Water Cycle

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This slideshow is a continuation of the play in alcohol inks and digital image editing in a time of SARS-CoV-2/COVID-19 and working from home. The slideshow title is used lightly as are the textual labels applied to the various visuals. These do show my enjoyment of informal speech and colloquialisms. These works are by a novice and are mostly for handling stress in the present moment. Such a time of hope but with a need for continued biosafety measures (stay safe out there, all!)!

Arte e fotografia

Water Cycle
A newbie’s play in alcohol inks,
synthetic papers,
and digital image editing…
Shalin Hai-Jew
February 2021

Water Cycle
• This slideshow is just a continuation of the “alcohol ink” series on
synthetic and non-synthetic paper, during the SARS-CoV-2 / COVID-19
pandemic.
• Ideally (and in theory)…
• the visual works have to work “globally” often with general shapes and colors
and lines.
• the works should contain visual interest wherever the eye lands. This is
handled often with line, color, texture, and other elements.
• Mostly, it is about experimentation with materials and digital editing
and having fun (for me, anyway).
12

Water Cycle(cont.)
• This work continues a turning to digital image editing for variations
from the original seeding alcohol inks.
• I am learning about combinatorial complexity in various filters and
hue and saturation and vibrance changes. I am learning about how
sequentiality affects the contents of the digital visual image (based on
the alcohol ink works).
13

Water Cycle(cont.)
• This work also coincides with the recycling of many of the initial
batches of doodles at the local recyclery, which takes plastics (#5).
My sense is that the true state of the visuals is digital (in terms of
versioning).
• I kept a few which involved new learning and perhaps a glimmer of sentiment.
• As to re-use, I drew over some of the prior ones to see if I could make
something workable through ink layering.
• Interestingly, while the analog or physical version can seem a little muddy,
digital editing can bring out some interesting aspects.
14

Water Cycle(cont.)
• The title of this slideshow continues to play with ideas of liquidity and
water. Perhaps there are some environmental evocations here, too.
But labels are all applied pretty lightly.
• At some point, I will go to paintbrushes, but right now, the pouring,
tilting, application of air pressure, and the use of a hair dryer for
quick-drying of some of the works…are the main approaches…beyond
the digital editing later (for the variants).
• My preferences are still for the accidental shapes and colors and ink mixes vs.
the high-control digital…
15

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This slideshow "Dry Spell" contains various exploratory visuals as an escape from WFH (working from home) in a time of a hopefully waning pandemic...and to learn features of the digital image editing software used. The use of acrylic ink on the synthetic papers was a total #fail, but perhaps those might be better used on different paper and with actual paintbrushes. Alcohol inks play well themselves but not so much with acrylic. Or perhaps the experiment did not work because there was not enough focus or forethought.

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This is the latest in the "common art" series to cope with the stresses of the SARS-CoV-2 / COVID-19 pandemic. Today is the day of my second dose of the Moderna vaccine. Step-by-step, societies are starting to unwind the massive harms of this zoonotic pathogenic virus. There have been sobering lessons about what humans actually do in a time of crisis, both positives and negatives. Here is to hope.

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This is in the next of the slideshow series of creating alcohol ink and digital "common art" as a coping mechanism during the SARS-CoV-2 / COVID-19 pandemic. This set uses visuals from prior alcohol ink scans...to create new shapes based on the learning of how to apply vector masks in Adobe Photoshop 2021. Ideally, unique shapes would have been used, but at this moment of busyness, those will have to be created and applied in another time.

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This slideshow continues the "drip playing" series...by sharing some more works, which were created as a form of escapism and creativity during the SARS-CoV-2 / COVID-19 pandemic. These were created using alcohol inks mostly and a common digital image editing software. These were created on translucent synthetic paper, white synthetic paper, and black cardstock respectively. Even though many of these are abstract, I see these as pseudo-explorations of forms. And there is the interplay between the physical material / analog and digital.

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Sluice

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This work is about some alcohol ink drawings made by a newbie for fun during a time of the SARS-CoV-2 pandemic over several days. The works explore how the alcohol ink interacts with a particular synthetic paper for different visual effects. The works occasionally include some other mixed media. Most of these were not digitally edited except for the creation of an alpha channel. A few did include some more digital editing to align with the name of the visual.

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1. Water Cycle A newbie’s play in alcohol inks, synthetic papers, and digital image editing… Shalin Hai-Jew February 2021

10. 10 Walk on the Konza

11. 11 Cheers

12. Water Cycle • This slideshow is just a continuation of the “alcohol ink” series on synthetic and non-synthetic paper, during the SARS-CoV-2 / COVID-19 pandemic. • Ideally (and in theory)… • the visual works have to work “globally” often with general shapes and colors and lines. • the works should contain visual interest wherever the eye lands. This is handled often with line, color, texture, and other elements. • Mostly, it is about experimentation with materials and digital editing and having fun (for me, anyway). 12

13. Water Cycle(cont.) • This work continues a turning to digital image editing for variations from the original seeding alcohol inks. • I am learning about combinatorial complexity in various filters and hue and saturation and vibrance changes. I am learning about how sequentiality affects the contents of the digital visual image (based on the alcohol ink works). 13

14. Water Cycle(cont.) • This work also coincides with the recycling of many of the initial batches of doodles at the local recyclery, which takes plastics (#5). My sense is that the true state of the visuals is digital (in terms of versioning). • I kept a few which involved new learning and perhaps a glimmer of sentiment. • As to re-use, I drew over some of the prior ones to see if I could make something workable through ink layering. • Interestingly, while the analog or physical version can seem a little muddy, digital editing can bring out some interesting aspects. 14

15. Water Cycle(cont.) • The title of this slideshow continues to play with ideas of liquidity and water. Perhaps there are some environmental evocations here, too. But labels are all applied pretty lightly. • At some point, I will go to paintbrushes, but right now, the pouring, tilting, application of air pressure, and the use of a hair dryer for quick-drying of some of the works…are the main approaches…beyond the digital editing later (for the variants). • My preferences are still for the accidental shapes and colors and ink mixes vs. the high-control digital… 15

16. On translucent synth paper 16

17. 17 Boiling

18. 18 Evapotranspiration

19. 19 New Deal

20. 20 Between Spaces

21. 21 Hide and Go Seek

22. 22 Glacial Ice

23. 23 Flora

24. 24 Wind and Rocks

25. 25 Leaky Sun

26. 26 Tundra

27. 27 Mushroom Hunting