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PRECOLONIAL PERIOD:
THE TRADITIONALIST GROUP OF MNDANAO
THE TRADITIONALIST GROUP OF MINDANAO

 second largest island in the Philippine Island
 "The Land of Promise"

 animist beliefs are still clung to—Davao and
 Cotabato
 delegations of dancers from certain remote
 regions would come down to so-called
 "Tribalfests“—display dances, rituals,
 musicmaking and other skills
THE TRADITIONALIST GROUP OF MINDANAO

   dancer's physique (movements are
    localized), serves to aid in identifying the people
    behind the dance
     among certain groups:
    * Bagobo/Mandaya - focused on foot movements
    * Manobos - stress on freer and more complex
    movements of arms
    * non-Christian (Pangalay) - most sophisticated
    and complex of arm-and-upper-body movements
BAGOBO

 one of the principal non-Christian groups of the
  Davao Provinces of Mindanao
 synonyms for the term Bagobo:

  * Guianga      * Tigdapaya
  * Guanga       * Eto
  * Gulanga
 live to the west and the northwest of Davao
  Gulf
BAGOBO
 neighbors living between Sarangani Bay and the
  western shore of the Gulf of Davao:
   * Kulaman * Bilaan
  * Tagakaolo * Ata
 also found southern Bukidnon and in northeastern
  Cotabato
 highest dream of every young male Bagobo was to
  attain the distinction of becoming a bagani
  (warrior, one who has disposed of more than one
  enemy)
BAGOBO (RELIGION)

 need to offer sacrifice
 20th century, eluding authorities, Bagobo has—
  once in a blue moon—manage to make the
  traditional human sacrifice of a slave in Pag-
  huaga rite, most important among the rituals of
  the Ginum, it being held to satisfy the Pamulak
  Manobo, god of life and death, and other
  deities
MANOBO
 were the original settlers of Mindanao - Manobo
  languages are distributed over a vast region
  including Cotabato, Bukidnon, Davao, Agusan,
  Surigao, and Camiguin Islands (accdg. to the late
  anthropologist Dr. Frank Lynch and linguist Dr.
  Richard Elkins)
 practice ancestor-worship and are polytheistic;
  have an ancient and rich ethnic cultural
  background: chanting, playing musical instrument
  (drum, gong, nose-flute, stampers, Jew's harp,
  budlong)
MANOBO
   listed in the map of the Filipino People, published by the
    National Museum of the Philippines, Manila, 1974, are
    the ff. subgroups of Manobo:
    *Agusan-Surigao         *Ata                *Banwaon
    *Bliy                   *Bukidnon           *Cotabato
    *Dibabawon              *Higaonon           *Hianen
    *Kulamanen              *Manuvu/Obo         *Matigsalug
    *Rajah Kabungsuan *Sarangani                *Tagabawa
    *Tasaday                *Tigwa              *Umayamnon
    *western Bukidnon
MANOBO (DANCES)
 marked by mimicry and symbolism
 mimetic dances found by Garvan were always
  performed exclusively by men:
 * bathing dance                  * apian dance
 * dagger dance for two men       * depilation or
                                  sexual dance
 war dance unfolded to the rhythm of the drums
  which were played with remarkable velocity by 2
  players, one stationed at each end
MANOBO (DANCES)

 warriors believe that they are under the special
  protection of the war-god Tag-Busan
 principal beat in the social dance is dactyllic

 principal musical instruments are the guimbal
  and agong
MANOBO (RELIGION)

 gods worshipped: North (Domalongdong), South
  (Ongli), East (Tagolambong), West (Magbabaya)
 religious dances were at one time performed
  exclusively by the priests or priestesses
 religious dance done exclusively by male and
  female priests (baylan)
 religious dances may be followed by social and/or
  mimetic dances, and by the chanting by the baylan
  of certain legends
TAGAKAULO
 were seen by Fay Cooper Cole only one, but he
  mentions them as being recognized as a distinct
  ethnic unit by the Jesuits
 inhabited a part of the Davao seacost area
  bordering the Davaoy Gulf and extending from
  Casilaran Cove to a little below the Lais River
 were represented at Davao City's Tribalfest '76,
  and that of '78 were part of the group brought over
  by the Panamin to perform in the FAT's Festival
  '78
TAGAKAULO
   "pagan“—singing of the Alimocon bird is taken as a bad
    omen
   Origin of the term Tagakaulo by Rajah Carlito Buntas
    - tagakaulo were once the most dangerous tribe in
    Southern Davao, in the center of upper Malita called
    Kalatagan
   Accdg to Datu Macatuno:
   - the name Taga-ulo was derived from the equivalent of
    'executioner'
   - another explanation, tagakaulo means " inhabitants of
    the headwaters"
MANSAKA

 ethnically related to the Mandayas
 tribal group of Mansaka live in the hills of
  Barrio Masara, Maco, Davao del Norte
 has not reached the level of the cultural
  development of the Filipino Muslim
 lived peacefully , hunting game, planting a little
MANSAKA (DANCES)

 characterized by the rhythmic movement of the
  knees, feet, arms, and hands
 musical instruments used are two-stringed
  guitar fashioned from woods, flute, and drums
  of deerskin
MANDAYA
 man "people", daya "up the river"
 inhabit the Mindanao east coast along the
  upper Agusan River
 Dean C. Worcester found them to be fine-
  looking and light in color, fully clothed, skillful
  metal-workers who fashioned artistic circular
  plates of silver ornamented with geometric
  patterns, which plates they often used for
  personal adornment
MANDAYA

 have been known to be enthusiastic slave-
  takers and obdurate fighters
 Shona Mactavish: " their movements appeared
  to have adapted something of the fierce beauty
  of the CalouEagle"
T’BOLI
 also referred to as Tagabili
 a minority national group which is
  compararively sophistictes in language, dress,
  and mythology
 deity of the T’boli are either benefecient or
  harmful
 legend : first man and the first woman were
  formed from clay by Hiyuwe (goddess of good),
  and Sidakwe (goddess of evil)
T’BOLI
 Rev. Father Gabriel Casal, O. S. B who has done
  extensive research into T’boli culture, finds the
  T’boli to be light of build and thoroughly
  Malayan in features, without any trace of the
  Chinese strain
 reports: “the most beautiful of brown eyes is
  commonlace among T’boli women and
  children—often enough being the limpdity of
  honey against the sunlight”
T’BOLI

 only men practice sacrificaton, and they do so
  as a means of proving their courage
 traditional T’boli cloth—deep reddish brown,
  white, and black—adds a fascinating touch to
  the appearance of a T’boli
 Believe that all objects house a spirit, whose
  good will they curry
T’BOLI
 Casal concludes that the T’boli religion
  permeates the T’boli’s whole life, and also
  imprisons him through its iron grip of
  conservatism while, at the same time, giving
  his life a unified meaning—and of this spiritual
  orientation
 Casal states: “it might well be the factor that
  has preserved the tribe’s identity through the
  centuries.”
T’BOLI

   at a Panamin-organized performance at the
    CCP sometime in 1975 sponsored by ADB and
    witnessed by this author, the ff T’boli numbers
    were shown:
     T’boli Horsefight Drum Rhythms
     T’boli Bird-Dance

     T’boli Monkey Dance

     T’boli Festival Dance
BILAAN

 are to be found in Southern Cotabato, and also
  in Davao
 said to belong to the same ethnic group as the
  Manobos, Tagabilis, and Kalayans
 other synonyms of Bilaan:
     Vilanes

     Balud

     Tumarao
BILAAN

 believe that they are creatures of Melu, the
  creator
 believe that, originally there were only two
  beings in the universe: Melu (creator) and Tau
  Dalona Tana
BILAAN
   anthropologists suspect that the Bilaans were
    among the first of ancestral Indonesians who
    migrated to the Philippines some 5000-6000
    years ago, and that they then settled on the
    wide Koronadal Valley, where they classify and
    identify themselves as:
     Tagalagad   Biraan    Bilan
     Tagakogon   Baraan
     Buluanes    Bilaan
BILAAN
 small but agile
 semi-nomadic and still practice a form of barter
  using gongs, swords, krises, and agricultural
  products as the media of exchange
 type of clothing is similar to that of the Bagobo
 women’s skirt is of hemp, and they were a
  comb of bamboo or rattan splints
 kinds of dances were full of graceful play and
  ploy
BUKIDNON

 mountain people
 live in the Visayan uplands of Aklan and
  southeastern Negros, as well as in the
  mountains of Cagayan de Oro and Bukidnon in
  Mindanao
 believed to be descendants of Visayanswho
  had formerly inter-married with Negritos
 believe in aswangs
BUKIDNON

 male Bukidnons are expert hunters, fishermen,
  and blacksmiths
 female Bukidnons attend to the household
  chores
 2 dances-of-offering from Bukidnon:
     Inahaw

     Dugso
TIRURAY
 live in the deep forests of northwest Cotabato in
  southwestern Mindanao, and south of the
  Cotabato River
 composed or, relative to their respective
  environments: coastal, reverine, and mountain
  groups
 linked to Maguindanaos
 legend: Tirurays and the Maguindanaosoriginally
  had but one set of parents, and that said first
  parents had two sons
SUBANON

 so-called because they live along riverbanks
  and streams
 Live in Zamboanga and in Misamis Occidental

 anitos or spirits are worshipped and contacted
  by the Subanons during such times as th
  occurrence of illness of poor harvests
SUBANON

   deities that they worship:
     Tagma-sa-dugat  (lord of sea)
     Tagma-sa-yuta (lord of earth)

     Tagma-sa-mga-bugund (lord of woods)

     Tagma-sa-saguit (lord protector of the sick)

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Precolonial period

  • 2. THE TRADITIONALIST GROUP OF MINDANAO  second largest island in the Philippine Island  "The Land of Promise"  animist beliefs are still clung to—Davao and Cotabato  delegations of dancers from certain remote regions would come down to so-called "Tribalfests“—display dances, rituals, musicmaking and other skills
  • 3. THE TRADITIONALIST GROUP OF MINDANAO  dancer's physique (movements are localized), serves to aid in identifying the people behind the dance among certain groups: * Bagobo/Mandaya - focused on foot movements * Manobos - stress on freer and more complex movements of arms * non-Christian (Pangalay) - most sophisticated and complex of arm-and-upper-body movements
  • 4. BAGOBO  one of the principal non-Christian groups of the Davao Provinces of Mindanao  synonyms for the term Bagobo: * Guianga * Tigdapaya * Guanga * Eto * Gulanga  live to the west and the northwest of Davao Gulf
  • 5. BAGOBO  neighbors living between Sarangani Bay and the western shore of the Gulf of Davao: * Kulaman * Bilaan * Tagakaolo * Ata  also found southern Bukidnon and in northeastern Cotabato  highest dream of every young male Bagobo was to attain the distinction of becoming a bagani (warrior, one who has disposed of more than one enemy)
  • 6. BAGOBO (RELIGION)  need to offer sacrifice  20th century, eluding authorities, Bagobo has— once in a blue moon—manage to make the traditional human sacrifice of a slave in Pag- huaga rite, most important among the rituals of the Ginum, it being held to satisfy the Pamulak Manobo, god of life and death, and other deities
  • 7. MANOBO  were the original settlers of Mindanao - Manobo languages are distributed over a vast region including Cotabato, Bukidnon, Davao, Agusan, Surigao, and Camiguin Islands (accdg. to the late anthropologist Dr. Frank Lynch and linguist Dr. Richard Elkins)  practice ancestor-worship and are polytheistic; have an ancient and rich ethnic cultural background: chanting, playing musical instrument (drum, gong, nose-flute, stampers, Jew's harp, budlong)
  • 8. MANOBO  listed in the map of the Filipino People, published by the National Museum of the Philippines, Manila, 1974, are the ff. subgroups of Manobo: *Agusan-Surigao *Ata *Banwaon *Bliy *Bukidnon *Cotabato *Dibabawon *Higaonon *Hianen *Kulamanen *Manuvu/Obo *Matigsalug *Rajah Kabungsuan *Sarangani *Tagabawa *Tasaday *Tigwa *Umayamnon *western Bukidnon
  • 9. MANOBO (DANCES)  marked by mimicry and symbolism  mimetic dances found by Garvan were always performed exclusively by men: * bathing dance * apian dance * dagger dance for two men * depilation or sexual dance  war dance unfolded to the rhythm of the drums which were played with remarkable velocity by 2 players, one stationed at each end
  • 10. MANOBO (DANCES)  warriors believe that they are under the special protection of the war-god Tag-Busan  principal beat in the social dance is dactyllic  principal musical instruments are the guimbal and agong
  • 11. MANOBO (RELIGION)  gods worshipped: North (Domalongdong), South (Ongli), East (Tagolambong), West (Magbabaya)  religious dances were at one time performed exclusively by the priests or priestesses  religious dance done exclusively by male and female priests (baylan)  religious dances may be followed by social and/or mimetic dances, and by the chanting by the baylan of certain legends
  • 12. TAGAKAULO  were seen by Fay Cooper Cole only one, but he mentions them as being recognized as a distinct ethnic unit by the Jesuits  inhabited a part of the Davao seacost area bordering the Davaoy Gulf and extending from Casilaran Cove to a little below the Lais River  were represented at Davao City's Tribalfest '76, and that of '78 were part of the group brought over by the Panamin to perform in the FAT's Festival '78
  • 13. TAGAKAULO  "pagan“—singing of the Alimocon bird is taken as a bad omen  Origin of the term Tagakaulo by Rajah Carlito Buntas - tagakaulo were once the most dangerous tribe in Southern Davao, in the center of upper Malita called Kalatagan  Accdg to Datu Macatuno:  - the name Taga-ulo was derived from the equivalent of 'executioner'  - another explanation, tagakaulo means " inhabitants of the headwaters"
  • 14. MANSAKA  ethnically related to the Mandayas  tribal group of Mansaka live in the hills of Barrio Masara, Maco, Davao del Norte  has not reached the level of the cultural development of the Filipino Muslim  lived peacefully , hunting game, planting a little
  • 15. MANSAKA (DANCES)  characterized by the rhythmic movement of the knees, feet, arms, and hands  musical instruments used are two-stringed guitar fashioned from woods, flute, and drums of deerskin
  • 16. MANDAYA  man "people", daya "up the river"  inhabit the Mindanao east coast along the upper Agusan River  Dean C. Worcester found them to be fine- looking and light in color, fully clothed, skillful metal-workers who fashioned artistic circular plates of silver ornamented with geometric patterns, which plates they often used for personal adornment
  • 17. MANDAYA  have been known to be enthusiastic slave- takers and obdurate fighters  Shona Mactavish: " their movements appeared to have adapted something of the fierce beauty of the CalouEagle"
  • 18. T’BOLI  also referred to as Tagabili  a minority national group which is compararively sophistictes in language, dress, and mythology  deity of the T’boli are either benefecient or harmful  legend : first man and the first woman were formed from clay by Hiyuwe (goddess of good), and Sidakwe (goddess of evil)
  • 19. T’BOLI  Rev. Father Gabriel Casal, O. S. B who has done extensive research into T’boli culture, finds the T’boli to be light of build and thoroughly Malayan in features, without any trace of the Chinese strain  reports: “the most beautiful of brown eyes is commonlace among T’boli women and children—often enough being the limpdity of honey against the sunlight”
  • 20. T’BOLI  only men practice sacrificaton, and they do so as a means of proving their courage  traditional T’boli cloth—deep reddish brown, white, and black—adds a fascinating touch to the appearance of a T’boli  Believe that all objects house a spirit, whose good will they curry
  • 21. T’BOLI  Casal concludes that the T’boli religion permeates the T’boli’s whole life, and also imprisons him through its iron grip of conservatism while, at the same time, giving his life a unified meaning—and of this spiritual orientation  Casal states: “it might well be the factor that has preserved the tribe’s identity through the centuries.”
  • 22. T’BOLI  at a Panamin-organized performance at the CCP sometime in 1975 sponsored by ADB and witnessed by this author, the ff T’boli numbers were shown:  T’boli Horsefight Drum Rhythms  T’boli Bird-Dance  T’boli Monkey Dance  T’boli Festival Dance
  • 23. BILAAN  are to be found in Southern Cotabato, and also in Davao  said to belong to the same ethnic group as the Manobos, Tagabilis, and Kalayans  other synonyms of Bilaan:  Vilanes  Balud  Tumarao
  • 24. BILAAN  believe that they are creatures of Melu, the creator  believe that, originally there were only two beings in the universe: Melu (creator) and Tau Dalona Tana
  • 25. BILAAN  anthropologists suspect that the Bilaans were among the first of ancestral Indonesians who migrated to the Philippines some 5000-6000 years ago, and that they then settled on the wide Koronadal Valley, where they classify and identify themselves as:  Tagalagad Biraan Bilan  Tagakogon Baraan  Buluanes Bilaan
  • 26. BILAAN  small but agile  semi-nomadic and still practice a form of barter using gongs, swords, krises, and agricultural products as the media of exchange  type of clothing is similar to that of the Bagobo  women’s skirt is of hemp, and they were a comb of bamboo or rattan splints  kinds of dances were full of graceful play and ploy
  • 27. BUKIDNON  mountain people  live in the Visayan uplands of Aklan and southeastern Negros, as well as in the mountains of Cagayan de Oro and Bukidnon in Mindanao  believed to be descendants of Visayanswho had formerly inter-married with Negritos  believe in aswangs
  • 28. BUKIDNON  male Bukidnons are expert hunters, fishermen, and blacksmiths  female Bukidnons attend to the household chores  2 dances-of-offering from Bukidnon:  Inahaw  Dugso
  • 29. TIRURAY  live in the deep forests of northwest Cotabato in southwestern Mindanao, and south of the Cotabato River  composed or, relative to their respective environments: coastal, reverine, and mountain groups  linked to Maguindanaos  legend: Tirurays and the Maguindanaosoriginally had but one set of parents, and that said first parents had two sons
  • 30. SUBANON  so-called because they live along riverbanks and streams  Live in Zamboanga and in Misamis Occidental  anitos or spirits are worshipped and contacted by the Subanons during such times as th occurrence of illness of poor harvests
  • 31. SUBANON  deities that they worship:  Tagma-sa-dugat (lord of sea)  Tagma-sa-yuta (lord of earth)  Tagma-sa-mga-bugund (lord of woods)  Tagma-sa-saguit (lord protector of the sick)