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Fashion Portfolio Priyanka Rampal

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fashion portfolio with some of my best works done so far, inclusive of styling, artwork , 3D construction, fabric manipulation and accessory design.

Publicada em: Design
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Fashion Portfolio Priyanka Rampal

  1. 1. FASHION DESIGN PORTFOLIO PRIYANKA RAMPAL FASHION DESIGN PORTFOLIO PRIYANKA RAMPAL
  2. 2. ABOUT ME : DESIGN PHILOSOPHY: MY DESIGN PHILOSOPHY REVOLVES AROUND THE SUBCONCIOUS LEVEL OF VISION. THE INFATUATION WITH STRANGE AND DARK. I LIKE TO EXPLORE WITH SILHOUETTES, WORK ON THE MOOD OF THE THEME, AND WITH DIFFERENT MATERIALS, FOLLOWING A SURREALISTIC APPROACH TOWARDS MY WORK. “NORMAL IS JUST AN ILLUSION, WHAT IS NORMAL TO SPIDER IS CHAOS TO FLY”.-MORTRICIA ADDAMS. STRENGTH : FASHION ILLUSTRATIONS, DETAILED HANDWORK, COLOUR SENSIBILITY, RE- SEARCH, CONCEPTT BUILDING CONVEYING MY STORY.EXPLORING MATERIALS , STITCHES, AND TECHNIQUES OF ENHANCEMENT OF FABRIC.
  3. 3. STYLING AND PHOTOGRAPHY:
  4. 4. ILLICIT MURKY DANCE : THE LIGHT, HER EXISTENCE, THE DARKNESS HER MUSIC, THE SHADOW, HER PARAMOUR. SHE LAY STILL, LADEN IN CALM SLUMBER,UNAWARE OF THE LINGER- ING SHADOW, THAT FOLLOWS HER WITH DARKNESS, REVEALING ITSELF IN CORNERS, THROWN ON WALLS, BREATHING ON THE EDGE OF HER ABOUND…… HE DANCES IN A RHYTHM ,WOOING HER ,CONSUMING HER, THE DANCE LIKE THAT OF SERPENTS, INTERWINING, SUAVE SND HIDDEN . THE LOVE AFFAIR IN THE SLOW ILLICIT MURKY DANCE.
  5. 5. ROMEO AND JULIET : “VANITY IS SYNONYMOUS TO ADORATION. IT’S THE ARTLESS MIRROR YOU FALL IN LOVE WITH. THAT SHINY PIECE OF TOY RUTHLESS ,SOMETIMES TEASES THE EYES, PLAYS WITH THE BRAIN AND MAKES LOVE TO VANITY. CALL IT AN IN- FATUATION SO STRONG; COMPARABLE TO A FABLE BUT SO FATAL, BE CALLED ROMEO AND JULIET.” THE METHOD WAS TO POTRAY THE SAME MODEL IN AN ALTER EGO OF OPPOSITE SEX (PLAYED BY THE SAME MODEL),TO SHOW THE ROMANCE WITH ONESELF. THE THREE BACKGROUND IMAGES, EACH SYMBOLIZING AN ICONIC MOMENT OF THE STORY, NAMELY THEIR FIRST DANCE, THE MEETHING AT THE BALCONY AND THE FATAL ENDING . THE STORY OF ROMEO AND JULIET RE-INTERPRETED AS A STORY OF SELF OBSESSION, FALSE PRIDE, DILLUSIONS AND THE BURST OF HARD HITTING REALITY.
  6. 6. The love story, humble in its beginnings .A girl, her mirror and the False pride, watch her spin as takes nothing but a dance with flat- tery, magic of sweet talk, sound of thoughts coated in a symphony on a piano whispering softly but with intent to hypnotise and put you into the deep, dark slumber of vanity .
  7. 7. The self-adulation takes a deceptive form of a companion and slowly creeps in the blanket of dark with descriptions ignorant to reality, it becomes the shape of an alter ego. It convinces you to dream castles while standing on a balcony with broken windows of truth. The self-adulation takes a deceptive form of a companion and slowly creeps in the blanket of dark, with descriptions ignorant to reality, it becomes the shape of an alter ego. It convinces you to dream castles while standing on a balcony with broken windows of truth, reality.
  8. 8. But alas like every epic love story it ends in a tragic bereavement. It does not take long for obsession to turn fatal, like poison reflecting potion, the alter ego now numb put in a cas- ket of truth. Alone ,left bereft. An outcry, a shattering sound , a broken girl, her broken toy and it all ends .
  9. 9. THE FALLEN QUEEN : PLAYING WITH THE TRADITIONAL ATTIRES, A CLASSY COTTON SAREE AND RE-INVENTED THE LOOK IN A QUIRKY MANNER AGAINST THE SUMPTUOUS BACKGROUND OF MUGHAL ARCHITECTURE. SHE BROKE THE BARRIERS , AS SHE OPENED THE GATES , SHE MARCHED WITH CURIOSITY. SHE TRAVELLED HIGH AND KEEN WHILE THE ENVIOUS LAND CALLED HER “THE FALLEN QUEEN”.
  10. 10. STORIES IN STROKES ARTWORKS SKETCHES :
  11. 11. DENIM STORY: MEDIUM : PENCIL COLOURS ASSINGMENT : STUDY DIFFERENT PARTS OF DENIM JEANS AND REPLICATE IN THE MEDIUM BEST SUITED ACCORDING TO IT’S TEXTURE.
  12. 12. WORD ON WALL (GRAFFITI BY BANKSY) : MEDIUM : PHOTO INK ASSINGMENT : REPLICA OF A CORNER OF A STREET. CONCEPT : THE INNOCENT GRAFFITI. A SMILE SPREADS TO SEE A SIMPLE OUTLINE THAT IS SIGNIFICANTLY LOUDER THAN THE CLUTTER OF CRACKS AND DIRT AROUND IT ,IN THE DIRTY CORNER, LIKE A BLOOM AMIDST WILD GRASS.
  13. 13. DUST TO DIGITAL: MEDIUM : MIX MEDIA CONCEPT : SIMPLY CONEVEYS THE PROGRESS OF MY NATION, FROM THE NEWSPAPER COLLAGE AT THE BASE WITH CITY NAMES I WAS BORN IN, EDUCATED IN, RESIDED IN. RISIG MANPOWER NOW WITH POTENTIAL OF GREAT ENDEVOURS, LIKE A WOLF LEADING ITS PACK, THE BIRDS, AN INDICATION OF THE RISING GOAL, THE SKY IS THE LIMIT, THE FREEDOM OF THOUGHTS, FOR IDEAS TO FLOW. THE TENTACLES ENGULFING AND ATTACHING AT EVERYTHING THAT IS OF VALUE . THE CIRCUIT RUNNING DEEP WITHIN THE HEART OF THE COUNTRY REPRESENTS THE STRONG USP OF THE IT CENTER .
  14. 14. STYLIZED ILLUSTRATIONS (MANISH ARORA AW’14): THE IDEA WAS TO INTERTWINE EVERY CROQUI, RELATING EACH OTHER WITH SARCASM AND MOCERY OF CONFORMED VIEWS. THE DEFINITIONS OF PRETTY ARE NEVER DEFINED IN ART , THE DISFIGURATION AS IT VISUALLY APPEARS DEPICTS THE FLOW IN HUMAN NATURE, THE HIDDEN DRIPPING SATIRE AND FICKLE MOULDING PERCEPTIONS.
  15. 15. CONCEPTUAL COLLECTIONS : THE ADDAMS FAMILY “NORMAL IS JUST AN ILLUSION” LIFE STORY SEEMS TO BE TINGED WITH GALLOWS HUMOUR HERE AND THERE. EMBRACING IT EVEN IN MACABRE, MAKING LIGHT THE CONCEPTS CONSIDERED A TABOO. ““I THINK BEAUTY IN HORROR — OR HORROR IN BEAUTY — IS SUCH A SUCCESSFUL MATCH BECAUSE BEAUTY ITSELF IS NOT ENOUGH; IT’S GREAT TO LOOK AT BUT EVENTUALLY THE BRAIN BECOMES BORED. IT’S WITH THE COMBINATION OF THE TWO THAT SOMETHING TRULY INTERESTING IS CREATED.”- Rebekah Joy Plett THE ADDAMS FAMILY APPEALS TO MY EYES, TINGLES MY HUMOUR AND INSPIRES MY THOUGHTS.
  16. 16. MOOD BOARD: COLOURS: NOTORIOUS HUMOUR EERIE ELEGANCE
  17. 17. ELEPHANTS REFLECTING SWANS - SALVADOR DALI “PARANOIC-CRITICAL METHOD” THE METHOD WAS THE ABILITY OF THE BRAIN TO PERCEIVE LINKS BETWEEN THINGS WHICH RATIONALLY ARE NOT LINKED. DALÍ “SPONTANEOUS METHOD OF IRRATIONAL KNOWLEDGE BASED ON THE CRITICAL AND SYSTEMATIC OBJECTIVITY OF THE ASSOCIATIONS AND INTERPRETATIONS OF DELIRI- OUS PHENOMENA.” THE IDEA WAS TO USE THE SAME CONCEPT IN THE GARMENTS, USE FORMS AND SHAPES FROM SWANS AND ELEPHANTS TO CREATE DESIGNS THAT HAVE ILLUSIONS, WHICH GARMENT IS PERCIEVED HOW DEPENDS ON THE OBSERVERS ABILITY TO LINK THE FORMS TO VISUALISE SOMETHING RATIONAL.
  18. 18. GARMENT 1 COLOURS: GARMENT1 : may be rationalised as a form creating elephats or together creating a aries symbol... (subjective to perception) EUPHONY UNEARTHY PARADOX DELIRIOUS PHANTASM
  19. 19. GARMENT2 : may be rationalised as a form creating elephats or serpent, swan wings. (subjective to perception)
  20. 20. GARMENT3 : may be rationalised as a form creating elephats ears or twining serpent/trunk. (subjective to perception)
  21. 21. FABRIC MANIPULATION/EMBELLISHMENT:
  22. 22. SMOCKING AND OMBRE DYEING
  23. 23. TIE AND DYEING
  24. 24. BATIK (RESIST DYEING)
  25. 25. BLOCK PRINTING
  26. 26. 3D CONSTRUCTION : COLLECTION/GARMENT 1 “THE BLACK WIDOW” -wickedness no myth FROM THE DARK NOIRS OF THE DUNGEONS COMES THE LADY IN BLACK,ELEGANT,ELLUSIVE AND ALLURING. COMPELLING YOU TO WALK TOWARDS HER, ALMOST WHISPERING “RISQUE ME” .HIDING BENEATH SOME MURKY CORNERMANIPULATING BLACK WIDOW. MASQUERADING BEHIND HER BRIGHT MARKINGS OF LUST, PATTERNS OF SOFT WORDS.IN A DANCE OF SEXUAL CANIBALISM , POWERFUL; SHE DEVOURS ALL STRENGTH TO MAKE YOU BEND TO HER WHIMS AND FANCIES. LONG LEGS ,COMB FOOTED WITH THE SHEEN AND DEMURE OF LUXE, LATEX AND LEATHER, LIKE DRAPING SILK OVER HARSH HIDDEN FORCE.
  27. 27. CANNIBAL LOVE
  28. 28. RANGE PLAN : LEFT RIGHT
  29. 29. RIGHT LEFT
  30. 30. GARMENT 2 : READ BETWEEN THE LINES “ THEY EXAMINE HOW EVERY WORD VIBRRATES TO A NUMBER, STUDY THE HIDDEN MEANING OF THE NUMBERS AND LOOK OUT FOR VEILD REFERENCES IN THE TEXT. “- ELIF SHAFAK (50 RULES OF LOVE) THE FOLDS OF ATTIRES RESEMBLE CRUMPLED PAGES, SCRIBBLED WITH NUMBER OF LETTERS, A MASK COVERING THE NAKED PSYCHE, BECOMING AN ILLUSION, EACH PERSON IS A JOURNAL. A PERSON PERCIEVED, READ EACH TIME, GETS A NEW STORY, A REFERENCE AND BECOMES AN EXPERIENCE. .
  31. 31. COLOURS: BLACK LOCUTION JOURNAL HIGHLIGHTS IN SCRIBBLES GLEAMIN VEIL
  32. 32. GARMENT 3: HIDDEN GLORY : RAISING COLOURS: HAND MADE GARMENTS AND ACCESSORIES .KNITTED STRUCTURES INCLUDE RIB, SINGLE JERSEY , SINGLE JERSEY JACQUARD. THE STRENGTH OF A WOMAN, A FEMME FATAL.HER CONSTANT FIGHT WITH SELF, RISING HER TO NOBLE GLORY.WHILE THE STRONG FRONT BATTLES WITH SPLATTER OF CHAVINISM AND HEART ACHES. RISING NOBILITY SKIRMISH RAGE
  33. 33. ACCESSORY DESIGN: ARABIC CHIC IN THE MIDST OF DEEP FOLDS OF TRADITION WRAPPED IN DEBONAIR BLACK, CONCEALED FROM EYES, ARE THE WOMEN OF ARABIA. WHAT THEY HIDE IN THE BLACK SHEATH OF REVERENCE THEY MAKE UP FOR IT WITH FLAMBOYANT, ORNATE ACCESSORIES THAT COMPLEMENT THEIR CHIC ENSEMBLES. GRACING THE KEEN SENSE OF STYLE,INSPIRED BY THE CELTIC OSTENTATIOUS AND MESMERISING METICULOUS CARVINGS ADORNING THE WALLS OF THEIR ARCHITECTURE. THEY ACCESSORIZE TO THE VERY POINT OF PRECISE EXCLAMATION. MATERIALS : LEATHERITE TECHNIQUE : LAZER CUTTING.
  34. 34. THA THANK YOU.

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