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Planning
What are the main elements of a magazine cover?
 Main image
 Text
 Colour scheme
What different text elements will we have?
 Masthead
 Main cover line
 Feature article
 Additional cover lines
 Date line (date, issue number, price)
What additional elements can we find?
 Bar code
 Skyline/Header
 Strapline
 Flashes
How should you plan the colour of your text in the magazine cover?
 Colour scheme: Matching colours in text and main image.
How many colours should you use in your cover lines?
 The main two colours in the image + black or white.
Plan the design of your magazine cover:
 What elements do you need to include?
 What is the main feature (image/cover line) in your magazine?
 What other features are you including in your magazine?
 Composition of your contents page:Where are you going to
place your text, so it will make sense when reading it and will
allow the audience to see the image clearly?
 Codes and conventions of that particular genre.
 Use of colours:What are the main two colours in your image?
Use these for your texts (title/ headlines)
 Learners should produce planning materials for their individual
NEA cross-media production which outline the intentions of their
final production. Centres are encouraged to explore appropriate
ways of producing relevant planning materials based upon their
own strengths and resources.
 The following list of planning materials is purely indicative:
 a draft script
 storyboard
 location report(s)
 notes on casting and mise-en-scene considerations
 a mock-up of a print advert layout or a mock-up of a
webpage
 rough cuts/drafts
 audience research and feedback.
 Formal supervision means work should be completed within the centre under
normal teacher supervision in classroom conditions.This ensures that the work of
the individual learner is recorded accurately and that plagiarism does not take
place.This forms part of the authentication process. Candidates must also be
guided on appropriate health and safety considerations when planning and
carrying out their production tasks.
Original materials
 Any material submitted by the learner as part of their NEA production must have
been produced by the learners themselves.
 The exceptions to this rule are the allowable use of copyright free music in the
television and radio briefs. In the music video brief, learners are expected to use
an existing artist’s track rather than create their own.
 During the planning phase learners can be given support and guidance including:
 explain the purpose of planning materials
 advise on approaches to planning materials
 advise on resources for planning materials
 advise on health and safety considerations to take into account when
planning a production.
 All elements of the media production must be completed
under formal supervision within the centre, with the
exception of filming, digital still photography and audio
recording, which may take place off-site, where
appropriate. However, all off-site activities must be agreed
in advance with teaching staff and parental permissions
must be sought where required from the learner and cast
members.Teachers must be satisfied learners have carried
out sufficient health and safety checks before allowing off-
site work and learners must submit copies of their pre-
shooting shot lists and storyboards to teachers.
 During the production phase, learners can be given
support and guidance.
 Learners must complete a Statement of Intent for their cross-
media production which must be submitted with their production.
This Statement of Intent is used within the mark scheme. A
penalty will be applied if it is not supplied to the teacher with a
learner’s final production (see Section 3f of this specification for
more details).The Statement of Intent needs to outline the ways
in which the learner proposes to link their media products to
demonstrate their knowledge and understanding of the digitally
convergent nature of their production.The Statement of Intent
also needs to outline the ways in which the learner proposes to use
the four areas of the media theoretical framework to
communicate meaning and meet the requirements of their chosen
brief, set by OCR.
 Learners must complete the Statement of Intent using
approximately 500 words. A template will be provided on the OCR
website for guidance.
 The lengths specified in the ‘Requirements of the brief’
section for each individual production (e.g. 3 minutes for a
television extract and a home page and three linked web
pages for the online product etc.) are sufficient to give
learners the opportunity to fully address all of the marking
criteria.
 Learners should aim to produce work of the specified
length. If work is submitted that is longer than the
specified length, only the part up to (and including) the
specified length can be credited. Any work beyond this
must not be considered for credit against the marking
criteria.Work that is shorter than the specified length
should be marked against the marking criteria but may not
allow learners to access the full range of marking criteria.
See Section 3f of this specification for more details.
In summary, each individual learner’s completed
NEA portfolio will consist of the following:
1. non-assessed research notes and planning
materials to aid the authentication of work
2. Statement of Intent
3. a teacher assessed cross-media production
4. a non-exam assessment cover sheet that
clearly indicates the contribution of any
unassessed learners used.This should be
completed by the teacher.
 Teachers should use their professional judgement to
determine the suitability of the content of learners’
NEA productions.
 Learners’ NEA productions may not contain:
 gratuitous violence
 frequent use of strong language and swearing
 nudity
 imitation of dangerous behaviour
 scenes demonstrating or promoting drug taking
 material that could be considered offensive on the
grounds of race or gender.
 Moving image, radio and print production
work should be submitted in universal digital
formats that are playable on all PCs and
Macs.Work should be checked on a universal
media player such asVLC media player or
Adobe PDF Reader before submission to
ensure compatibility.
A level Media Studies
 To write a proposal for your magazine.
Write a proposal for your magazine.Your proposal must include:
 Genre of your magazine
 Target audience (demographic, socio-economic and psychographic)
 Name of your magazine
 House style:
 Font types that you will use for the masthead. (Name and type (serif/sans serif)
 Font types that you will use for the cover lines/headlines. (Name and type (serif/sans serif)
 Font types that you will use for the body text. (Name and type (serif/sans serif)
 Layout of the pages (three column?)
 Header
 Footer
 Main cover line: What will be the main feature of your magazine?Title and strap line (it must be
the feature for which you wrote your article or interview).
 Additional cover lines: What other contents are you going to include in your magazine?
 Additional elements that you will include in your magazine cover (skyline, flashes, puffs, plugs,
screamers, etc)
 Contents page: How many sections will your magazine have?What will be ALL the contents
that you will include in each section of the magazine
 Date and price of your magazine.
 The genre of your magazine is MUSIC, however
there are different genres of music, and
therefore the choice of this genre will determine
your target audience.
You have to answer these two questions in your
proposal:
1. What MUSIC GENRE is your magazine going to
focused on?
2. What are the CODES and CONVENTIONS of this
particular genre?
 What is the primary target audience of your
magazine? Explain it in terms of DEMOGRAPHIC,
SOCIO-ECONOMIC and PSYCHOGRAPHIC profiling.
 What is the secondary target audience of your
magazine? Explain it in terms of DEMOGRAPHIC,
SOCIO-ECONOMIC and PSYCHOGRAPHIC profiling.
This will be determinant to decide the DATE (periodicity)
and PRICE of your magazine:
1. How much is your magazine going to cost (PRICE)?
2. How often will your magazine be published (DATE)?
 What is the name/title of your magazine?
Think of a word that conveys the particular
music genre of your magazine.
 Suggestion:Think of MUSIC related
vocabulary (PITCH,WAVE, LARSEN, FUZZ,
OVERDRIVE, etc)
After completing the font type research,
include this in your proposal:
 Font types that you will use for the
masthead. (Name and type (serif/sans serif)
 Font types that you will use for the cover
lines. (Name and type (serif/sans serif)
 Font types that you will use for the body
text. (Name and type (serif/sans serif)
 Main cover line:What will be the main feature
of your magazine?Title and strap line (it must
be the feature for which you wrote your
article or interview).
 Additional cover lines:What other contents
are you going to include in your magazine?
 Think of the additional graphic elements that
you will include in your magazine cover
(skyline, flashes, puffs, plugs, screamers, etc)
 How many SECTIONS will your magazine
have?
 What will be ALL the contents that you will
include in each section of the magazine?
(Think of the headings/subheadings for your
contents page)

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Magazine production

  • 2. What are the main elements of a magazine cover?  Main image  Text  Colour scheme What different text elements will we have?  Masthead  Main cover line  Feature article  Additional cover lines  Date line (date, issue number, price) What additional elements can we find?  Bar code  Skyline/Header  Strapline  Flashes How should you plan the colour of your text in the magazine cover?  Colour scheme: Matching colours in text and main image. How many colours should you use in your cover lines?  The main two colours in the image + black or white.
  • 3. Plan the design of your magazine cover:  What elements do you need to include?  What is the main feature (image/cover line) in your magazine?  What other features are you including in your magazine?  Composition of your contents page:Where are you going to place your text, so it will make sense when reading it and will allow the audience to see the image clearly?  Codes and conventions of that particular genre.  Use of colours:What are the main two colours in your image? Use these for your texts (title/ headlines)
  • 4.  Learners should produce planning materials for their individual NEA cross-media production which outline the intentions of their final production. Centres are encouraged to explore appropriate ways of producing relevant planning materials based upon their own strengths and resources.  The following list of planning materials is purely indicative:  a draft script  storyboard  location report(s)  notes on casting and mise-en-scene considerations  a mock-up of a print advert layout or a mock-up of a webpage  rough cuts/drafts  audience research and feedback.
  • 5.  Formal supervision means work should be completed within the centre under normal teacher supervision in classroom conditions.This ensures that the work of the individual learner is recorded accurately and that plagiarism does not take place.This forms part of the authentication process. Candidates must also be guided on appropriate health and safety considerations when planning and carrying out their production tasks. Original materials  Any material submitted by the learner as part of their NEA production must have been produced by the learners themselves.  The exceptions to this rule are the allowable use of copyright free music in the television and radio briefs. In the music video brief, learners are expected to use an existing artist’s track rather than create their own.  During the planning phase learners can be given support and guidance including:  explain the purpose of planning materials  advise on approaches to planning materials  advise on resources for planning materials  advise on health and safety considerations to take into account when planning a production.
  • 6.  All elements of the media production must be completed under formal supervision within the centre, with the exception of filming, digital still photography and audio recording, which may take place off-site, where appropriate. However, all off-site activities must be agreed in advance with teaching staff and parental permissions must be sought where required from the learner and cast members.Teachers must be satisfied learners have carried out sufficient health and safety checks before allowing off- site work and learners must submit copies of their pre- shooting shot lists and storyboards to teachers.  During the production phase, learners can be given support and guidance.
  • 7.  Learners must complete a Statement of Intent for their cross- media production which must be submitted with their production. This Statement of Intent is used within the mark scheme. A penalty will be applied if it is not supplied to the teacher with a learner’s final production (see Section 3f of this specification for more details).The Statement of Intent needs to outline the ways in which the learner proposes to link their media products to demonstrate their knowledge and understanding of the digitally convergent nature of their production.The Statement of Intent also needs to outline the ways in which the learner proposes to use the four areas of the media theoretical framework to communicate meaning and meet the requirements of their chosen brief, set by OCR.  Learners must complete the Statement of Intent using approximately 500 words. A template will be provided on the OCR website for guidance.
  • 8.  The lengths specified in the ‘Requirements of the brief’ section for each individual production (e.g. 3 minutes for a television extract and a home page and three linked web pages for the online product etc.) are sufficient to give learners the opportunity to fully address all of the marking criteria.  Learners should aim to produce work of the specified length. If work is submitted that is longer than the specified length, only the part up to (and including) the specified length can be credited. Any work beyond this must not be considered for credit against the marking criteria.Work that is shorter than the specified length should be marked against the marking criteria but may not allow learners to access the full range of marking criteria. See Section 3f of this specification for more details.
  • 9. In summary, each individual learner’s completed NEA portfolio will consist of the following: 1. non-assessed research notes and planning materials to aid the authentication of work 2. Statement of Intent 3. a teacher assessed cross-media production 4. a non-exam assessment cover sheet that clearly indicates the contribution of any unassessed learners used.This should be completed by the teacher.
  • 10.  Teachers should use their professional judgement to determine the suitability of the content of learners’ NEA productions.  Learners’ NEA productions may not contain:  gratuitous violence  frequent use of strong language and swearing  nudity  imitation of dangerous behaviour  scenes demonstrating or promoting drug taking  material that could be considered offensive on the grounds of race or gender.
  • 11.  Moving image, radio and print production work should be submitted in universal digital formats that are playable on all PCs and Macs.Work should be checked on a universal media player such asVLC media player or Adobe PDF Reader before submission to ensure compatibility.
  • 12.
  • 13. A level Media Studies
  • 14.  To write a proposal for your magazine.
  • 15. Write a proposal for your magazine.Your proposal must include:  Genre of your magazine  Target audience (demographic, socio-economic and psychographic)  Name of your magazine  House style:  Font types that you will use for the masthead. (Name and type (serif/sans serif)  Font types that you will use for the cover lines/headlines. (Name and type (serif/sans serif)  Font types that you will use for the body text. (Name and type (serif/sans serif)  Layout of the pages (three column?)  Header  Footer  Main cover line: What will be the main feature of your magazine?Title and strap line (it must be the feature for which you wrote your article or interview).  Additional cover lines: What other contents are you going to include in your magazine?  Additional elements that you will include in your magazine cover (skyline, flashes, puffs, plugs, screamers, etc)  Contents page: How many sections will your magazine have?What will be ALL the contents that you will include in each section of the magazine  Date and price of your magazine.
  • 16.  The genre of your magazine is MUSIC, however there are different genres of music, and therefore the choice of this genre will determine your target audience. You have to answer these two questions in your proposal: 1. What MUSIC GENRE is your magazine going to focused on? 2. What are the CODES and CONVENTIONS of this particular genre?
  • 17.  What is the primary target audience of your magazine? Explain it in terms of DEMOGRAPHIC, SOCIO-ECONOMIC and PSYCHOGRAPHIC profiling.  What is the secondary target audience of your magazine? Explain it in terms of DEMOGRAPHIC, SOCIO-ECONOMIC and PSYCHOGRAPHIC profiling. This will be determinant to decide the DATE (periodicity) and PRICE of your magazine: 1. How much is your magazine going to cost (PRICE)? 2. How often will your magazine be published (DATE)?
  • 18.  What is the name/title of your magazine? Think of a word that conveys the particular music genre of your magazine.  Suggestion:Think of MUSIC related vocabulary (PITCH,WAVE, LARSEN, FUZZ, OVERDRIVE, etc)
  • 19. After completing the font type research, include this in your proposal:  Font types that you will use for the masthead. (Name and type (serif/sans serif)  Font types that you will use for the cover lines. (Name and type (serif/sans serif)  Font types that you will use for the body text. (Name and type (serif/sans serif)
  • 20.  Main cover line:What will be the main feature of your magazine?Title and strap line (it must be the feature for which you wrote your article or interview).  Additional cover lines:What other contents are you going to include in your magazine?
  • 21.  Think of the additional graphic elements that you will include in your magazine cover (skyline, flashes, puffs, plugs, screamers, etc)
  • 22.  How many SECTIONS will your magazine have?  What will be ALL the contents that you will include in each section of the magazine? (Think of the headings/subheadings for your contents page)