2. MUSIC OF AFRICA
🞭 Music has always been an important part in
the daily life of African.
🞭 Music and dance are also important to
religious expression and political events.
3. TRADITIONAL MUSIC OF AFRICA
🞭 African traditional music is largely functional
in nature, used primarily in ceremonial rites,
such as birth, death, marriage, succession,
worship, and spirit invocations.
4. TYPES OF AFRICAN MUSIC
🞭 Afrobeat – term used to describe the fusion
of West African with black American Music.
🞭 Apala(Akpala) – Musical genre from Nigeria
in the Yoruba tribal style to wake up the
worshippers after fasting during the Muslim
holy feast of Ramadan.
🞭 Axe – popular musical genre from Salvador,
Bahia, and Brazil. It fuses the Afro –
Carribbean styles of the marcha, reggae and
calypso.
5. 🞭 Jit – a hard and fast percussive Zimbabwean
dance music played on drums with guitar
accompaniment, influenced by mbira – based
guitar styles.
🞭 Jive – a popular form of South African Music
featuring a lively and uninhibited variation of the
jitterbug, a form of swing dance.
🞭 Juju – a popular music style from Nigeria that
relies on the traditional Yoruba rhythms.
🞭 Kwassa Kwassa – a dance style begun in Zaire
in late 1980’s popularized by Kanda Bongo
man.
🞭 Marabi – a south african three- chord township
music of the 1930’s – 1960’s which evolved into
African Jazz.
11. LATIN AMERICAN INFLUENCED BY AFRICAN
MUSIC
🞭 Reggae – a Jamaican sound dominated by
bass guitar and drums.
🞭 Salsa – music is Cuban, Puerto Rican, and
Colombian dance music. It comprises
various musical genres including the Cuban
son montuno, guaracha, chachacha, mambo
and bolero.
🞭 Samba- is the basic underlying rhythm that
typifies most Brazilian music.
12. 🞭Soca – a modern Trinidadian and
Tobago pop music combining “soul”
and “calypso” music.
🞭Were – a Muslim music performed
often as a wake – up call for early
breakfast and prayers during
Ramadan celebrations.
🞭Zouk – a fast, carnival – like rhythmic
music, from Creole slang word for
“Party.”
13. VOCAL FORMS OF AFRICAN MUSIC
🞭 MARACATU – first surfaced in the African
state of Pernambuco, combining the strong
rhythms of African percussion instruments
with Portuguese melodies. The maracatu
groups were called “nacoes” (nations) who
paraded with drumming ensemble numbering
up to 100, accompanied by a singer, chorus,
and a coterie of dancers. (Maracatu Dance)
14. MUSICAL INSTRUMENTS USED IN MARACATU
🞭Alfaia Drum
🞭Tarol
🞭Agbe Shekere
🞭Caixa
🞭Miniero or Ganza
🞭Gongue
15. BLUES
🞭 A musical form of the late 19th century that has
had deep roots in African – American
communities. These communities are located in
the so-called “Deep South” of the United States.
The slaves and their descendants used to sing
as they worked in the cotton and vegetable
fields.
🞭 The notes of blues create expressive and
soulful sound. The feelings that are evoked are
normally associated with slight degrees of
misfortune, lost in love, frustration, or loneliness.
16. BLUES MUSIC
🞭Early Mornin’ , A House is Not a
Home , and Billie’s Blues.
🞭Noted performers of the Rhythm
and Blues genre are Ray Charles,
James Brown, Cab Calloway,
Aretha Franklin, and John Lee
Hooker and more.
17. SOUL
🞭 Soul Music was a popular music genre of
the 1950’s and 1960’s. It originated in the
United States. It combines elements of
African – American gospel music, rhythm and
blues, and often jazz. The catchy rhythms
are accompanied by handclaps and
extemporaneous body moves which are
among its important features.
18. 🞭Brown was known as the
“Godfather of Soul.”
🞭Sam Cookie and Jackie Wilson
are acknowledged as “Soul
forefathers.”
🞭Soul music are the ff: Ain’t No
Mountain High enough, Ben, All I
could Do is Cry, Soul to Soul, and
Becha by Golly, and Wow.
19. SPIRITUAL
🞭 The term spiritual, normally associated with a
deeply religious person, refers here to a Negro
Spiritual, a song form by African migrants to
America who became enslaved by its white
communities.
🞭 The texts are mainly religious, sometimes taken
from psalms of Biblical Passages. The Vocal
inflections, Negro accents, and dramatic
dynamic changes add to the musical interest
and effectiveness of the performance.
20. SPIRITUAL MUSIC
🞭We are Climbing Jacob’s Ladder
🞭Rock My Soul
🞭When the Saints Go Marching In
🞭Peace Be Still
21. CALL AND RESPONSE
🞭 The call and response method is a
succession of two distinct musical phrases
usually rendered by different musicians,
where the second phrase acts a direct
commentary on or response to the first.
🞭 It also forms a strong resemblance to the
verse-chorus form in many vocal
compositions.
22. CALL AND RESPONSE SONGS
🞭Mannish Boy – a signature song
by Muddy Waters
🞭School Day – Ring, Ring goes the
bell by Chuck Berry.
23. MUSIC OF LATIN AMERICA
🞭The music if Latin America is the
product of three major influences
– Indigenous, Spanish-
Portuguese and African.
🞭It also called as Latin Music
24. INFLUENCES ON LATIN AMERICAN MUSIC
🞭 Indigenous Latin American Music – this
kind of music was largely functional in
nature, being used for religious worship and
ceremonies.
🞭 Native American/Indian Music – this kind of
music has a distinctive music elements
pertaining melody, harmony, rhythm, form,
and dynamic. It includes courtship songs,
dancing songs, and popular American or
Canadian tunes like Amazing Grace, Dixie
25. 🞭Afro – Latin American Music - The
African influence on Latin American
music is most pronounced in its rich
and varied rhythmic patterns
produced by the drums and various
percussion instrument.
🞭Euro – Latin American Music
🞭Mixed American music
🞭Popular Latin American Music
26. SON
🞭It is a fusion of the popular music of
Spain and the African rumba
rhythms of Bantu Origin. Originating
in Cuba, it is usually played with the
Tres (Guitar).
27. MARIACHI
🞭It is an extremely popular band
in Mexico whose original
ensemble consisted of violins,
guitars, harp, and enormous
guitarron ( acoustic bass guitar)
28. VOCAL FORMS OF LATIN AMERICAN MUSIC
1. BOSSA NOVA – Originated in 1958 – 59 as
a movement effecting a radical change in the
classic Cuban Samba.
🞭 BOSSA comes from the Brazilian capital of
Rio de Janeiro means “trend” or “something
charming.” Integrating melody, harmony, and
rhythm into a swaying feel, where the vocal
style is often nasal.
29. 🞭Antonio Carlos Jobim – A foremost
figure of bossa nova. He became
famous with his song “DESAFINADO
(1957).
🞭Sitti Navarro – known as
“Philippines Queen of Bossa Nova.”
Some of her songs are Para sa
Akin, Hey Look at the Sun, Lost in
Space, and Kung Di Rin lang ikaw.
30. 2.REGGAE
🞭Bob Marley - known as the
proponent of reggae music. He
was a Jamaican singer –
songwriter, musician, and guitarist.
He Achieved International fame and
acclaim for songs such as: One
Love, Three Little Birds, No
Woman, No Cry; Redemption Song;
31.
32. I. Fill in the Blank. Write
your answer on your
paper.
33. 1. has always been an
important part in the daily life of
African.
2. He was known as the proponent of
reggae music.
3. A foremost figure of Bossa Nova.
4. He was known as the “Godfather of
Soul.”
5. used to describe the fusion of
West African with black American
34. 6. Tres means .
7.A kind of music was largely functional in
nature, being used for religious worship and
ceremonies.
8. LatinAmerican Music is also called as
.
9. is an extremely popular band in
Mexico.
10. known as “Philippines Queen of Bossa
Nova.”
11.A method is a succession of two distinct
musical phrases usually rendered by different
musicians, where the second phrase acts a
35. 12. BOSSA comes from the Brazilian capital of
.
13. Kwassa – Kwassa was popularized by
.
14.A music of Cuban, Puerto Rican, and
Colombian dance music.
15.A popular music style from Nigeria that
relies on the traditional Yoruba rhythms.
36. ANSWER
1. Music
2. Bob Marley
11. Call and Response
12. Rio de Janeiro
3. Antonio Carlos Jobim 13. Kanda Bongo
man
14. Salsa
15. Juju
4. James Brown
5. Afrobeat
6. Guitar
7. Indigenous Latin American Music
8. Latin Music
9. Mariachi
38. 1 - 5. Types of African Music
6 – 8. Soul music
9 – 10. Spiritual Music
11 – 13. Percussion
instruments
14 – 15. Influences on Latin
American Music
39. ANSWER
1 – 5: Afrobeat, Apala (Akpala), Axe, Jit, Jive,
Kwassa – Kwassa, Juju, and Marabi.
6 – 8: Ain’t No Mountain High enough, Ben, All
I could Do is Cry, Soul to Soul, and Becha by
Golly, and Wow.
9 – 10: We are Climbing Jacob’s Ladder, Rock
My Soul, When the Saints Go Marching In, &
Peace Be Still.
11 – 13: Shekere/Sekere, Agidigbo, and Agogo.
14- 15: Indigenous Latin American Music , Native
American/Indian Music , Afro – Latin American
Music , Euro – Latin American Music, Mixed
American music & Popular Latin American
