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FASHION TECHNOLOGY
PRINT
DEVELOPMENT
SUSHMITA BHATI
2nd Year Fashion Design
Diploma NSQF Level 6 Of NSDC
PROJECT REPORT
ON
PRINT DEVELOPMENT
AT
DEZYNE E’COLE COLLEGE
SUBMITTED TO
DEZYNE E’COLE COLLEGE
TOWARD THE PARTIAL FULFILLMENT OF THE
SECOND YEAR DIPLOMA IN FASHION DESIGN
BY
SUSHMITA BHATI
NSQF LEVEL 6, NSDC
DEZYNE E’COLE COLLEGE
2017-18
Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
This Project Of Ms. Sushmita Bhati Student Of Fashion Technology With two Year Advance
Diploma Program Has Been Checked And Graded
As________________________________________________
Principal
[Seal & Signature]
During My Study Of Diploma In Fashion Designing NSQSF Level 6 Of NSDC . I Have Learned How To
Insert Print In Clothes And Also Learned Computer Aided Software Such As Corel Draw Photoshop .
After Learning All These I Had Designed Bed Sheet On Corel Draw.
I Request You To Kindly Go Through My Portfolio Pages . As In This Field I Have Tried My Level Best To
Bring Out The Best Of My Knowledge Gained At Dezyne E Cole College.
SYNOPSIS
I would like to convey my gratefulness to Dezyne E’cole College for the excellent guidance ,study skill
and knowledge which I have gained through out my project.
I am thankful to my mentors who give me this opportunity in making this project and helped me to
show my working abilities through this project.
Sushmita Bhati
2nd year fashion Design
NSQF level -6 of NSDC
ACKNOWLEDGMENT
CONTENT
Assignments
Prints
Photoshop assignment
Case study
Case study analysis
Research direction
Market research
Online
Contemporary market
Research inspiration
Mood board
Inspiration board
Mind mapping
Creative process
Motif formation
Motif stylization
Motif repetition
Specification sheet
Promotion
TYPES OF CHECKS
❑ Graph Check
❑ Window Pane Check
❑ Tattersall
❑ Gingham
❑ Shepherd’s Check
❑ Gunclub Check
❑ Plaids And Tartan
❑ Madras
❑ Glen Check
GRAPH SHEPHERD WINDOW PANE
TATTERSALL
TARTAN
GUNCLUB
GINGHAM
GLEN PLAID MADRAS
FABRIC PRINT PATTERN
❑ Argyle Pattern
❑ Chevron
❑ Polka Dots
❑ Strips
❑ Camouflage
❑ Hounds Tooth
❑ Abstract
❑ Aztec
❑ Organic
❑ Ikat
❑ Imperial Trellis
❑ Liberty
❑ Herringbone
❑ Fleur Delis
❑ Scrolls/ Swirls
Argyle Pattern Chevron Polka Dots
Camouflage
Hounds Tooth Abstract Aztec
Strips
Organic Ikat Imperial Trellis
Liberty Herringbone
Fleur Delis Swirls
ISLAMIC ART AND MARACCON PATTERN
❑ Quatrefoil
❑ Ogee
❑ Architectural Motifs
❑ Geometrical Pattern
Quatrefoil Ogee
Architectural Motifs Geometrical Pattern
CHINESE PATTERN
❑ Peony (Rose)
❑ Dragon
❑ Phoenix
❑ Fish
❑ Scales
❑ Greek Key
❑ Lotus
❑ Swirls
PEONY DRAGON PHOENIX
FISH GREEK KEY
LOTUS SWIRLS SCALES
TRIBAL INDIAN FOLK ART
❑ Tanjor Painting (Tamil Nadu)
❑ Warli Art (Maharastra)
❑ Madhubani (Bihar)
❑ Pattachitral (Odissa)
❑ Rajasthani Miniature Art
❑ Pithora Art (Gujrat , M.P.)
❑ Bhil Painting (Tribal Art)
❑ Gond Art (M.P.)
❑ Kalamkari (Andhra Pradesh)
❑ Kalahasti (Tamil Nadu)
❑ Kalamezhuthu (Kerela)
Tanjor Painting (Tamil Nadu) Warli Art (Maharastra) Madhubani (Bihar)
Pattachitral (Odissa) Rajasthani Miniature Art Pithora Art (Gujrat , M.P.)
Bhil Painting (Tribal Art) Gond Art (M.P.)
Kalamkari (Andhra Pradesh)
Kalamezhuthu (Kerela) Kalahasti (Tamil Nadu)
INDIAN TRADITIONAL MOTIFS
❑ Coanch (South India)
❑ Kalga Butti/ Paisley
❑ Peepal Leaf (Laxmi)
❑ Kalash (Kumbha)
❑ Creeping Vine
❑ Lotus
❑ Rudraksh
❑ Cowie Shell
❑ Temple
❑ Treeof Life
❑ Sun And Moon
❑ Peacock
❑ Hansa (Swan)
❑ Fish
❑ Parrot
❑ Elephant
❑ Tortoise
❑ Hunting Scenes
Coanch Paisley Peepal Leaf
Kalash Creeping Vine Lotus
Rudraksh Cowie Shell Temple
Treeof Life Sun And Moon Peacock
Hansa Fish Parrot
Elephant Tortoise Hunting Scene
PRINTS INSERTION IN CUSION
Before
After After
Before
PRINTS INSERTION
After
Before
After
Before
Introduction
Case Study
Case Study Analysis
Fashion design
CASE STUDY
Create Print For Contemporary Indian Market For The Field Of Interior
Design .Inspired From Either Geometric Shape. Your Print Should Focus On
Contemporary Indian Furnishing , The Print Development Should Be
Trendy And For Up Market Customers .
Discuss In Detail The Methodology Followed By You For The Development
Of Motif Print Using Various Medias To Explain Your Design Provide The
Specification Sheet Print It Can Be Printed In Reality.
Indian Contempary Bed sheet
Online
Research inspiration
Mood board
Inspiration board
Mind mapping
Fashion design
Islamic buildings
INSPIRATION BOARD
Islamic mosque
I Am Inspired By
Islamic Building,
And Use Islamic
Architectural
Motifs For This
Collection.
Islamic
motifs
use in
Indian
furnishing
Mind Mapping Of Motif
Mind Mapping Is A Strategy That
Helps Students Study And
Professors Teach Course Material.
A Mind Map Is A Diagram That Is
Used To Visually Information. You
Can Think Of A Mind Map As A
Large Brainstorming Web , Where
A Central Word Or Idea Branches
Out Into Related Subjects.
MIND MAPPING
GROUPING OF MOTIFREGULAR REPETETION OF MOTIF OVER LAPPING OF MOTIF
BRICK REPETETION OF MOTIF
REGULAR REPETETION OF MOTIF
OVER ALL REPETETION OF MOTIF:STRIPE REPETETION OF MOTIFSTRIPE REPETETION OF MOTIF
Creative process
Motif formation
Motif stylization
Motif repetition
Specification sheet
Promotion
Fashion design
The Geometric Design In Islamic Art Often
Built On Combinations Of Repeated Squares
And Circles, Which May Be Overlapped And
Interlaced , As Can Arabesques (With Which
They Are Often Combined ) , To From
Intricate And Complex Patterns, Including A
Wide Variety Of Tessellations. The
Complexity And Variety Of Patterns Used
Evolved From Simple Stars And Lozenges.
Geometric Patterns Occurs In A Variety Of
Forms In Islamic Art And Architecture
Including Kilim Carpets , Persian Girih And
Moroccan Zellige Tilework, Muqarnas
Decorative Vaulting , Jali Pierced Stone
Screens , Ceramics , Leather , Stained Glass ,
Woodwork , And Metalwork.
ISLAMIC MOTIF
Motif Development- Simplifying
Stylize
Grouping
Repeating
Overlapping
Step - 1 Step - 2 Step - 3
Step - 4 Step - 5 Step - 6
FORMATION OF MOTIF :
STYLIZING OF MOTIF :
Original
streching sliming
GROUPING OF MOTIF:
Draft On Corel Draw
With colour
REGULAR REPETETION OF MOTIF:
Draft On Corel Draw
With colour
OVER LAPPING OF MOTIF:
Draft On Corel Draw
With colour
OVER LAPPING OF MOTIF:
Draft On Corel Draw
With colour
BRICK REPETETION OF MOTIF:
Draft On Corel Draw
With colour
HALF DROP REPETETION OF MOTIF:
Draft On Corel Draw
With colour
MIRROR REPETETION OF MOTIF:
Draft On Corel Draw
With colour
TURNING OF SHAPE OF MOTIF:
Draft On Corel Draw
With colour
REGULAR REPETETION OF MOTIF:
Draft On Corel Draw With colour
REGULAR REPETETION OF MOTIF:
Draft On Corel Draw With colour
STRIPE REPETETION OF MOTIF:
Draft On Corel Draw
With colour
OVER ALL REPETETION OF MOTIF:
Draft On Corel Draw
With colour
Print Development
R - 225
G - 51
B - 153
R - 16
G - 16
B - 115
R - 90
G - 148
B - 156
R – 192
G - 215
B - 217
R - 204
G - 204
B - 204
Repetition :Regular Repetition.
Print Technique : Digital Printing.
Print Development
Delighted Design
Print Development
R - 225
G - 225
B - 140
R - 107
G - 90
B - 107
R - 206
G - 198
B - 206
R – 57
G - 41
B - 57
R – 181
G - 165
B - 140
Repetition : Half Drop Repetition.
Print Technique : Digital Printing.
Print Development
Delighted Design
Print Development
R - 206
G - 206
B - 225
R - 148
G - 181
B - 214
R - 156
G - 165
B - 231
R – 16
G - 16
B - 115
R – 165
G - 90
B - 148
Repetition : All Over Repetition.
Print Technique : Block Printing.
Print Development
Delighted Design
Print Development
R - 225
G - 225
B - 140
R - 107
G - 90
B - 107
R - 206
G - 198
B - 206
R – 57
G - 41
B - 57
R – 181
G - 165
B - 140
Repetition :Regular Repetition In Strips.
Print Technique : Block Printing
Print Development
Delighted Design
Print Development
R - 0
G - 0
B - 0
R - 51
G - 51
B - 51
R - 105
G - 105
B - 105
R – 165
G - 165
B - 165
R – 227
G - 227
B - 227
Repetition :Regular Repetition.
Print Technique : Block Printing.
Print Development
Delighted Design
Print Development
R - 75
G - 61
B - 121
R - 206
G - 132
B - 181
R - 115
G - 107
B - 181
R – 115
G - 140
B - 165
R – 225
G - 198
B - 239
Repetition :Regular Repetition In Strips.
Print Technique : Digital Printing.
Print Development
Delighted Design
Print Development
R - 0
G - 123
B - 225
R - 165
G - 206
B - 225
R - 225
G - 225
B - 49
R – 225
G - 225
B - 107
R – 225
G - 225
B - 189
Repetition :Regular Repetition In Strips.
Print Technique : Digital Printing.
Print Development
Delighted Design
Print Development
R - 165
G - 82
B - 140
R - 189
G - 107
B - 165
R - 41
G - 41
B - 107
R - 123
G - 148
B - 181
R - 214
G - 214
B - 255
Repetition :Regular Repetition.
Print Technique : Block Printing.
Print Development
Delighted Design
THANK
YOU
2 Year Diploma
In Fashion Design
NSOF level 6 of NSDC
Dezyne E’cole College
www.Dezenecole
SUSHMITA BHATI

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Sushmita Bhati, Diploma Fashion Design Second Year

  • 1. FASHION TECHNOLOGY PRINT DEVELOPMENT SUSHMITA BHATI 2nd Year Fashion Design Diploma NSQF Level 6 Of NSDC
  • 2. PROJECT REPORT ON PRINT DEVELOPMENT AT DEZYNE E’COLE COLLEGE SUBMITTED TO DEZYNE E’COLE COLLEGE TOWARD THE PARTIAL FULFILLMENT OF THE SECOND YEAR DIPLOMA IN FASHION DESIGN BY SUSHMITA BHATI NSQF LEVEL 6, NSDC DEZYNE E’COLE COLLEGE 2017-18
  • 3. Dezyne E’cole College Civil Lines, Ajmer www.dezyneecole.com This Project Of Ms. Sushmita Bhati Student Of Fashion Technology With two Year Advance Diploma Program Has Been Checked And Graded As________________________________________________ Principal [Seal & Signature]
  • 4. During My Study Of Diploma In Fashion Designing NSQSF Level 6 Of NSDC . I Have Learned How To Insert Print In Clothes And Also Learned Computer Aided Software Such As Corel Draw Photoshop . After Learning All These I Had Designed Bed Sheet On Corel Draw. I Request You To Kindly Go Through My Portfolio Pages . As In This Field I Have Tried My Level Best To Bring Out The Best Of My Knowledge Gained At Dezyne E Cole College. SYNOPSIS
  • 5. I would like to convey my gratefulness to Dezyne E’cole College for the excellent guidance ,study skill and knowledge which I have gained through out my project. I am thankful to my mentors who give me this opportunity in making this project and helped me to show my working abilities through this project. Sushmita Bhati 2nd year fashion Design NSQF level -6 of NSDC ACKNOWLEDGMENT
  • 6. CONTENT Assignments Prints Photoshop assignment Case study Case study analysis Research direction Market research Online Contemporary market Research inspiration Mood board Inspiration board Mind mapping Creative process Motif formation Motif stylization Motif repetition Specification sheet Promotion
  • 7. TYPES OF CHECKS ❑ Graph Check ❑ Window Pane Check ❑ Tattersall ❑ Gingham ❑ Shepherd’s Check ❑ Gunclub Check ❑ Plaids And Tartan ❑ Madras ❑ Glen Check
  • 8. GRAPH SHEPHERD WINDOW PANE TATTERSALL TARTAN GUNCLUB GINGHAM GLEN PLAID MADRAS
  • 9. FABRIC PRINT PATTERN ❑ Argyle Pattern ❑ Chevron ❑ Polka Dots ❑ Strips ❑ Camouflage ❑ Hounds Tooth ❑ Abstract ❑ Aztec ❑ Organic ❑ Ikat ❑ Imperial Trellis ❑ Liberty ❑ Herringbone ❑ Fleur Delis ❑ Scrolls/ Swirls
  • 10. Argyle Pattern Chevron Polka Dots Camouflage Hounds Tooth Abstract Aztec Strips
  • 11. Organic Ikat Imperial Trellis Liberty Herringbone Fleur Delis Swirls
  • 12. ISLAMIC ART AND MARACCON PATTERN ❑ Quatrefoil ❑ Ogee ❑ Architectural Motifs ❑ Geometrical Pattern
  • 14. CHINESE PATTERN ❑ Peony (Rose) ❑ Dragon ❑ Phoenix ❑ Fish ❑ Scales ❑ Greek Key ❑ Lotus ❑ Swirls
  • 15. PEONY DRAGON PHOENIX FISH GREEK KEY LOTUS SWIRLS SCALES
  • 16. TRIBAL INDIAN FOLK ART ❑ Tanjor Painting (Tamil Nadu) ❑ Warli Art (Maharastra) ❑ Madhubani (Bihar) ❑ Pattachitral (Odissa) ❑ Rajasthani Miniature Art ❑ Pithora Art (Gujrat , M.P.) ❑ Bhil Painting (Tribal Art) ❑ Gond Art (M.P.) ❑ Kalamkari (Andhra Pradesh) ❑ Kalahasti (Tamil Nadu) ❑ Kalamezhuthu (Kerela)
  • 17. Tanjor Painting (Tamil Nadu) Warli Art (Maharastra) Madhubani (Bihar) Pattachitral (Odissa) Rajasthani Miniature Art Pithora Art (Gujrat , M.P.)
  • 18. Bhil Painting (Tribal Art) Gond Art (M.P.) Kalamkari (Andhra Pradesh) Kalamezhuthu (Kerela) Kalahasti (Tamil Nadu)
  • 19. INDIAN TRADITIONAL MOTIFS ❑ Coanch (South India) ❑ Kalga Butti/ Paisley ❑ Peepal Leaf (Laxmi) ❑ Kalash (Kumbha) ❑ Creeping Vine ❑ Lotus ❑ Rudraksh ❑ Cowie Shell ❑ Temple ❑ Treeof Life ❑ Sun And Moon ❑ Peacock ❑ Hansa (Swan) ❑ Fish ❑ Parrot ❑ Elephant ❑ Tortoise ❑ Hunting Scenes
  • 20. Coanch Paisley Peepal Leaf Kalash Creeping Vine Lotus Rudraksh Cowie Shell Temple
  • 21. Treeof Life Sun And Moon Peacock Hansa Fish Parrot Elephant Tortoise Hunting Scene
  • 22.
  • 23. PRINTS INSERTION IN CUSION Before After After Before
  • 25. Introduction Case Study Case Study Analysis Fashion design
  • 26. CASE STUDY Create Print For Contemporary Indian Market For The Field Of Interior Design .Inspired From Either Geometric Shape. Your Print Should Focus On Contemporary Indian Furnishing , The Print Development Should Be Trendy And For Up Market Customers . Discuss In Detail The Methodology Followed By You For The Development Of Motif Print Using Various Medias To Explain Your Design Provide The Specification Sheet Print It Can Be Printed In Reality.
  • 27. Indian Contempary Bed sheet Online
  • 28. Research inspiration Mood board Inspiration board Mind mapping Fashion design
  • 29. Islamic buildings INSPIRATION BOARD Islamic mosque I Am Inspired By Islamic Building, And Use Islamic Architectural Motifs For This Collection.
  • 31. Mind Mapping Of Motif Mind Mapping Is A Strategy That Helps Students Study And Professors Teach Course Material. A Mind Map Is A Diagram That Is Used To Visually Information. You Can Think Of A Mind Map As A Large Brainstorming Web , Where A Central Word Or Idea Branches Out Into Related Subjects.
  • 32. MIND MAPPING GROUPING OF MOTIFREGULAR REPETETION OF MOTIF OVER LAPPING OF MOTIF BRICK REPETETION OF MOTIF REGULAR REPETETION OF MOTIF OVER ALL REPETETION OF MOTIF:STRIPE REPETETION OF MOTIFSTRIPE REPETETION OF MOTIF
  • 33. Creative process Motif formation Motif stylization Motif repetition Specification sheet Promotion Fashion design
  • 34. The Geometric Design In Islamic Art Often Built On Combinations Of Repeated Squares And Circles, Which May Be Overlapped And Interlaced , As Can Arabesques (With Which They Are Often Combined ) , To From Intricate And Complex Patterns, Including A Wide Variety Of Tessellations. The Complexity And Variety Of Patterns Used Evolved From Simple Stars And Lozenges. Geometric Patterns Occurs In A Variety Of Forms In Islamic Art And Architecture Including Kilim Carpets , Persian Girih And Moroccan Zellige Tilework, Muqarnas Decorative Vaulting , Jali Pierced Stone Screens , Ceramics , Leather , Stained Glass , Woodwork , And Metalwork. ISLAMIC MOTIF
  • 36. Step - 1 Step - 2 Step - 3 Step - 4 Step - 5 Step - 6 FORMATION OF MOTIF :
  • 37. STYLIZING OF MOTIF : Original streching sliming
  • 38. GROUPING OF MOTIF: Draft On Corel Draw With colour REGULAR REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 39. OVER LAPPING OF MOTIF: Draft On Corel Draw With colour OVER LAPPING OF MOTIF: Draft On Corel Draw With colour
  • 40. BRICK REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 41. HALF DROP REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 42. MIRROR REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 43. TURNING OF SHAPE OF MOTIF: Draft On Corel Draw With colour
  • 44. REGULAR REPETETION OF MOTIF: Draft On Corel Draw With colour REGULAR REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 45. STRIPE REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 46. OVER ALL REPETETION OF MOTIF: Draft On Corel Draw With colour
  • 47. Print Development R - 225 G - 51 B - 153 R - 16 G - 16 B - 115 R - 90 G - 148 B - 156 R – 192 G - 215 B - 217 R - 204 G - 204 B - 204 Repetition :Regular Repetition. Print Technique : Digital Printing.
  • 49. Print Development R - 225 G - 225 B - 140 R - 107 G - 90 B - 107 R - 206 G - 198 B - 206 R – 57 G - 41 B - 57 R – 181 G - 165 B - 140 Repetition : Half Drop Repetition. Print Technique : Digital Printing.
  • 51. Print Development R - 206 G - 206 B - 225 R - 148 G - 181 B - 214 R - 156 G - 165 B - 231 R – 16 G - 16 B - 115 R – 165 G - 90 B - 148 Repetition : All Over Repetition. Print Technique : Block Printing.
  • 53. Print Development R - 225 G - 225 B - 140 R - 107 G - 90 B - 107 R - 206 G - 198 B - 206 R – 57 G - 41 B - 57 R – 181 G - 165 B - 140 Repetition :Regular Repetition In Strips. Print Technique : Block Printing
  • 55. Print Development R - 0 G - 0 B - 0 R - 51 G - 51 B - 51 R - 105 G - 105 B - 105 R – 165 G - 165 B - 165 R – 227 G - 227 B - 227 Repetition :Regular Repetition. Print Technique : Block Printing.
  • 57. Print Development R - 75 G - 61 B - 121 R - 206 G - 132 B - 181 R - 115 G - 107 B - 181 R – 115 G - 140 B - 165 R – 225 G - 198 B - 239 Repetition :Regular Repetition In Strips. Print Technique : Digital Printing.
  • 59. Print Development R - 0 G - 123 B - 225 R - 165 G - 206 B - 225 R - 225 G - 225 B - 49 R – 225 G - 225 B - 107 R – 225 G - 225 B - 189 Repetition :Regular Repetition In Strips. Print Technique : Digital Printing.
  • 61. Print Development R - 165 G - 82 B - 140 R - 189 G - 107 B - 165 R - 41 G - 41 B - 107 R - 123 G - 148 B - 181 R - 214 G - 214 B - 255 Repetition :Regular Repetition. Print Technique : Block Printing.
  • 63. THANK YOU 2 Year Diploma In Fashion Design NSOF level 6 of NSDC Dezyne E’cole College www.Dezenecole SUSHMITA BHATI