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DISCONTINUITY TECHNIQUES
Editing
CONTINUITY EDITING
• shot-reverse-
shot
• parallel
editing
• eye-line match
• 180 degree
rule
• action match
• cut-in
• cut-away
• L-cut
• J-cut
• graphic match
DISCONTINUITY
• Film maker will deliberately use an
arrangement of shots that seem out of
place or confusing compared to
continuity editing
• Shattering the illusion of the film world
JUMP CUT
• A transition between two shots which appear to
‘jump’ due to the way the shots are framed in relation
to each other
• Object may appear to move to a position we don’t
naturally expect
SPLIT SCREEN • two or more camera shots within one frame
BREAKING THE 180 DEGREE LINE RULE
FREEZE FRAME
• When a single frame of content shows repeatedly on the screen –
freezing the action
• resembles a photograph
ACTIVITY
• A 2-minute sequence
• Use at least 3 examples of discontinuity
editing
• Use at least 6 examples of continuity editing
(incl. 180 degree rule)
• Think about how you create meaning for the
audience
• Plan your shots and edits

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Discontinuity editing

  • 2. CONTINUITY EDITING • shot-reverse- shot • parallel editing • eye-line match • 180 degree rule • action match • cut-in • cut-away • L-cut • J-cut • graphic match
  • 3. DISCONTINUITY • Film maker will deliberately use an arrangement of shots that seem out of place or confusing compared to continuity editing • Shattering the illusion of the film world
  • 4. JUMP CUT • A transition between two shots which appear to ‘jump’ due to the way the shots are framed in relation to each other • Object may appear to move to a position we don’t naturally expect
  • 5. SPLIT SCREEN • two or more camera shots within one frame
  • 6. BREAKING THE 180 DEGREE LINE RULE
  • 7. FREEZE FRAME • When a single frame of content shows repeatedly on the screen – freezing the action • resembles a photograph
  • 8. ACTIVITY • A 2-minute sequence • Use at least 3 examples of discontinuity editing • Use at least 6 examples of continuity editing (incl. 180 degree rule) • Think about how you create meaning for the audience • Plan your shots and edits