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Mise-En-Scene
The movement of the
                                                              camera and lens can
                                                                also be used within
                                                               mise-en-scene, in a
                                                                  similar way. For
                                                               example, the classic
                                                              first scene from Jaws
                                                               in which the camera
                                                                  zooms out whilst
                                                                tracking forward, to
                                                             distort the background
                                                             of the image while the
                                                             character remains the
                                                               same size within the
                                                                 shot. This is used
Camera Shots, angles and movement can be used as part              metaphorically
  of mise-en-scene in a few ways. Different shots can be      because the beach is
used metaphorically within the scene, such as a high angle    being attacked by the
or birds eye shots being used to make the character seem     shark, ‘distorted’, while
  smaller or as a religious reference such as God looking          people remain
down on them, or a low angle shot with the opposite affect   unaware and continue
  of the character seeming larger and of more authority.              normally.
Props
• Props within a shot can play a big
  part in what a demographic views
  of the person with it, or the            Within The Street extract
  scenario it is in. In a similar way to   that we watched, a shot
                                           took place of the chocolate
  a characters costume, if the             éclair prop just after she
  character was to be using an             had gone upstairs to cheat
  intricately designed cane or walking     on her husband with the
  stick you would assume that both         man who had fixed the
  they are quite posh or well off, they    water leak from the sink,
                                           and when they return they
  may be old or have some sort of          share it together. This is
  problem with walking and that it         used for both continuity and
  may be from a different time period      to help signify their
  depending on the rest of the             indulgence, and as they are
  setting.                                 both from middle/lower
                                           classes, it helps with this
                                           because they would not
                                           usually have the treat.
Costume
• Costume will often be used to help
  demographics get an idea of the
  characters class, sexuality, age,
  race, time period or in some cases
  gender. This can be done easily
  because people have ideologies that
  link different clothing to all of these   With this example it can
  aspects automatically, but it isn’t       also be enhanced by
  necessarily correct. For example a        setting, i.e. if the
  man wearing camp clothing and             character were in a dark
  make-up or a woman with short hair        alley etc.
  and tattoos would be seen as ‘gay’.
  Or a young person with a hood might
  be seen as a potentially violent
  character.
• As a demographic, people will
  always be looking to judge or
  understand a lot of the key           Character
  characters within a scene, almost
  subconsciously. Therefore the way
  that characters acts may have to be
  very specific in order for the viewers
  to fully understand this character, or
  not understand if the idea is for
  them to be mysterious. For
  example, a character may be              •Another example
  manipulative and therefore their       would be something as
  actions can show so through the         simple as showing a
  way they talk to others and the way        less confident
  that the other character reacts to          character not
  this.                                  conversing with a lot of
                                        other characters and in
                                         their body language,
                                             which will be
                                        immediately picked up
                                         by the majority of the
                                               audience.
• As with the Characters, costume and
Setting     props, the setting of a scene is also used
            to enhance the demographics
            understanding of the scene, i.e. if it were
            set in a castle or mansion then you would
            assume that they are rich and depending
            on which of these it is and the style of it,
            what time period it is set in. As well as
            helping the viewer understand, it can also
            mean more toward understanding the
            character deeper, if they were to be
            spending a lot of their shots in the same
            location away from others you may say
            that he is very desolate and keeps
            themselves to themselves.
• Sounds is used within a scene to enhance
                                                Sound
  the mood of it, almost always soft music
  for slower/longer scenes of emotion, and
  faster, high tempo music for a chase or
  action sequence. This is not always true,
  and when a scene uses opposing music
  than what would be assumed to fit the
  scene, it is known as contrapuntal sound,
  an example would be from ‘9’ where they
  are playing ‘(somewhere) over the
  rainbow’ diagetically within the scene to
  celebrate a victory, and then they are
  attacked again with the music still playing
  in the background.
Lighting
•   ‘The intensity, direction, and quality of lighting have a profound
    effect on the way an image is perceived. Light (and shade) can
    emphasise texture, shape, distance, mood, time of day or
    night, season, glamour; it affects the way colours are rendered,
    both in terms of hue and depth, and can focus attention on
    particular elements of the composition.’


                                     For example dark colours will resemble
                                     darker and more mysterious characters as
                                     it is simply perceived this way. Not being
                                     able to see all of a person through lighting
                                     intrigues an audience into wanting to know
                                     more about the character. While lighter
                                     and brighter ones will have the opposite
                                     affect.
•   The narrative of a film or TV show
                                                     is sometimes considered to be
   Narrative                                         slightly apart from mise-en-scene
                                                     because the narrative itself is the
                                                     way in which the story is told on
The narrative of a piece of media is closely         screen while mise-en-scene goes
related to the plot itself, and how it is            more in depth into every aspect of
depicted through screenplay throughout.              the shot itself.
There are a few different ways that this can
be done; Simply showing the plot from start
to finish the way it happens
(chronologically), through starting the TV
                                                               End      Opening
show or film later on in the plot and
unfolding throughout, or through different
methods such as repeating a single event         Solution
and showing a different result or outcome
from each. All will have a different affect on
the larger demographic, whether it is                                         Build Up
intrigue or suspense.                                Problem
• Within Mise-en-scene, editing can
  play a slight part into making the
  scene. Editing has to be ‘seamless’,
  so it is a very precise art of making
                                                          Editing
  editing work with the scene.
                                             Continuity Editing: Is when, within a
                                             scene, the shots will blend together and
                                             use techniques such as the 180 degree
                                             rule, establishing shots and shot reverse
                                             shot. An example of this would be within
                                             a conversation, using both shot reverse
                                             shot and 180 degree rule. More complex
                                             examples might include if somebody was
Discontinuity Editing: This is essentially   to mention a characters name within a
the opposite of continuity editing,          scene and then cuts to a shot of that
deliberately working against the scene.      character.
The viewer’s expectation of continuity can
be violated by such methods as changing
image size between shots, changing
direction or changing frames before the
viewers has time to take in what is
happening within the scene.
Constructional
    • Constructional
representation is the idea
  that representation is a
  mixture of many things;
    The thing itself, The
   opinions of the people
     representing that
subject/item, The reaction
of the individual that views
 the thing/subject and the
 context that it has within
the larger society that it is
      taking place in.
Reflective
•   Reflective representation is when the media
    represents something, taking the true meaning
    and attempting to create a replica of it within the
    viewer/readers mind within the audience - like a
    reflection, hence the name.
•   A lot of people will naturally assume that the
    news is an accurate representation of what is
    going on. However it doesn’t take much thought
    to realise that the news often manipulates
    information to keep viewers interested with the
    subject and to give the audience part of their
    personal opinion of it.
•   A major example would be that in America, a lot
    of the news on the war in Iraq perceives it as
    being very worth the losses made, however in
    England it isn’t as strong and is often a shy
    subject within news, which creates a very
    different opinion of the war with the public.
Intentional
• Intentional representation is essentially the
  opposite of reflective, this time the most
  important person is the one doing the
  representing.
• They present their own view of the thing they are
  representing using words or images to show this
  how they mean it to. This is known as the
  preferred reading, the meaning that producers of
  texts would like the audience to receive.
Different Ideologies
• An ideology is what the greater community
  naturally assume about a race, religion, gender
  or sexuality. For example, if a Muslim was sat on
  a train with a rucksack on, some people would
  naturally assume and be wary that they are a
  terrorist.
• This can sometimes be from the representation
  that is produced from the news or from television
  programmes/movies. I.e. representing that
  ‘hoodies’ are all bad etc.

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Mise en-scene Research

  • 2. The movement of the camera and lens can also be used within mise-en-scene, in a similar way. For example, the classic first scene from Jaws in which the camera zooms out whilst tracking forward, to distort the background of the image while the character remains the same size within the shot. This is used Camera Shots, angles and movement can be used as part metaphorically of mise-en-scene in a few ways. Different shots can be because the beach is used metaphorically within the scene, such as a high angle being attacked by the or birds eye shots being used to make the character seem shark, ‘distorted’, while smaller or as a religious reference such as God looking people remain down on them, or a low angle shot with the opposite affect unaware and continue of the character seeming larger and of more authority. normally.
  • 3. Props • Props within a shot can play a big part in what a demographic views of the person with it, or the Within The Street extract scenario it is in. In a similar way to that we watched, a shot took place of the chocolate a characters costume, if the éclair prop just after she character was to be using an had gone upstairs to cheat intricately designed cane or walking on her husband with the stick you would assume that both man who had fixed the they are quite posh or well off, they water leak from the sink, and when they return they may be old or have some sort of share it together. This is problem with walking and that it used for both continuity and may be from a different time period to help signify their depending on the rest of the indulgence, and as they are setting. both from middle/lower classes, it helps with this because they would not usually have the treat.
  • 4. Costume • Costume will often be used to help demographics get an idea of the characters class, sexuality, age, race, time period or in some cases gender. This can be done easily because people have ideologies that link different clothing to all of these With this example it can aspects automatically, but it isn’t also be enhanced by necessarily correct. For example a setting, i.e. if the man wearing camp clothing and character were in a dark make-up or a woman with short hair alley etc. and tattoos would be seen as ‘gay’. Or a young person with a hood might be seen as a potentially violent character.
  • 5. • As a demographic, people will always be looking to judge or understand a lot of the key Character characters within a scene, almost subconsciously. Therefore the way that characters acts may have to be very specific in order for the viewers to fully understand this character, or not understand if the idea is for them to be mysterious. For example, a character may be •Another example manipulative and therefore their would be something as actions can show so through the simple as showing a way they talk to others and the way less confident that the other character reacts to character not this. conversing with a lot of other characters and in their body language, which will be immediately picked up by the majority of the audience.
  • 6. • As with the Characters, costume and Setting props, the setting of a scene is also used to enhance the demographics understanding of the scene, i.e. if it were set in a castle or mansion then you would assume that they are rich and depending on which of these it is and the style of it, what time period it is set in. As well as helping the viewer understand, it can also mean more toward understanding the character deeper, if they were to be spending a lot of their shots in the same location away from others you may say that he is very desolate and keeps themselves to themselves.
  • 7. • Sounds is used within a scene to enhance Sound the mood of it, almost always soft music for slower/longer scenes of emotion, and faster, high tempo music for a chase or action sequence. This is not always true, and when a scene uses opposing music than what would be assumed to fit the scene, it is known as contrapuntal sound, an example would be from ‘9’ where they are playing ‘(somewhere) over the rainbow’ diagetically within the scene to celebrate a victory, and then they are attacked again with the music still playing in the background.
  • 8. Lighting • ‘The intensity, direction, and quality of lighting have a profound effect on the way an image is perceived. Light (and shade) can emphasise texture, shape, distance, mood, time of day or night, season, glamour; it affects the way colours are rendered, both in terms of hue and depth, and can focus attention on particular elements of the composition.’ For example dark colours will resemble darker and more mysterious characters as it is simply perceived this way. Not being able to see all of a person through lighting intrigues an audience into wanting to know more about the character. While lighter and brighter ones will have the opposite affect.
  • 9. The narrative of a film or TV show is sometimes considered to be Narrative slightly apart from mise-en-scene because the narrative itself is the way in which the story is told on The narrative of a piece of media is closely screen while mise-en-scene goes related to the plot itself, and how it is more in depth into every aspect of depicted through screenplay throughout. the shot itself. There are a few different ways that this can be done; Simply showing the plot from start to finish the way it happens (chronologically), through starting the TV End Opening show or film later on in the plot and unfolding throughout, or through different methods such as repeating a single event Solution and showing a different result or outcome from each. All will have a different affect on the larger demographic, whether it is Build Up intrigue or suspense. Problem
  • 10. • Within Mise-en-scene, editing can play a slight part into making the scene. Editing has to be ‘seamless’, so it is a very precise art of making Editing editing work with the scene. Continuity Editing: Is when, within a scene, the shots will blend together and use techniques such as the 180 degree rule, establishing shots and shot reverse shot. An example of this would be within a conversation, using both shot reverse shot and 180 degree rule. More complex examples might include if somebody was Discontinuity Editing: This is essentially to mention a characters name within a the opposite of continuity editing, scene and then cuts to a shot of that deliberately working against the scene. character. The viewer’s expectation of continuity can be violated by such methods as changing image size between shots, changing direction or changing frames before the viewers has time to take in what is happening within the scene.
  • 11. Constructional • Constructional representation is the idea that representation is a mixture of many things; The thing itself, The opinions of the people representing that subject/item, The reaction of the individual that views the thing/subject and the context that it has within the larger society that it is taking place in.
  • 12. Reflective • Reflective representation is when the media represents something, taking the true meaning and attempting to create a replica of it within the viewer/readers mind within the audience - like a reflection, hence the name. • A lot of people will naturally assume that the news is an accurate representation of what is going on. However it doesn’t take much thought to realise that the news often manipulates information to keep viewers interested with the subject and to give the audience part of their personal opinion of it. • A major example would be that in America, a lot of the news on the war in Iraq perceives it as being very worth the losses made, however in England it isn’t as strong and is often a shy subject within news, which creates a very different opinion of the war with the public.
  • 13. Intentional • Intentional representation is essentially the opposite of reflective, this time the most important person is the one doing the representing. • They present their own view of the thing they are representing using words or images to show this how they mean it to. This is known as the preferred reading, the meaning that producers of texts would like the audience to receive.
  • 14. Different Ideologies • An ideology is what the greater community naturally assume about a race, religion, gender or sexuality. For example, if a Muslim was sat on a train with a rucksack on, some people would naturally assume and be wary that they are a terrorist. • This can sometimes be from the representation that is produced from the news or from television programmes/movies. I.e. representing that ‘hoodies’ are all bad etc.