. Technical protection measures are nothing more than the “lost morality” of the user

8. TYPOLOGY classification according to the function of each TPM

9. a) Controlled access Region coding

10. b) Controlled uses

11. c) identification measures

12.

13. WIPO Performances and Phonograms Treaty

14. Directive 2001/29/EC

15.

16. CONTROVERSIAL ISSUES

17. Exceptions introduced in copyright laws

18. “Jailbreaking”

19. REGION CODING Is the copyright industry getting in its own way?

20. SECURITY COPYRIGHT TPM REMUNERATION INTERNET

21. authors

22.

23. “..to stimulate another practice of copyright in order to provide a different image than that of a system which restrains creation and access to works”

24.

25.

26. Parallel distribution

27. METADATA European Copyright Directive: “…rights-holders should be encouraged to use markings…”

28. SEARCH ENGINES

29. Collecting societies to collaborate with creative commons?

30. “…to build a reasonable, flexible copyright in the face of increasingly default rules”

31. traditional copyright industry “coercion does not ensure compliance” open movement

32. THANK YOU! any questions?

33.

34. Image & licensing info in the notes section of slides

35. Presentation licensed: Creative Commons BY-NC-SA

36. The presentation is available online: http://www.slideshare.net/alex_giannopoulouwww.prezi.com

From technical protection measures to creative commons

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