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Essential Works: Week 1- Italian and Northern Renaissance

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ARTH 1441
Essential Works Week 1
Ch. 18: Fourteenth-Century European Art
Ch. 19 Northern Renaissance
Ch. 20 Early Renaissance in Italy

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Essential Works: Week 1- Italian and Northern Renaissance

  1. 1. Note: some of these are multiple/alternate views of the same piece ARTH 1441 Essential Works Week 1 Ch. 18: Fourteenth-Century European Art Ch. 19 Northern Renaissance Ch. 20 Early Renaissance in Italy
  2. 2. Andrea Pisano LIFE OF ST. JOHN THE BAPTIST South doors, baptistery of San Giovanni, Florence. 1330-1336. Gilded bronze, each panel 19-1/4" � 17" (48 � 43 cm). Frame, Ghiberti workshop, mid 15th century. The bronze vine scrolls filled with flowers, fruits, and birds on the lintel and jambs framing the door were added in the mid fifteenth century. [Fig. 18-03]
  3. 3. Andrea Pisano THE BAPTISM OF THE MULTITUDE Detail of the south doors, baptistery of San Giovanni, Florence. 1330-1336. Gilded bronze, 19-1/4" � 17" (48 � 43 cm). [Fig. 18-04]
  4. 4. Cimabue VIRGIN AND CHILD ENTHRONED Most likely painted for the high altar of the church of Santa Trinit�, Florence. c. 1280. Tempera and gold on wood panel, 12'7" � 7'4" (3.53 � 2.2 m). Galleria degli Uffizi, Florence. [Fig. 18-05]
  5. 5. Giotto di Bondone VIRGIN AND CHILD ENTHRONED Most likely painted for the high altar of the church of the Ognissanti (All Saints), Florence. 1305-1310. Tempera and gold on wood panel, 10'8" � 6'8-1/4" (3.53 � 2.05 m). Galleria degli Uffizi, Florence. [Fig. 18-06]
  6. 6. Giotto di Bondone SCROVEGNI (ARENA) CHAPEL, VIEW TOWARD EAST WALL Padua. 1305-1306. Frescos. [Fig. 18-07]
  7. 7. Giotto di Bondone MARRIAGE AT CANA, RAISING OF LAZARUS, LAMENTATION, AND RESURRECTION/NOLI ME TANGERE North wall of Scrovegni (Arena) Chapel, Padua. 1305-1306. Fresco, each scene approx. 6'5" � 6' (2 � 1.85 m). [Fig. 18-08]
  8. 8. Duccio di Buoninsegna CONJECTURAL RECONSTRUCTION OF THE FRONT (A) AND BACK (B) OF THE MAEST� ALTARPIECE Made for Siena Cathedral. 1308-1311. Tempera and gold on wood, main front panel 7' � 13' (2.13 � 4.12 m). [Fig. 18-10a]
  9. 9. Duccio di Buoninsegna RAISING OF LAZARUS From the predella of the back of the Maest� altarpiece (lower right corner of FIG. 18- 10b), made for Siena Cathedral. 1308-1311. Tempera and gold on wood, 17-1/8" � 18-1/4" (43.5 � 46.4 cm). Kimbell Art Museum, Fort Worth, Texas. [Fig. 18-11]
  10. 10. Jan van Eyck DOUBLE PORTRAIT OF GIOVANNI ARNOLFINI AND HIS WIFE 1434. Oil on wood panel, 33" � 22-1/2" (83.8 � 57.2 cm). The National Gallery, London. [Fig. 19-01]
  11. 11. ART AND ITS CONTEXTS: Altars and Alterpieces Diptych, triptych, and winged triptych alterpiece.
  12. 12. ART AND ITS CONTEXTS: Altars and Alterpieces Altar and triptych alterpiece.
  13. 13. UNICORN IS FOUND AT THE FOUNTAIN From the Hunt of the Unicorn tapestry series. c. 1495-1505. Wool, silk, and silver- and gilt-wrapped thread (13-21 warp threads per inch), 12'1" � 12'5" (3.68 � 3.78 m). Metropolitan Museum of Art, New York. Gift of John D. Rockefeller Jr., The Cloisters Collection, 1937 (37.80.2) [Fig. 19-08]
  14. 14. Workshop of the Master of Fl�malle M�RODE ALTARPIECE (TRIPTYCH OF THE ANNUNCIATION) (OPEN) c. 1425-1430s. Oil on wood panel, center 25-1/4" � 24-7/8" (64.1 � 63.2 cm); each wing approx. 25-3/8" � 10-3/4" (64.5 � 27.6 cm). Metropolitan Museum of Art, New York. The Cloisters Collection, 1956 (56.70) [Fig. 19-10]
  15. 15. Workshop of the Master of Fl�malle A FLEMISH CITY Detail of the right wing of the M�rode Altarpiece (FIG. 19-10). [Fig. 19-11]
  16. 16. Jan van Eyck MAN IN A RED TURBAN 1433. Oil on wood panel, 13-1/8" � 10-1/4" (33.3 � 25.8 cm). National Gallery, London. [Fig. 19-12]
  17. 17. Jan van Eyck DETAIL OF MIRROR AND SIGNATURE IN A DOUBLE PORTRAIT OF GIOVANNI ARNOLFINI AND HIS WIFE (FIG. 19-1) 1434. Oil on wood panel. The National Gallery, London. [Fig. 19-13]
  18. 18. Rogier van der Weyden DEPOSITION From an altarpiece commissioned by the crossbowmen's guild, Louvain, Belgium. Before 1443, possibly c. 1435-1438. Oil on wood panel, 7'2-5/8" � 8'7-1/8" (2.2 � 2.62 m). Museo del Prado, Madrid. [Fig. 19-16]
  19. 19. Hugo van der Goes PORTINARI ALTARPIECE (OPEN) c. 1474-1476. Tempera and oil on wood panel; center 8'3-1/2" � 10' (2.53 � 3.01 m), wings each 8'3-1/2" � 4'7-1/2" (2.53 � 1.41 m). Galleria degli Uffizi, Florence. [Fig. 19-19b]
  20. 20. Hugo van der Goes PORTINARI ALTARPIECE (OPEN) c. 1474-1476. Tempera and oil on wood panel; center 8'3-1/2" � 10' (2.53 � 3.01 m), wings each 8'3-1/2" � 4'7-1/2" (2.53 � 1.41 m). Galleria degli Uffizi, Florence. [Fig. 19-19a]
  21. 21. Hugo van der Goes PORTINARI ALTARPIECE (OPEN) c. 1474-1476. Tempera and oil on wood panel; center 8'3-1/2" � 10' (2.53 � 3.01 m), wings each 8'3-1/2" � 4'7-1/2" (2.53 � 1.41 m). Galleria degli Uffizi, Florence. [Fig. 19-19c]
  22. 22. Martin Schongauer THE TEMPTATIONS OF ST. ANTHONY c. 1470-1480. Engraving, 12-1/4" � 9" (31.1 � 22.9 cm). Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.5.2) [Fig. 19-28]
  23. 23. TECHNIQUE: Woodcuts and Engravings of Metal
  24. 24. Early Renaissance in Italy
  25. 25. Filippo Brunelleschi DOME OF FLORENCE CATHEDRAL (SANTA MARIA DEL FIORE) 1420-1436; lantern completed 1471. [Fig. 20-02]
  26. 26. SCHEMATIC DRAWING OF FLORENCE CATHEDRAL The separate, central-plan building in front of the fa�ade is the baptistery. Adjacent to the fa�ade is a tall tower designed by Giotto in 1334. [Fig. 20-03]
  27. 27. Filippo Brunelleschi (continued by Michelozzo di Bartolomeo) INTERIOR (A) AND PLAN (B) OF CHURCH OF SAN LORENZO, FLORENCE c. 1421-1428; nave (designed 1434?) 1442-1470. [Fig. 20-04b]
  28. 28. Filippo Brunelleschi SACRIFICE OF ISAAC 1401-1402. Bronze with gilding, 21" � 17-1/2" (53 � 44 cm) inside molding. Museo Nazionale del Bargello, Florence. [Fig. 20-09]
  29. 29. Lorenzo Ghiberti SACRIFICE OF ISAAC 1401-1402. Bronze with gilding, 21" � 17-1/2" (53 � 44 cm) inside molding. Museo Nazionale del Bargello, Florence. [Fig. 20-10]
  30. 30. Donatello DAVID c. 1446-1460(?). Bronze, height 5'2-1/4" (1.58 m). Museo Nazionale del Bargello, Florence. [Fig. 20-14]
  31. 31. Lorenzo Ghiberti "GATES OF PARADISE" (EAST BAPTISTERY DOORS) Formerly on the Baptistery of San Giovanni, Florence. 1425-1452. Gilt bronze, height 15' (4.57 m). Museo dell'Opera del Duomo, Florence. [Fig. 20-16]
  32. 32. Lorenzo Ghiberti JACOB AND ESAU, PANEL OF THE "GATES OF PARADISE" (EAST BAPTISTERY DOORS) Formerly on the Baptistery of San Giovanni, Florence. c. 1435. Gilded bronze, 31 1/4" (79 cm) square. Museo dell'Opera del Duomo, Florence. [Fig. 20-17]
  33. 33. Masaccio TRINITY WITH THE VIRGIN, ST. JOHN THE EVANGELIST, AND DONORS Church of Santa Maria Novella, Florence. c. 1425-1427/1428. Fresco, 21' � 10'5" (6.4 � 3.2 m). [Fig. 20-19]
  34. 34. Masaccio THE TRIBUTE MONEY Brancacci Chapel, church of Santa Maria del Carmine, Florence. c. 1427. Fresco, 8'1" � 19'7" (2.46 � 6 m). [Fig. 20-22]
  35. 35. Andrea del Verrocchio DAVID Commissioned by Lorenzo de' Medici for the Medici Palace. c. 1470-1475. Bronze with gilded details, height 49-5/8" (1.26 m). Museo Nazionale del Bargello, Florence. [Fig. 20-34]
  36. 36. Sandro Botticelli BIRTH OF VENUS c. 1484-1486. Tempera and gold on canvas, 5'8-7/8" � 9'1-7/8" (1.8 � 2.8 m). Galleria degli Uffizi, Florence. [Fig. 20-40]

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