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Contemporary
   Issues



  1990 - 2003



          Jeff Wall, Picture for Women, 1979
1990 - 2003: Art Reflects on its History




      Yinka
      Shonibare
      Untitled
      1997




  •     Intentional historicism                    Sir Godfrey Kneller, Portrait of Major
  •     Return to traditional art forms                General Joseph Sabine, ca. 1700
  •     Revisionist approach (identity politics,
        questioning tenets of modernism)
Race and its Representation

 •   Shifting notions of the
     politics of identity
 •   From essentialist and
     positive notions of identity
     (blackness, femininity, etc) to
     identity as a social
     construction
 •   Complicates identity so that
     it cannot be easily
     categorized or stereotyped
 •   Uses critique of
     documentary forms of racial
     representation, personal
                                       Adrian Piper, from The Mythic Being series
     testimonies, ambiguous                                              1972-76
     narratives, past art forms
 •   Photo-conceptualism
Portraits of Family Life




                                                      Carrie Mae Weems, from the Kitchen
                                                      Table Series, 1990




                 http://www.youtube.com/watch?v=pPDInpNoO50
Portraits of Community




                         Roy DeCarava, from The Sweet Flypaper of Life, 1955
Subversive Beauty: Troubling Typologies of Black Identity
                                             Lorna Simpson, Waterbearer, 1986




                    Vermeer, Young Woman
                    with a Water Jug, 1665




                                   Ellen Gallagher, Mr. Terrific from the DeLuxe series, 2005
The Politics of Identity: The Stereotypical Grotesque


           Dave Chappelle, Racial Stereotype Pixies

          http://www.milkandcookies.com/link/48511/detail/
The Politics of Identity: The Stereotypical Grotesque




                  Kara Walker, Camptown Ladies, 1998
The Politics of Identity: The Stereotypical Grotesque

•   Black-paper cutout silhouettes &
    projections on white gallery and
    museum walls
•   Inspired by fantasies of ante-
    Bellum South
•   Extreme caricatures of Black
    slaves & slave-owners
•   Depicts graphic subjects (sex,
    violence)
•   Revision of older art forms, the
    silhouette & the cyclorama
                                                        Kara Walker, Camptown Ladies, 1998



http://video.pbs.org/video/1237715781/



                                 Silhouette of George
                              And Martha Washington
The Politics of Identity: The Stereotypical Grotesque




            Gettysburg Cyclorama
Disegno (Drawing) vs. Colorito (Color)




                                     Giorgione, The Tempest
   Michelangelo, Madonna and Child
The Odalisque: Challenging Disegno




                    Ingres
                                     Delacroix




                                       Renoir
     Matisse
Drawing in the 20th Century

                         The Matrix (grid): Abstracting the Object




              Mondrian


                                                                     Pollock

                                          The Grapheme: Abstracting the Subject


                              Erasure: Abstracting Time


                              Kentridge
Drawing & Time:
From Deskilling to Re-skilling
 •   Short film of animated
     charcoal drawings using
     erasure and stop-shoot
     technique
 •   Felix in Exile (1994) one
     of many “drawings for
     projection”
 •   Recurring characters &
     love triangle among
                                    William Kentridge, from Felix in Exile, 1994
     Soho Ekstein (a mine-
     owner/capitalist), Felix
     Teitelbaum (an
     artist/self-portrait?), Mrs.
     Ekstein (wife of Ekstein)
 •   Setting is Paris hotel
     room, Felix gazing into
     mirror at Nandi, a South
     African surveyor,
     looking back at him
 •   The gaze
 •   Apartheid ended in 1994
William Kentridge
         Felix in Exile
             1994

http://www.youtube.com/watch?v=vF5cngcXqSs
Palimpsest

  • Linear overlay
    of forms
  • Ancient
    process
  • Allegory of
    memory, time,
    history
  • Kentridge’s
    work a                       Ruffignac cave drawings
                                         ca. 14,000 BCE
    meditation on
    the fate of
    handicraft?
  • Drawing as
    obsolete
    among new
    technologies     Robert Rauschenberg
                     Erased de Kooning
                     1953
New Media                     Bill Viola, The Crossing, 1996


•   Minimalism & the “expanded field”
•   Extended into film and video installations
•   Made possible by technological advances
    in ’80s (projectors, etc)
•   Emphasis on viewer’s perception of the
    work in context (spectatorship), ultimately
    subjective
•   Reflects back on the viewer’s own body
    (sensations) immersed in a image-sound
    space
•   In many cases, activating (through
    movement and sound) traditional art & its
    subject matter (ecstasy, conversion)
•   Spiritual & religious meanings suggested
    by Viola’s work
•   Uses elements (fire, water) as allegories
    of transformation                                  http://www.youtube.com/watch?v=fHqhaH6m9pY
•   The Sublime
                                                                  Viola, Reflecting Pool, 1977-79

                                    http://video.google.com/videoplay?docid=-4498864086957786589#
The Sublime


  Douglas Gordon, 24 Hour Psycho (clip)

http://www.youtube.com/watch?v=I1jkoMfPa40
Pictorial Photography




                        Getrude Kasebier, The Sketch, ca. 1903
Pictorial Photography




 Sam Taylor-Wood
 Soliloquy I, 1998                      Luca Signorelli
 c-type color print                  Lamentation Over
                                       the Dead Christ
                                              ca. 1502
                   Henry Wallis
         The Death of Chatterton
                       ca. 1856    predella – base of an
                                   altarpiece
The Photographer of Modern Life
 •   Digital manipulation of
     photograph recalls mid-19th
     century painting & pictorial
     photography
 •   Large color transparencies set in
     light boxes
 •   Shift away from documentary
     photography
 •   Questions the veracity of the
     image
 •   Interest in pictorial composition,
     size & narrative aligns it with the
     history of figurative painting                     Jeff Wall, Storyteller, 1986
 •   To restore or make whole again
     the fractured image (broken up
     in collage, photomontage) in
     avant-garde art by returning to
     birth of avant-garde (Manet) &
     photography (mid-19th century)
 •   Shows homeless native
                                               Manet,
     Canadians in home town of
                                         Luncheon on
     Vancouver                              the Grass
                                                1863
     “a transgression against
     the institution of transgression” – Wall
Art of the 21st Century

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Lecture, 1990-2003

  • 1. Contemporary Issues 1990 - 2003 Jeff Wall, Picture for Women, 1979
  • 2. 1990 - 2003: Art Reflects on its History Yinka Shonibare Untitled 1997 • Intentional historicism Sir Godfrey Kneller, Portrait of Major • Return to traditional art forms General Joseph Sabine, ca. 1700 • Revisionist approach (identity politics, questioning tenets of modernism)
  • 3. Race and its Representation • Shifting notions of the politics of identity • From essentialist and positive notions of identity (blackness, femininity, etc) to identity as a social construction • Complicates identity so that it cannot be easily categorized or stereotyped • Uses critique of documentary forms of racial representation, personal Adrian Piper, from The Mythic Being series testimonies, ambiguous 1972-76 narratives, past art forms • Photo-conceptualism
  • 4. Portraits of Family Life Carrie Mae Weems, from the Kitchen Table Series, 1990 http://www.youtube.com/watch?v=pPDInpNoO50
  • 5. Portraits of Community Roy DeCarava, from The Sweet Flypaper of Life, 1955
  • 6. Subversive Beauty: Troubling Typologies of Black Identity Lorna Simpson, Waterbearer, 1986 Vermeer, Young Woman with a Water Jug, 1665 Ellen Gallagher, Mr. Terrific from the DeLuxe series, 2005
  • 7. The Politics of Identity: The Stereotypical Grotesque Dave Chappelle, Racial Stereotype Pixies http://www.milkandcookies.com/link/48511/detail/
  • 8. The Politics of Identity: The Stereotypical Grotesque Kara Walker, Camptown Ladies, 1998
  • 9. The Politics of Identity: The Stereotypical Grotesque • Black-paper cutout silhouettes & projections on white gallery and museum walls • Inspired by fantasies of ante- Bellum South • Extreme caricatures of Black slaves & slave-owners • Depicts graphic subjects (sex, violence) • Revision of older art forms, the silhouette & the cyclorama Kara Walker, Camptown Ladies, 1998 http://video.pbs.org/video/1237715781/ Silhouette of George And Martha Washington
  • 10. The Politics of Identity: The Stereotypical Grotesque Gettysburg Cyclorama
  • 11. Disegno (Drawing) vs. Colorito (Color) Giorgione, The Tempest Michelangelo, Madonna and Child
  • 12. The Odalisque: Challenging Disegno Ingres Delacroix Renoir Matisse
  • 13. Drawing in the 20th Century The Matrix (grid): Abstracting the Object Mondrian Pollock The Grapheme: Abstracting the Subject Erasure: Abstracting Time Kentridge
  • 14. Drawing & Time: From Deskilling to Re-skilling • Short film of animated charcoal drawings using erasure and stop-shoot technique • Felix in Exile (1994) one of many “drawings for projection” • Recurring characters & love triangle among William Kentridge, from Felix in Exile, 1994 Soho Ekstein (a mine- owner/capitalist), Felix Teitelbaum (an artist/self-portrait?), Mrs. Ekstein (wife of Ekstein) • Setting is Paris hotel room, Felix gazing into mirror at Nandi, a South African surveyor, looking back at him • The gaze • Apartheid ended in 1994
  • 15. William Kentridge Felix in Exile 1994 http://www.youtube.com/watch?v=vF5cngcXqSs
  • 16. Palimpsest • Linear overlay of forms • Ancient process • Allegory of memory, time, history • Kentridge’s work a Ruffignac cave drawings ca. 14,000 BCE meditation on the fate of handicraft? • Drawing as obsolete among new technologies Robert Rauschenberg Erased de Kooning 1953
  • 17. New Media Bill Viola, The Crossing, 1996 • Minimalism & the “expanded field” • Extended into film and video installations • Made possible by technological advances in ’80s (projectors, etc) • Emphasis on viewer’s perception of the work in context (spectatorship), ultimately subjective • Reflects back on the viewer’s own body (sensations) immersed in a image-sound space • In many cases, activating (through movement and sound) traditional art & its subject matter (ecstasy, conversion) • Spiritual & religious meanings suggested by Viola’s work • Uses elements (fire, water) as allegories of transformation http://www.youtube.com/watch?v=fHqhaH6m9pY • The Sublime Viola, Reflecting Pool, 1977-79 http://video.google.com/videoplay?docid=-4498864086957786589#
  • 18. The Sublime Douglas Gordon, 24 Hour Psycho (clip) http://www.youtube.com/watch?v=I1jkoMfPa40
  • 19. Pictorial Photography Getrude Kasebier, The Sketch, ca. 1903
  • 20. Pictorial Photography Sam Taylor-Wood Soliloquy I, 1998 Luca Signorelli c-type color print Lamentation Over the Dead Christ ca. 1502 Henry Wallis The Death of Chatterton ca. 1856 predella – base of an altarpiece
  • 21. The Photographer of Modern Life • Digital manipulation of photograph recalls mid-19th century painting & pictorial photography • Large color transparencies set in light boxes • Shift away from documentary photography • Questions the veracity of the image • Interest in pictorial composition, size & narrative aligns it with the history of figurative painting Jeff Wall, Storyteller, 1986 • To restore or make whole again the fractured image (broken up in collage, photomontage) in avant-garde art by returning to birth of avant-garde (Manet) & photography (mid-19th century) • Shows homeless native Manet, Canadians in home town of Luncheon on Vancouver the Grass 1863 “a transgression against the institution of transgression” – Wall
  • 22. Art of the 21st Century