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University of New Hampshire
April 29, 2015
with Kim Peaslee
Intellectual Property Attorney
is a manifestation of creative effort
having a degree of arbitrariness,
such that it is improbable that two
people would independently create
the same work.
“THE LIFE OF THE ARTS, FAR FROM BEING
AN INTERRUPTION, A DISTRACTION, IN
THE LIFE OF A NATION, IS VERY CLOSE TO
THE CENTER OF A NATION’S PURPOSE –
AND IS A TEST OF THE QUALITY OF A
NATION’S CIVILIZATION” – John F. Kennedy
“Creative” generally means “cultural
expression,” but it can also include “intellectual
invention.”
Regardless, a Creative Economy consists of
three main groups:
1) creators,
2) consumers, and
3) supporters.
 Creative Works Revenue Received FY10 – FY15
 $740,000 of the $2.56M
 ~29%
 Creative Works Disclosures FY10 – FY15
 74 out of 221
 ~33%
 Creative Works Licenses FY10 – FY15
 158 of 492
 ~32%
 Most recent data is from 2009
 Relates only to cultural non-profits:
 Employed 3000 people
 Contributed $278 Million via direct and indirect methods
 Does not include:
 independent artists,
 R&D,
 for profit or educational cultural activities
 Most recent data is from 2012
 Arts and Cultural Production
 Contributed $700 Billion
 ~ 4.3% of G.D.P.
 Greater than the contribution from Construction
 Greater than the contribution from Transportation and
Warehousing
 ARTICLE 1, SECTION 8, CLAUSE 8
 PROMOTE THE PROGRESS OF SCIENCE AND
USEFUL ARTS, BY SECURING FOR LIMITED TIMES
TO AUTHORS AND INVENTORS THE EXCLUSIVE
RIGHT TO THEIR RESPECTIVE WRITINGS AND
DISCOVERIES
 Genesis of copyright and patent law
 Patents
◦ Design
◦ Utility
 Trademarks
◦ Trade Dress
 Copyright
 Trade Secrets
 Cost of protection
 Benefits of protection
◦ Exclusivity
◦ Ability to generate revenue
 Risks of not having protection
◦ no ability to cross license
◦ injunctions
 Desired scope of protection
◦ Examine the likely forms of infringement
 Personal beliefs
Example 1: Game of Thrones book
 Protects what an article looks like, not
what it does (that is a utility patent)
 New, non-obvious, ornamental designs
of an article of manufacture (tangible
and virtual (e.g. GUI))
 Term of 15 years
 Possible protectable elements:
 Gears, buckles, rope binding,
circular motif in center, …
 Compare prior art and patent. What is
different is what is protectable.
 Source identification - All about
consumer protection
 HBO has over 25 trademark
applications either pending or
registered for Game Of Thrones
 Word mark and design
 Multiple classes (e.g., from lip
balm to entertainment services)
 Likelihood of confusion
 protects original expressions of
ideas once fixed in a tangible
medium
 Text (screen play, novel, etc.)
 Cover art and other illustrations
 Logos as ornamental designs
 Paper sculptures
 protects against copying,
distribution, display, derivative
works, etc.
 Khalisi but not queen who raised
three dragons
Example 2: Microsoft Windows product
 Protects what an article looks like, not
what it does (that is a utility patent)
 New, non-obvious, ornamental designs
of an article of manufacture (tangible
and virtual (e.g. GUI ))
 Term of 15 years
 Possible protectable elements:
 animation, associated GUI, series
of 2D slices
 Compare prior art and patent. What is
different is what is protectable.
 Source identification - all about
consumer protection
 Microsoft has over 40 trademark
applications either pending or
registered for “Windows”
 Word mark, design, sounds (8),
animation?
 Multiple classes (e.g., from computer
services to trade shows)
 Likelihood of confusion
 Trade Dress Limitations – functionality
 protects original expressions of
ideas once fixed in a tangible
medium
 Software code, APIs(?)
 Manuals
 Logos as ornamental designs
 copying, distribution, display,
derivative works, etc.
 Limitations – merger
(functionality)
 There are many forms of Creative Works
 There are many ways to protect and commercialize
CWs
 Today’s Topics:
◦ Copyright and Trademark Fundamentals
◦ Fair Use and Open Source
◦ The UNH IP Policy
◦ Deconstructing a Copyright (IP) License
◦ Commercialization of Creative Works
Please feel free to contact me with any questions.
Kimberly A. W. Peaslee, Ph.D.
kpeaslee@uptonhatfield.com
(603) 224-7791
This presentation is for informational purposes only and does not in any way establish an attorney-client
relationship between you and any attorney involved in preparing and/or making this presentation. Nothing
contained in this presentation constitutes legal advice. Please consult a licensed attorney for specific legal
advice relating to any or all of the subjects discussed herein. All of the information contained herein is
subject to change at any time. Upton & Hatfield, LLP shall not be held liable for any losses or damages
arising from the use of any information contained in this presentation.

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UNHI Creative Works Symposium Keynote: Creative Works

  • 1. University of New Hampshire April 29, 2015 with Kim Peaslee Intellectual Property Attorney
  • 2.
  • 3.
  • 4. is a manifestation of creative effort having a degree of arbitrariness, such that it is improbable that two people would independently create the same work.
  • 5.
  • 6. “THE LIFE OF THE ARTS, FAR FROM BEING AN INTERRUPTION, A DISTRACTION, IN THE LIFE OF A NATION, IS VERY CLOSE TO THE CENTER OF A NATION’S PURPOSE – AND IS A TEST OF THE QUALITY OF A NATION’S CIVILIZATION” – John F. Kennedy
  • 7.
  • 8.
  • 9. “Creative” generally means “cultural expression,” but it can also include “intellectual invention.” Regardless, a Creative Economy consists of three main groups: 1) creators, 2) consumers, and 3) supporters.
  • 10.  Creative Works Revenue Received FY10 – FY15  $740,000 of the $2.56M  ~29%  Creative Works Disclosures FY10 – FY15  74 out of 221  ~33%  Creative Works Licenses FY10 – FY15  158 of 492  ~32%
  • 11.  Most recent data is from 2009  Relates only to cultural non-profits:  Employed 3000 people  Contributed $278 Million via direct and indirect methods  Does not include:  independent artists,  R&D,  for profit or educational cultural activities
  • 12.  Most recent data is from 2012  Arts and Cultural Production  Contributed $700 Billion  ~ 4.3% of G.D.P.  Greater than the contribution from Construction  Greater than the contribution from Transportation and Warehousing
  • 13.  ARTICLE 1, SECTION 8, CLAUSE 8  PROMOTE THE PROGRESS OF SCIENCE AND USEFUL ARTS, BY SECURING FOR LIMITED TIMES TO AUTHORS AND INVENTORS THE EXCLUSIVE RIGHT TO THEIR RESPECTIVE WRITINGS AND DISCOVERIES  Genesis of copyright and patent law
  • 14.  Patents ◦ Design ◦ Utility  Trademarks ◦ Trade Dress  Copyright  Trade Secrets
  • 15.  Cost of protection  Benefits of protection ◦ Exclusivity ◦ Ability to generate revenue  Risks of not having protection ◦ no ability to cross license ◦ injunctions  Desired scope of protection ◦ Examine the likely forms of infringement  Personal beliefs
  • 16. Example 1: Game of Thrones book
  • 17.  Protects what an article looks like, not what it does (that is a utility patent)  New, non-obvious, ornamental designs of an article of manufacture (tangible and virtual (e.g. GUI))  Term of 15 years  Possible protectable elements:  Gears, buckles, rope binding, circular motif in center, …  Compare prior art and patent. What is different is what is protectable.
  • 18.  Source identification - All about consumer protection  HBO has over 25 trademark applications either pending or registered for Game Of Thrones  Word mark and design  Multiple classes (e.g., from lip balm to entertainment services)  Likelihood of confusion
  • 19.  protects original expressions of ideas once fixed in a tangible medium  Text (screen play, novel, etc.)  Cover art and other illustrations  Logos as ornamental designs  Paper sculptures  protects against copying, distribution, display, derivative works, etc.  Khalisi but not queen who raised three dragons
  • 20. Example 2: Microsoft Windows product
  • 21.  Protects what an article looks like, not what it does (that is a utility patent)  New, non-obvious, ornamental designs of an article of manufacture (tangible and virtual (e.g. GUI ))  Term of 15 years  Possible protectable elements:  animation, associated GUI, series of 2D slices  Compare prior art and patent. What is different is what is protectable.
  • 22.  Source identification - all about consumer protection  Microsoft has over 40 trademark applications either pending or registered for “Windows”  Word mark, design, sounds (8), animation?  Multiple classes (e.g., from computer services to trade shows)  Likelihood of confusion  Trade Dress Limitations – functionality
  • 23.  protects original expressions of ideas once fixed in a tangible medium  Software code, APIs(?)  Manuals  Logos as ornamental designs  copying, distribution, display, derivative works, etc.  Limitations – merger (functionality)
  • 24.  There are many forms of Creative Works  There are many ways to protect and commercialize CWs  Today’s Topics: ◦ Copyright and Trademark Fundamentals ◦ Fair Use and Open Source ◦ The UNH IP Policy ◦ Deconstructing a Copyright (IP) License ◦ Commercialization of Creative Works
  • 25.
  • 26.
  • 27. Please feel free to contact me with any questions. Kimberly A. W. Peaslee, Ph.D. kpeaslee@uptonhatfield.com (603) 224-7791 This presentation is for informational purposes only and does not in any way establish an attorney-client relationship between you and any attorney involved in preparing and/or making this presentation. Nothing contained in this presentation constitutes legal advice. Please consult a licensed attorney for specific legal advice relating to any or all of the subjects discussed herein. All of the information contained herein is subject to change at any time. Upton & Hatfield, LLP shall not be held liable for any losses or damages arising from the use of any information contained in this presentation.

Notas do Editor

  1. is a tangible product of self-expression. It could be a book, a play, a sculpture, a robot, or something else….
  2. is a tangible product of self-expression. It could be a book, a play, a sculpture, a robot, or something else….
  3. is a tangible product of self-expression. It could be a book, a play, a sculpture, a robot, or something else….
  4. is a tangible product of self-expression. It could be a book, a play, a sculpture, a robot, or something else….
  5. There is no wrong way. BE A CREATOR, BE A CONSUMER, BE A SUPPORTER. Whether you replace a broken bowl with one that is handmade, buy a print for your home or office, attend a play, a concert, or an indie film, or eat at a local restaurant, you are making a valuable contribution to the creative community.
  6. There is no wrong way. BE A CREATOR, BE A CONSUMER, BE A SUPPORTER. Whether you replace a broken bowl with one that is handmade, buy a print for your home or office, attend a play, a concert, or an indie film, or eat at a local restaurant, you are making a valuable contribution to the creative community.