The 2022 Cyprus Culture Summit focused on Euro-Mediterranean collaborations in European education and culture. It discussed complex existing realities in the region related to geopolitics, identity, languages, globalization, and migration. Four priorities were identified: supporting artists and culture professionals, promoting culture for the public and planet, and fostering co-creative partnerships between different groups. EU funding programs like Creative Europe were highlighted as opportunities to collaborate across borders in areas like cultural heritage, human rights, and sustainable development through music and other artistic projects. Successful partnerships require meeting requirements, producing high-quality work, capacity building, outreach, and leveraging other funding sources.
Olga Sismanidi @ JMI_Imagine_Music_Experience_International_FinalsMusicFinals...Olga Sismanidi
The document summarizes various funding opportunities for the music industry through the Creative Europe programme. It outlines six main sections: 1) Music Moves Europe, which focuses on promoting creativity, innovation, and diversity in the European music sector; 2) Culture Moves Europe, supporting artistic mobility projects; 3) Perform Europe, for performing arts partnerships; 4) Pan-European cultural entities like orchestras; 5) European Platforms to promote emerging artists; and 6) European Music Networks involving organizations across the continent. Details are provided on the objectives, eligible applicants, application deadlines, and other requirements for each section.
The EU contributes to the culture of its member states while respecting their diversity and highlighting their shared cultural heritage. Key areas of focus include improving knowledge of European cultures and history, preserving cultural heritage, cultural exchanges, and artistic creation. Member states are encouraged to cooperate on cultural matters and consider culture in other policy areas. The EU provides funding and support for cultural cooperation, mobility programs, television and film production, and innovation across cultural sectors. Mainstreaming culture into other programs involves development aid, foreign policy, and cooperation with neighboring countries. Upcoming priorities include the results of European elections and negotiations on future funding programs and regional strategies.
Music in Movement – an interactive guide to contemporary classical music (DRA...FIAT/IFTA
This document outlines an interactive guide to classical and contemporary music called Music in Movement. It discusses the project's goals of disseminating the work of four prominent European composers and depicting their influence. Partners include organizations from Poland, the Netherlands, Estonia, and France. The project aims to retell the stories of European composers in innovative ways online and through educational activities. It highlights challenges like content sourcing and translations but emphasizes lessons learned through collaboration and using new technologies to make music more accessible.
A presentation about the Music in Movement project (www.musicinmovement.eu) by Lizzy Komen (Sound and Vision) and Maria Drabczyk (FINA) at the annual conference of IASA in Berlin (2017).
The Creative Europe Programme is a 7-year EU program running from 2014 to 2020 with a budget of €1.46 billion to support cultural and creative sectors in Europe. The program focuses on cross-border cultural cooperation, training and support for cultural professionals, literary translation, film, television, and game development. It aims to strengthen Europe's cultural and creative sectors, which account for 4.5% of EU GDP and over 8 million jobs, through transnational exchange and access to funding and markets.
The 2022 Cyprus Culture Summit focused on Euro-Mediterranean collaborations in European education and culture. It discussed complex existing realities in the region related to geopolitics, identity, languages, globalization, and migration. Four priorities were identified: supporting artists and culture professionals, promoting culture for the public and planet, and fostering co-creative partnerships between different groups. EU funding programs like Creative Europe were highlighted as opportunities to collaborate across borders in areas like cultural heritage, human rights, and sustainable development through music and other artistic projects. Successful partnerships require meeting requirements, producing high-quality work, capacity building, outreach, and leveraging other funding sources.
Olga Sismanidi @ JMI_Imagine_Music_Experience_International_FinalsMusicFinals...Olga Sismanidi
The document summarizes various funding opportunities for the music industry through the Creative Europe programme. It outlines six main sections: 1) Music Moves Europe, which focuses on promoting creativity, innovation, and diversity in the European music sector; 2) Culture Moves Europe, supporting artistic mobility projects; 3) Perform Europe, for performing arts partnerships; 4) Pan-European cultural entities like orchestras; 5) European Platforms to promote emerging artists; and 6) European Music Networks involving organizations across the continent. Details are provided on the objectives, eligible applicants, application deadlines, and other requirements for each section.
The EU contributes to the culture of its member states while respecting their diversity and highlighting their shared cultural heritage. Key areas of focus include improving knowledge of European cultures and history, preserving cultural heritage, cultural exchanges, and artistic creation. Member states are encouraged to cooperate on cultural matters and consider culture in other policy areas. The EU provides funding and support for cultural cooperation, mobility programs, television and film production, and innovation across cultural sectors. Mainstreaming culture into other programs involves development aid, foreign policy, and cooperation with neighboring countries. Upcoming priorities include the results of European elections and negotiations on future funding programs and regional strategies.
Music in Movement – an interactive guide to contemporary classical music (DRA...FIAT/IFTA
This document outlines an interactive guide to classical and contemporary music called Music in Movement. It discusses the project's goals of disseminating the work of four prominent European composers and depicting their influence. Partners include organizations from Poland, the Netherlands, Estonia, and France. The project aims to retell the stories of European composers in innovative ways online and through educational activities. It highlights challenges like content sourcing and translations but emphasizes lessons learned through collaboration and using new technologies to make music more accessible.
A presentation about the Music in Movement project (www.musicinmovement.eu) by Lizzy Komen (Sound and Vision) and Maria Drabczyk (FINA) at the annual conference of IASA in Berlin (2017).
The Creative Europe Programme is a 7-year EU program running from 2014 to 2020 with a budget of €1.46 billion to support cultural and creative sectors in Europe. The program focuses on cross-border cultural cooperation, training and support for cultural professionals, literary translation, film, television, and game development. It aims to strengthen Europe's cultural and creative sectors, which account for 4.5% of EU GDP and over 8 million jobs, through transnational exchange and access to funding and markets.
This is a ppt from my recent talk to an international group of professionals Black Sea and Balkan Regions on Culture and Sustainable Development hosted by the Ministry of Culture of Bulgaria.
The presentation is interactive based on personal research multiple sources. It is meant to be moderated and leading from general to some more specific insights on sustainable networks in culture.
Core message - networks are essential for business, policy makers, creators because they maintain the innovation drive and the cross-over and spill-over effects. In particular the engagemnet of public and users in designing together policies, practices, production and distribution are the focus of regional COOPERATION.
The Creative Europe Programme provides EU funding to support cultural and creative sectors. It has two sub-programs: Culture and MEDIA. Culture supports transnational cultural cooperation projects, literary translations, and networks to help cultural organizations operate across borders. MEDIA supports training, market access, audience development, festivals, and development of European films, TV, and games. Eligible organizations must be based in EU countries, though some training opportunities are open to non-EU countries. Applicants can find calls for proposals on the Creative Europe website and increase their chances of funding by partnering with experienced organizations and following the guidelines closely.
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
The document discusses several EU programs that support international cultural relations and cooperation. It outlines programs like Creative Europe, which runs from 2014-2020 with a budget of €1.46 billion to strengthen Europe's cultural and creative sectors. It also discusses other development cooperation programs in places like the Western Balkans, Egypt, and partnerships with organizations like the Anna Lindh Foundation. The Cultural Diplomacy Platform and pilot European Houses of Culture project are highlighted as ways to engage international audiences and support cultural relations policies.
Synopsis Project: training - EU Supportto Cultural and Artistic HeritageKarl Donert
The document discusses how the EU supports cultural and artistic heritage through various funding programs. It outlines the main EU programs that provide funding opportunities for the cultural sector, including Creative Europe, Erasmus+, and Horizon Europe. Creative Europe supports the cultural and creative sectors with €2.44 billion to preserve European culture and boost competitiveness. Erasmus+ promotes education, training, youth, and sport with funding for projects related to cultural heritage. Horizon Europe funds research and innovation, including projects to safeguard cultural heritage from threats.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
Futuresonic/FutureEverything is an annual groundbreaking four day festival of arts, music and events wrapped around the crucible of the Futuresonic Social Technologies Summit. Manchester 13-16 May 2009
This document outlines Riga, Latvia being selected as the European Capital of Culture for 2014, an annual designation by the European Union since 1985 aimed at highlighting cultural diversity across Europe. Some key goals for Riga in receiving this designation are to strengthen the people, city, culture, and northern European region through developing cultural activities, promoting the European dimension of culture, and supporting social/economic development and local artists. The designation criteria also focus on fostering cultural cooperation across Europe and emphasizing both diverse and shared European cultural aspects and traditions.
La Ricerca sui Beni culturali in Horizon 2020Lazio Innova
Slide presentate da Elena Maffia (Agenzia per la Promozione della Ricerca Europea) in occasione dell'incontro formativo svoltosi a Viterbo il 21 novembre 2014
Judaica Europeana is a project to aggregate digitized content about Jewish life and culture in European cities onto Europeana, the European Digital Library. The project will contribute content on themes like migration, trade, architecture, and urban design. Partners include archives and museums from several countries. The goals are to make the content searchable and reusable, support research and education, and deploy vocabularies and tools to facilitate access and knowledge management regarding Jewish heritage in Europe.
The More You Give, the More You Get - Jill CousinsRCAHMW
The More You Give, the More You Get
Jill Cousins: Executive Director, Europeana
Europeana constructed a Publishing Framework (video) together with its contributing cultural heritage institutions to be more explicit about the possible returns of opening up data and delivering better quality. This framework has been translated and implemented across Europe to help institutions understand the benefits of being able to open up their data. A couple of case studies from the museum, archive and library world will used to illustrate the results of adopting a more open approach, covering both the positive and the negative.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
The document discusses the Council of Europe's Cultural Routes program, which was launched in 1987 to promote European cultural heritage and identity. It outlines the program's goals of reinforcing European citizenship, cultural rights, and intercultural dialogue. It then describes some of the 29 certified Cultural Routes, including themes like pilgrimage routes, fortified architecture, landscapes, and religious heritage. It also discusses how the routes promote cultural tourism, economic development, and Euro-Mediterranean cooperation.
Europeana is a digital library that provides access to over 27 million digitized cultural heritage objects from across Europe. It supports economic growth by providing material for creative industries and businesses to reuse. Europeana connects people across Europe by bringing together cultural content in many languages and making personal and historical stories accessible. It makes culture available to everyone by providing open and free access online through its website and partnerships, ensuring cultural heritage can be explored without barriers.
Collections Trust is a UK organization that helps cultural heritage institutions manage their collections digitally. It has created platforms like Culture Grid that aggregate over 1.7 million images from museums and libraries. The EU has invested in digitizing European cultural heritage through initiatives like i2010 and Europeana, an online portal providing access to cultural works. Collections Trust coordinates UK involvement in Europeana and represents the UK in discussions around accelerating the rate of digitization.
This document summarizes a presentation on culture and tourism given at a meeting in Patras, Greece. It defines culture and discusses the cultural diversity and common heritage within Europe. It also examines the economy of culture as a growing sector and lists some EU cultural programs and initiatives. Examples of innovative cultural practices and trends are provided. Strategic directions are outlined to better integrate culture and tourism and promote sustainable development.
Digital art, culture and media - Creative EuropeOlga Sismanidi
This document outlines the agenda and questions for a workshop on digital bridges for cultural and creative sectors. The workshop will include presentations from the European Commission and group work sessions discussing four main themes: 1) The role of artists and organizations, 2) Impacts on artworks and creativity, 3) Transforming the value chain, and 4) New business models. Participants will break into groups to discuss challenges and opportunities within each theme with the goal of exploring how digital transformation can help bridge sectors and create new models for a unified cultural and creative industries ecosystem.
Creative Europe, Audience Development, Evolving audience behaviour, Co-creation, Cultural investments. Data and analytics for new business models. Transformation of artistic and civic participation; European values, EU fundamental rights and citizenship. EACEA. European Commission.
This is a ppt from my recent talk to an international group of professionals Black Sea and Balkan Regions on Culture and Sustainable Development hosted by the Ministry of Culture of Bulgaria.
The presentation is interactive based on personal research multiple sources. It is meant to be moderated and leading from general to some more specific insights on sustainable networks in culture.
Core message - networks are essential for business, policy makers, creators because they maintain the innovation drive and the cross-over and spill-over effects. In particular the engagemnet of public and users in designing together policies, practices, production and distribution are the focus of regional COOPERATION.
The Creative Europe Programme provides EU funding to support cultural and creative sectors. It has two sub-programs: Culture and MEDIA. Culture supports transnational cultural cooperation projects, literary translations, and networks to help cultural organizations operate across borders. MEDIA supports training, market access, audience development, festivals, and development of European films, TV, and games. Eligible organizations must be based in EU countries, though some training opportunities are open to non-EU countries. Applicants can find calls for proposals on the Creative Europe website and increase their chances of funding by partnering with experienced organizations and following the guidelines closely.
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
The document discusses several EU programs that support international cultural relations and cooperation. It outlines programs like Creative Europe, which runs from 2014-2020 with a budget of €1.46 billion to strengthen Europe's cultural and creative sectors. It also discusses other development cooperation programs in places like the Western Balkans, Egypt, and partnerships with organizations like the Anna Lindh Foundation. The Cultural Diplomacy Platform and pilot European Houses of Culture project are highlighted as ways to engage international audiences and support cultural relations policies.
Synopsis Project: training - EU Supportto Cultural and Artistic HeritageKarl Donert
The document discusses how the EU supports cultural and artistic heritage through various funding programs. It outlines the main EU programs that provide funding opportunities for the cultural sector, including Creative Europe, Erasmus+, and Horizon Europe. Creative Europe supports the cultural and creative sectors with €2.44 billion to preserve European culture and boost competitiveness. Erasmus+ promotes education, training, youth, and sport with funding for projects related to cultural heritage. Horizon Europe funds research and innovation, including projects to safeguard cultural heritage from threats.
Connecting Culture with Europeana, Museum Digit, Budapest, 26 November 2018Douglas McCarthy
Presentation at Museum Digit 2018 conference on opportunities for Hungarian cultural institutions to share and promote their digitised collections with Europeana. Focus on editorial content such as galleries, blogs and exhibitions, and active social media marketing.
Futuresonic/FutureEverything is an annual groundbreaking four day festival of arts, music and events wrapped around the crucible of the Futuresonic Social Technologies Summit. Manchester 13-16 May 2009
This document outlines Riga, Latvia being selected as the European Capital of Culture for 2014, an annual designation by the European Union since 1985 aimed at highlighting cultural diversity across Europe. Some key goals for Riga in receiving this designation are to strengthen the people, city, culture, and northern European region through developing cultural activities, promoting the European dimension of culture, and supporting social/economic development and local artists. The designation criteria also focus on fostering cultural cooperation across Europe and emphasizing both diverse and shared European cultural aspects and traditions.
La Ricerca sui Beni culturali in Horizon 2020Lazio Innova
Slide presentate da Elena Maffia (Agenzia per la Promozione della Ricerca Europea) in occasione dell'incontro formativo svoltosi a Viterbo il 21 novembre 2014
Judaica Europeana is a project to aggregate digitized content about Jewish life and culture in European cities onto Europeana, the European Digital Library. The project will contribute content on themes like migration, trade, architecture, and urban design. Partners include archives and museums from several countries. The goals are to make the content searchable and reusable, support research and education, and deploy vocabularies and tools to facilitate access and knowledge management regarding Jewish heritage in Europe.
The More You Give, the More You Get - Jill CousinsRCAHMW
The More You Give, the More You Get
Jill Cousins: Executive Director, Europeana
Europeana constructed a Publishing Framework (video) together with its contributing cultural heritage institutions to be more explicit about the possible returns of opening up data and delivering better quality. This framework has been translated and implemented across Europe to help institutions understand the benefits of being able to open up their data. A couple of case studies from the museum, archive and library world will used to illustrate the results of adopting a more open approach, covering both the positive and the negative.
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
The document discusses the Council of Europe's Cultural Routes program, which was launched in 1987 to promote European cultural heritage and identity. It outlines the program's goals of reinforcing European citizenship, cultural rights, and intercultural dialogue. It then describes some of the 29 certified Cultural Routes, including themes like pilgrimage routes, fortified architecture, landscapes, and religious heritage. It also discusses how the routes promote cultural tourism, economic development, and Euro-Mediterranean cooperation.
Europeana is a digital library that provides access to over 27 million digitized cultural heritage objects from across Europe. It supports economic growth by providing material for creative industries and businesses to reuse. Europeana connects people across Europe by bringing together cultural content in many languages and making personal and historical stories accessible. It makes culture available to everyone by providing open and free access online through its website and partnerships, ensuring cultural heritage can be explored without barriers.
Collections Trust is a UK organization that helps cultural heritage institutions manage their collections digitally. It has created platforms like Culture Grid that aggregate over 1.7 million images from museums and libraries. The EU has invested in digitizing European cultural heritage through initiatives like i2010 and Europeana, an online portal providing access to cultural works. Collections Trust coordinates UK involvement in Europeana and represents the UK in discussions around accelerating the rate of digitization.
This document summarizes a presentation on culture and tourism given at a meeting in Patras, Greece. It defines culture and discusses the cultural diversity and common heritage within Europe. It also examines the economy of culture as a growing sector and lists some EU cultural programs and initiatives. Examples of innovative cultural practices and trends are provided. Strategic directions are outlined to better integrate culture and tourism and promote sustainable development.
Semelhante a Creative Europe Culture on music (20)
Digital art, culture and media - Creative EuropeOlga Sismanidi
This document outlines the agenda and questions for a workshop on digital bridges for cultural and creative sectors. The workshop will include presentations from the European Commission and group work sessions discussing four main themes: 1) The role of artists and organizations, 2) Impacts on artworks and creativity, 3) Transforming the value chain, and 4) New business models. Participants will break into groups to discuss challenges and opportunities within each theme with the goal of exploring how digital transformation can help bridge sectors and create new models for a unified cultural and creative industries ecosystem.
Creative Europe, Audience Development, Evolving audience behaviour, Co-creation, Cultural investments. Data and analytics for new business models. Transformation of artistic and civic participation; European values, EU fundamental rights and citizenship. EACEA. European Commission.
Creative Europe 2014-2020. Performance Monitoring Framework.Olga Sismanidi
The document outlines the Performance Monitoring Framework and Culture eReport for the Creative Europe programme. It discusses establishing a structured framework for monitoring key performance indicators at the programme, sub-programme, and action levels. The Culture eReport will serve as an online monitoring service and self-assessment tool for funded projects, collecting data on inputs, outputs, results and impacts in a modular format. It aims to provide cost-effective, continuous monitoring that supports beneficiaries and informs policymaking.
This document summarizes the results and plans for the i2i Audiovisual program from 2007-2011 and 2012. It provides statistics on the 357 production projects funded over 2007-2011 with €14.3 million in grants. These projects generated €416 million in credits. The presentation outlines the 2012 call for proposals and new permanent guidelines, including updated award criteria that consolidate and calibrate the point system used to evaluate applications.
Access to Finance for the European Audiovisual Sector: from MEDIA Programme t...Olga Sismanidi
The document summarizes EU programs that provide access to finance for the European audiovisual sector, including the MEDIA Plus, MEDIA 2007, and upcoming Creative Europe programs. It describes two main financial instruments under MEDIA 2007 - the i2i Audiovisual program, which supported financing costs and risk guarantees, and the MEDIA Production Guarantee Fund. The Creative Europe program will introduce a Cultural and Creative Sector Guarantee Facility to provide loans and risk sharing for cultural SMEs through financial intermediaries.
SATTA MATKA SATTA FAST RESULT KALYAN TOP MATKA RESULT KALYAN SATTA MATKA FAST RESULT MILAN RATAN RAJDHANI MAIN BAZAR MATKA FAST TIPS RESULT MATKA CHART JODI CHART PANEL CHART FREE FIX GAME SATTAMATKA ! MATKA MOBI SATTA 143 spboss.in TOP NO1 RESULT FULL RATE MATKA ONLINE GAME PLAY BY APP SPBOSS
Best practices for project execution and deliveryCLIVE MINCHIN
A select set of project management best practices to keep your project on-track, on-cost and aligned to scope. Many firms have don't have the necessary skills, diligence, methods and oversight of their projects; this leads to slippage, higher costs and longer timeframes. Often firms have a history of projects that simply failed to move the needle. These best practices will help your firm avoid these pitfalls but they require fortitude to apply.
Brian Fitzsimmons on the Business Strategy and Content Flywheel of Barstool S...Neil Horowitz
On episode 272 of the Digital and Social Media Sports Podcast, Neil chatted with Brian Fitzsimmons, Director of Licensing and Business Development for Barstool Sports.
What follows is a collection of snippets from the podcast. To hear the full interview and more, check out the podcast on all podcast platforms and at www.dsmsports.net
Industrial Tech SW: Category Renewal and CreationChristian Dahlen
Every industrial revolution has created a new set of categories and a new set of players.
Multiple new technologies have emerged, but Samsara and C3.ai are only two companies which have gone public so far.
Manufacturing startups constitute the largest pipeline share of unicorns and IPO candidates in the SF Bay Area, and software startups dominate in Germany.
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Starting a business is like embarking on an unpredictable adventure. It’s a journey filled with highs and lows, victories and defeats. But what if I told you that those setbacks and failures could be the very stepping stones that lead you to fortune? Let’s explore how resilience, adaptability, and strategic thinking can transform adversity into opportunity.
How MJ Global Leads the Packaging Industry.pdfMJ Global
MJ Global's success in staying ahead of the curve in the packaging industry is a testament to its dedication to innovation, sustainability, and customer-centricity. By embracing technological advancements, leading in eco-friendly solutions, collaborating with industry leaders, and adapting to evolving consumer preferences, MJ Global continues to set new standards in the packaging sector.
The Most Inspiring Entrepreneurs to Follow in 2024.pdfthesiliconleaders
In a world where the potential of youth innovation remains vastly untouched, there emerges a guiding light in the form of Norm Goldstein, the Founder and CEO of EduNetwork Partners. His dedication to this cause has earned him recognition as a Congressional Leadership Award recipient.
Digital Marketing with a Focus on Sustainabilitysssourabhsharma
Digital Marketing best practices including influencer marketing, content creators, and omnichannel marketing for Sustainable Brands at the Sustainable Cosmetics Summit 2024 in New York
Discover timeless style with the 2022 Vintage Roman Numerals Men's Ring. Crafted from premium stainless steel, this 6mm wide ring embodies elegance and durability. Perfect as a gift, it seamlessly blends classic Roman numeral detailing with modern sophistication, making it an ideal accessory for any occasion.
https://rb.gy/usj1a2
NIMA2024 | De toegevoegde waarde van DEI en ESG in campagnes | Nathalie Lam |...BBPMedia1
Nathalie zal delen hoe DEI en ESG een fundamentele rol kunnen spelen in je merkstrategie en je de juiste aansluiting kan creëren met je doelgroep. Door middel van voorbeelden en simpele handvatten toont ze hoe dit in jouw organisatie toegepast kan worden.
Zodiac Signs and Food Preferences_ What Your Sign Says About Your Tastemy Pandit
Know what your zodiac sign says about your taste in food! Explore how the 12 zodiac signs influence your culinary preferences with insights from MyPandit. Dive into astrology and flavors!
Zodiac Signs and Food Preferences_ What Your Sign Says About Your Taste
Creative Europe Culture on music
1. Creative Europe 2021 -2027
Culture sub-programme
IMPF - 2023 The Music Entrepreneurial
and Creative Industry Summit 09 October 2023
Olga SISMANIDI
EACEA
2. 2
2
EU Framework for CCSIs
• Treaty on European Union : Treaty on
European Union: Art.167(5) for Culture and
Art. 173(3) for Industry
• European Agenda for Culture
• Council Work Plan for Culture
• EU strategy for international cultural relations
• Digital Single Market / DSA –DMA
• Media Action Plan
• AI Act - European Digital Rights and
Principles
• New European Bauhaus - Greening the
Creative Europe Programme
International Framework for CCSIs
▪ UN Universal Declaration of Human Rights
and the International Covenant on Economic,
Social and Cultural Rights
▪ UNESCO Convention
▪ WIPO Treaties
Strategic Framework
Creative
Europe
Cross
sectorial
Media
Culture
Council Work Plan for Culture 2023-2026
A. Artists and cultural professionals
B. Culture for the people
C. Culture for the planet
D. Culture for co-creative partnerships
3. Safeguard, develop and promote European
cultural and linguistic diversity, and heritage
Strengthen the competitiveness and the
economic potential of the European CCS, esp.
the audiovisual sector
Culture
All CCS
excl. AV
sector
Strands
Media
Audiovisual
sector
Cross
sectorial
CCSIs
Collaboration, co-creation, co-production, circulation, demonstration
Creative Europe general objectives
4. Creative Europe 2014 – 2020 Highlights .
13 000 grants
Training of over 16 000
professionals
650 projects across
3 800 organisations
Production – distribution
of over 5 000 films
1 144 cinemas Translation of 3 500
books
Creativity, diversity, innovation, international reach
5. 2021- 2027 Creative Europe Budget
5
Total: € 2,534.5 M (provisional)
306
422
346
353
359
367
374
250
270
290
310
330
350
370
390
410
430
450
2021 2022 2023 2024 2025 2026 2027
European
added value
Access to culture
Strengthened
European common
roots and cultural
diversity
Critical
collaborative mass
towards common
challenges
Trans-national
actions and
activities
Cross-border
cooperation and
mobility
New cultural works
and market
opportunities
Attract best talents
Economies of scale
and growth and
jobs
Leverage for other
funds
Level playing field
across the MEDIA
value chain
Active citizen
engagement and
intercultural
dialogue
7. Focus on Music
Additional regulatory - policy – studies- initiatives
❖ The status and working conditions of artists and cultural and creative
professionals
❖ EU framework for the social and professional situation of artists and workers
in the cultural and creative sectors
❖ Study on Opportunities and Challenges of Artificial Intelligence (AI)
Technologies for the Cultural and Creative Sectors
❖ Study on Copyright and New technologies: Copyright Data Management and
Artificial Intelligence
❖ Study on the international dimension of the single equitable remuneration
right for phonogram performers and producers and its effect on the European
Creative Sector
❖ COMMISSION RECOMMENDATION of 4.5.2023 on combating online piracy of
sports and other live event
❖ EU initiative on Web 4.0 and virtual worlds: a head start in the next
technological transition
8. Focus on Music
Some Market trends
Evolving business models, new revenue streams, data
Digital transformation, competition & discoverability
Emerging markets and new consumer choices
Live music, concerts and music licencing
Independent artists – markets
Piracy and copyright infridgements
AI generative music, VR, AR, virtual worlds- new techs
Diversity, equality, sustainability
9. EU approach on music
➢ promote creativity and innovation
➢ safeguard and expand the diversity of
European music
➢ help the sector adapt to and benefit from
digitalisation
➢ support the sector’s sustainable recovery from
the COVID-19 crisis and its resilience
https://culture.ec.europa.eu/cultural-and-creative-sectors/music/music-moves-europe
10. 89%
7%
4%
cooperation networks platforms
€ 98 M
❖ 7 Calls for Proposals (training, small venues, education, co-
creation, distribution, sustainable recovery)
❖ 60 grant awards
❖ 5 Calls for Tenders (studies on exports, health, observatory,
market gap analysis)
❖ € 7 M
❖ Music Moves Europe Talent Awards
https://musicmoveseuropetalentawards.eu/
Focus on Music
https://ec.europa.eu/programmes/creative-europe/actions/music-moves-europe
2018 – 2020
preparatory action
2014-2020
CE funding
11. Cooperation projects on music - examples
Creative Europe Culture 2014-2020 – music projects
Opera vision
Over 200 music projects
12. European Platforms on music 2021 - 2023
1 Promotion of emerging artists
2
Artistic programming
3 Branding - Showcasing
Cross-Pollination, community building, adaptive innovation contribute to social,
economic and cultural life
€10 M
13. Pan-European cultural entities - European
orchestras 2021 - 2023
Fostering a new generation of creative talents and musicians for a vibrant future in
the world of classical music and orchestral performances
1 Training
2
Professionalization
3 Live performances
€5 M
14. European Music NETworks 2021-2023
❖ 13 music networks
❖1 400+ member organisations
❖ 27 participating countries per project
❖ 28% non-EU members
Cascading sub-grants
€10 M
15. Education – Promotion – Intangible Heritage
❖ Association Européenne des Conservatoires,
Académies de Musique et Musikhochschulen (AEC)
❖ European Choral Association (ECA)
❖ European Music Council (EMC)
❖ Jeunesses Musicales International (JMI)
Early music and Jazz
❖ European Early Music Network (REMA)
❖ Europe Jazz Network (EJN)
European NETworks Music
16. Composers, Music Publishing, Exports and Music Managers
❖ European Composer and Songwriter Alliance - ECSA
❖ Independent Music Publishers International Forum – IMPF
❖ European Music Exporters Exchange – EMEE
❖ European Music Managers Network - EMMA
Live Music, Festivals and cross-sectorial
❖ European Network for Live Music Associations - Live DMA
❖ YOUROPE – Fit For Festivals -3F
❖ International Music and Media Center - IMZ
European NETworks Music
17. European NETworks Music Synergies (1)
➢ Advocacy campaigns
➢ Policy contributions
➢ Working groups
➢ Common Tools
18. European NETworks Music Synergies (2)
Support to young female composers and songwriters
➢ Calls for mentors and mentees
➢ Six-month mentorship programme
➢ Bringing mentors and mentees together
➢ Individual online meetings and in-person events
➢ Networking and showcasing at flagship events
Aim driven: NETworks collaborations, pulling resources,
expertise and spillovers from one NETwork to another
Enhancing gender equality in music
19. European NETworks’ synergies (3)
YOUROPE e.V. - European Festivals
Association
#ImpossibleWithoutYouth campaign
2022 European Year of Youth - Voice Platform
Sector oriented: Festivals NETworks joined
efforts for the sector’s recovery, serving
policy initiatives
20. European Networks’ synergies (4)
IMZ Network – Fedora Platform
Performing Arts Documentary Digital Creation
This is not a Kanga
Wonder Maria / Bruno Cabral
Alternates (Bergantian)
CinemaLeap Inc. / Lynn Song
IMZ Network– Pixii Festival
New frontiers: Cross sectorial collaboration of NETworks,
PLATforms and projects across industries and sectors:
dance, film, music, opera, digital creativity…..
21. Projects
On green, digital, just
and resilient recovery
of music ecosystem
€ 2,5 M
51 sub-projects
On music export, music
venues, digital circulation
& engagement
€ 4 M
90 sub-projects
Recovery, diversity and digital competitiveness of the European
music ecosystem
22. CE funding opportunities on music - 2024
➢ Creative Europe Programme – Annual
Work Programme 2024
➢ Indicative timetable of Calls publication
2024 Priorities – Cross cutting issues
▪ Inclusion, diversity and gender balance European
Union
EU Gender Equality Strategy 2020-2025
▪ Greening of Creative Europe
Study on Greening the Creative Europe
Programme
2023 European Year of Skills
1 Cooperation projects: € 60 M
2 European platforms: € 47.4 M
3 Europeannetworks: € 39.7 M
4 Music Moves Europe: € 5 M
5 Creative Innovation Lab: € 7.5 M
6 Pan-european Cultural Entities: € 7.2 M
23. Other EU funding - Tools
Horizon Europe – Culture, creativity
and inclusive society
EIT Culture & Creativity
The CulturEU funding guide
Funding & tender opportunities
24. Creative Europe – join us
1
Strengthening the music ecosystem
ecosystem
Building bridged networks
2
Empowering artists and artistic excellence
3 Enterpreureship, growth and innovation
Market structural effects
4
Collaboration – Union of strengths
Diversity, inclusion and heritage
5
6
Access to Funding and Resources
Accessibility to Foreign markets
Going Global