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inspiringradicalaction
presentation: jump!ers:for: date:
jump! Comedy Rubberneck jump!
friends
jump! team July 2010
© jump!® 2010
inspiringradicalaction
2
Welcome to the seventh jump! Rubberneck
It’s about Guts. It’s about comedy. It’s about building better brands.
In our 2009 jump! Christmas card we suggested the
word to best capture the zeitgeist of 2010 will be
GUTS.
More than just ‘courage’, ‘Guts’ demands action –
radical action.
The guts to start your own business, to emigrate, to
stand up for or against, to survive, to lead, to re-
invent, to re-take control of your life, your
business, your brand, your country.
To fundamentally change your approach to everything.
Figure out what you believe in – and act on that.
Guts.
Ever thought about what it takes to stand up in front
of hundreds of strangers and make them laugh?
Well, guts, among other things.
This Rubberneck explores what it takes to be a stand-
up comic, how comics hold our attention and…
…how brands can act differently in order to connect
more powerfully with people and drive growth.
© jump!® 2010
inspiringradicalaction
3
What would happen if you built your brand according to the principles of comedy?
Every second of every day, we’re on show. We put our brands on shelves, in hands, in
homes. We want people to fall in love with us, to find something special in what we have
to offer. And we’re constantly looking for ways to do this better.
It’s like being in a world where it’s you, on your own, trying to win over hundreds of
people. How would you do it? We thought about this and decided we could learn
from...comedians!
Making people laugh is a big deal.
Doing so means you have stirred an emotion, caused a reaction, engaged with someone, forged
a deeper connection, surprised, delighted or shaken people’s thinking in some way.
Aren’t these the things brands need to do everyday?
Comedy is growing fast. New comedy clubs are springing up at pace and club owners talk
about being inundated with people looking for stage time.
We checked out the comedy scene in Dublin and beyond. We went to gigs, big and small, to
open mic sessions and to the Cat Laughs Comedy Festival in Kilkenny.
We spoke to people in the audience, comedy club owners and comics themselves to find out
what makes Irish stand-up tick.
So without further ado, ladies and gentlemen, let’s give it up for…
© jump!® 2010
inspiringradicalaction
4
...the stars of Irish stand-up comedy
This is ‘naked marketing’!
These guys are selling to us.
Selling their ideas, their observations, their life experience.
And it’s ‘ker-ching’ every time we laugh
image source: google images
© jump!® 2010
inspiringradicalaction
5
When comedy connects with us it‟s powerful and it‟s physical.
We laugh, we cry, we throw our heads back, our sides hurt…
We saw comics regularly do five things
- five Principles of Comedy, if you will.
“Comics say what‟s s**t and then add a punch line”…PJ Gallagher tells
us in his act. By highlighting life‟s screw-ups and idiosyncrasies comics
force a connection and grab our attention.
Comics impose their imagination on us. Comics create a distorted
world and then keep building the story as if everything is normal.
Comics talk about core emotions and experiences; relationships, sex,
growing up, growing old, abuse, being male, being female, being gay…
Often taking risks when they do so – saying the unsayable.
Comics create a story from which they digress and then return to, using
it as a lens to look at life from different and surprising perspectives.
Most comics we saw make the audience part of the act. It adds
spontaneity, realness and a little risk to the evening‟s entertainment
image source: google images
© jump!® 2010
inspiringradicalaction
6
There‟s a dynamic to comedy - from „punchline‟ to laughing together to mood change.
And it prompts questions for brands.
Comics tell us that the key part of
the word „punchline‟ is „punch‟.
In order to impact, and so create
laughter, comics need to „punch
through our assumptions and
expectations‟, to jolt us out of our
complacency.
Behavioural Science suggests that
laughter signals being part of a
group. We tend to laugh with others.
It creates a bond.
The saying goes that “laughter is
contagious”.
One comic suggested to us that
laughter is so powerful that a
comedy audience is a few short steps
away form becoming a mob!
We love things that alter our mood
– a movie, a couple of drinks,
chocolate, comedy…
When we laugh we are forced to
focus on the moment, to enter the
comic‟s world and so to escape our
real world cares and routine.
Our mood changes, we escape,
sometimes we re-think our
assumptions.
‘Punches’ Laughs Together Changes Mood
The Act The Audience The Individual
Where‟s your brand‟s punch?
How do you demand
attention?
What does your brand enable
people to do together?
What is the mood change
your brand promises? What
are you asking people to re-
think?
image source: google images
© jump!® 2010
inspiringradicalaction
7
So what do Irish people laugh at?
Comedy is entirely individual. Each comic has his or her own style and content. The key is to find a way of connecting
their individual subject matter to what the audience can relate to.
Dara O‟Briain does one routine based on chemical formulae. If a guy can deliver laughs from this material, then pretty
much anything is up for grabs.
Themes we see comics mining often include the church, the „battle of the sexes‟, sex, growing up, whatever is in the
news that week.
© jump!® 2010
inspiringradicalaction
8
It only takes original thinking, intelligence, guts, boldness, empathy, visualisation, personal
magnetism, expressiveness and plain speaking to be a comic.
It‟s not a bad start point for brands either!
“His intelligence is a big thing, he is a
really smart guy. I think the way he
delivers, he is very well articulated and
he’s just sharp” – Comedy Fan, F, 27
“I mean, it takes guts to stand up on stage
in the first place, it takes guts to say I am
here and I am going to be funny” –
Comedy Fan, M, 28
“If someone is there having a good time
themselves and putting a positive vibe
out there then I think it bodes well. Your
eyes are glued on them”- Comedy Fan, M,
22
It takes a lot to be a comic …
Original thinking to look at everyday life
differently
Intelligence to make unexpected connections,
to react to the crowd quickly
GUTS to step on stage, to face the crowd
Boldness to tackle tough subjects and push
them further, to express a new view on people
Empathy - to understand situations from
others‟ perspective, to establish rapport
quickly
Visualisation – to conjure up pictures and
ideas in our minds, to play with thoughts, to
mix things up
Personal magnetism to compel us to join the
imaginary world they create
Expressiveness and plain speaking– to bring
their act alive, to say it as it is.
“I think, how can they do this, how can
they stand in front of a couple of
hundred people? Balls of steel - you have
to respect them for it” - Comedy Fan, M
24
…and people really appreciate this:
What could these qualities do for your brand?
What new customer interaction and relationship could they stimulate?
image source: google images
© jump!® 2010
inspiringradicalaction
9
Based on our learnings from the world of comedy, how could brands benefit?
What’s in it for me?
A brand that applies the principles
of comedy and the qualities of
comics arguably…
…becomes more magnetic, a more
compelling force, something
people want to be part of.
A brand that…
 shows people a new and better
way – new solutions to
enduring needs
 is full of original ideas
 has the guts to stand up for its
beliefs
 is in tune with people‟s core
needs and emotions
 is quick-thinking and quick
to act on opportunities
 and gets talked about
© jump!® 2010
inspiringradicalaction
10
Five ‘re-thinks’ for your brand
So, what would a brand built on the
principles of comedy do?
Five things…
Start with an important dissatisfaction
Create your brand‟s „distorted reality‟.
Talk about stuff that really counts.
Go beyond campaigns.
1. Highlight What’s Wrong
2. Subvert Reality
3. Cut to Core Emotions
4. Build Your Story
5. Work the Crowd Harness group energy.
© jump!® 2010
inspiringradicalaction
11
1. Highlight What’s Wrong
We complain that „The News‟ is always bad.
But we pay attention to what‟s wrong in life.
Comics understand this.
They know that positive, happy, “life is
wonderful” situations don‟t produce humour.
We laugh when the guy falls down the man-hole,
not when he jumps over it.
And when we‟re laughing, the comic has our
attention.
The default for so many brand communications is
to focus on the positive benefit a brand delivers.
But in our race to sell the positive we create a
perfect world that feels like „marketing‟.
And we miss the opportunity to empathise and
grab attention by exploring what people find
wrong with life.
And so miss the opportunity to make our brand‟s
benefit more relevant, more desirable, more
significant.
Diesel invites you to
“DISCONNECT”.
To reject making pseudo
„friends‟ on social networks.
www.facepark.org…
Diesel takes on a quite well
known social networking brand!
© jump!® 2010
inspiringradicalaction
12
Yup. Diesel again.
Diesel's „Be Stupid‟ campaign
shows us how life could be more
fun if we let ourselves “be
stupid”.
It creates an alternative world
that rejects the refrain we hear
since childhood; “Don‟t Be Stupid,
you can‟t do that”.
Comics create a distorted reality and compel us to join them in this place.
Brands can create any world they like for themselves…
…a place where the brand creates the rules and shows us what the world
would be like if they were in charge…
… creating distinctiveness, fascination, magnetism.
2. Subvert Reality
© jump!® 2010
inspiringradicalaction
13
Check out Puma‟s “Hard Chorus” video on youtube….
http://www.youtube.com/watch?v=Mo2wFptAX3k
Here are some things that
grab our attention…
Love
Relationships
Sex
Growing up
Being male
Being female
Unfairness
Courage
Discrimination
This is really worth watching. Enjoy Puma celebrating the fact
that even guys who are hard core football fans genuinely love
the women in their lives.
Comics frequently choose subject matter
that‟s close to the bone, that cuts to core
emotions.
If you‟re going to stand up alone in front
of a hundred people, you‟d better talk
about what really counts.
And if you want people to join your brand,
shouldn‟t you talk about what counts?
3. Cut to Core Emotions
© jump!® 2010
inspiringradicalaction
14
Stories hold people‟s interest.
Comics will tell you that Irish audiences
respond to comedy that is built around
stories; more so than British audiences who
seem to warm more to “quick fire gags”.
Comics „hang‟ their message on stories.
They open a story, go off on a tangent,
return to their theme again and so on…
…always weaving in new connections, using
the story to put a new spin on the subject
matter behind their comedy.
How many brands really build their story
over time?
Take a cause, a theme, a passion that is
close to the heart of the brand - then play
with it, own it, find new depths, new
meanings that hold our attention?
Bulmers never stray far from their story about craftsmanship, time,
care, the goodness of apples, the goodness of orchards…
Hell, they even talk about apples when they launch a pear cider!
4. Build Your Story
© jump!® 2010
inspiringradicalaction
15
By making their audience part of their act,
comics create a dynamic that is different to
most other art forms…
…a sense of realness and a little risk.
People feel they are contributors to
something real.
Most brands do interaction. They create the
obligatory Facebook page, they create
competitions etc.
How many brands make people feel like
contributors to something real?
How many brands harness the energy of
their customers and focus it on a cause, an
issue or a passion that is important to them?
Think Innocent‟s „Big Knit‟, Tesco‟s
„Computers for Schools‟…
…and O2‟s „Be The Difference‟ sponsorship
of the Ireland rugby team…
5. Work the Crowd
O2 creates energy around its sponsorship of the Ireland rugby team by
involving rugby fans and helping them “Be The Difference” for the team.
Video your pre-match team talk to the
Ireland Rugby team with O2.
Give the players your autograph!
Get your signature on the Ireland
match jersey with O2.
© jump!® 2010
inspiringradicalaction
16
What next?
So what would a brand built on the
principles of comedy do?
1. Highlight What’s Wrong
2. Subvert Reality
3. Cut to Core Emotions
4. Build Your Story
5. Work the Crowd
We think the learnings for brands from the
principles of stand-up comedy are a big deal.
Comics create a connection with their
audience, they stir emotions, raise energy
and shake people‟s thinking.
If you see potential in applying some of the
learnings and strategies in this Rubberneck to
your brand, then let‟s talk.
We can apply this thinking to strategy,
positioning and innovation through tools such
as research and team workshops.
© jump!® 2010
inspiringradicalaction
17
We hope this Comedy Rubberneck stimulates new
thinking, ideas and possibilities for your brand.
Interested in talking about how the principles of
comedy could create new engagement and new
growth for your brand?
…call us or e-mail us:
ruan@jump.ie : +353 (0)86 6504360
lee@jump.ie : +353 (0)86 3043837
paul@jump.ie : +353 (0)86 3800787
bettina@jump.ie : +353 (0)87 2237777
louise@junp.ie : + +353 (0) 87 6164684
Our sincere thanks to:
Andrew Stanley
John Lynn
Neil Delamere
Fred Cooke
AbandoMan (aka Rob Broderick)
Frank Gordon (Bray & Dalkey Comedy Clubs)
Simon O‟Keefe (Capital Comedy)
Peter O‟Mahony (Laughter Lounge)
Eavan Kenny (Lisa Richards Agency)
Des Doris (Alchemy Events)
& PJ Gallagher (inadvertently!)
Thanks! You‟ve been a lovely audience!

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jump! comedy rubberneck

  • 1. inspiringradicalaction presentation: jump!ers:for: date: jump! Comedy Rubberneck jump! friends jump! team July 2010
  • 2. © jump!® 2010 inspiringradicalaction 2 Welcome to the seventh jump! Rubberneck It’s about Guts. It’s about comedy. It’s about building better brands. In our 2009 jump! Christmas card we suggested the word to best capture the zeitgeist of 2010 will be GUTS. More than just ‘courage’, ‘Guts’ demands action – radical action. The guts to start your own business, to emigrate, to stand up for or against, to survive, to lead, to re- invent, to re-take control of your life, your business, your brand, your country. To fundamentally change your approach to everything. Figure out what you believe in – and act on that. Guts. Ever thought about what it takes to stand up in front of hundreds of strangers and make them laugh? Well, guts, among other things. This Rubberneck explores what it takes to be a stand- up comic, how comics hold our attention and… …how brands can act differently in order to connect more powerfully with people and drive growth.
  • 3. © jump!® 2010 inspiringradicalaction 3 What would happen if you built your brand according to the principles of comedy? Every second of every day, we’re on show. We put our brands on shelves, in hands, in homes. We want people to fall in love with us, to find something special in what we have to offer. And we’re constantly looking for ways to do this better. It’s like being in a world where it’s you, on your own, trying to win over hundreds of people. How would you do it? We thought about this and decided we could learn from...comedians! Making people laugh is a big deal. Doing so means you have stirred an emotion, caused a reaction, engaged with someone, forged a deeper connection, surprised, delighted or shaken people’s thinking in some way. Aren’t these the things brands need to do everyday? Comedy is growing fast. New comedy clubs are springing up at pace and club owners talk about being inundated with people looking for stage time. We checked out the comedy scene in Dublin and beyond. We went to gigs, big and small, to open mic sessions and to the Cat Laughs Comedy Festival in Kilkenny. We spoke to people in the audience, comedy club owners and comics themselves to find out what makes Irish stand-up tick. So without further ado, ladies and gentlemen, let’s give it up for…
  • 4. © jump!® 2010 inspiringradicalaction 4 ...the stars of Irish stand-up comedy This is ‘naked marketing’! These guys are selling to us. Selling their ideas, their observations, their life experience. And it’s ‘ker-ching’ every time we laugh image source: google images
  • 5. © jump!® 2010 inspiringradicalaction 5 When comedy connects with us it‟s powerful and it‟s physical. We laugh, we cry, we throw our heads back, our sides hurt… We saw comics regularly do five things - five Principles of Comedy, if you will. “Comics say what‟s s**t and then add a punch line”…PJ Gallagher tells us in his act. By highlighting life‟s screw-ups and idiosyncrasies comics force a connection and grab our attention. Comics impose their imagination on us. Comics create a distorted world and then keep building the story as if everything is normal. Comics talk about core emotions and experiences; relationships, sex, growing up, growing old, abuse, being male, being female, being gay… Often taking risks when they do so – saying the unsayable. Comics create a story from which they digress and then return to, using it as a lens to look at life from different and surprising perspectives. Most comics we saw make the audience part of the act. It adds spontaneity, realness and a little risk to the evening‟s entertainment image source: google images
  • 6. © jump!® 2010 inspiringradicalaction 6 There‟s a dynamic to comedy - from „punchline‟ to laughing together to mood change. And it prompts questions for brands. Comics tell us that the key part of the word „punchline‟ is „punch‟. In order to impact, and so create laughter, comics need to „punch through our assumptions and expectations‟, to jolt us out of our complacency. Behavioural Science suggests that laughter signals being part of a group. We tend to laugh with others. It creates a bond. The saying goes that “laughter is contagious”. One comic suggested to us that laughter is so powerful that a comedy audience is a few short steps away form becoming a mob! We love things that alter our mood – a movie, a couple of drinks, chocolate, comedy… When we laugh we are forced to focus on the moment, to enter the comic‟s world and so to escape our real world cares and routine. Our mood changes, we escape, sometimes we re-think our assumptions. ‘Punches’ Laughs Together Changes Mood The Act The Audience The Individual Where‟s your brand‟s punch? How do you demand attention? What does your brand enable people to do together? What is the mood change your brand promises? What are you asking people to re- think? image source: google images
  • 7. © jump!® 2010 inspiringradicalaction 7 So what do Irish people laugh at? Comedy is entirely individual. Each comic has his or her own style and content. The key is to find a way of connecting their individual subject matter to what the audience can relate to. Dara O‟Briain does one routine based on chemical formulae. If a guy can deliver laughs from this material, then pretty much anything is up for grabs. Themes we see comics mining often include the church, the „battle of the sexes‟, sex, growing up, whatever is in the news that week.
  • 8. © jump!® 2010 inspiringradicalaction 8 It only takes original thinking, intelligence, guts, boldness, empathy, visualisation, personal magnetism, expressiveness and plain speaking to be a comic. It‟s not a bad start point for brands either! “His intelligence is a big thing, he is a really smart guy. I think the way he delivers, he is very well articulated and he’s just sharp” – Comedy Fan, F, 27 “I mean, it takes guts to stand up on stage in the first place, it takes guts to say I am here and I am going to be funny” – Comedy Fan, M, 28 “If someone is there having a good time themselves and putting a positive vibe out there then I think it bodes well. Your eyes are glued on them”- Comedy Fan, M, 22 It takes a lot to be a comic … Original thinking to look at everyday life differently Intelligence to make unexpected connections, to react to the crowd quickly GUTS to step on stage, to face the crowd Boldness to tackle tough subjects and push them further, to express a new view on people Empathy - to understand situations from others‟ perspective, to establish rapport quickly Visualisation – to conjure up pictures and ideas in our minds, to play with thoughts, to mix things up Personal magnetism to compel us to join the imaginary world they create Expressiveness and plain speaking– to bring their act alive, to say it as it is. “I think, how can they do this, how can they stand in front of a couple of hundred people? Balls of steel - you have to respect them for it” - Comedy Fan, M 24 …and people really appreciate this: What could these qualities do for your brand? What new customer interaction and relationship could they stimulate? image source: google images
  • 9. © jump!® 2010 inspiringradicalaction 9 Based on our learnings from the world of comedy, how could brands benefit? What’s in it for me? A brand that applies the principles of comedy and the qualities of comics arguably… …becomes more magnetic, a more compelling force, something people want to be part of. A brand that…  shows people a new and better way – new solutions to enduring needs  is full of original ideas  has the guts to stand up for its beliefs  is in tune with people‟s core needs and emotions  is quick-thinking and quick to act on opportunities  and gets talked about
  • 10. © jump!® 2010 inspiringradicalaction 10 Five ‘re-thinks’ for your brand So, what would a brand built on the principles of comedy do? Five things… Start with an important dissatisfaction Create your brand‟s „distorted reality‟. Talk about stuff that really counts. Go beyond campaigns. 1. Highlight What’s Wrong 2. Subvert Reality 3. Cut to Core Emotions 4. Build Your Story 5. Work the Crowd Harness group energy.
  • 11. © jump!® 2010 inspiringradicalaction 11 1. Highlight What’s Wrong We complain that „The News‟ is always bad. But we pay attention to what‟s wrong in life. Comics understand this. They know that positive, happy, “life is wonderful” situations don‟t produce humour. We laugh when the guy falls down the man-hole, not when he jumps over it. And when we‟re laughing, the comic has our attention. The default for so many brand communications is to focus on the positive benefit a brand delivers. But in our race to sell the positive we create a perfect world that feels like „marketing‟. And we miss the opportunity to empathise and grab attention by exploring what people find wrong with life. And so miss the opportunity to make our brand‟s benefit more relevant, more desirable, more significant. Diesel invites you to “DISCONNECT”. To reject making pseudo „friends‟ on social networks. www.facepark.org… Diesel takes on a quite well known social networking brand!
  • 12. © jump!® 2010 inspiringradicalaction 12 Yup. Diesel again. Diesel's „Be Stupid‟ campaign shows us how life could be more fun if we let ourselves “be stupid”. It creates an alternative world that rejects the refrain we hear since childhood; “Don‟t Be Stupid, you can‟t do that”. Comics create a distorted reality and compel us to join them in this place. Brands can create any world they like for themselves… …a place where the brand creates the rules and shows us what the world would be like if they were in charge… … creating distinctiveness, fascination, magnetism. 2. Subvert Reality
  • 13. © jump!® 2010 inspiringradicalaction 13 Check out Puma‟s “Hard Chorus” video on youtube…. http://www.youtube.com/watch?v=Mo2wFptAX3k Here are some things that grab our attention… Love Relationships Sex Growing up Being male Being female Unfairness Courage Discrimination This is really worth watching. Enjoy Puma celebrating the fact that even guys who are hard core football fans genuinely love the women in their lives. Comics frequently choose subject matter that‟s close to the bone, that cuts to core emotions. If you‟re going to stand up alone in front of a hundred people, you‟d better talk about what really counts. And if you want people to join your brand, shouldn‟t you talk about what counts? 3. Cut to Core Emotions
  • 14. © jump!® 2010 inspiringradicalaction 14 Stories hold people‟s interest. Comics will tell you that Irish audiences respond to comedy that is built around stories; more so than British audiences who seem to warm more to “quick fire gags”. Comics „hang‟ their message on stories. They open a story, go off on a tangent, return to their theme again and so on… …always weaving in new connections, using the story to put a new spin on the subject matter behind their comedy. How many brands really build their story over time? Take a cause, a theme, a passion that is close to the heart of the brand - then play with it, own it, find new depths, new meanings that hold our attention? Bulmers never stray far from their story about craftsmanship, time, care, the goodness of apples, the goodness of orchards… Hell, they even talk about apples when they launch a pear cider! 4. Build Your Story
  • 15. © jump!® 2010 inspiringradicalaction 15 By making their audience part of their act, comics create a dynamic that is different to most other art forms… …a sense of realness and a little risk. People feel they are contributors to something real. Most brands do interaction. They create the obligatory Facebook page, they create competitions etc. How many brands make people feel like contributors to something real? How many brands harness the energy of their customers and focus it on a cause, an issue or a passion that is important to them? Think Innocent‟s „Big Knit‟, Tesco‟s „Computers for Schools‟… …and O2‟s „Be The Difference‟ sponsorship of the Ireland rugby team… 5. Work the Crowd O2 creates energy around its sponsorship of the Ireland rugby team by involving rugby fans and helping them “Be The Difference” for the team. Video your pre-match team talk to the Ireland Rugby team with O2. Give the players your autograph! Get your signature on the Ireland match jersey with O2.
  • 16. © jump!® 2010 inspiringradicalaction 16 What next? So what would a brand built on the principles of comedy do? 1. Highlight What’s Wrong 2. Subvert Reality 3. Cut to Core Emotions 4. Build Your Story 5. Work the Crowd We think the learnings for brands from the principles of stand-up comedy are a big deal. Comics create a connection with their audience, they stir emotions, raise energy and shake people‟s thinking. If you see potential in applying some of the learnings and strategies in this Rubberneck to your brand, then let‟s talk. We can apply this thinking to strategy, positioning and innovation through tools such as research and team workshops.
  • 17. © jump!® 2010 inspiringradicalaction 17 We hope this Comedy Rubberneck stimulates new thinking, ideas and possibilities for your brand. Interested in talking about how the principles of comedy could create new engagement and new growth for your brand? …call us or e-mail us: ruan@jump.ie : +353 (0)86 6504360 lee@jump.ie : +353 (0)86 3043837 paul@jump.ie : +353 (0)86 3800787 bettina@jump.ie : +353 (0)87 2237777 louise@junp.ie : + +353 (0) 87 6164684 Our sincere thanks to: Andrew Stanley John Lynn Neil Delamere Fred Cooke AbandoMan (aka Rob Broderick) Frank Gordon (Bray & Dalkey Comedy Clubs) Simon O‟Keefe (Capital Comedy) Peter O‟Mahony (Laughter Lounge) Eavan Kenny (Lisa Richards Agency) Des Doris (Alchemy Events) & PJ Gallagher (inadvertently!) Thanks! You‟ve been a lovely audience!