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SILVERBIRD TV
BROADCAST
TECHNOLOGY
Satellite TV Station Management
• The overall objective of the project is to establish a new efficient, reliable and economic Satellite TV
Broadcast Station having the capability to deliver 24x7 worldwide Live broadcast with Digital content to
unlimited viewers simultaneously.
• The solution will be designed with world class broadcast technology as one time cost to the Stockholder
with provision for including additional TV channels in future with a cost effective manner.
• Global Standard Technology will be implemented with automatic backup and by-pass work-flow to
overcome signal and power failure at production, transmission, reception, distribution and monitoring.
• The Ultimate Aim of the project is to establish cost-effective world-class broadcast set-up and maintain the
standard procedure to meet the requirement of viewers and commercial advertisers.
Objectives
The Need
• To fulfil customer’s demand and challenging to the competitors in the market, the quality of production
and transmission should be improved with a user-friendly Digital broadcast setup.
• To Achieve highest TRP and fulfil Commercial needs with more advertisers, Broadcast standard should
be improved by using Stable & Efficient Equipment.
• To Ensure 24X7 Live Production and Transmission without Failure, the equipment should be integrated
and managed properly.
• For guaranteed Stability, Reliability, and Error-Free broadcast, the equipment should be selected
properly and designed with backup and by-pass platform.
Architecture
Department
• Live Studios
• Production Control Room
• Master Control Room (MCR)
• Central Apparatus Room (CAR)
• Ingest, Monitoring and Observer
• RF Transmission and Distribution
• Edit and Graphics
• Information Technology
Department
• Maintenance, Repairing and Testing
• Technical Support Management
• Electrical and AC
• Quality Control and Branding
• News Desk, Assignment and Editorial
• Commercial Content Management
• All Other Department
Live Studio
• There should be Two Live Studios Studio-1 and Studio-2 connected with PCR-1 and PCR-2 with
sound-proof technology.
• Studio-1 should be managed with at least four (4 Nos.) of wide-angle Professional Cameras with
CCU and RCP.
• Studio-2 should contain three (3 Nos.) Professional cameras with CCU and RCP.
• One real set and one green Chroma set must be designed with Studio-1. Studio 2 should be
designed with one video wall setup and one Chroma set.
• Mic and Camera cross interconnection provision should be there with both studios.
• Cam-1 in each studio must be employed with Broadcast Standard Teleprompter.
Studio Over View
.
Studio Architecture
Production Control Room
• There should be Two Live PCR; PCR-1 and PCR-2 connected with the studios.
• Standard 2ME live Production switcher and 32/24 channel Sound Mixer should be connected with
both the PCR with provision of interconnection and by-pass technology.
• 2 port standard play-out, PCR Automation, Graphics System, Standard TP, VTR, Router Panel,
Hybrid, Talk Back System, Multi-Viewer with other adequate equipment should be fixed with proper
mounting facility.
• Switcher frame and other rack-mount equipment should be fixed with standard rack.
• Power DB and MDU must be fixed with standard MCB and proper Grounding for power management.
• Schematic Diagram and Cable numbering should be maintained properly for AV and Networking
equipment.
Production Control Room
Production Control Room
Master Control Room
• MCR should be managed with Standard Automation Technology.
• 2 port standard play-out, Embedded MCR Switcher Graphics System, VTR, Router Panel, Talk
Back System, Multi-Viewer with other adequate equipment should be fixed with proper mounting
facility.
• Schematic Diagram and Cable numbering should be maintained properly for AV and Networking
equipment.
• Provision should be made for Addition of New Satellite TV Channels.
• SOP Must be followed for MCR Operation.
• Operation, By-Pass and Change-Over related training should be provided to the MCR Operation
Staffs.
Master Control Room
MCR Architecture
Central Apparatus Room (CAR)
• All the Broadcast Terminal Equipment, Processing and Distribution Equipment should be
Centrally managed with standard broadcast 42U Rack in CAR.
• Play-out Servers, Transmission Equipment, Encoders, Decoders, External Feeds, SNG Signals,
Should be managed with separate Broadcast Standard Rack.
• Separate UPS should be deployed with parallel Backup for CAR.
• Air Condition, Fire Safety equipment with Access Control facility must be in place.
• Equipment should be powered with standard MDU/PDU with IEC to IEC standard connector and
Separate MCB should connected with each MDU.
• SOP must be followed for CAR Operation and Maintenance.
CAR(Central Apparatus Room)
Ingest, Monitoring and Observer
• 4 port standard Ingest, VTR, Router Panel, Talk Back System, Multi-Viewer with other adequate
equipment should be fixed with proper mounting facility.
• DTH and VSAT feed recording provision should be made with both HD/SD standard broadcast
Equipment
• Schematic Diagram and Cable numbering should be maintained properly for AV and Networking
equipment.
• Separate Monitoring should be done for Both Up-Link and Down-Link Audio video quality
measurement
• Observer/ Down-Link Recording System should be employed with 90 days continuous Storage
• Library should be maintained with sufficient storage (NAS/SAN) for Archiving.
RF Transmission and Distribution
• TX and RX Equipment should be placed with separate Broadcast rack at CAR.
• C-Band Satellite Frequency with Same satellite must be Employed for All OB and Channel Up-
Link.
• Fiber Optic should be used for Distribution of signals for different Location.
• If the Teleport for Satellite Up-Link is managed/leased at different location, fiber and microwave
with guaranteed backup channel must be integrated.
• For Distribution to MSO and DTH operator, C-Band satellite down link must be used as a back-up
of Fiber.
• Terrestrial Broadcast may be used as second backup for MSO/DTH Operators.
RF Transmission and Distribution
Edit and Graphics
• Adobe-Premier CC or Apple FCP edit setup should be designed with at-least 8 Licensed desk.
• SOP must be followed while copy editing to maintain the Standard.
• Dedicated Path for Import and Export should be employed with NAS/SAN.
• Space for Raw footage and Final footage with Date wise Folder and Content Sub-Folder with
specific time slot should be maintained.
• Graphics Design Desk with at least 4 Designer License should be integrated with WASP-3D or
VIZRT.
• Two Graphics Scrolling Client should be integrated for each PCR and two for MCR for Logo,
Ticker, Back-Drop and Look and Feel Design.
Edit and Graphics
• Electrical Power Distribution Includes the Raw power, DG and UPS which should be managed in such a way
to provide 24x7 un-interrupted power supply through the channel.
• Three-Phase raw power as per the overall load
• Main DG with auto changeover mechanism having the capacity of 40% more than the actual load.
• Separate UPS for PCR-1 with Studio 1 and PCR-2 with Studio 2 having at least 60 minute power backup.
• Separate UPS for MCR and Ingest having at least 60 minute power backup.
• Separate UPS for CAR (Central Apparatus Room) with 60 minute power backup
Electrical & AC
Electrical & AC
• Separate UPS for Observer, Editorial Monitoring and General PC Usage
• Backup UPS with similar AH Capacity should be connected parallel with all the divisional UPS.
• There should be only 1 Grounding for entire Electricity distribution.
• AC should be centralized managed with main and backup chamber with adequate inlet and outlet to
provide sufficient cooling & adequate ventilation.
• No humming noise should be released from AC Outlet/Chamber.
Information Technology
• Centralized IT server room with LAN, NAS/SAN, FTP, Internet Streaming, Lease Line Connectivity
should be managed for Entire Channel Network.
• IT Server room should be placed near to the CAR in order to maintain proper integration between
Broadcast and IT Equipment.
• Separate Switch should be maintained for specific department/Division network equipment.
• NAS/SAN with Sufficient Storage with Backup and Library Archiving System should be maintained as per
Standard Procedure.
• Password Protection with Internet Access and NAS/SAN is must for security reasons.
All Other Department
• Quality Control and Branding department should be there to manage On-Air Signal quality at TX and
RX with all the locations as well as customer end.
• All the activities with respective department should be managed according to
customer/viewer/Commercial point of view.
• Input and Output content with look and feel and on-air presentation should be managed as per SOP.
• News and Assignment Desk should strictly follow the standard guide lines for Script Writing, Voice-
Over, News Content management, Air-Time management and Video Footage.
• Makeup and Costume should be managed strictly according to the On-Air Standard.
• Sales/ Marketing Guidelines must be followed strictly with weekly target base. 100% Market target
should be achieved at any cost.
All Other Department
• TRP (Television Rating Point) should be achieved aggressively with every program broadcasted.
• Commercial content Scheduling must be managed properly with each program and should not
be failed to be aired.
• Transmission Report must be maintained without fail. All the Transmission Eros should be
highlighted in the report sheet with reason.
• Audit and Research department should send their report to the Management on daily basis on
commercial and revenue point.
Prepared By:
Mr. Pravat Mohapatra
Broadcast Project and Operation
Thank You
The End

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Broadcast TV Station Concept

  • 2. • The overall objective of the project is to establish a new efficient, reliable and economic Satellite TV Broadcast Station having the capability to deliver 24x7 worldwide Live broadcast with Digital content to unlimited viewers simultaneously. • The solution will be designed with world class broadcast technology as one time cost to the Stockholder with provision for including additional TV channels in future with a cost effective manner. • Global Standard Technology will be implemented with automatic backup and by-pass work-flow to overcome signal and power failure at production, transmission, reception, distribution and monitoring. • The Ultimate Aim of the project is to establish cost-effective world-class broadcast set-up and maintain the standard procedure to meet the requirement of viewers and commercial advertisers. Objectives
  • 3. The Need • To fulfil customer’s demand and challenging to the competitors in the market, the quality of production and transmission should be improved with a user-friendly Digital broadcast setup. • To Achieve highest TRP and fulfil Commercial needs with more advertisers, Broadcast standard should be improved by using Stable & Efficient Equipment. • To Ensure 24X7 Live Production and Transmission without Failure, the equipment should be integrated and managed properly. • For guaranteed Stability, Reliability, and Error-Free broadcast, the equipment should be selected properly and designed with backup and by-pass platform.
  • 5. Department • Live Studios • Production Control Room • Master Control Room (MCR) • Central Apparatus Room (CAR) • Ingest, Monitoring and Observer • RF Transmission and Distribution • Edit and Graphics • Information Technology
  • 6. Department • Maintenance, Repairing and Testing • Technical Support Management • Electrical and AC • Quality Control and Branding • News Desk, Assignment and Editorial • Commercial Content Management • All Other Department
  • 7. Live Studio • There should be Two Live Studios Studio-1 and Studio-2 connected with PCR-1 and PCR-2 with sound-proof technology. • Studio-1 should be managed with at least four (4 Nos.) of wide-angle Professional Cameras with CCU and RCP. • Studio-2 should contain three (3 Nos.) Professional cameras with CCU and RCP. • One real set and one green Chroma set must be designed with Studio-1. Studio 2 should be designed with one video wall setup and one Chroma set. • Mic and Camera cross interconnection provision should be there with both studios. • Cam-1 in each studio must be employed with Broadcast Standard Teleprompter.
  • 10. Production Control Room • There should be Two Live PCR; PCR-1 and PCR-2 connected with the studios. • Standard 2ME live Production switcher and 32/24 channel Sound Mixer should be connected with both the PCR with provision of interconnection and by-pass technology. • 2 port standard play-out, PCR Automation, Graphics System, Standard TP, VTR, Router Panel, Hybrid, Talk Back System, Multi-Viewer with other adequate equipment should be fixed with proper mounting facility. • Switcher frame and other rack-mount equipment should be fixed with standard rack. • Power DB and MDU must be fixed with standard MCB and proper Grounding for power management. • Schematic Diagram and Cable numbering should be maintained properly for AV and Networking equipment.
  • 13. Master Control Room • MCR should be managed with Standard Automation Technology. • 2 port standard play-out, Embedded MCR Switcher Graphics System, VTR, Router Panel, Talk Back System, Multi-Viewer with other adequate equipment should be fixed with proper mounting facility. • Schematic Diagram and Cable numbering should be maintained properly for AV and Networking equipment. • Provision should be made for Addition of New Satellite TV Channels. • SOP Must be followed for MCR Operation. • Operation, By-Pass and Change-Over related training should be provided to the MCR Operation Staffs.
  • 16. Central Apparatus Room (CAR) • All the Broadcast Terminal Equipment, Processing and Distribution Equipment should be Centrally managed with standard broadcast 42U Rack in CAR. • Play-out Servers, Transmission Equipment, Encoders, Decoders, External Feeds, SNG Signals, Should be managed with separate Broadcast Standard Rack. • Separate UPS should be deployed with parallel Backup for CAR. • Air Condition, Fire Safety equipment with Access Control facility must be in place. • Equipment should be powered with standard MDU/PDU with IEC to IEC standard connector and Separate MCB should connected with each MDU. • SOP must be followed for CAR Operation and Maintenance.
  • 18. Ingest, Monitoring and Observer • 4 port standard Ingest, VTR, Router Panel, Talk Back System, Multi-Viewer with other adequate equipment should be fixed with proper mounting facility. • DTH and VSAT feed recording provision should be made with both HD/SD standard broadcast Equipment • Schematic Diagram and Cable numbering should be maintained properly for AV and Networking equipment. • Separate Monitoring should be done for Both Up-Link and Down-Link Audio video quality measurement • Observer/ Down-Link Recording System should be employed with 90 days continuous Storage • Library should be maintained with sufficient storage (NAS/SAN) for Archiving.
  • 19. RF Transmission and Distribution • TX and RX Equipment should be placed with separate Broadcast rack at CAR. • C-Band Satellite Frequency with Same satellite must be Employed for All OB and Channel Up- Link. • Fiber Optic should be used for Distribution of signals for different Location. • If the Teleport for Satellite Up-Link is managed/leased at different location, fiber and microwave with guaranteed backup channel must be integrated. • For Distribution to MSO and DTH operator, C-Band satellite down link must be used as a back-up of Fiber. • Terrestrial Broadcast may be used as second backup for MSO/DTH Operators.
  • 20. RF Transmission and Distribution
  • 21. Edit and Graphics • Adobe-Premier CC or Apple FCP edit setup should be designed with at-least 8 Licensed desk. • SOP must be followed while copy editing to maintain the Standard. • Dedicated Path for Import and Export should be employed with NAS/SAN. • Space for Raw footage and Final footage with Date wise Folder and Content Sub-Folder with specific time slot should be maintained. • Graphics Design Desk with at least 4 Designer License should be integrated with WASP-3D or VIZRT. • Two Graphics Scrolling Client should be integrated for each PCR and two for MCR for Logo, Ticker, Back-Drop and Look and Feel Design.
  • 23. • Electrical Power Distribution Includes the Raw power, DG and UPS which should be managed in such a way to provide 24x7 un-interrupted power supply through the channel. • Three-Phase raw power as per the overall load • Main DG with auto changeover mechanism having the capacity of 40% more than the actual load. • Separate UPS for PCR-1 with Studio 1 and PCR-2 with Studio 2 having at least 60 minute power backup. • Separate UPS for MCR and Ingest having at least 60 minute power backup. • Separate UPS for CAR (Central Apparatus Room) with 60 minute power backup Electrical & AC
  • 24. Electrical & AC • Separate UPS for Observer, Editorial Monitoring and General PC Usage • Backup UPS with similar AH Capacity should be connected parallel with all the divisional UPS. • There should be only 1 Grounding for entire Electricity distribution. • AC should be centralized managed with main and backup chamber with adequate inlet and outlet to provide sufficient cooling & adequate ventilation. • No humming noise should be released from AC Outlet/Chamber.
  • 25. Information Technology • Centralized IT server room with LAN, NAS/SAN, FTP, Internet Streaming, Lease Line Connectivity should be managed for Entire Channel Network. • IT Server room should be placed near to the CAR in order to maintain proper integration between Broadcast and IT Equipment. • Separate Switch should be maintained for specific department/Division network equipment. • NAS/SAN with Sufficient Storage with Backup and Library Archiving System should be maintained as per Standard Procedure. • Password Protection with Internet Access and NAS/SAN is must for security reasons.
  • 26. All Other Department • Quality Control and Branding department should be there to manage On-Air Signal quality at TX and RX with all the locations as well as customer end. • All the activities with respective department should be managed according to customer/viewer/Commercial point of view. • Input and Output content with look and feel and on-air presentation should be managed as per SOP. • News and Assignment Desk should strictly follow the standard guide lines for Script Writing, Voice- Over, News Content management, Air-Time management and Video Footage. • Makeup and Costume should be managed strictly according to the On-Air Standard. • Sales/ Marketing Guidelines must be followed strictly with weekly target base. 100% Market target should be achieved at any cost.
  • 27. All Other Department • TRP (Television Rating Point) should be achieved aggressively with every program broadcasted. • Commercial content Scheduling must be managed properly with each program and should not be failed to be aired. • Transmission Report must be maintained without fail. All the Transmission Eros should be highlighted in the report sheet with reason. • Audit and Research department should send their report to the Management on daily basis on commercial and revenue point.
  • 28. Prepared By: Mr. Pravat Mohapatra Broadcast Project and Operation Thank You The End