4. Romantic Piano Music
• Pianos had greatly improved.
– Better sound, loud enough to fill public concert halls
– Better mechanical systems, responsive to virtuoso
playing
• The Public loved virtuoso performers.
• Private concerts for selected guests were
performed in salons.
5. The Piano
• Cast-iron frame
allowed for
greater string
tension
• Hammers
covered with
felt
• Range
extended
• Damper pedal
added
6. Romantic Piano Music
• Pianos became popular in the home;
composers wrote and publishers produced
music for the non-virtuoso player.
• Especially among the middle class and the
wealthy, learning to play piano was
considered part of a good education.
• This demand for all-level works was
lucrative for composers and publishers.
7. Salon (Intimate) Piano Music:
Miniatures (2-5 mins.)
• Ballades
• Capriccios
• Consolations
• Etudes (studies)
• Fantasies
• Impromptus
• Mazurkas
• Nocturnes
• Polonaises
• Preludes
• Rhapsodies
• Scherzos
• Songs Without
Words
• Waltzes
Chopin: Mazurka, Op. 53, No. 3Chopin: Prelude in E, Op. 28, No. 4
8. • Masters of the short lyric piano piece include the
following composers:
Schubert, Chopin, Liszt, Felix Mendelssohn,
Fanny Mendelssohn Hensel, Robert and Clara
Schumann, and Brahms
• Explored technical resources and capacity for
expression of the piano
The Short Lyric Piano Piece
10. Robert Schumann (1810-1856)
• Born in Zwickau, Germany; went to study law at Leipzig University,
but skipped class!!
• Studied piano with Friedrich Wieck; married his daughter, Clara: a
concert pianist.
• Contracted syphilis, which ruined his hands and ended his concert
piano career.
• Founded The New Journal for Music: served as editor and music
critic- set up with partners in 1834.
• One of first to praise Berlioz’ Symphonie fantastique and to
recognize both Chopin and Brahms as compositional geniuses
• Developed depression and hallucinations (from syphilis?); died in
asylum at age 46.
11. Robert Schumann
• Through writing & criticism, championed
Chopin, Schubert, Brahms
• Wrote with pseudonyms
• Wrote virtually all piano works before age of
30 in 1840
• 4 symphonies with experimental aspects-large
brass section, high level of chromaticism;
cyclic devices; sonata-allegro form with no
development
13. Robert Schumann “Dedication”
• “Widmung” = “Dedication”
• Written in 1840, the year he married Clara Wieck
(they eloped)
• A love poem set to music
• An example of a German lied
• Form = ternary
• Harmony
– A = key of A-flat
– B = key of E--NOT a closely related key; A-flat has 4 flats; E has 4
sharps
15. Robert Schumann
• Carnaval-Opus 9 Piano Solo
– “Little Scenes on Four Notes”
– Collections of personalities
– Written during Carnaval season of 1835(Mardi Gras)
– Chiarina-for Clara Weick
– Chopin- “nocturne”
– Estrella-fiancee Ernestine von Fricken
– Reconaissance-reunion
– Certain movements named for clowns of Commedia del
arte(Italian theater)
– Papillons-butterflies
https://www.youtube.com/watch?v=bHcO0oF6mlc
16. Clara Wieck Schumann
(1819 - 1896)
• Studied piano at age 5
• Gave first full piano recital at age 9
• Toured Europe as child prodigy
• Published music as teenager, rare
• Her father, Friedrich Wieck, opposed her marrying a musician,
but she eloped and married Robert Schumann anyway at age
21
• 8 children, one dying in infancy.
• She was one of the great piano virtuosos of her generation.
17. Clara Wieck Schumann
(1819-1896)
• Premiered Robert’s works and those of Brahms(came to
live with Schumanns in 1853)
• Continued to perform after marriage and widowhood, but
few compositions were published after that.
• Had long relationship with Johannes Brahms.
• Widowed in her mid-30’s, Clara pursued a highly
successful career as a soloist (piano) and teacher.
• Taught at Leipzig Conservatory of Music and Hoch
Conservatory in Frankfurt.
18. Clara Wieck Schumann
• Piano Concerto in A Minor
• Three Songs on Texts by
Rückert
• Variations on a Theme by
Robert Schumann--for piano
• Piano Trio in G Minor
• Three Romances--for piano
• “Scherzo”
– https://www.youtube.com/wat
ch?v=_5G0imFdEB4
19. Frédéric Chopin (1809 - 1848)
• Born near Warsaw, Poland; gave first
piano recital at age 8; studied piano at
Warsaw Conservatory.
• Father was French and mother was
Polish--never felt at home in either
place.
• Russia annexed most of Poland, which
awakened his nationalism--as
manifested in his polonaises and
mazurkas.
• Made a living in Paris from teaching
and sales of his music for piano.
• Had a long relationship with
Amandine Lucile Aurore Dudevant
(George Sand).
• Died of tuberculosis, age 39.
• Most of his works are for piano.
20. Frederick Chopin(1810-1849)
• Wrote exclusively for piano,
“the poet of the piano”
• First imaginative use of pedal
& rubato(performer deviates
slightly from exact execution of
rhythm)
22. • Smaller forms: nocturnes,
preludes, impromptus,
waltzes, mazurkas, études
• Larger forms: ballades,
polonaises, fantasies,
sonatas, piano concertos
• Nocturne Op. 9 No. 2
– https://www.youtube.com/w
atch?
v=EvxS_bJ0yOU&list=PLD2FA7
A1A4352F58A&index=57
Chopin and Piano Music
Chopin: Fantasie Impromptu
23. Mazurka in B-flat Minor, Op. 24, No. 4
• The mazurka originated in
Chopin’s home district: Mazovia,
Poland
• Lively dance in triple meter with
accents on second or third beat
of measure
24. Mazurka in B-Flat Minor
• https://www.youtube.com/watch?v=kNeC-
6SuLS4
25.
26.
27. Franz Liszt (1811-1886)
• Born near Sopron (in
Austria-Hungary).
• Studied piano in Vienna;
piano concert debut in
London at age 11.
• Considered greatest piano
virtuoso of 19th century.
• Lived in Paris from age 16
to age 38, touring
throughout Europe.
28. Franz Liszt (1811-1886)
• Became music director to Grand Duke of
Weimar.
• Story has it, he changed position of piano on
stage (from back to audience to sideways) and
threw away the music!
• Ever since, tradition has dictated that pianists
play concert music from memory.
29. Franz Liszt (1811-1886)
• Some famous works
– Orchestra: Faust Symphony, Dante Symphony, Les
Préludes, Piano Concertos No. 1 and No. 2
– Piano Music: Sonata in b minor, Six Consolations,
Transcendental Studies, Hungarian Rhapsodies,
and many short piano pieces
■ Technical improvements to the nineteenth-century piano led to the development of the modern concert grand piano.
■ Frédéric Chopin dedicated his entire compositional output to the piano; he is said to have originated the modern piano style.
■ Chopin’s output includes études (highly virtuosic study pieces), meditative nocturnes, preludes, and dances (including Polish mazurkas and polonaises), as well as sonatas and concertos for piano.
The rise in the popularity of the piano shaped the musical culture of the Romantic era. It was the instrument of choice for the home and was also a favorite instrument of virtuosos.
Technical improvements to the piano in the nineteenth century led to the development of the modern concert grand piano. At the Paris exhibition of 1867, American manufacturer Steinway, maker of some of today’s finest pianos, took top awards.
The composers pictured here were among the masters of the short piano piece:
Schubert, Chopin, Liszt, Felix Mendelssohn, Fanny Mendelssohn Hensel, Robert and Clara Schumann, and Brahms
Their works explored the technical resources of the piano, enabled the realization of its full potential for expression, and epitomized the Romantic ideal for instrumental music of a “song without words.”
George Sand left this memorable account of Chopin at work:
“His creative power was spontaneous, miraculous. It came to him without effort or warning. . . . But then began the most heartrending labor I have ever witnessed. “
Chopin’s works were centered on the piano. His smaller forms included nocturnes, preludes, impromptus, waltzes, mazurkas, and études. His larger forms included
ballades, polonaises, fantasies, sonatas and piano concertos.
Musical excerpt: Chopin Fantasie Impromptu [link to excerpt]
To follow is a Listening Guide for Chopin Mazurka in B-flat minor, Op. 24, No. 4.
Mazurka in B-flat Minor, Op. 24, No. 4, was one of a set of four written in 1833. The mazurka originated in Chopin’s home district of Mazovia, Poland. It is a lively dance in triple meter with accents on the second or third beat of the measure.
Listen for chromatic, disjunct, wide-ranging melodic lines with a dancelike dotted rhythmic figure. Shifts occur harmonically between major and minor. Modal harmonies and chromaticism are also used frequently. The texture is mostly homophonic with a quarter-note accompaniment in the left hand. The overall form is A-B-A-C-D-A with some repetition of sections followed by a long coda. Rubato and heavy accents are employed to enhance musical expression.
Listening Guide 22—Chopin: Mazurka in B-flat Minor
Listening Guide 22—Chopin: Mazurka in B-flat Minor