Getting to the Commons
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Rationale behind my work in the global information and cultural commons. Prepared for the iCommons iSummit 2006, Rio de Janerio, Brazil.
![How did I get here? ,[object Object],[object Object],[object Object]](https://image.slidesharecdn.com/aghow-did-i-get-here-1216096459994514-9/85/Getting-to-the-Commons-1-320.jpg)
![Motivations #1 ,[object Object],[object Object],[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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- 3. Motivations # 1 / Undercurrents 'a totally new perspective on electronic music and vision mixing… the show evokes classical composers like Prokofiev, Philip Glass and producers like Adrian Sherwood of On-U-Sound, only juiced up a bit' Taipei Time s, April 2001 . Melbourne / Taipei improvised audio-visual performance, Taipei International Arts Festival, Melbourne International Film Festival, 2001
- 4. Motivations #1 / Undercurrents
- 8. CUE D3 DVD
- 10. Motivations # 3 / Nooka