How innovatively you design lthe cover and other graphics could be a major determinant of your success or failure as a designer.

2. The moment we step
into a library or
bookstore, the first
thing we do is to grab a
book with an attractive
cover.

3. So the adage “don’t judge
a book by its cover”,
never really influence us.
It is so very humanly to
pick up all that comes in
eye catchy packages.

4. This is true even when
we go to buy a CD or
DVD. So, the CD cover is
the designer’s calling
card to the customer.

5. how innovatively you
design the cover and
other graphics could be a
major determinant of
your success or failure as
a designer.

6. As a designer, you need
to follow certain
guidelines that can help
you in realizing the
importance of the CD
covers for the market-
place.

7. An attractive and well
designed cover, along
with other details and
information you have
included in the
packaging play a key
role in deciding if the
consumer is turned on
or off by your graphics.

8. It can be the best
advertisement for the CD.
Evaluating the design,
images, text and the
concept would help make
the graphics a more
effective and better
introduction of the CD to
the customers

9. The common mistake
most of the designers
make is not
overlooking the
graphics.

10. They tend to not care
much about this
important stage in the
process of
manufacturing.

11. DO NOT do that! The
very first impression the
CD makes to the
shoppers , is a visual
impression.

12. Once the project gets
approved and sent to the
manufacturer, it will be
too late to make changes
in any graphic you have
selected.

13. When you see the CD
it in a store someday,
will it be a cut above
the rest? Will it stand
out? will you be
really proud of your
cover design some 7
years from now?

14. It can be difficult to find
the right look for the CD,
especially if you are
working within a tight
budget.

15. Choosing simple
designs will be the
best options in this
case. They will give
the cover a very
serene and decent
look.

16. But if you are ready to
expand your budget,
go for the theme-
based images or high
quality graphics.

17. They will add a kick of
charisma and will
make the CD a unique
piece for sure.

18. Most of us have access to
the internet and computer
these days; quality color
printers and scanners are
becoming more and more
affordable; and even the
modestly priced graphics
software is most often
very much capable.

19. Therefore, the tools,
need not be a problem.
However, deciding what
to put on CD covers,
might be.

20. Think Professional. If you
are a beginner, it can be
hard to achieve the same
quality of work that the
professional designers
attain from the projects
they work upon, their
techniques can
nevertheless be an
inspiration for you.

21. Professionals use the
methods that let them
turn their thoughts into
visual impressions,
organize , and finally
refine them.

22. Getting acquainted with
some idea of how the
pros work on a design
job, now comes the
colors part.

23. If you are too anxious
about what colors to
choose and what to
avoid, just relax.

24. You should follow what
you believe is most apt
and suits the flavor as
well as the atmosphere
of the CD contents.

25. All in all, the cover
should be a mirror to
what the CD holds in
itself.

26. Usually, the designers
go for the four-coloured
pictures overprinted
with lots of logos of this
and that.

27. Most of the people do
have four-colour printing
now a days as it is quite
affordable but you can
definitely choose not to
use it.

28. The choice lies with
you. After all, you are
the creator of the cover.
Typography is one of
the major
considerations in a CD
design. Readability is
the foremost .

29. There is a lot of exciting
typography currently, that
is difficult to read.

30. What is the point to put
in efforts to
communicate using
words that you can’t
even read? The
typography you choose
must convey the
information as well as
look appropriate and
stylish.

31. But you don’t need to
have many fonts, and
make sure to not be too
crass and big.

32. Also, if you are not a
typographer but you are
into designing the cover, it
is always beneficial to get
the advice of someone
who might have better
knowledge about the
typefaces than you.

33. You do not have to
write really big jumbo
fonts on the CD cover,
but on the flip side,
most of us have gone
through annoyingly
small fonts on CDs.
Presumably, this is
something to strictly
avoid.

34. Never go so small that
you can barely read
important matter, such
as the legal things which
are for your protection,
or the contact details.
Always be sensible.

35. The discussion of
typography further leads
on to logos. In case you
want something
elaborately unique or
hand-drawn, avoid it
appearing amateurish. If it
looks amateurish —it’ll
obviously do you more
harm than good.

36. And if you are designing a
logo that you may want to
use everywhere, you must
ensure it reads well on the
CD spine, or go for a
legible typeface on the
spine, as in the specialist
stores, at times, you
choose from the spine.

37. Anyone who is messed and
confused about the types in
a graphics program can
easily attest to the fact that
you can have amazing time
and great fun manipulating
the letters as well as the
words.

38. But make sure you are
very careful about such
techniques. Opening out
the spacing is acceptable,
but if you begin to stretch
letters about, it appears
very kiddish and amateur.

39. When it was possible
to do that, many of the
respected professional
designers were into it,
just for the sake of
experimenting.

40. However, It did not last
long. The good and
sensible designers
dropped this idea pretty
quickly.

41. THANK YOU
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