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A Brief History of Important
Animators and Their Films
by Melissa Wilkinson
Winsor McCay (1869-1934)
 Self-taught in comic art
 Worked in vaudeville
 Started animating
“Little Nemo” on a bet
 Did almost all work
himself
 Thousands of drawings
Winsor McCay (1869-1934)
 “Gertie the Dinosaur” (1914)
 First character animation
 Live interaction
Walt Disney (1901-1966)
 Started in comic art
 Studied at Kansas City Art Institute
 First character:
Oswald the Lucky Rabbit
 Created Mickey Mouse after loss of
rights to Oswald
Walt Disney (1901-1966)
 Mickey & Minnie debuted in
“Steamboat Willie” (1928)
 First sound-synch cartoon
 “Snow White & The Seven
Dwarves” (1937)
 First animated feature film
Walt Disney (1901-1966)
 Didn’t originate practices, but refined them
 Always looking for ways
technology could help
storytelling
 Multi-Plane Camera
 “Caricature of both life
and action”
 Live models for animals
Walt Disney (1901-1966)
 Mostly managerial, oversaw studio of other animators:
 Ub Iwerks
◦ Walt’s first business partner, did most of the animation work
◦ Helped design Mickey Mouse, Walt created the personality
 “Nine Old Men”
◦ Walt’s right-hand team
◦ Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric
Larson, John Lounsbery, Wolfgang Reitherman, Frank Thomas
◦ Reitherman directed all animated films after Walt’s death, 1966-1981
Chuck Jones (1912-2002)
 Started art career selling
pencil portraits for $1 on the
sidewalk
 Worked as a cel washer for
Ub Iwerks
 Hired by Warner Brothers to
work on Looney Tunes
 Created Road Runner & Wile
E. Coyote, Pepe LePew,
Marvin the Martian, and
Michigan J. Frog
Chuck Jones (1912-2002)
 Directed 10 of the 50 Greatest Cartoons
◦ #1 – “What’s Opera, Doc?” (1957)
◦ #2 – “Duck Amuck” (1953)
 “How The Grinch Stole Christmas” (1966)
 Won 3 Oscars, Lifetime Achievement Award
Richard Williams (1933)
 Created “The Animator’s Survival Guide” textbooks
 Teaches sold-out animation masterclasses
 Academy Award for “A Christmas Carol” short
adaptation in 1971
 Animated titles for the Pink Panther movies
 Directed animation for Who Framed Roger Rabbit
Richard Williams (1933)
 “The Thief & The Cobbler” project started in 1964
 Incredibly detailed, scenes redrawn constantly
 Failed to complete the project on time, film was
handed over to substitute animators
 Heavily edited, unnecessary dialogue added
 Released as “Arabian Knight” in 1995, poorly received
 Fan-made “Recobbled Cut” available on YouTube
Hayao Miyazaki (1941)
 Studio Ghibli called “The Japanese Disney”
 Films all hand drawn, less than 10% computer effects
 Lupin III: The Castle of Cagliostro (1979)
 Nausicaa of the Valley of the Wind (1984), adapted
from his own manga series
 My Neighbor Totoro (1988)
 Princess Mononoke (1995)
 Spirited Away (2002),
won Academy Award for
Best Animated Feature
Hayao Miyazaki (1941)
 Gorgeous natural backgrounds
 Detailed character mannerisms
 Delicious-looking food
 Strong, fierce heroines
 Rosy-cheeked youngsters
 Flight, avation, transportation
 Morally gray villains
 Protection of nature
 Magic, wonder, innocence
John Lasseter (1957)
 Voted “Best Artist” by his senior high school class
 Sword in the Stone inspired him to work at Disney
 Graduated from CalArts Character Animation program
 Was fired from Disney after his experimental projects
didn’t work out
 Joined the Lucasfilm computer graphics team that
would eventually form Pixar
John Lasseter (1957)
 Brought character animation skills to a technical team
 Early short films: The Adventures of Andre & Wally B,
Luxo Jr, Red’s Dream, Tin Toy
 Received Special Achievement Academy Award for
Toy Story, first computer-animated feature film
 Re-worked Toy Story 2 nine months before release
 Currently serves as Chief Creative Officer for both
Disney and Pixar
If you want to learn more…
Visit my blog at cartoonology.tumblr.com!

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History of Animation: Important Animators and Their Films

  • 1. A Brief History of Important Animators and Their Films by Melissa Wilkinson
  • 2. Winsor McCay (1869-1934)  Self-taught in comic art  Worked in vaudeville  Started animating “Little Nemo” on a bet  Did almost all work himself  Thousands of drawings
  • 3. Winsor McCay (1869-1934)  “Gertie the Dinosaur” (1914)  First character animation  Live interaction
  • 4. Walt Disney (1901-1966)  Started in comic art  Studied at Kansas City Art Institute  First character: Oswald the Lucky Rabbit  Created Mickey Mouse after loss of rights to Oswald
  • 5. Walt Disney (1901-1966)  Mickey & Minnie debuted in “Steamboat Willie” (1928)  First sound-synch cartoon  “Snow White & The Seven Dwarves” (1937)  First animated feature film
  • 6. Walt Disney (1901-1966)  Didn’t originate practices, but refined them  Always looking for ways technology could help storytelling  Multi-Plane Camera  “Caricature of both life and action”  Live models for animals
  • 7. Walt Disney (1901-1966)  Mostly managerial, oversaw studio of other animators:  Ub Iwerks ◦ Walt’s first business partner, did most of the animation work ◦ Helped design Mickey Mouse, Walt created the personality  “Nine Old Men” ◦ Walt’s right-hand team ◦ Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Wolfgang Reitherman, Frank Thomas ◦ Reitherman directed all animated films after Walt’s death, 1966-1981
  • 8. Chuck Jones (1912-2002)  Started art career selling pencil portraits for $1 on the sidewalk  Worked as a cel washer for Ub Iwerks  Hired by Warner Brothers to work on Looney Tunes  Created Road Runner & Wile E. Coyote, Pepe LePew, Marvin the Martian, and Michigan J. Frog
  • 9. Chuck Jones (1912-2002)  Directed 10 of the 50 Greatest Cartoons ◦ #1 – “What’s Opera, Doc?” (1957) ◦ #2 – “Duck Amuck” (1953)  “How The Grinch Stole Christmas” (1966)  Won 3 Oscars, Lifetime Achievement Award
  • 10. Richard Williams (1933)  Created “The Animator’s Survival Guide” textbooks  Teaches sold-out animation masterclasses  Academy Award for “A Christmas Carol” short adaptation in 1971  Animated titles for the Pink Panther movies  Directed animation for Who Framed Roger Rabbit
  • 11. Richard Williams (1933)  “The Thief & The Cobbler” project started in 1964  Incredibly detailed, scenes redrawn constantly  Failed to complete the project on time, film was handed over to substitute animators  Heavily edited, unnecessary dialogue added  Released as “Arabian Knight” in 1995, poorly received  Fan-made “Recobbled Cut” available on YouTube
  • 12. Hayao Miyazaki (1941)  Studio Ghibli called “The Japanese Disney”  Films all hand drawn, less than 10% computer effects  Lupin III: The Castle of Cagliostro (1979)  Nausicaa of the Valley of the Wind (1984), adapted from his own manga series  My Neighbor Totoro (1988)  Princess Mononoke (1995)  Spirited Away (2002), won Academy Award for Best Animated Feature
  • 13. Hayao Miyazaki (1941)  Gorgeous natural backgrounds  Detailed character mannerisms  Delicious-looking food  Strong, fierce heroines  Rosy-cheeked youngsters  Flight, avation, transportation  Morally gray villains  Protection of nature  Magic, wonder, innocence
  • 14. John Lasseter (1957)  Voted “Best Artist” by his senior high school class  Sword in the Stone inspired him to work at Disney  Graduated from CalArts Character Animation program  Was fired from Disney after his experimental projects didn’t work out  Joined the Lucasfilm computer graphics team that would eventually form Pixar
  • 15. John Lasseter (1957)  Brought character animation skills to a technical team  Early short films: The Adventures of Andre & Wally B, Luxo Jr, Red’s Dream, Tin Toy  Received Special Achievement Academy Award for Toy Story, first computer-animated feature film  Re-worked Toy Story 2 nine months before release  Currently serves as Chief Creative Officer for both Disney and Pixar
  • 16. If you want to learn more… Visit my blog at cartoonology.tumblr.com!