This document is a resume for Tania Ferrier outlining her employment history in the film and television industry as a set dresser, buyer, and dresser. Over the past five years she has worked on several high profile Australian television shows, including House Husbands and Glitch. She has also produced, written, directed and designed her own short film called "Whitewash". The resume demonstrates Tania's extensive experience across multiple roles in the film and television industry.
The document discusses research on horror movie posters and common design elements found. It analyzes several example posters, identifying trends like a main character prominently displayed, details of previous films by the same creators, reviews to build credibility, and credits listed at the bottom. It proposes ideas for a poster for the horror film "Chaos", incorporating learned elements like the location in the background, title and tagline at the bottom, reviews and the killer's shadow in the foreground.
The document evaluates the opening sequence of the film "Sophie" as a thriller. It analyzes the camera work, mise-en-scene, titles, and representation of social groups used in the opening. It then discusses potential media institutions that could distribute "Sophie," focusing on Warner Bros. Pictures due to their success distributing similar psychological thriller films. Finally, it outlines the target audience for a thriller opening, identifying those aged 15 and above as the primary demographic.
The document discusses three existing video products that were researched: a Top Gear parody video featuring Zippy and George puppets, a My Little Pony battle video featuring toy characters, and a Rainbow episode featuring Geoffrey babysitting. It notes production details like filming locations, camera angles, lighting, music, and special effects used. It also analyzes the mise-en-scene elements like costumes, props, colors, and fonts used. Common features identified across the products are the use of video intros and music. Aspects the document writer intends to include in their own work are varying the mise-en-scene and locations to add more variety.
The document discusses how the media product challenges and develops conventions from real horror movie trailers. It analyzes trailers for Annabelle, The Conjuring, and Insidious to inform creative choices. While some elements are included, such as close-ups of antagonists and taglines, other conventions are challenged, like using woodland rather than home settings. Sound, editing, and abrupt endings also emulate real trailer styles.
This document evaluates a student media project that created a music video for Florence + The Machine's "Dog Days Are Over." The summary discusses how the student project both used conventions from real music videos as well as challenged conventions:
- It took inspiration from Florence's 2008 video but developed its own Gothic circus-themed narrative. Character designs like the Joker-inspired clown also challenged conventions.
- Locations like forests drew from Florence's videos but added variety. Sound and editing choices like changing music tempos also challenged conventions.
- The digipak design drew from Florence's use of nature backgrounds but added its own collage elements. Photos also mimicked those in Florence's booklets.
The document discusses how the filmmakers drew inspiration from post-apocalyptic films like 28 Days Later, The Book of Eli, The Road, and I Am Legend for various elements of their short film. They emulated locations, props, costumes, characters, sounds, and titles from these films to recreate the look and feel of the post-apocalyptic genre. While their film was inspired by these other works, it was not meant to be an exact replica and had to adapt certain elements due to budget and time limitations. The document analyzes the influences on their mise-en-scene, narrative, characters, and other components to demonstrate how it engages with conventions of the post-apocalyptic
The document discusses how the student's short film follows conventions of real media products such as the film Phone Booth. It discusses using quick cuts, close-ups, suspenseful themes and camera angles to mimic Phone Booth's fast-paced style. No dialogue was used to keep the main character focused. Common props and realistic student locations were chosen. Voiceovers were done for messages rather than reading aloud. The film was meant to have a cliffhanger ending to set up a potential sequel.
In what ways does your media product usetdcjackson
- The document describes the title sequence of a student film called "Our Title of the Film"
- It discusses elements like the title font and style, setting/location, costumes and props, camerawork and editing, story, genre, character introductions, and special effects
- The goal was to make the title sequence appealing and establish the story, genre, and tone for the superhero film
The document discusses research on horror movie posters and common design elements found. It analyzes several example posters, identifying trends like a main character prominently displayed, details of previous films by the same creators, reviews to build credibility, and credits listed at the bottom. It proposes ideas for a poster for the horror film "Chaos", incorporating learned elements like the location in the background, title and tagline at the bottom, reviews and the killer's shadow in the foreground.
The document evaluates the opening sequence of the film "Sophie" as a thriller. It analyzes the camera work, mise-en-scene, titles, and representation of social groups used in the opening. It then discusses potential media institutions that could distribute "Sophie," focusing on Warner Bros. Pictures due to their success distributing similar psychological thriller films. Finally, it outlines the target audience for a thriller opening, identifying those aged 15 and above as the primary demographic.
The document discusses three existing video products that were researched: a Top Gear parody video featuring Zippy and George puppets, a My Little Pony battle video featuring toy characters, and a Rainbow episode featuring Geoffrey babysitting. It notes production details like filming locations, camera angles, lighting, music, and special effects used. It also analyzes the mise-en-scene elements like costumes, props, colors, and fonts used. Common features identified across the products are the use of video intros and music. Aspects the document writer intends to include in their own work are varying the mise-en-scene and locations to add more variety.
The document discusses how the media product challenges and develops conventions from real horror movie trailers. It analyzes trailers for Annabelle, The Conjuring, and Insidious to inform creative choices. While some elements are included, such as close-ups of antagonists and taglines, other conventions are challenged, like using woodland rather than home settings. Sound, editing, and abrupt endings also emulate real trailer styles.
This document evaluates a student media project that created a music video for Florence + The Machine's "Dog Days Are Over." The summary discusses how the student project both used conventions from real music videos as well as challenged conventions:
- It took inspiration from Florence's 2008 video but developed its own Gothic circus-themed narrative. Character designs like the Joker-inspired clown also challenged conventions.
- Locations like forests drew from Florence's videos but added variety. Sound and editing choices like changing music tempos also challenged conventions.
- The digipak design drew from Florence's use of nature backgrounds but added its own collage elements. Photos also mimicked those in Florence's booklets.
The document discusses how the filmmakers drew inspiration from post-apocalyptic films like 28 Days Later, The Book of Eli, The Road, and I Am Legend for various elements of their short film. They emulated locations, props, costumes, characters, sounds, and titles from these films to recreate the look and feel of the post-apocalyptic genre. While their film was inspired by these other works, it was not meant to be an exact replica and had to adapt certain elements due to budget and time limitations. The document analyzes the influences on their mise-en-scene, narrative, characters, and other components to demonstrate how it engages with conventions of the post-apocalyptic
The document discusses how the student's short film follows conventions of real media products such as the film Phone Booth. It discusses using quick cuts, close-ups, suspenseful themes and camera angles to mimic Phone Booth's fast-paced style. No dialogue was used to keep the main character focused. Common props and realistic student locations were chosen. Voiceovers were done for messages rather than reading aloud. The film was meant to have a cliffhanger ending to set up a potential sequel.
In what ways does your media product usetdcjackson
- The document describes the title sequence of a student film called "Our Title of the Film"
- It discusses elements like the title font and style, setting/location, costumes and props, camerawork and editing, story, genre, character introductions, and special effects
- The goal was to make the title sequence appealing and establish the story, genre, and tone for the superhero film
The document provides an executive summary of Tulsa's initial findings report from its participation in the 100 Resilient Cities program. Key activities included compiling an inventory of 68 current city actions, identifying 534 stakeholders across sectors, conducting a community survey of 557 residents within a 60 mile radius of downtown Tulsa, and holding roundtable discussions. Preliminary priority areas identified from these initiatives are mobility and transit, social stability and justice, and public health. The report establishes a foundation for developing Tulsa's resilience strategy in 2017.
B&B Press is a leading print company that has been in business for over 50 years. They are committed to environmental sustainability and have achieved several certifications including ISO 9001, ISO 14001, and FSC Chain of Custody. B&B Press prides itself on outstanding quality, service, and environmental stewardship. They offer a full range of print and finishing services from design to delivery. Their goal is to deliver high quality print solutions while protecting the environment.
The document outlines a 3-phase plan to build brand advocates for Microsoft by first establishing the Microsoft community, then engaging teens and adults active on social media and their networks, and finally continuing engagement through sharing content. It measures the success of the plan through various social media interactions like shares, re-shares and views of Microsoft and advocate posts on social media and blogs over the campaign timeline.
Brazil prides itself on its racial diversity but the data shows a different story. While Brazil has a very diverse population racially, the majority of Brazilians are black or mixed race. However, most Brazilians living in extreme poverty are black. The document explores how race is more than just skin deep and family history and ancestry also contribute to one's race. It encourages embracing Brazil's diversity, especially around Mixed Race Day.
Mahuya Chowdhury has over 7 years of experience working with Siebel Analytics 7.8.5, OBIEE 10g, and OBIEE 11g. He has worked on several projects for British Telecom in roles including OBI developer, designer, and administrator. His responsibilities have included requirements gathering, report design, repository development, upgrading systems, and providing technical support. He holds a Bachelor's degree in Computer Science and Engineering and certifications in Oracle Business Intelligence Foundation 10 and 11g.
Este documento describe los diferentes tipos de evaluación educativa según el momento de aplicación (evaluación inicial o diagnóstica, evaluación formativa y evaluación final) y según el criterio de comparación (evaluación individual o en relación a objetivos previamente establecidos). Explica que la evaluación diagnóstica se aplica al inicio para determinar los conocimientos y habilidades de los estudiantes, la evaluación formativa monitorea el progreso durante el aprendizaje, y la evaluación final mide el logro de objetivos al final de un periodo.
1. The Israelites built an altar at Mount Ebal to worship God and offer sacrifices according to the law, reviewing the fundamentals of their faith.
2. Joshua had the law written on stones and read it to the people, with the Levites repeating it, to maintain proper perspective on God's will.
3. It is important for believers to consistently learn God's word and nurture relationships with God and others to stay grounded in the basics.
Top 10 academic researcher interview questions and answerstonychoper0106
The document provides resources for academic researcher interview preparation, including sample interview questions and answers. It lists 10 common interview questions for academic researchers along with detailed sample answers. Additionally, it provides many useful links to ebooks and articles on the interviewquestions360 website covering topics such as different interview types, how to prepare, common questions, tips, and more. The resources are intended to help candidates seeking academic researcher roles to successfully prepare for and complete job interviews.
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Zapbuild Technologies Pvt. Ltd is an enterprise business solution provider. Established in the year 2007, the company became bigger by acquiring the operations of W3Syntactic Inc.
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The document provides an executive summary of Tulsa's initial findings report from its participation in the 100 Resilient Cities program. Key activities included compiling an inventory of 68 current city actions, identifying 534 stakeholders across sectors, conducting a community survey of 557 residents within a 60 mile radius of downtown Tulsa, and holding roundtable discussions. Preliminary priority areas identified from these initiatives are mobility and transit, social stability and justice, and public health. The report establishes a foundation for developing Tulsa's resilience strategy in 2017.
B&B Press is a leading print company that has been in business for over 50 years. They are committed to environmental sustainability and have achieved several certifications including ISO 9001, ISO 14001, and FSC Chain of Custody. B&B Press prides itself on outstanding quality, service, and environmental stewardship. They offer a full range of print and finishing services from design to delivery. Their goal is to deliver high quality print solutions while protecting the environment.
The document outlines a 3-phase plan to build brand advocates for Microsoft by first establishing the Microsoft community, then engaging teens and adults active on social media and their networks, and finally continuing engagement through sharing content. It measures the success of the plan through various social media interactions like shares, re-shares and views of Microsoft and advocate posts on social media and blogs over the campaign timeline.
Brazil prides itself on its racial diversity but the data shows a different story. While Brazil has a very diverse population racially, the majority of Brazilians are black or mixed race. However, most Brazilians living in extreme poverty are black. The document explores how race is more than just skin deep and family history and ancestry also contribute to one's race. It encourages embracing Brazil's diversity, especially around Mixed Race Day.
Mahuya Chowdhury has over 7 years of experience working with Siebel Analytics 7.8.5, OBIEE 10g, and OBIEE 11g. He has worked on several projects for British Telecom in roles including OBI developer, designer, and administrator. His responsibilities have included requirements gathering, report design, repository development, upgrading systems, and providing technical support. He holds a Bachelor's degree in Computer Science and Engineering and certifications in Oracle Business Intelligence Foundation 10 and 11g.
Este documento describe los diferentes tipos de evaluación educativa según el momento de aplicación (evaluación inicial o diagnóstica, evaluación formativa y evaluación final) y según el criterio de comparación (evaluación individual o en relación a objetivos previamente establecidos). Explica que la evaluación diagnóstica se aplica al inicio para determinar los conocimientos y habilidades de los estudiantes, la evaluación formativa monitorea el progreso durante el aprendizaje, y la evaluación final mide el logro de objetivos al final de un periodo.
1. The Israelites built an altar at Mount Ebal to worship God and offer sacrifices according to the law, reviewing the fundamentals of their faith.
2. Joshua had the law written on stones and read it to the people, with the Levites repeating it, to maintain proper perspective on God's will.
3. It is important for believers to consistently learn God's word and nurture relationships with God and others to stay grounded in the basics.
Top 10 academic researcher interview questions and answerstonychoper0106
The document provides resources for academic researcher interview preparation, including sample interview questions and answers. It lists 10 common interview questions for academic researchers along with detailed sample answers. Additionally, it provides many useful links to ebooks and articles on the interviewquestions360 website covering topics such as different interview types, how to prepare, common questions, tips, and more. The resources are intended to help candidates seeking academic researcher roles to successfully prepare for and complete job interviews.
This document promotes the creation of presentations on SlideShare using Haiku Deck. It includes photos from four different photographers to inspire users. The document encourages users to get started making their own Haiku Deck presentations on SlideShare.
Zapbuild Technologies Pvt. Ltd is an enterprise business solution provider. Established in the year 2007, the company became bigger by acquiring the operations of W3Syntactic Inc.
This document discusses concepts related to coaching, physical fitness, and conditioning. It provides definitions of coaching as helping someone build competence through activities designed for long-term excellence, self-correction, and self-generation. Physical fitness is defined as overall health and the ability to perform physical activities, while conditioning involves developing specific skills and abilities through training. The document also outlines various components of fitness like strength, speed, stamina, flexibility, and discusses tests to measure these components.
1.
1.
TANIA
FERRIER
M:
61
404
157
347
ART
DEPARTMENT
E:
ferriertania@yahoo.com.au
Unit
8/53
Blessington
St,
St.Kilda,
3182,
Melbourne,
Victoria.
EMPLOYMENT
HISTORY
–
FILM
&
TELEVISION
Mar
–
June
2015
Role:
Set
Dresser
Title:
House
Husbands
4
Production
Company:
Playmaker
2
/
Channel
9
Production
Designer:
Paddy
Reardon
Oct
–
Dec
2014
Role:
Buyer/Dresser
Title:
Glitch
Production
Company:
Perplexing
New
Reality
Production
Designer:
Paddy
Reardon
June
–
Aug
2014
Role:
Set
Dresser
Title:
The
Secret
River
Production
Company:
ABC
TV
Production
Designer:
Herbert
Pinter
Jan
–
June
2014
Role:
Buyer/
Dresser
Title:
HouseHusbands
III
Production
Company:
Playmaker
2/Channel
9
Production
Designer:
Paddy
Reardon
Feb
–
June
2013
Role:
Buyer/
Dresser
Title:
HouseHusbands
II
Production
Company:
Playmaker
2/Channel
9
Production
Designer:
Simon
McCutcheon
Jan
2012:
Role:
Producer/Writer/Director/Designer/Builder/Scenic
Title:
“Whitewash”
6
min
short
Production
Company:
Tania
Ferrier
Production
Designer:
Tania
Ferrier
View
link:
http://vimeo.com/taniaferrier/whitewash
Aug
–
Sept
2013:
Role:
Buyer/Dresser
Title:
“The
Great
Mint
Swindle”
Channel
9
Production
Company:
Cordell
Jigsaw
Productions
Production
Designer:
Herbert
Pinter
March
2011:
Role:
Set
Builder/Scenic
Title:
“Wadjemup:
Black
Prison,
White
Playground”
Production
Company:
Black
Russian
Productions
Production
Designer:
Glen
Stasiuk
2.
2.
Dec
2009
–
May
2010:
Role:
Set
Decorator
Title:
“Cloudstreet”-‐
Drama
TV
series
Production
Company:
Screentime
Pty
Ltd
Production
Designer:
Herbert
Pinter
Nov
2009:
Role:
Producer/Writer/Designer/Builder/Scenic
Title:
“The
Last
Resort”
53
min
documentary
Production
Company:
Tania
Ferrier
Designer:
Tania
Ferrier
View
link:
http://vimeo.com/24594409
Dec
2008:
Role:
Art
Dept
Assistant/Perth
Title:
“
Bran
Nue
Dae.
The
Film”
Feature
Film.
Production
Company:
Robyn
Kershaw
Productions.
Production
Designer:
Felicity
Abbott
Feb
–
June
2008
Role:
Set
Decorator
Title:
“Stormworld”
Children’s
drama
series
Production
Company:
Great
Western
Entertainment
Production
Designer:
TINK
Feb
–
June
2007
Role:
Props
Buyer/Set
Dresser
Title:
“
Wormwood”
Children’s
TV
drama
series
Production
Company:
Great
Western
Entertainment
Production
Designer:
Herbert
Pinter
Nov
2005
Role:
Props
Buyer/Set
Dresser
Title:
“Iron
Bird”
Short
Film
Production
Company:
Iron
Bird
Films.
Production
Designer:
Philippe
Signer
Feb
–
Dec
2004
Role:
Props
Buyer/Set
Dresser
Title:
“Parallax”
26
pt.
Children’s
TV
series
Production
Company:
Great
Western
Entertainment
Production
Designer:
Herbert
Pinter
June
1998
Role:
Animation
Design
and
Artwork
Title:
“Slimies”
ScreenWest
development
funding
Production
Company:
Noelene
Harrison
Production
Designer:
Tania
Ferrier
Aug
1997
Role:
Storyboard
artist
Title:
“Promise”
Short
Film
for
Shifting
Sands
Series
Production
Company:
Core
Original
Productions
Production
Designer:
Michelle
Torres
Nov
1996
Role:
Scenic
Artist
Title:
“Bush
Patrol”
Children’s
TV
series
Production
Company:
Channel
7,
Perth
3.
3.
April
1996
Role:
Scenic
Artist
Title:
“
Ship
to
Shore
III”
Children’s
TV
series
Production
Company:
Barron
Films
Production
Designer:
Clayton
Jauncey
Feb
–
June
1994
Role:
Props
Buyer/Set
Dresser
Title:
“
Ship
to
Shore
II”
Children’s
TV
series
Production
Company:
Barron
Films
Production
Designer:
Tim
Ferrier
Mar-‐
Aug
1993
Role:
Props
Buyer/Set
Dresser
Title:
“
Ship
to
Shore
I”
Children’s
TV
series
Production
Company:
Barron
Films
Production
Designer:
Tim
Ferrier
May
–June
1991
Role:
Production
Designer
Title:
“
Clean,
Shaven”
Feature
Film
Production
Company:
DSM
Productions,
NYC,
USA
Production
Designer:
Tania
Ferrier
1990
Role:
Props
Buyer/Set
Dresser
for
rock
videos
Production
Company:
Portfolio
Productions,
NYC,
USA
Production
Designer:
Tim
Burns
AWARDS
2012
“Whitewash”
shortlisted
for
Brooklyn
Short
Film
Festival.
Direction
and
Design
by
Tania
Ferrier.
2014
“Wadjemup”
nominated
for
Production
Design
(
with
Louise
Brady
)
,
WA
Screen
Awards.
Black
Russian
Productions.
EDUCATION
1984
Bachelor
of
Fine
Arts,
Curtin
University,
WA
1993
Production
Design
Short
Course,
AFTRS,
Perth,
WA
REFERENCES
(
see
below
)
Herbert
Pinter
Production
Designer
P:
08
9572
3884
M:
0419
936
929
E:
herbertpinter@bigpond.com
SYDNEY
Felicity
Abbott
Production
Designer
E:
designfelicity@gmail.com
4.
WORK
VEHICLE:
FORD
ECONOVAN
MAXI
LICENCE:
CLASS
LR
(
Heavy
Vehicle
Victorian
license
)
Herbert Pinter
Production Designer
Pinter Sets and Design Pty. Ltd.
PO Box 32
Chidlow
Western Australia 6556
Ph: 61 8 9572 3884
Cell: 0419 936 929
Email: herbertpinter@bigpond.com
September
8th
,
2014
To
whom
it
may
concern,
Tania
Ferrier
has
worked
for
me
on
several
projects
as
Prop
Buyer
/
Set
Decorator.
She
is
also
a
Fine
Artist
in
her
own
right.
I
have
been
very
happy
with
her
dedication
to
the
work
required
by
me
on
these
projects.
She
has
shown
great
determination
and
initiative
in
getting
jobs
done,
has
applied
her
self
with
skill
and
worked
well
as
a
team
leader.
It
has
been
a
pleasure
to
have
Tania
work
with
me
and
I
am
happy
to
recommend
her
to
you,
as
I
am
sure
that
she
will
do
her
best
for
any
production
or
art
project
she
works
on.
I
wish
Tania
all
the
best
in
her
future
endeavors.
Yours
sincerely
Herbert
Pinter
Production
Designer
5.
5.
PADDY
REARDON
PRODUCTION
DESIGNER
Email:
reardon1@bigpond.net.au
M:
0419521671
SIMON
McCUTCHEON
PRODUCTION
DESIGNER
Email:
simcc@optusnet.com.au
M:
0419335805
From: Felicity Abbott
Sent: 27/01/2013 6:33 PM
To: tania ferrier
Subject: Re: Tania Ferrier says Hi!
Hi Tania,
Nice to hear from you. I've just got back to Sydney after 6
months away. I haven't worked a great deal in Melbourne, but
will be sure to keep you in mind if I do.
Please feel free to put me down as a referee.
I hope everything is going well for you in Melbourne and hope
to see you again in the future.
Best,
Felicity
Felicity Abbott APDG
Production designer
THE OUTLAW MICHAEL HOWE | Cordell Jigsaw Zapruder
Shed 6 Canal Road Film Centre 1 Canal Road Leichhardt NSW 2040
t +61 425365168 | e felicity@felicityabbott.com | w www.felicityabbott.com